Sentences with phrase «brushy line»

That brushy line that tends toward dry brush is influenced by cartoonists like Jillian Tamaki, Craig Thompson, Edmond Baudoin, and Aristophane.

Bui's distinctive artwork, full of brushy line work and rich color, beautifully illustrates Phi's lines, focusing intently on the expressive faces of the boy and his father and the vivid environments they live in — cool, midnight blue by the river while they fish, surrounded by leafy foliage and an understated yet still slightly ominous No Trespassing sign, and warm, sunshiny yellow when they're back in the warmth of home and around the dinner table, enjoying the fruits of their labor.

Not exact matches

You have this kind of brushy mark, and then you have this very calligraphic line, and then you can work tonally, where all the colors are close together.

And so at the moment about two dozen of Ms. Crockett's sparkling late paintings, with their bright tangles of jazzy lines and shapes floating on pale, brushy backgrounds, form a surprising exhibition at Meredith Ward Fine Art.

Typically, Bischoff's newer works contain a multitude of color shapes, lines, squiggles and daubs deployed over a light, brushy field.

«Mr. Wool sprays on black lines, smears them into fields of brushy gray and sometimes rubs them out entirely before repeating the process,» Smith described.

There's also a solid helping of funkier, more - organic - looking abstraction here — a veiny network of yellow and black lines by Daniel Reynolds, a brushy green canvas by Gregory Montreuil, a spooky painting in pesto green and light purple by Gail Fitzgerald that looks like some ghostly undersea creature (and suggests a miniature, low - key Sigmar Polke) and, probably my favorite work here, a square with a few barely there marks, whiffs of different colors by Roberta Allen.

The hand - drawn line, brushy paint - handling, and careless masking are decidedly less rigorous (and more human) than the images they reiterate.

At once a path forward and a record of the past, the line is painted with an elegantly brushy stroke that intermittently loops back on itself to form knotty snarls and kinks.

His work from the early Fifties is typical of the time: brushy areas of color offset by spidery lines demarcating planes and establishing their own wiggly independence.