These can be big
budget blockbuster movie clips, or budget MovieMaker slides to music.
Not exact matches
In recent years, the statuette has gone home with lesser - seen
movies, often from off the mainstream radar — offbeat or «prestige» titles that captured the imagination of Academy voters if not the American public — to the near - total exclusion of big
budget Hollywood
blockbusters.
Despite it being the fantasy series» shortest season yet, Game of Thrones showrunners D.B. Weiss and David Benioff have promised the final episodes will be on a much more cinematic level with
movie - length run times — and Hollywood
blockbuster budgets to match at an average of $ 15 million per episode.
While Hope is known for making independent
movies rather than big -
budget Hollywood
blockbusters, Amazon Studios has succeeded in the world of television in part by aligning itself with high - profile directors like Allen and Steven Soderbergh of «Ocean's Eleven» fame.
Moviegoers are finally about to get a break from all of the big -
budget summer
blockbusters and superhero action
movies, as studios move away from large - scale spectacles...
Moviegoers are finally about to get a break from all of the big -
budget summer
blockbusters and superhero action
movies, as studios move away from large - scale spectacles in favor of award - season prestige films.
But what continues to surprise and impress me (beyond the exciting action, the fantastic costumes, and the impressive special effects) is that unlike other big
budget blockbusters and fantasy series, The Hunger Games
movies, so far, always manage to make me cry.
The Screen Rant editorial team shares their top 5 favorite
movies of 2017 - from innovative indie films to big -
budget blockbusters.
British actress EMILY BLUNT has defended her decision to swap independent
movies for big
budget blockbusters - insisting she doesn't need to «atone»...
I understand what filmmakers are saying in regards to the «middle» disappearing, where you have huge
blockbuster superhero films and then
movies that are extremely low -
budget.
CBR's Adam Rosenberg calls Matthew Vaughn's «X-Men: First Class» an example of «what happens to a superhero
movie when you strip away the
blockbuster budget and allow the filmmaker to simply tell a story.»
Executives at the studio behind RUSSELL CROWE's new ROBIN HOOD
movie have denied rumours the big
budget blockbuster is in trouble - following a name...
Film Review by Kam Williams Headline: Special Effects Overshadow Cast in Bay's Bigger -
Budgeted Sequel This summer
blockbuster has hit written all over it, given that Michael Bay freely admits that he makes
movies aimed at teenaged boys.
As a
movie, it holds up quite well today, perhaps only dated by its special effects, which look tame and very artificial when in comparison to today's big
budget blockbusters.
The premise of his first truly big
blockbuster — as fun as they were I always felt the Hellboy
movies were held back by
budget constraints — is pretty straightforward and will grab the attention and imaginations of the 10 - year - old in all of us.
British actress EMILY BLUNT has defended her decision to swap independent
movies for big
budget blockbusters - insisting she doesn't need to «atone» for her career choices.After a supporting role in hit fashion film The...
For a film with a $ 200 million
budget and with talent in all departments it's a real shame that it turned out to be the
movie that it is, although with 5 separate Spider - Man films now done and dusted, one must wonder if there is anything that could make this
blockbuster staple truly jaw dropping again.
Part of this may be due to director Taika Waititi, who is a newbie in the world of big -
budget blockbusters, but like many other directors tapped to helm Marvel
movies (including Gunn and Watts) has an intriguing background in indie cinema that would seem to have little to do with IMAX - worthy digital bombast.
While the details are familiar from Sam Raimi's 2002 film, they play out in a more relaxed manner: The Amazing Spider - Man is every inch a
blockbuster, but it doesn't have the urgency of most big -
budget summer
movies.
A superstar - making
movie for Bruce Willis (Hudson Hawk, Pulp Fiction), and a hell of an action flick on its own terms, Die Hard set a standard for high - concept, high - octane action
blockbusters that few could touch on the silver screen — even its higher
budgeted sequels.
Audiences will still likely see every punch coming from a mile away, but what's remarkable is how the
movie lands them all: It's an invigorating piece of nostalgia that fuels a bigger adrenaline rush with its climax than any big -
budget blockbuster could provide.
Something of a small miracle, «The Way Way Back» is such a refreshing, smartly enjoyable reprieve from the summer
movie season's barrage of superhero fare and big -
budget blockbusters that you feel blue when it must come to an end.
It's not just that they can't sell
movies with mid-range
budgets anymore, they're starting to not be able to sell
blockbusters, not even to the easy target kiddie demographic (see also: Pan), and the art house is beginning to suffer, too.
Oscar upshot: If the Academy wanted a ratings - grabber of a showdown, they got one what with the press bent on pitting Cameron's visually stunning Goliath of a
blockbuster, «Avatar,» considered the highest - grossing
movie of all time with nearly $ 3 billion worldwide, against former spouse Bigelow's modestly
budgeted but more narrative - forward «The Hurt Locker.»
This summer,
movie studios were up to their necks in big -
budget blockbusters, including Disney's The Lone Ranger, which ended up a huge bomb.
The big -
budget action
blockbuster Real Steel isn't officially Rock»Em Sock»Em Robots: The
Movie, but it's about as close as it can get without risking litigation.
This is where the $ 18 million
budget, a very small amount by contemporary
blockbuster / genre -
movie standards, comes in handy — no overblown CGI instead of genuine character moments here.
What all this has translated into is less risk being taken on original properties, and more
budget funneled into «sure - fire
blockbusters,» i.e. sequels for
movies, shallow teen flavors of the week for music.
Naturally, Kitty's publisher wants to capitalize on her newfound popularity with a big
budget blockbuster Kitty
movie!
Sort of the difference between a low -
budget made - for - tv
movie (e-book), v. a Hollywood
blockbuster (printed book).
I made the
movie comparison above because the parallels of making a major
blockbuster in Hollywood and making a low -
budget independent game feel similar in end results.
There will always be big -
budget games, just as in the
movie world there are smaller, independent films and the
blockbuster releases.
Each year we're treated to hundreds of
movies being released, ranging from indie titles to Hollywood
blockbusters created with ludicrous
budgets.
The mostly male audiences have been attracted to the real - world settings,
blockbuster action sequences that resemble those of big
budget movies, and extensive online options that let them compete against other players via the Internet.
BioShock Infinite and GTA V had gigantic
budgets that are similar to the biggest
blockbuster movies out there and they are pretty great games, in their own rights.
The current generation of gaming has frequently been compared to the
movie industry, with bigger
budgets, more emotive narratives, and action sequences that could be seen in your favourite action
blockbuster.
While Grand Theft Auto 5 may have the
budget of a
blockbuster movie, fans should not a Grand Theft Auto
movie anytime soon.