Perhentian Kecil has the backpacker repuation, but we actually found
the budget end of the scene to have better standards for the price on Besar than Kecil.
Not exact matches
J. Michael Straczynski's original script was jettisoned in favor
of an unfinished one by political thriller specialist Matthew Michael Carnahan (State
of Play, Lions for Lambs), with «LOST» - alum script doctors Drew Goddard (The Cabin in the Woods, Cloverfield) and Damon Lindelof (Star Trek Into Darkness, Prometheus) brought in later to write a host
of reshoots, including a new climax and
ending to the film (the repeated use and imbibing
of Pepsi products during these
scenes would indicate the source for much
of the additional reshoot
budget), that pushed the release date from a winter
of 2012 release to the summer
of 2013.
The
budget doesn't seem able to match the increasing magnitude
of the action
scenes, so that by the
end the special effects are truly awful.
I would be cheating my own rules for this annual exercise if I were to crown Howards
End as my film
of the year - I have in fact seen it many, many times before and loved it for a long time (although never before was I able to enjoy the finesse
of its narrative structure, and admire its sumptuous mise - en -
scene and art direction - actually delivered on a shoestring
budget - on a big screen).
One
scene which sees him monologue out his idea for the finale
of Farrell's screenplay is the joke's best gag, a sequence which
ends up blowing half the movie's
budget on the «dream sequence» that the movie later pans.
could easily have
ended up just another nail in the coffin
of the burgeoning AAA - turned - indie
scene; an «I told you so» from those big
budget corporations Playtonic's developers have defiantly left behind.