It is very rare for a low -
budget film like this to come with a track like this but these guys did not want to disappoint.
Granted, for a low
budget film like this, the HD clarity sometimes exposes more imperfections in the special effects at times.
He called «The Walking Dead» a «soap opera» and said big -
budget films like «World War Z» made modest zombie films impossible.
So Paramount, in the wake of a disappointing 2017 that saw big
budget films like Transformers: The Last Knight and Ghost in the Shell underperform while the studio's would - be Oscar hopefuls Suburbicon and Downsizing were DOA at awards season, is looking to make some changes in 2018 and selling God Particle off to Netflix may be a cushy deal.
So when Hollywood tried to replicate that success with big -
budget films like Russell Crowe's Noah, Christian Bale's Exodus or even Martin Scorcese's Silence, they've all flopped.
The individual nature of the agents makes the scene much more lifelike than the sims used in multimillion dollar -
budget films like Lord of the Rings and King Kong.
Outside of major roles in early sound efforts like The Big Trail and Tom Sawyer (both 1930), he could be found playing menacing tribal chiefs and bandits in serials and B - pictures, and seedy, drunken «redskin» stereotypes (invariably named Injun Joe or Injun Charlie or some such) in big -
budget films like John Ford's My Darling Clementine (1946).
Low
budget films like Chronicle and Sleight have put fresh spins on the concept of super-powered people in years past.
Miles Teller has started to make a name for himself after a mix of big
budget films like That Awkward Moment and Divergent to smaller gems like The Spectacular Now.
March shows little promise but with big
budget films like Oz and G.I. Joe: Retaliation we're reminded that Summer Blockbuster season is just a couple months away.
Not exact matches
Much
like the success of last year's Warner Bros.
film Wonder Woman helped change the conversation around a female superhero movie helmed by a woman director, a box - office smashing debut for Black Panther could pave the way for a similar paradigm shift in Hollywood with regard to how studios approach big -
budget stories about characters of color.
Compared to major studio projects
like the forthcoming Aaron Sorkin adaption of Walter Isaacson's popular biography of Jobs, this
film was made on a shoestring, with an estimated
budget of just $ 8.5 million.
Like Netflix, Amazon (AMZN) is looking to get into the movie production game, promising earlier this year to eventually churn out around a dozen independent
films — with
budgets between $ 5 million and $ 25 million — every year.
Unlike other independent
films in which big names are ridden into the ground
like a sweaty mule, shoehorned into every possible scene in the movie, «Moms» Night Out» has an ensemble cast - an amazing feat for a
film with a
budget just under $ 5 million, according to Andrew and John Erwin, the brothers who directed the
film.
And if you'd
like to learn how we judge the contest, now you can watch our high -
budget, award - winning short
film in glorious Technicolor, by clicking here.
In what seems
like a plot straight out of a low -
budget science - fiction
film, scientists have revived a giant virus that was buried in Siberian ice for 30,000 years — and it is still infectious.
And an interspersed sci - fi fantasy sequence that looks
like it ate half the
film's
budget is lame.
This peculiar low -
budget children's musical fantasy was directed by Herschell Gordon Lewis, who was best known for horror
films like Blood Feast.
Some employees of an international arms dealer go out into the Hungarian wildeness for a weekend company retreat, only to find themselves menaced by a group of militants who don't
like having them around their territory in this modestly
budgeted dark comedy / horror
film from Christopher Smith, who also directed Black Death (with Sean Bean).
For a
film with a $ 150 million
budget to look
like television is unconscionable and it seems absurd that no one was able to convince Jackson not to adopt the format, or at least not to try it out on a franchise with so much riding on it.
Knaggs» career reached a peak in the mid -»40s, when he worked in supporting roles in ambitious major studio
films such as None but the Lonely Heart (a fascinating but failed attempt at a serious drama by Cary Grant) and unusual independently made features
like Douglas Sirk's early Hollywood effort Thieves» Holiday, while also making the rounds of such popular medium -
budget Universal Pictures productions as House of Dracula, The Invisible Man's Revenge, and Terror By Night.
Time and again, American audiences have responded to
films with black leads
like Hidden Figures, Get Out, and Girls Trip, all of them turning huge profits on smaller
budgets.
Perhaps its unexpected box office success can be attributed in part to the popular reaction against an entertainment industry whose laser -
like concentration is on big -
budget franchise and sequel
films.
Though Pieck is to be admired for the rigorousness in telling this chilling story (on what looks
like a near zero
budget), the
film itself remains resolutely unlikable.
Now I
like the first Hoodwinked movie very much, and for a low
budget CG
film its very funny and keeps you entertained, so when I heard they were going to make a bigger
budgeted 3 - D sequel I was interested, but the better CG doesn't add to how poorly this
film was made, the CG may be better, but the lip synching is terrible and the voice acting isn't that good.
And you're choosing to ignore all the female - centered dramas and comedies that have been SUCCESSFUL compared to
budget: Lady Bird, Winter's Bone, Wild, Girls Trip, Trainwreck, Bridesmaids, Mean Girls, Clueless, Pitch Perfect, and on and on (not including the huge box office of the female - led action / sci - fi / Disney
films like Frozen, Hunger Games, Gravity, Wonder Woman, etc).
The success of the
film led to a job directing the 1989 big -
budget version of Batman; a darkly lavish, gothic production, the
film proved to be a huge hit, securing Burton a place on the roster of A-list directors.His next
film, 1990's Edward Scissorhands was the tongue - in - cheek gothic tale of an artificial boy put together by a benign scientist, who dies before he can complete the boy; as a result, the fabricated youth has hedge clipper -
like scissors for hands.
I've never played the Konami games on which this series is based, but they certainly must be more lovingly produced than this cheap thing (its crispy, bright, digital presentation makes the first
film look
like a voluptuous cradle of generous
budgeting and production design).
This felt
like an old - school, big
budget sci - fi
film with massive special effects, great visuals and a concept that made you think in Director Joseph Kosinski's love letter to 80s and 90s science fiction trendsetters.
It was a time of big
budget, Oscar nominated studio
films like Misery and early genre work from filmmakers who would go on to become the best in the business,
like Fincher's Seven, M. Night Shyamalan's The Sixth Sense, Tarantino and Rodriguez's From Dusk Til Dawn, and Adrian Lyne's Jacob's Ladder.
It was a time of big
budget, Oscar nominated studio
films like Misery and early genre work from filmmakers who... read more →
The
film also feels
like it is scaled way higher than its
budget.
I don't know if Kong: Skull Island will do well enough at the box office to justify its $ 185 - million - plus production
budget on top of a dedicated park attraction, but what I do know is that I went into the
film pretty skeptical... and came out feeling
like the Summer 2017
film season had just kicked off three months early.
SPC says Allen doesn't disclose his
budgets, but
like nearly all of his
films, it's devoid of special effects and «Blue Jasmine» is almost surely in the same $ 17 million range as «Midnight in Paris.»
But even yesterday it looked
like a long shot, and despite Carrey's apparent love of Matthew Vaughn's
film, The Hollywood Reporter is saying that their sources think the chances of Carrey taking the role of Colonel Stars (a mobster - turned - fundamentalist - Christian - turned - superhero - recruiter) are slim — presumably the smaller
budget of the sequel to the underperfoming original can't quite afford him.
We were told that we didn't have the
budget to do miniatures, he was
like, «Listen Michael, go and buy six 3D printers and I've got 10 3D printers in the art department, and we'll just print all the miniatures in the
film, and then we'll get the scenic artists who are already on the payroll to paint them for us.»
Female - led high -
budget flicks
like «Divergent,» «The Hunger Games: Mockingjay Part 1» and «Maleficent» did very well at the box office, while directors Angelina Jolie and Ava DuVernay «s
films, «Unbroken» and «Selma,» respectively, are accumulating Oscar buzz as awards season is already in full swing.
director Mike Mendez — that, while it has a charming sense of humor about itself, leans too heavily on CGI blood; The Girl With All The Gifts (B), a well - shot British zombie
film that attempts to inject new life into a tired genre, and almost succeeds thanks to young star Sennia Nanua; and the disappointing Phantasm: Ravager (C --RRB-, a low -
budget labor of love which, while it plays
like a Phantasm fan
film, ultimately undercuts the emotional closure it attempts to bring to the franchise by failing to resolve the central conflict between good and evil.
As technology improves,
films on minimal
budgets and tight schedules
like this one begin to more closely approximate their also - failed blockbuster brethren.
3D is already being heavily pushed on every director making a bigger
budget film and studios are creating small production companies to make Paranormal Activity -
like films.
The simplest way to keep a
film from looking
like a collossal failure is to be honest about what sort of
film it is, and give it a
budget that makes sense.
Mr. Golin says that while he wants to step back a little as his company grows, he wants it to diversify, going into genres where modest -
budget projects can still pop, including comedies, young - adult movies and action
films like «Triple 9,» a police - heist movie with Casey Affleck and Chiwetel Ejiofor opening Feb. 26.
For the first time in the Harry Potter
film, the set design looks
like a low -
budget afterthought and takes its toll by further delving the
film into murk.
We sometimes describe
films like 10 Cloverfield Lane as being low -
budget — but a real low -
budget classic is more
like the time - travel movie Primer, which was made for a shockingly tiny $ 7,000.
Also
like those
films, something gets lost in the translation, as what might work within the confines of a modestly
budgeted Asian
film seems all too ridiculous when big stars and
budgets get injected into the mix.
The Dr. Doom costume looks
like something from a low -
budget, sci - fi parody
film.
On the other hand, a # 1.60 m UK debut for a relatively low -
budget genre
film, essentially populated by three actors, none of them marquee names, and largely set in a basement — most studios would
like the economics of that proposition.
That
budgets could buy neat FX and
films were worth re-doing
like they had no original artistic cred to explode, blast, blow things up real good.
He directed the funniest
film in the Marvel franchise, Iron Man 3, and the criminally underrated crime comedy The Nice Guys, so a big -
budget R - rated sci - fi horror
like The Predator doesn't scream «next career step», but here we are.
The
film feels very much
like a low -
budget version of another big screen Star Wars - tinged
film based on existing franchises, Flash Gordon, with its cheesy sets and costumes, and juvenile presentation.