Sentences with phrase «budget filmmaking as»

10 Cloverfield Lane poses so much potential for future engagement in low - budget filmmaking as moviegoers now are craving the humble slices lying there beside sensational large - scale events.

It poses so much potential for future engagement in low - budget filmmaking as moviegoers now are craving the humble slices lying there beside sensational large - scale events.

Not exact matches

In the end, Imperial Dreams doesn't break any new ground when it comes to filmmaking, but the story it's telling is just as powerful as any big budget film being released nowadays, if not more.

While watching this film, it's very hard to ignore the low - budget feel, especially if you are into filmmaking as much as I am.

During the shoot of John Cassavetes» momentous 1970 film Husbands, BBC documentarians visited the low - budget production to chronicle not only the pioneering director's filmmaking process but also his collaboration as an actor with co-stars Peter Falk and Ben Gazzara.

He mentions these pitfalls in big - budget filmmaking with good humor, but it's difficult not to view his work as an also - ran epic.

There's a certain class of low - budget indie filmmaking that's become almost its own recognizable style — full of ordinary people just trying to find happiness in unorthodox ways, hand - held close - up shots, montages of locations (easily recognized if you live in the area where they're shot, but not particularly tied to the story, which could take place anywhere) with light music underneath, a tendency to shift focus amateurishly (though I think often on purpose as part of the style), a lot of contemplative pauses and awkward conversations.

However, when you look at «Me and Earl» as a movie and not a demonstration of low budget, arthouse filmmaking, it comes off as an all - too cliche and cookie - cutter summer dramedy.

Working unobtrusively but consistently in a decadent Hollywood that's doubled down on sci - fi / fantasy / superhero franchise tentpoles as the end - all - be-all of action movies, Jaume Collet - Serra has been diligently and often ingeniously pursuing another filmmaking model, that of the mid-range budget standalone genre picture.

While low budget, «They All Come Out» is an interesting film that does offer a different point of view and look at the prison system, as well as an intersting blend of documentary and narrative filmmaking.

Stone used employed guerrilla filmmaking techniques to get the job done on a tight budget, with his young stars humping equipment and the crew doing as many as 55 setups a day.

Paul Thomas Anderson for teaching me that it's ALL about the script and if you have the right actors directors don't have to do anything on set but be a fan, Lumet for his films and his book, a young directors» must read, Coppola for his courage in filmmaking, Steven Soderberg for refusing to ever be put in a box and pushing the form as far as he can, Kathryn Bigelow for giving masterclasses in action, James Cameron for Terminator 2 and prove big budget cinema can still be perfect cinema, Sean Penn for bringing his acting chops to directing, David Mamet for his scripts and his dialogue, Nolan for having more heart than most people seem to give him credit for (Memento, Rises, Inception and Interstellar all made me cry.)

Only when the script and visuals stray too far from the source does the film lose its way, getting bogged down in the mechanics of big - budget action filmmaking and ponderous dialogue as it works toward a way - too - tidy, sentimental finale.

Gerwig eventually made it to New York, by way of Barnard College, where she studied English and philosophy, and was cast in a small role in Joe Swanberg's 2006 film LOL, an early entry in the low - budget, naturalistic style of filmmaking known as mumblecore.