Sentences with phrase «budget horror films»

Along with writing partner Nick Damici, they've delivered some relatively successful, low - budget horror films over the last few years with Mulberry St, Stake Land and a remake of the Spanish film We Are What We Are.

The studio responsible for Split (2016), Get Out (2017), Insidious (2010), and The Purge (2013) has a knack for taking small budget horror films and turning them into hits.

If you had to pull two in film right now, low budget horror films and Philip Seymour Hoffman could be pretty accurate.

«I thought it was a terrific, Hitchcockian thriller,» said Blum, whose Blumhouse Productions had made low - budget horror films such as Paranormal Activity as well as the best - picture - nominated drama Whiplash.

New Yorker Milligan churned out numerous almost zero budget horror films for the grindhouse circuit in the»60s and»70s, occasionally sneaking in an arty melodrama.

Ridley Scott and Scott Free London have put the pen to paper in a deal with Focus Features International and Orchard Media with the aim to produce low - budget horror films.

Given the currency of contained horror films and psychological thrillers — «low budget horror films set within a single location» appears on every «Screenwriters Wanted» list in Hollywood — it it's no surprise that the above breakdown sounds so familiar.

Some authors have pointed to a distinct house style in the 1930s (see Thomas Schatz and Paul Grainge), when MGM's Leo the Lion symbolized the opulence and grandeur of musicals (The Brodway Melody of 1938) and epics (Mutiny on the Bounty); Warner Bros. distributed «gritty,» social dramas and gangster films; Universal produced low - budget horror films (Dracula); and Paramount's distinctly «European» flavor, employing emigree directors such as Josef von Sternberg and Ernst Lubitsch.

Blumhouse has become one of the most profitable film studios out there, regularly releasing low - budget horror films that dominate the box office.

This low - budget horror film produced by Roger Corman and directed by Coppola before he went on the become a famous filmmaker has evident shades of Psycho but is not even frightening, with a lame, uneven plot in which nothing much really happens.

Universal's low - budget horror film «The Purge: Anarchy» finished fourth with $ 9.8 million.

A film crew moves to an abandoned psychiatric hospital with a shadowy past to shoot a low budget horror film.

«Polaroid,» a low - budget horror film from Bob Weinstein's Dimension Films genre division, is listed in court filings among The Weinstein Company's assets, but it isn't listed as an «unreleased picture.»

Producer Jason Blum of Blumhouse Productions has made a career out of taking low - to - moderately budgeted horror films like Paranormal Activity, Sinister and Oculus and turning them into profitable box office offerings - often with promise of sequel and / or franchise opportunities.

This decision gave the film a grander feel for the viewer so it didn't seem like a low budget horror film.

The performances were all fine, and it was cool to see Kris Lemche from My Little Eye in another low budget horror film.

The low - budget horror film took first place and more...

ZMD: Zombies of Mass Destruction — This low - budget horror film takes a scattershot approach to social commentary that tends toward the funny and entertaining, if not particularly mind - blowing side.

A Quiet Place, of course, is a modestly budgeted horror film released on a rare weekend free of spandex, tights, and world - saving superhero vs. super-villain slugfests.

The low - budget horror film It Comes at Night finished in sixth - place bringing in $ 6 million which, while still a profit above the film's less - than $ 5 million production budget was still shy of the expected $ 10 million opening.

We passed over a couple of fine animated features (at that point, Avatar was still a dark, threatening mass on the horizon) to give the award to a Venice premiere: Joe Dante's The Hole, a modestly budgeted horror film that displays an effortless mastery of the third dimension.

Since then, Flanagan has been hard at work, and he now has not one, not two, but three films slated to come out this year: his passion project Before I Wake, the sequel to the 2014 genre hit Ouija, and Hush, a slick, low - budget horror film he made in secret.

Two new national releases couldn't compete with Don't Breathe, this site the critically - acclaimed but low - budgeted horror film about three thieves taking on a blind veteran.

That's a summer blockbuster right there, or at least a low - budget horror film.

Not exact matches

But all varieties of horror flick are easily identifiable at this point, whether they're spooky, low - budget films (numerous); viscera - stained slasher movies (more numerous); quick - cut zombie flicks (even more numerous); macabre sci - fi, floating - in - space efforts (somewhat less numerous than they should be); sexualized vampiric tales (I trip over one of these whenever I get the newspaper); films of the more critically favored retro - mashup variety (Quentin Tarantino and Robert Rodriguez's Death Proof plus Planet Terror feature Grindhouse); or foreign entries of the psychological horror variety (the works of Dario Argento, of course; Alexandre Aja's films, which have their defenders; and Juan Antonio Bayona's El Orfanato, which only someone who truly dislikes cinema can dismiss).

Now, if you will, imagine yourself on the set of a low budget independently funded horror film and this is your first scene.

Another film that went on to have it's own franchise pushed the boundaries of horror, made on a shoestring budget and executed in the most simplest of terms was Saw.

As a low - budget horror comedy outing, Severance is an impressive film that is original and lots of fun from start to finish.

This peculiar low - budget children's musical fantasy was directed by Herschell Gordon Lewis, who was best known for horror films like Blood Feast.

Some employees of an international arms dealer go out into the Hungarian wildeness for a weekend company retreat, only to find themselves menaced by a group of militants who don't like having them around their territory in this modestly budgeted dark comedy / horror film from Christopher Smith, who also directed Black Death (with Sean Bean).

I thoroughly enjoyed this film and it's a fine piece of low - budget horror cinema that is guaranteed to be a memorable viewing experience.

This low budget but highly - effective horror film is exactly the kind of movie that legendary Hollywood D - movie producer Roger Corman would have knocked out in the»70s: plenty of writhing female limbs, no surprises.

Even though the film feels low budget, this still a fairly well done Sci Fi horror flick, though lacking in plot, it makes up for it in thrills.

Truth: Blumhouse Productions is the boutique horror studio whose high - volume, low - budget business model has fostered a culture of creative risk that actually pays off, and has given rise to films as vital as Whiplash and Get Out.

A serious, large - budget treatment of Rabe's exploits and a moving, terrific film about trying to maintain one's decency amidst horrors.

This is what makes the film better than other low budget horror's because of Johnson's brilliant makeup wizardry and freaky imagination with his monsters.

Bassett uses lots of filtering and camera tricks to try and hide the budget of the film and it hurts the horror and ruins what little suspense is featured in the film.

Both films were made with very small budgets, both proved extremely profitable relative to those budgets, and both spawned new trends in the horror genre — gory «torture porn» / new - wave splatter films (Saw) and smaller - budgeted supernatural horror films (Paranormal Activity).

Shot outside Pittsburgh on a shoestring budget, by a band of filmmakers determined to make their mark, Night of the Living Dead, directed by horror master George A. Romero, is a great story of independent cinema: a midnight hit turned box - office smash that became one of the most influential films of all time.

That's the central conceit behind Creep, a no - budget horror movie that delivers more scares than films with 10 times more money.

By contrast, every single «chills over kills» horror film on the list is generally regarded as either an outright blockbuster (Paranormal Activity 1 and 2), a hit relative to its budget and marketing visibility (Insidious, The Last Exorcism) or a minor success (Devil, which grossed over three times its $ 10 million budget domestically).

Shot outside Pittsburgh on a shoestring budget by a band of filmmakers determined to make their mark, Night of the Living Dead, directed by horror master GEORGE A. ROMERO, is one of the great stories of independent cinema: a midnight hit turned box - office smash that became one of the most influential films of all time.

Oren Peli's PARANORMAL ACTIVITY is one of the most profitable films ever made — not bad for a horror film with a $ 15,000 budget.

Roger Corman's movies would demonstrate the sheer trashy power of horror, and Hitchcock tapped into this B - picture aesthetic with his own low - budget masterpiece, Psycho, which popularised the psychological horror film, taking the genre away from its supernatural roots — although William Friedkin's masterpiece, The Exorcist, took it right back there again.

What's resulted is a film that, on the surface, retains the glossy visuals of contemporary horror pictures, sans the grit and grime of Raimi's no - budget originals.

Found - footage horror thriller Unfriended was a welcome surprise back in 2015, when its commitment to a simple but ingenious premise — everything that happens in the film does so on the laptop screen of doomed teenager Shelley Hennig — managed to overcome a lot of the typical low - budget horror movie flaws.

``; John Rabe»; is a serious, large - budget treatment of Rabe's exploits and a moving, terrific film about trying to maintain one's decency amidst horrors.

While none of the films beyond Craven's ever really stand out of the usual grind of horror sequels, it did give a number of up and coming directors a chance to flex their creative muscles: Chuck Russell (A Nightmare on Elm Street 3: Dream Warriors), Renny Harlin (A Nightmare on Elm Street 4: The Dream Master) and Stephen Hopkins (A Nightmare on Elm Street 5: The Dream Child) all leapt from this series directly into big budget action cinema.

John Carpenter's solo directorial debut reworks Howard Hawks» Rio Bravo as a low budget gang flick by way of a horror film.

In March, it's been a different story, with big - budget action films London Has Fallen and Allegiant plus horror titles The Other Side of the Door and The Witch.