Shot entirely in black and white, the film looks about as close to a low
budget indie as you're bound to find, but Whedon and Shakespeare are such a great fit (both celebrated for their sharp and witty dialogue) that it's a wonder the latter didn't attempt an adaptation of the Bard's classic any sooner.
Not exact matches
Penot had been busy creating big -
budget blockbusters during a six - year stint
as a perfume developer at Armani Fragrances, and Le Labo was his chance to make the
indie label of his dreams.
The low -
budget indie picture reprised, in many ways, characters Stanton had inhabited,
as he plays a prickly loner in a small desert town.
There's a certain class of low -
budget indie filmmaking that's become almost its own recognizable style — full of ordinary people just trying to find happiness in unorthodox ways, hand - held close - up shots, montages of locations (easily recognized if you live in the area where they're shot, but not particularly tied to the story, which could take place anywhere) with light music underneath, a tendency to shift focus amateurishly (though I think often on purpose
as part of the style), a lot of contemplative pauses and awkward conversations.
As is true for any low -
budget indie, well - made or not, the experimental approach carries with it a significant risk of failure.
When the action does hit it is
as clean and fun
as any film with a $ 175 million
budget and the Marvel brand slapped on it can expect to be, and is all the more impressive coming from a director who had only made small
indie dramas (see Wattsâ $ ™ Cop Car if you havenâ $ ™ t).
After working on a few more independent films, including «Reckless» (1984), «Old Enough» (1984) and «Heartbreakers» (1984), he made another important personal and professional connection when Martin Scorsese hired him to shoot a low -
budget indie - style film that he was working on
as a way of collecting his bearings after a string of increasingly complex and complicated productions, the dark comedy «After Hours» (1985).
That its visuals are its outstanding feature is even more noteworthy when it is known to have been made
as a low
budget indie.
It also supports the enhanced hardware of the PS4 Pro and Xbox One X, which is something that is hard to find for a game that aims for an
indie budget published
as EA Originals.
As in years past our favorites came mostly from the
indie sector, where imagination and heart made up for meager
budgets and fewer f / x.
As Naomi, the penniless New York City tour guide with whom Arthur falls in love,
indie - film darling Greta Gerwig is sweet but tame, the fierce edges she showed in last year's «Greenberg» smoothed and smothered by big -
budget blandness.
Even
as his
budgets have expanded and his industry clout has increased, the
indie director has continued to shine a light on marginalized Americans, the people living and working on the fringes of our culture.
In 1991, he and James Schamus launched Good Machine, which quickly became a major player shepherding the early careers of filmmakers like Ang Lee («Wedding Banquet»), Todd Haynes («Safe»), Todd Solondz («Happiness»)-- both Todds being produced by Vachon
as well — while the breakout success of Ed Burns» $ 28,000 «The Brother McMullen» became the poster child for every low
budget filmmaker looking to cash in on the
indie gold rush.
I'm into all types of movies — I'm trying to make a horror film (next), and there's some
indie movies that'd cost about $ 5 to make that I'd like to do — but this was a chance for someone to write a check for a big -
budget comedy, and to be able to do something
as balls - out
as this one... y ’ know, I'm gonna take advantage of that!»
We know him
as the director behind
indie nuggets such
as L.I.E., hotel room splendor of 12 and Holding and more recently, Roadie, so after a mostly low -
budget indie filmography Michael Cuesta cross over into bigger
budget big leagues is due to a successful stint on Homeland.
Creep proves that found footage, the
indie world's no -
budget genre solution, still has life,
as long
as you have a performer like Duplass willing to go all the way.
Bright was then better known
as the writer of «Gun Crazy,» a low -
budget indie starring Drew Barrymore and James LeGros.
It also continues Amazon's conscious move away from niche,
indie - style projects (
as well
as its public pilot system) to develop big -
budget hits that can garner more mainstream success.
Winstead, repped by Anonymous Content, WME and lawyer Karl Austen, has been straddling the
indie and mainstream feature worlds with roles in indies like 2012's Smashed, which landed her an Indie Spirit nomination, and in such big - budget movies as A Good Day To Die Hard and Abraham Lincoln: Vampire Hu
indie and mainstream feature worlds with roles in indies like 2012's Smashed, which landed her an
Indie Spirit nomination, and in such big - budget movies as A Good Day To Die Hard and Abraham Lincoln: Vampire Hu
Indie Spirit nomination, and in such big -
budget movies
as A Good Day To Die Hard and Abraham Lincoln: Vampire Hunter.
SURPRISE: «Ex Machina» for Best Visual Effects Up against such high -
budget powerhouses
as «Star Wars: The Force Awakens,» «The Revenant,» «The Martian» and «Mad Max: Fury Road,» it was A24's
indie sci - fi pic that took home the prize.
Best known
as one of the pioneers of the
indie mumblecore movement, Andrew Bujalski (Funny Ha Ha, Computer Chess) attempts to cross over to the commercial world with Results, a romantic comedy featuring professional actors with a
budget that appears larger than all of his previous work combined.
As his big -
budget / big expectations Warcraft hits the screens worldwide, director Duncan Jones plans a return to his
indie...
Coming up through the «mumblecore» film movement
as a director and screenwriter, Andrew Bujalski made the leap to the higher -
budgeted indie scene with Results.
Instead, over the next two years, Dano cropped up
as the lead in a series of low -
budget indie films and even an off - Broadway play, drawn to characters wracked with inner conflict and turmoil — be they a suicidal young man or a cross-dressing writer.
It's a strange backdrop for an even stranger movie, which was shot in a low -
budget location, yet could afford top - shelf character actors and
indie all - stars — including Toby Jones, Jennifer Jason Leigh and Michelle Yeoh
as various creators and caretakers.
It's the latest in a trend that's become increasingly prevalent over the last decade or so,
as studios have become more and more willing to give over their tentpoles to relatively untested directors from the
indie world with only one or two low -
budget features behind them.
Trank made a stir with «Chronicle,» his low -
budget superhero deconstruction, and matching
indie talent with big studio fare,
as «The Dark Knight» trilogy did with Christopher Nolan, historically reaps dividends.
The actress, who, prior to Bone, was already known in industry circles for her gritty portrayals of troubled youths in such independent films
as Poker House and The Burning Plain seamlessly made the transition to big -
budget studio fare playing a young «Mystique» in X-Men: First Class while still sticking to her
indie roots with key roles in films like The Beaver, Like Crazy, and the forthcoming House at the End of the Street.
That being said, while the film is easily classified
as sci - fi, it has a low -
budget, almost
indie feel to it that makes it come across in a more organic fashion than your average sci - fi pic.
Reblogged this on Dale Furse and commented:
As indie authors, we need to market our books, but we don't have the big
budgets Traditional publishers do.
Budget constraints are a reality for
indie publishers
as well, but rather than releasing a bad book, the
indie publisher may shelve the book project until sufficient money is raised.
I would never sign with another publisher unless they offered either a huge advance or something I wouldn't have access to
as an
indie, such
as a promotional
budget or shelf space in big bookstores, translation deal or a film deal, etc (I know film isn't handled via the publisher, but that's the kind of thing I mean — something I can't do on my own).
One of the more frustrating truths about self - publishing and libraries is that
indie authors have had a hard time getting their books into their own local libraries,
as budgets are small and the risk of insult when the book is of poor quality is high.
A Tome About Promo for
Indie Authors: My detailed take on how to promote yourself as an indie author on a shoestring bu
Indie Authors: My detailed take on how to promote yourself
as an
indie author on a shoestring bu
indie author on a shoestring
budget.
One of the best things about being an
indie author is that you have the power to decide what you want to do, so take the time to figure it out
as you develop your
budget.
I find it rather dismaying that my career can be seen
as an impediment to lending a helping hand to
Indie authors, who operate on a shoestring
budget.
But
as indie authors, we're on a tight
budget.
As an
indie author, you could expect Green's
budget to not quite stretch to banner ads and billboards, and I think this is a smart strategy to create something memorable within an
indie space.
Earlier this month, The New York Times ran an article with the headline, «
As Studios Cut Their
Budgets,
Indie Filmmakers Go Do - It - Yourself.»
The difference, though, is that
indie authors also set their prices and
budgets, where
as traditional authors can do nothing to grow or shrink the publisher's marketing
budget and profit margin.
Last week I talked about networking
as an
Indie author, and creating a barter system that would help those with no
budget, but time, get off and running.
As indie game developers with zero marketing
budget on our hands, we always hoped to get exposure through such Let's Players.
For example I would very much like to see
indie games
as well
as «bigger» 1st and / or 3rd party games, big
budget titles, etc..
Indie developers are attempting to capture the attention of a niche market or a small segment of the overall gaming market with a first release, and to break - even
as many first time indies are working with very tiny
budgets to begin with.
There is no online functionality which is certainly forgivable given an
indie developer's
budget for a debut game, although it would have been nice to see the inclusion of local and online leaderboards which could have focused on the fastest times in which each jigsaw puzzle were completed by every player in single player or co-operatively throughout each puzzle size and group of options such
as hints, puzzle piece rotation and background image.
We keep these fees
as low
as possible for
indie developers with limited
budgets.
As a small
indie team, we had a very limited marketing
budget.
These introductions are just the start of further world building that will take place throughout the game
as you are given snippets of lore in a volume unexpected in what is a
budget indie title that gives Earth War a surprising level of depth that really makes it feel like it's alive.
Today there's a resurgence of the «
indie» game,
as people look to get away from the AAA big -
budget titles and get back to just having fun.
Notable successful
indie titles such
as Braid and Limbo show how it is possible for small studios with limited
budgets to develop compelling games.