Joe Begos» Almost Human is the latest in the long lineage of forgettable low -
budget indie fare, a hilariously slight blend of sci - fi and horror that appears drained of ideas a third of the way through (never mind the already stretched 80 minute runtime).
Not exact matches
Over the nineties and into the 2000s, Smith evinced a predilection for slightly deeper and more intelligent
fare, but kept a somewhat low onscreen profile for several years, usually (though not always) with bit parts in lower
budget indie dramas.
While filmmaker Jon Favreau has been dabbling in big -
budget studio
fare for the past few years, his next film returns him to his
indie roots.
Oscars mirroring the Spirit Awards is a continued testament to AMPAS» embrace of
indie and low -
budget fare.
But even outside of working with those filmmakers, Martinez has mostly scored
indie or smaller -
budgeted studio
fare, with more blockbuster - sized projects off his résumé.
Trank made a stir with «Chronicle,» his low -
budget superhero deconstruction, and matching
indie talent with big studio
fare, as «The Dark Knight» trilogy did with Christopher Nolan, historically reaps dividends.
The actress, who, prior to Bone, was already known in industry circles for her gritty portrayals of troubled youths in such independent films as Poker House and The Burning Plain seamlessly made the transition to big -
budget studio
fare playing a young «Mystique» in X-Men: First Class while still sticking to her
indie roots with key roles in films like The Beaver, Like Crazy, and the forthcoming House at the End of the Street.