Sentences with phrase «budget production does»

Not exact matches

, Candace does everything herself, using her iPhone, iPad and multi-cam video app Switcher Studio to create a low - budget but seamless production with multiple camera angles, imported images, video bumpers, etc. — and it's all 100 % authentic Candace Payne, the artist formerly known as Chewbacca Mom.

It doesn't need to be as big budget a production as something like those insurance commercials.

In another area, the proposed budget would provide almost $ 5.5 billion in new appropriations for DoE's environmental cleanup programs to address contamination from Cold War nuclear weapons production.

It does not refer to the size of the production or the budget, but to the poster for the film, in which the letters BEN - HUR are formed into a mountain - sized block of stone: see bit.ly / ben - hur.

Grace Karin is one of my favorite budget retro brands, and while it can sometimes be sketchy to purchase retro dresses off Amazon with all of the knockoffs and cheap production going on, Grace Karin has consistently been good quality, they don't seem to «borrow» styles from other brands, and I never have to guess at which size will fit.

More detailed gore and suffering were likely shorn to ensure an already budget - bloated production had the best possible chances of recouping its cost with the broadest possible audience, but a zombie film does need gore, and the restored material could've been a little bit nastier.

It was done before Star Wars and at a time when sci - fi films were mostly low - budget productions.

I don't know if Kong: Skull Island will do well enough at the box office to justify its $ 185 - million - plus production budget on top of a dedicated park attraction, but what I do know is that I went into the film pretty skeptical... and came out feeling like the Summer 2017 film season had just kicked off three months early.

The production budget is said to have been a hefty $ 150m, but the UK market was presumably never expected to do much of the heavy lifting.

With nearly half of its North American earnings coming from its opening weekend and its $ 53 million worldwide gross still shy of its reported production budget, Year One definitely didn't perform as well as distributor Sony would have liked.

The actress didn't let the film's small budget and short production schedule stop her from doing work of the highest order.

The experience and freedom this gave the director ultimately allowing him to create whatever he envisaged without the restrictions of spiralling budgets or the worry of having missed a shot or used the wrong camera angle was all but absent due to the fact that this could now all be done in post production on computer.

While Chu doesn't have any experience in the genre, the substantial budget helps him string together adequate set pieces with polished production values and passable visual effects.

Producer Jason Blum is the founder and CEO of Blumhouse Productions, which is a multi-media production company that has pioneered the model of making high - quality, low - budget films, and now does everything from movies and TV shows to books and live events.

All those changes do not seem to have had the intended effect domestically, where Retaliation grossed $ 122.5 million, a soft sum even by March standards that was $ 7.5 M beneath the film's reported production budget.

The film, meant to be a big action - oriented take on the Arthurian legend, was taken off the studio's production schedule after budget concerns arose and attached actors Kit Harington and Joel Kinnaman were freed to do other projects.

Grossing only $ 61 million domestically (less than half as much as Lone Survivor) and even less overseas on a much steeper production budget of $ 110 million, Deepwater Horizon must be chalked up as a commercial disappointment, despite being warmly received by both the critics and moviegoers who did see it.

A huge mix of medium to large budget films seem to have got extra production value from using Vancouver for location and stage work, I'm sure they'll be able to do the same for Deadpool.

Given the film's $ 105 million production budget, it's not expected to do bang - up business.

Black - led movies do travel when studios put the same massive marketing and production budgets behind those movies that they do for white - led films.

Production budget doesn't seem to be readily available for Blair Witch (though I haven't looked that hard), but Death Note is DEFINITELY a bigger budget film.

Unlike a typical big - budget production like X-Men, he says «we don't get to make it with the budget of most superhero movies, but we get to make it the way we want to make it, so that's even more exciting than having a catered lunch.

According to the three historians on the DVD's excellent commentary track, the film did enjoy strong box office returns and was anything but a creative failure, but Castile is symbolic of the epic productions studios couldn't indulge in as often, until TV forced a return to bug budget epics during the fifties, in the form of pseudo-moral Biblical sagas in CinemaScope and stereophonic sound.

The movie does have some pretty impressive production design considering its presumably small budget, so it's a shame to see all that hard work wasted on a director more interested in unnecessary visual flourishes (like a POV shot from a water bucket) than focusing on important things like character and story.

Overlooked here by the Spirit Awards either because their budgets didn't meet qualification or otherwise: Searchlight's Battle of the Sexes and The Shape of Water (that Guillermo del Toro movie has a reported production cost north of $ 30M); Taylor Sheridan's Wind River, which won best director at Un Certain Regard at Cannes; and Focus Features» slate of Paul Thomas Anderson's The Phantom Thread (which technically starts screening this weekend), Sofia Coppola's The Beguiled which won her best director at Cannes, and Joe Wright's Darkest Hour.

The movie is not meant to be entirely historically accurate, and certainly doesn't seem like a highly detailed, big budget production.

This Must Be the Place is an unusual film whose commercial limitations will seem understandable to those who didn't contribute to the film's reportedly $ 32.5 million production budget that only director Paolo Sorrentino's native Italy did its part to recoup.

Earning just under $ 11 million domestically and hardly anything overseas (where it's still gradually being rolled out), Stop - Loss didn't come close to making back its estimated $ 25 - $ 30 M production budget.

A film with a $ 190 million production budget should not disappoint in high definition and World War Z does not.

And nevermind the fact that we never feel like the film's primary characters still need to be on Earth in the first place while they do pointless things that just give the film an outlet for spending its $ 120 million production budget.

Don't Be Afraid of the Dark only came with a $ 25 million production budget, yet audiences are not in the mood to seek out this genre just yet.

Some big - name actors do more than just star in million - dollar budgets — they have a stake in production companies of their own.

The first two were indie productions, highly praised, that did not have wide releases or big promotional budgets.

There is little reason for lavish sets and props, instead items are isolated, and the film's use of minimal scenery and production design is by no means a reflection of budget restraints — nor does it ever cheapen the atmosphere.

As long as Open Road Films didn't go crazy on the marketing costs for this horror remake — which by the lack of promos, they didn't — then there's a solid chance this will be profitable assuming that the production budget was only a couple million.

When you set out to work on something with a big price tag on it in terms of production cost, I'm aware that it needs to do certain things that lower - budgeted films don't do.

The filmmaker also has another true story - based historical drama that he intends to make along with those two big - budget, tentpole offerings (namely, The Kidnapping of Edgardo Mortara), but his new collaboration with Hanks - titled The Post - may begin production before the latter does.

The studio hopes it will have some legs, and if it does it will wind up in the black, because its production budget is just $ 20 million.

The strategy didn't really work; the film's $ 15.8 M domestic gross on a $ 7 M production budget means it has yet to turn a profit, when marketing costs and theater profits are deducted.

It's little surprise Murphy didn't return, seeing as how he had just been paid $ 10 million to record lines for Shrek 2, a sum certainly not feasible in this production's modest budget.

The film's low - budget animation, from a production company named Colorland, possesses the polished, usually undesired look that doesn't make anyone for a second suspect that this was done on anything but a computer.

According to veteran producer Guneet Monga, «An independent production has to raise double the budget of the film, because they also need a marketing budget to compete for the same screens and channels that commercial films do, making it very difficult for indie films to break through the unending clutter.»

Best summarized as a chronicle of a coupe of «kids» making a no - budget movie, the trio do a good job of covering the film's inception, production and final release, and offer some good background material using the film as a benchmark in their respective film careers.

My Specialties: * I am an expert eLearning strategist, project manager, and business developer * Getting large complex eLearning modules and projects done on time and budget * Learning Management System (LMS) evaluation, selection, and implementation * Advanced audio / visual, graphic art design, and multimedia production (2D, 3D, etc.) * eLearning authoring tools & Curriculum Development * Instructional Technology & Learning Technology * Software Training & Sales Training * Instructor - led & Computer - Based Training

An award - winning screenwriter I had recommended was hired and he did an AWESOME job on the movie adaptation, the line producer determined the budget based on the screenplay, 100 % of the financing for film production has been secured, the list the producer wanted me to compile of possible actors for principle roles had been submitted; and just last week, the conceptual artist gave me a sneak peek of the preliminary visuals we might incorporate into the movie.

If your budget is extremely limited, you're publishing fiction, short stories, memoir, poetry, etc., you want a quick business promo item, or if you don't want to tackle a learning curve or work with an established book production team.

They don't plan in advance, they don't create a production and marketing budget or take the time to build up a reasonable budget ready for the project.

Yes, I do have a production budget.

Cutting back on print production and distribution costs is less a priority where the magazine does not have its own P&L and its costs are rolled up into the company's marketing budget.

So not only do we have extensive experience with running successful game productions in general, but also experience designing, building, and shipping games of this type specifically, with an established track record of being on time and on budget.