Sentences with phrase «budget production features»

Not exact matches

Knaggs» career reached a peak in the mid -»40s, when he worked in supporting roles in ambitious major studio films such as None but the Lonely Heart (a fascinating but failed attempt at a serious drama by Cary Grant) and unusual independently made features like Douglas Sirk's early Hollywood effort Thieves» Holiday, while also making the rounds of such popular medium - budget Universal Pictures productions as House of Dracula, The Invisible Man's Revenge, and Terror By Night.
During 1993, Tarantino wrote and directed his next feature, Pulp Fiction, which featured three interweaving crime story lines; Tony Scott's big - budget production of True Romance was also released that year.
After making his name with three independent films in Shotgun Stories, Take Shelter and Mud, director Jeff Nichols approaches his fourth feature with a bigger budget, making it his first studio production and allowing him to operate on a slightly more ambitious and grander scale.
As the first big - budget feature from director Julius Onah, he acquits himself well, and almost every single problem the film has comes down to a script that, by Uziel's own admission, was re-written on - the - fly during production.
Disney will continue to break glass ceilings soon after Black Panther: On March 9, the studio will open the feature adaptation of the children's classic A Wrinkle In Time, which at a $ 100M - plus budget is the first production of its scope to be directed by a woman of color, Oscar nominee Ava DuVernay (at one point before Coogler, she was in talks to potentially direct Black Panther).
From there she built a strong reputation on the outskirts of Hollywood in low - budget features and independent productions until the new millennium reintroduced the overnight star as a mature actress.
Two weeks ago, as part of his summer - long institute, Redford held a weekend conference of most of the major exhibitors and distributors of «specialized» films - a category that includes independent U.S. features, foreign films, «art films,» cult films, revivals and almost anything else that isn't a big - budget, first - run standard Hollywood production.
And lets also consider that the last feature film the Farrelly brothers have directed was The Heartbreak Kid, which still refuses to admit its production budget.
When Hughes started production on The Breakfast Club in March 1984 with an indie - movie budget of $ 1 million (about $ 2.5 million adjusted for inflation), his debut feature Sixteen Candles wouldn't even hit theaters for another two months.
Overlooked here by the Spirit Awards either because their budgets didn't meet qualification or otherwise: Searchlight's Battle of the Sexes and The Shape of Water (that Guillermo del Toro movie has a reported production cost north of $ 30M); Taylor Sheridan's Wind River, which won best director at Un Certain Regard at Cannes; and Focus Features» slate of Paul Thomas Anderson's The Phantom Thread (which technically starts screening this weekend), Sofia Coppola's The Beguiled which won her best director at Cannes, and Joe Wright's Darkest Hour.
The rated - R artistic romp that features Disney starlets Selena Gomez and Vanessa Hudgens will easily become a Sleeper Hit thanks to a thrifty production budget of just $ 2 million.
He's appeared in everything from Big - budget Hollywood productions (he was solid as Jack Nicholson's second - in - command in Scorsese's The Departed) to lesser - known independent features (Face was a sturdy, if somewhat forgettable crime drama).
The only difference between this one and what has come before is the British production house, emulating the previous entries with precision, crafting a quality animated feature that holds up well compared to those with bigger budgets and more popular actors.
Production design, featuring insectoid designs for spaceships and spacesuits, takes Saturn 3 a certain distance, though once repetition sets in, the low budget starts to look woefully inadequate.
When factoring in the $ 15 million production budget, this might not be a such a black - eye on the balance sheet for Focus Features.
The first supplemental track, however, features Romero, Savini, Cardille, and production designer Cletus Anderson; warm and informative (if not extravagantly so), the yakker details some of the budget problems attached to an unrated feature that forced Romero to pare down his huge vision to this claustrophobic character study.
Some games want to go big with fantastic graphics, epic production values, a triple A budget, and even more features than you truly need.
The game is packed with robust and fun gameplay and features fantastic production values for a budget title.
Well - crafted DLC packs with cross-over content releases on a monthly basis, like literally any game with a high enough production budget these days has this feature.
As mentioned before, Ray Gigant features some absolutely incredible character sprites that look lifted straight from a big - budget anime production, complete with flowing robes, detailed weapons and gear, and a jaw - dropping quality of animation.
Then it morphed into an art medium, complete with interactive features propelled by big production budgets.
Delayed by production, budget, and shipping issues, the «pioneer - style» wagon features racially charged plantation scenes — silhouettes executed in water - cut steel — and a steam - powered calliope that plays black protest songs.
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