Sentences with phrase «build national identity»

«Over the last 10 years we have worked hard as an organisation and with partners to build a national identity for Scottish food and drink and the Excellence Awards provides an invaluable platform to highlight to the nation and beyond the strength of our industry and the wealth of talent across all sectors.

Not exact matches

As Henry Kissinger emphasizes in his new book World Order, the fundamental building block of all American and international engagement over the past hundred years — namely, the nation state and the Westphalian system in which states are embedded — is particularly weak in the Middle East due to fragile national roots and competing local and universalist identities, including pan-Arabic movements and messianic religious calls from the likes of Iran's ayatollahs and ISIS.

To succeed, City Year must build a brand - name identity for national service.

To start, the agenda of the national dialogue committee in Yemen was very rich, covering a variety of topics that range from national identity, governance, state - building and transitional justice.

That letter made it clear that we respect the right of people to their religious beliefs but that in a very diverse society like today's we need to build an inclusive national identity not a narrow one.

Quilliam agrees with the government that a clearer defence of democratic values such as freedom of speech, religious freedom and equal rights for all, along with a clearer sense of national identity, is central to tackling extremism and building a more united and cohesive country.

NEW YORK, United States — Back in the last century, Ralph Lauren built a business empire by sketching out a national fashion identity with each design.

A distinction has to be made between national identity building legitimate under international human rights law and a propagandistic ideology formation serving limited interests of people in power.

Built a strong foundation of identity through an ongoing process of wayfinding to engage in local, national, and global contexts

This equity will not threaten their national and historical identity; on the contrary it will strengthen their commitment to build a better world, where leaders are chosen on the bases of their traits and achievements rather than on their gender, ethnicity, or religion.

Building on a growing interest in reassessing the role of the Black Arts Movement in the construction of contemporary ideas around race, national identity, gender and aesthetics, the conference asserts the continued and dynamic presence of the «Critical Decade».

2015 Interventions in Printmaking: Three Generations of African American Women, Allentown Art Museum of The Lehigh Valley, Pennsylvania, USA SELF: Portraits of Artists in Their Absence, National Academy Museum of Art, New York, USA Piece by Piece: Building a Collection, Selections from the Christy & Bill Gautreaux Collection, Kemper Museum of Contemporary Art, Kansas, USA Status Quo, The School, Jack Shainman Gallery, New York, USA Breath / Breadth: Contemporary American Black Male Identity, Maier Museum of Art at Randolph College, Lynchburg, USA To Be Young, Gifted, and Black, Goodman Gallery, Cape Town, South Africa

SELECTED GROUP SHOWS: 2018 Open SpacesKansas City, MO 2018 Color of the Year Presented by Pantone and X-RiteUrban Institute for Contemporary Art, Grand Rapids, MI 2017 Solar Flair: Celestial Bodies in MotionAlbrecht Kemper Museum of Art, St. Joseph, MO 2017Light and ShadowMildred M. Cox Gallery Kemper Center for the Arts William Woods University, Fulton, MO 2017The 19th Annual National Juried Competition,: «Works of Paper» 2017Long Beach Foundation of the Arts & Sciences, Long Beach Island, NJ 2017 - 2018 Teardrops That Wound: the Absurdity of War, George Tsutakawa Art Gallery, Wing Luke Museum of the Asian and Pacific American Experience, Commission Work «Break Into Blossom», In collaboration with Phong Nguyen and Justin Shaw 2016 Vision: An Artist's Perspective, Gutfeund Cornett Art Kaleid Gallery San Jose, CA 2016 Novus Conceptum, Hannah Bacol Busch Gallery Bellaire, TX 2015 Generations: Forty Hues Between Black and White, OCCCA (Orange County Center for Contemporary Art), Santa Ana, CA 2015 Somewhere Between Black and White, Fiber Art Network, Arizona State University, Tempe, AZ 2015 Old Enough To Know Better, Cranes Art Gallery 105, Philadelphia, PA 2014 The 2nd Annual Juried Artist's Book Exhibition, WoCA Projects, Fort Worth, Texas 2014 The Living Mark Verum Ultimum Art Gallery, Portland OR 2014 Subconscious, Flow Art Gallery, St Louis MO 2014 A Dream and a Memory, St. Louis Artist Guild, St. Louis MO 2013 Missouri 50, Fine Art Building Sedalia, MO 2013 Art / Identity, Gallery 263, Cambridge, MA 2013 26th Annual Women's Work, Old Court House, Woodstock, IL 2012 Contemporary Women Artists XVI, Saint Louis University Art Museum, St. Louis MO 2012 UCM Faculty Show, UCM Gallery of Art and Design, Warrensburg, MO 2012 Color!

ART LABOR Gallery (570 Yongjia lu, Building 4) carriers a mission of exploring the meaning of personal and national identities and the future of Chinese society under the influence of emerging art.

His work has been included in recent group exhibitions at Tartu Art Museum, Estonia; Brooklyn; Hathaway David Contemporary, Atlanta; ODETTA, Brooklyn; RichMix, London; Georgian National Museum, Tbilisi; Recent solo exhibitions include «Studies For Unintended Archeology», The Vazquez Building, Brooklyn; «Borderlines», The Lodge Gallery, New York; «Urban Identities», Kunstraub99, Cologne.

As a contemporary artist in China working with diverse traditions and new and ancient media, Huang has built an artistic universe comprised of provocative installations that challenge the viewer to reconsider everything from the idea of art to national identity to recent history.

Traveled to Grazer Kunstverein, Austria and The Studio Museum, New York Tenth Anniversary Exhibition, 100 Drawings and Photographs, Matthew Marks Gallery, New York (catalogue) 2000 Made in California: Art, Image and Identity, 1900 - 2000, Section 5, 1980 - 2000, Los Angeles County Museum of Art (catalogue) 1999 Through the Looking Glass, Newhouse Center for Contemporary Art, Snug Harbor Cultural Center, NY 1995 In a Different Light, (co-curator), University of California, Berkeley Art Museum (catalogue) Into a New Museum - Recent Gifts and Acquisitions of Contemporary Art, San Francisco Museum of Modern Art 1994 Body and Soul, (with Cindy Sherman, General Idea and Ronald Jones), Baltimore Museum of Art Outside the Frame: Performance and the Object, Cleveland Center for Contemporary Art Don't Leave Me This Way: Art in the Age of AIDS, National Gallery of Australia, Canberra (catalogue) Black Male, Whitney Museum of American Art, New York (catalogue) 1993 Building a Collection: The Department of Contemporary Art, Museum of Fine Arts, Boston I Love You More Than My Own Death, Venice Biennale 1992 Translation, Center for Contemporary Art, Ujazdowski Castle, Warsaw California: North and South, Aspen Art Museum, CO Recent Narrative Sculpture, Milwaukee Art Museum, WI Facing the Finish, Art Center College of Design, Pasadena, CA (catalogue) Nayland Blake, Richmond Burton, Peter Cain, Gary Hume, Matthew Marks Gallery, New York Effected Desire, Carnegie Museum of Art, Pittsburgh Dissent, Difference and the Body Politic, Portland Art Museum, OR The Auto Erotic Object, Hunter College Art Gallery, New York 1991 Third Newport Biennial: Mapping Histories, Newport Harbor Art Museum, CA (catalogue) Facing the Finish, San Francisco Museum of Modern Art Louder, Gallery 400, University of Illinois, Chicago The Interrupted Life: On Death and Dying, New Museum of Contemporary Art, New York Anni Novanta, Galleria Comunale d'Arte Moderna, Bologna.