Sentences with phrase «build public gallery»

This 15,000 square foot, five - floor visual arts centre in Shoreditch is the first new - build public gallery in London since the Hayward Gallery opened in 1968.

Not exact matches

The gallery recently underwent a nine - year redevelopment process that updated the center's original buildings and doubled its public exhibition space.

And it should have been shown in a private gallery, not a public building.

Robynne explained that since it was a public building, with three restaurants and numerous galleries, she was not allowed to charge admission to the show in the lobby.

This office building is open to the public and has hidden gems such as kids shows, theater performances, pop up shops, free fitness classes, and a fantastic art gallery!

The Chartered Institute of Building brings art to public spaces by offering thought - provoking photography for construction sites Forget corporate logos and advertising - soon the public will be treated to dramatic, eye - catching art galleries on construction sites around the country, thanks to a new initiative from the Chartered Institute of Building.

The Albright - Knox Art Gallery in Buffalo plans to sink its parking lot beneath a restored public green space along Elmwood Avenue, radically reconfigure much of Gordon Bunshaft's low - lying 1962 addition into a grand public entry hall and create 23,000 square feet of new gallery space split between two new buildings that pay deference to the surrounding paGallery in Buffalo plans to sink its parking lot beneath a restored public green space along Elmwood Avenue, radically reconfigure much of Gordon Bunshaft's low - lying 1962 addition into a grand public entry hall and create 23,000 square feet of new gallery space split between two new buildings that pay deference to the surrounding pagallery space split between two new buildings that pay deference to the surrounding parkland.

Only the beauty of the women who reside Photo gallery of landmark public buildings in St Petersburg.

Talking Walls Throughout San Francisco, public art enlivens plazas and buildings, but perhaps the most remarkable display of the city's creative pulse can be found on Balmy Street, a narrow cobblestone alley leading off 24th Street, where dozens of murals form an outdoor gallery.

Consequently Lille embarked on an extensive programme of urban regeneration, embracing its wealth of historic buildings, landmarks and architecture and adding new public parks, galleries, museums, entertainment venues and shops.

Amidst the historic finery of its buildings and public squares, you'll encounter a wealth of museums, art galleries, public parks, open air markets, fine restaurants and, of course, countless bars and cafes in which to sample beers that are widely regarded as the world's finest.

The 17th - century building was once a coach house and retains a cozy old - world charm in the public areas, with exposed beams, a roaring fireplace, and an eclectic gallery of portraits.

The Campbell River & District Public Art Gallery in the Centennial Building on Shoppers Row offers forty - five to sixty minute tours for elementary schools.

It opened to the public in 1889 making the Edinburgh gallery the first in the world to be specially built as a portrait gallery.

In September 2015, the couple decided to share their considerable collection with the public by transforming a 90 - year old building in the Short North Arts District of Columbus, Ohio, into a public gallery, complete with a sculpture garden and resource library.

Providing 50,000 square feet of additional gallery space, MoMA's Diller Scofidio + Renfro - designed building project will «allow the museum to reconceive the presentation of its collection and exhibitions, and will provide greater visitor accessibility through the enhancement of the museum's public areas,» according to a press release.

A major exhibition of works by Hoyland is the inaugural show at Damien Hirst's newly - built London gallery Newport Street Gallery which opened to the public on October 8thgallery Newport Street Gallery which opened to the public on October 8thGallery which opened to the public on October 8th, 2015.

2014 «Liz Larner,» Regen Projects, Los Angeles, CA, January 11 — February 15, 2014 2011 «Liz Larner,» The M Building, Miami, Florida, November 30 — December 10, 2011, presented by Regen Projects «Liz Larner,» Tanya Bonakdar Gallery, New York, NY, February 10 — March 19, 2011 2010 «Liz Larner,» Regen Projects, Los Angeles, CA, April 24 — May 22, 2010 2008 «Liz Larner: Selected Sculpture from the Early 1990s,» Regen Projects, Los Angeles, CA, January 29 — February 23, 2008 2006 «Liz Larner: 2001,» Doris C. Freedman Plaza in Central Park, New York, NY, November 29, 2006 — May 1, 2007, presented by Public Art Fund 2005 «Liz Larner,» Regen Projects, Los Angeles, CA, July 1 — 31, 2005 2003 «Liz Larner: East of What?

Whether unveiling new buildings, galleries, displays or public programmes, all the finalists have shown a real commitment to innovation and experimentation, offering fresh perspectives and news ways of seeing and understanding their collections».

«Digital Print Exhibition» Decoration & Design Building 979 Third Avenue New York, NY 10022 Public Gallery Hours: Monday - Friday from 9 a.m. to 5 p.m.

It's not just art galleries and museums represented here — other public institutions collaborating with the initiative include hospitals, schools, town halls and other civic buildings.

The Addison Gallery, located in a stand - alone building on the campus of Phillips Academy, a residential school of grades nine through 12 in Andover, Massachusetts, offers a continually rotating series of exhibitions and programs, all of which are free and open to the public.

The Paolozzi retrospective at the Whitechapel Gallery (16 February — 14 May) feels perfectly timed as recent building projects at Tottenham Court Road station and the Design Museum have caused us to look afresh at his public work.

It's interior has been re-appropriated for the use of gallery spaces, but the public school skeleton is still exposed, if not the point for inspiration for the building as it stands today.

Call me only if you are in the gutter, Grice Bench, Los Angeles, CA Exalted Position, curated by Vlad Smolkin, Peter Blum Gallery, New York, NY Pipe Dream, presented by Night Gallery and Rachel Uffner Gallery, 170 Suffolk Street New York, NY Gallery Artist Group Show, Rachel Uffner Gallery, New York, NY TDW: Three Way Weekend, Blum & Poe, Art Los Angeles Contemporary, and ROGERS, Los Angeles, CA 2015 The John Riepenhoff Experience, Misako & Rosen, Tokyo, Japan Intimacy in Discourse: Unreasonable Sized Paintings, School of Visual Arts Chelsea Gallery, New York, NY Let's Be Real, Projekt 722, New York, NY 2014 The Crystal Palace, Rachel Uffner Gallery, New York, NY QUALIA, FJORD Gallery, Philadelphia, PA 2013 The Room and its Inhabitants, organized by Patrick Howlett, Susan Hobbs Gallery, Toronto, Canada The 2013 deCordova Biennial (with Dushko Petrovich), deCordova Sculpture Park and Museum, Lincoln, MA 2012 Love, curated by Stephen Truax, One River Gallery, Engelwood, NJ Art on Paper 2012, curated by Xandra Eden, Weatherspoon Art Museum, Greensboro, NC Take Shelter in the World, curated by Dushko Petrovich, Boston University Art Gallery, Boston, MA In Plain Sight, organized by Nicole Russo and Lumi Tan, Mitchell - Innes & Nash, New York, NY 2011 The Idea of the Thing That it Isn't, curated by Rachel Uffner, Halsey McKay, East Hampton, NY Channel to the New Image, Friedrich Petzel Gallery, New York, NY Exhibition of Work by Newly Elected Members and Recipients of Honors and Awards, American Academy of Arts and Letters, New York, NY Paper A-Z, Sue Scott Gallery, New York, NY Invitational Exhibition of Visual Arts, American Academy of Arts and Letters, New York, NY Battle of the Brush, organized by Corporate Art Solutions at Bryant Park, New York, NY 2010 The Pencil Show, Foxy Production, New York, NY ITEM, Mitchell - Innes & Nash, New York, NY S (l) umm (er) ing on Madison Avenue, curated by Jo - ey Tang, The Notary Public, New York, NY Kristin Calabrese, Andy Parker, Mary Weatherford, Roger White, Kathryn Brennan Gallery, Los Angeles, CA 2009 What's Bin Did and What's Bin Hid», curated by Ryan Steadman, 106 Green Gallery, Brooklyn, NY Cave Painting: Installment # 2, organized by Bob Nickas, Gresham's Ghost, New York, NY The Audio Show, organized by Seth Kelly, Friedrich Petzel Gallery, New York, NY 2008 The Merits of Silence, Gallery Min Min, Tokyo 2007 Heralds of Creative Anachronism, D'Amelio Terras, New York, NY The Price of Nothing, EFA Gallery, NY 2006 Mystic River, Southfirst, Brooklyn, NY / Arcadia University, Glenside, PA 2005 Kevin Bruk Gallery, Miami, FL You Are Here, Ballroom Marfa, Marfa, TX The Most Splendid Apocalypse, PPOW Gallery, New York, NY Crits» Pix, Black and White Gallery, Brooklyn, NY 2004 Halloween Horror Films,, Southfirst Gallery, Brooklyn NY Summery Summary, 58 N3, Brooklyn, NY 2003 Dreamy, ZieherSmith Gallery, New York, NY Escape from New York, New Jersey Center for Visual Arts, Summit, NJ Late to Work Everyday, Dupreau Gallery, Chicago, IL 2001 Learnedamerica, P.P.O.W. Gallery, New York, NY Tirana Bienalle 1, National Gallery, Tirana, Albania 2000 Columbia University M.F.A. Thesis Show, Brooklyn, NY 1999 All Terrain, Friedrich Petzel Gallery, New York, NY Wight Biennial, UCLA Wight Gallery, Los Angeles, CA 1998 Episode 1, Gair Building, Brooklyn, NY

2002 Art Basel Miami Beach, Bernice Steinbaum Gallery, Miami, FL Miami Currents, Miami Art Museum, Miami, FL No Show, Fredric Snitzer Gallery, Miami, FL Parallel Zone, Buick Building (Dacra, Miami Design District), Miami, FL That Place, Mia Gallery, Miami - Dade Aviation Department Division of Fine Art & Cultural Affairs, Miami, FL Effexor 75, Kevin Bruk Gallery, Miami, FL The Cuban Poster Project, The Advertising Club, New York, NY The Miami Alphabet, A-Z, Miami - Dade Public Library, Miami, FL That Place, More and Buick Buildings, Miami Design District, Miami, FL Florida Landscape / Escape, Miami - Dade Public Library, Miami, FL

CB1 also includes a separate exhibition space across the building's common hall, CB1 - G, which is offered as a temporary lease (30 - or 60 - day only) «pop up» gallery for vetted and professional art dealers (public and private) and independent curators from across the world, covering a multitude of both contemporary and historical art disciplines.

When the building became a contemporary art museum in 1950, the gallery transitioned from a private to public space.

The building is open to the public, including two free art galleries featuring contemporary and emerging artists.

1988 Parallel Gallery: «California Gold» Del Mar, California Erie Art Museum: «Paper Thick / Forms and Images in CastPaper», Erie, Pennsylvania Spaso House: «Twentieth Century American Art» Moscow, USSR Thomas Babeor Gallery: «Summer 1988 / Selected Works» La Jolla, California James Corcoran Gallery: «Lost and Found In California: Four Decades of Assemblage Art» Santa Monica, California Santa Monica Heritage Museum: «Art and Architecture» Santa Monica, California Roberts Art Gallery / Santa Monica High School: «Four Artists - Guy Dill, Laddie John Dill, Peter Alexander, Francine Matarazzo» Santa Monica, California Galleries of the Claremont Colleges: «Professors Choice III» Claremont, California The Art Store: «Vessels» curated by Sharon Truax, Los Angeles, California California Arts Council and The Phebe Conley Gallery, The President's Gallery, California State University Fresno: «Art in Public Buildings», Fresno, California

Wols's first U.S. retrospective at the Menil Collection, which has among the largest and widest - ranging public holdings of his paintings and works on paper, aggravates the historical slight by splitting the show between two of the museum's smaller exhibition galleries on opposite sides of the building.

Conceptual artist Hank Willis Thomas will recreate a city block with a series of 1:1 scale photographs of North Philadelphia's people and buildings, installed in the galleries of the PPAC, inviting audiences to consider issues related to gentrification, and setting the stage for public forums and a crowd - sourced neighborhood image archive and exhibition.

With Bushwick Open Studios just a couple of weeks away, the landlord of 17 - 17 Troutman Street — one of the annual festival's anchors — has demanded that four galleries vacate the building, telling a fifth that it can no longer use its space to display art to the public.

Her work has been part of various international group exhibitions including L'Autre visage: Portrait & expérimentations photographiques, Centre photographique - Pôle Image Haute - Normandie, Rouen, France (2016); Out of Obscurity, Flowers Gallery, London (2016); A Verdant Summer, Taymour Grahne Gallery, New York (2016); Art Bandini, Los Angeles (2016); Metamorphosis, Flowers Gallery, London (2015); Any Human Measure, M+B Gallery, Los Angeles (2015); Altarations: Built, Blended, Processed, University Galleries, Florida Atlantic University, Boca Raton (2015); Me and Benjamin, Galerie Xippas, Paris (2014); Foam Talent 2014, East Wing Gallery, Dubai (2014); Aggregate Exposure, George Lawson Gallery, San Francisco (2014); Foam Talent 2014, Westergasfabriek, Amsterdam (2014); Foam Talent 2014, l'Atelier Néerlandais, Paris (2014); One Step Beyond, Galerie Christophe Gaillard, Paris (2014); Fixed Unknowns, Taymour Grahne Gallery, New York (2014); Soft Target, M+B Gallery, Los Angeles (2014); Big Pictures, Public - art exhibition organized by the Cincinnati Art Museum (2014); Surface (s) / Prise (s), Galerie Christophe Gaillard, Paris (2014).

It's also looking to steal back a bit of the limelight from its starrier sibling with a 20 - year redevelopment plan called the Millbank Project: conserving the building's original features, upgrading the galleries, opening new spaces to the public and adding a new café.

Focusing on the perceptual experience of space, the exhibition offers opportunities for discovering public architectural features and galleries throughout the newly expanded building.

1933 The name of the Museum was changed from the Free Public Art Gallery of Dallas to the Dallas Museum of Fine Arts (DMFA) on January 13, 1933, and subsequently moved to the ninth floor of the Dallas Power and Light Company building.

Housed in a 17th - century building in the city's San Marco district, the new gallery will complement her existing spaces in Mayfair and east London, and will open to the public on 10 May with an exhibition by Chris Ofili.

The weekend before this year's Art Basel, the Löwenbräu art center in Zürich (Switzerland) opened its doors so the public could see the renovated and restructured building that houses art galleries and institutions such as Kunsthalle Zürich, Luma Westbau / Pool etc., Migros Museum für Gegenwartskunst, Galerie Bob van Orsouw, Galerie Freymond - Guth, and Hauser & Wirth.

The new building features more than 20,000 square feet of exhibition galleries and a public sculpture garden, enabling the museum to expand its reach and programmes.

For this solo exhibition in PC - G's Hunt - Cavanagh Gallery, San Diego artist Robert Andrade presents a site - specific installation of new work that builds upon his evolving language of sculpture, public space, Modernist architecture and construction materials as fine art supplies.

Doin» It in Public: Feminism and Art at the Woman's Building and From Site to Vision: The Woman's Building in Contemporary Culture (2011) 2 Volume Book Set / $ 55 / Available for purchase on Amazon.com and in Gallery Doin» It in Public / Softcover / 192 pages / 7x10 inches / ISBN 978 -0-930209-22-3 From Site to Vision / Softcover / 420 pages / 7x10 inches / ISBN 978 -0-930209-23-0 Produced by: OTIS Ben Maltz Gallery Book design by artist Susan Silton Exhibition curated by: Meg Linton and Sue Maberry Exhibition dates: October 1, 2011 - February 26, 2012 Doin» It in Public Essays by: Vivien Fryd, Cheri Gaulke, Alexandra Juhasz, Jennie Klein, Michelle Moravec, Jennifer Sorkin.

Housed in the same building as Victoria Miro, Parasol Unit is a not - for - profit gallery established to promote contemporary art for the benefit of the public.

For the fourth installation at Vancouver Art Gallery Offsite, renowned sculptor Elspeth Pratt draws on architectural forms as inspiration to investigate how built environments define public space.

On view concurrently in ICA Miami's second floor galleries during Art Basel Miami Beach, Shannon Ebner: A Public Character offers a comprehensive presentation of over 50 photographs, new sculpture, installation, and video, demonstrating the artist's efforts to build a catalogue of images, and to locate them at the intersection of the poetic, graphic, and photographic.

The Museum will present a series of conversations and other public programs with artists, authors, scholars, and more throughout the year that will amplify and build on the ideas presented in the exhibitions and gallery installations.

This weekend, the dramatic prow - shaped Building 6, at the confluence of the north and south branches of the Hoosic River, opens to the public with expansive galleries devoted to works by James Turrell; Jenny Holzer; Laurie Anderson; Louise Bourgeois; Robert Rauschenberg; and Gunnar Schonbeck, a musician and teacher at Bennington College who made instruments from everyday objects.

The «work» he refers to is his studio and public art, but for the past five years he has been building another body of work as an arts administrator, most recently in the position of Civic Art + Design Coordinator / Gallery Manager at Houston Art Alliance.

Fourteen weeks of exhibitions, performances, films and events, across the city's public spaces, unused buildings and galleries: this is Liverpool Biennial, the largest contemporary art festival in the UK, running from 9 July to 16 October 2016.

14 weeks of exhibitions, performances, films and events, across the city's public spaces, unused buildings and galleries: this is the Liverpool Biennial.