Sentences with phrase «building audiences for the arts»

Wallace currently has initiatives in six areas: afterschool, arts education, building audiences for the arts, expanded learning, school leadership and summer learning.

Wallace currently has initiatives in seven areas: afterschool, arts education, building audiences for the arts, social and emotional learning, expanded learning, school leadership and summer learning.

Building audiences for the arts: Enabling arts organizations to bring the arts to a broader and more diverse group of people.

Not exact matches

«Idiocracy» isn't high art — in fact, that's the point — but its slow - building success gives me faith in audiences and their increasing thirst for films that aren't sequels, remakes, or adaptations of books and TV shows.

There's an element of «seeing it to believe it» built into the presentation: Expectations based on the history of a mostly direct - to - video franchise, an aging action - hero cast, and a patently absurd premise so conspicuously contradict the art - house sensibility of the film itself that you can hardly blame the first wave of audiences for feeling wowed by the shock.

As part of your considerations in preparing for the workshop, you will need to think about your audience and their previous knowledge of Common Core Shifts, Arts Integration, Assessing the Arts, and How to Build a Rubric.

At www.wallacefoundation.org, the foundation maintains an online library about what it has learned, including knowledge from its current efforts aimed at: strengthening education leadership to improve student achievement, helping selected cities make good afterschool programs available to more children, expanding arts learning opportunities for children and teens, providing high - quality summer learning programs to disadvantaged children and enriching and expanding the school day in ways that benefit students, and helping arts organizations build their audiences.

I am busy building up my portfolio on Fine Art America, although I'm not sure that that site is where my audience will go, but I can use it for fulfillment.

Curating great art for your followers is a great way to be seen as an authority and build value to your audience.

Collective Design seeks to foster dialogue on the creative process and the diversity of our material culture to build a growing audience for collectible design and art.

Her practice centres on the valuing and placement of craft practice within a wider visual arts context; and building audiences for this through work with a wide range of venues and organisations, not all of which are art - specific.

«We are proud to expand our support of the Tang Teaching Museum, an institution that continues to pioneer new ways of integrating the fine arts with a diversity of disciplines, creating deeply meaningful experiences for the communities it serves — whether through on - campus scholarship or access and education initiatives that serve public schools and build audiences well beyond the region,» said Laurie M. Tisch, President of the Laurie M. Tisch Illumination Fund.

«We are delighted to build on the High's commitment to engage our audiences with the work of living artists and to provide a platform for such a major figure in American art,» said Michael E. Shapiro, Nancy and Holcombe T. Green, Jr. director of the High.

The recent controversy over Kelley Walker's exhibition Direct Drive at the Contemporary Art Museum St. Louis, and the departure of that exhibition's curator, Jeffrey Uslip, was another reminder that museums are not built and programmed for all audiences alike.

#museums #race #representation #institutional critique The recent controversy over Kelley Walker's exhibition Direct Drive at the Contemporary Art Museum St. Louis, and the departure of that exhibition's curator, Jeffrey Uslip, was another reminder that museums are not built and programmed for all audiences alike.

The new building will be fully accessible so that we can provide the very best arts experiences for wide audiences and extend our work with families, community groups and those impacted by health, financial and social concerns.

The fun begins from 6 pm until the early hours, audiences for Art Night 2016 will experience a trail of art, architecture, dance, design and music, including: Artist and choreographer Alexandra Bachzetsis will present new work in the rooms of Two Temple Place, a highly ornate building designed by neo-Gothic architect John Loughborough PearsArt Night 2016 will experience a trail of art, architecture, dance, design and music, including: Artist and choreographer Alexandra Bachzetsis will present new work in the rooms of Two Temple Place, a highly ornate building designed by neo-Gothic architect John Loughborough Pearsart, architecture, dance, design and music, including: Artist and choreographer Alexandra Bachzetsis will present new work in the rooms of Two Temple Place, a highly ornate building designed by neo-Gothic architect John Loughborough Pearson.

The variety of forms and techniques of the works on show highlights TDIC's holistic method of developing the Abu Dhabi arts scne, in both instigating aesthetic discourses, while building a platform for audience engagement.

This will be addressed through three specific case studies: Lisa Schiff (Schiff Fine Art, NY), art advisor, dedicated to building collections, many of them with important social functions such as the Leonardo DiCaprio Foundation; Pedro Barbosa (The CMB, Coleção Moraes - Barbosa, São Paulo), owner and operator of an established collection that supports two residency programs in Europe and one in São Paulo, as well as two social projects in Brasil; Ruth Estévez (LA), director and curator of REDCAT, an interdisciplinary contemporary arts center for innovative arts that introduces diverse audiences to the most influential developments in the arts from around the world through projects and publicatioArt, NY), art advisor, dedicated to building collections, many of them with important social functions such as the Leonardo DiCaprio Foundation; Pedro Barbosa (The CMB, Coleção Moraes - Barbosa, São Paulo), owner and operator of an established collection that supports two residency programs in Europe and one in São Paulo, as well as two social projects in Brasil; Ruth Estévez (LA), director and curator of REDCAT, an interdisciplinary contemporary arts center for innovative arts that introduces diverse audiences to the most influential developments in the arts from around the world through projects and publicatioart advisor, dedicated to building collections, many of them with important social functions such as the Leonardo DiCaprio Foundation; Pedro Barbosa (The CMB, Coleção Moraes - Barbosa, São Paulo), owner and operator of an established collection that supports two residency programs in Europe and one in São Paulo, as well as two social projects in Brasil; Ruth Estévez (LA), director and curator of REDCAT, an interdisciplinary contemporary arts center for innovative arts that introduces diverse audiences to the most influential developments in the arts from around the world through projects and publications.

Transformer's mission is to provide a consistent, supportive, and professional platform for emerging artists to explore and present experimental artistic concepts, build audiences for their work and advance their careers, while increasing dialogue, understanding, and audiences for contemporary visual arts.

As DC's premiere non-profit visual arts organization supporting emerging artists & experimental artistic practice in the contemporary visual arts, Transformer is continually working to develop new opportunities to advance artists» careers and build audiences for emergent artistic expression.

Providing opportunities for independent curators and participating artists to mount fully realized exhibitions within a critical framework, TYPOLOGY seeks to build curatorial community and resources for the exchange of ideas on art and exhibition - making as a way to engage and inform audiences from all walks of life.

«It has been a tremendous privilege to work alongside the VMFA curators for the past several years and share their vision for building a dynamic, and provocative contemporary art collection that also resonates with the museum's diverse audiences,» Bill Royall said.

By encouraging the investigation of current artistic, cultural, and social issues, DiverseWorks builds, educates, and sustains audiences for contemporary art.

The Culture Team strives to grow audiences for contemporary art and to build an international network for cultural exchange and engagement.

The 1999 exhibition introduced Los Angeles audiences to the participatory art of Brazilian Neo-Concretists Lygia Clark and Hélio Oiticica, while the second built on the precedents of the first in establishing a Latin American foundation for the conceptual Light and Space movement that is generally associated with California artists like James Turrell and Robert Irwin.

BRIC, Mark Morris Dance Group (MMDG), The Museum of Contemporary African Diasporan Arts (MoCADA) and Theatre for a New Audience (TFANA) are pleased to announce the launch of the Downtown Brooklyn Arts Management Fellowship, a new program whose aim is to build long - term equity and diversity in the field of arts managemArts (MoCADA) and Theatre for a New Audience (TFANA) are pleased to announce the launch of the Downtown Brooklyn Arts Management Fellowship, a new program whose aim is to build long - term equity and diversity in the field of arts managemArts Management Fellowship, a new program whose aim is to build long - term equity and diversity in the field of arts managemarts management.

The best part of participating in art fairs is building new relationships and developing new audiences for the gallery artists, so it is critical to be engaged with everyone you meet in order to maximize these opportunities.

How to Work Better (1991) was originally painted on an office building in Zurich; 25 years later, Public Art Fund mounts the only other presentation of the mural, bringing the work to a new audience in New York City for the first time.

Mizuik brings over a decade of experience creating opportunities for visual artists to develop new work and build their careers, establishing industry relationships in technology and media to support innovations in artistic practice and exploring new ways to engage audiences in visual arts.

For example, allowing the audience to view an interesting assemblage or installation would not be considered Performance art, but having them watch the artist build the assemblage or installation, would be.

Aoife brings a wealth of experience and an exciting perspective that will make an enormous contribution to the work IMMA has been doing in recent years to build new audiences for contemporary art in Ireland.»

Artes Mundi is Latin for «Arts of the world», reflecting the international focus of this Wales - based arts charity whose mission is: To present a landmark programme of international, contemporary visual art that will enrich the cultural and educational life of Wales and its people, develop and inspire new audiences and build cultural bridges between Wales and the wider woArts of the world», reflecting the international focus of this Wales - based arts charity whose mission is: To present a landmark programme of international, contemporary visual art that will enrich the cultural and educational life of Wales and its people, develop and inspire new audiences and build cultural bridges between Wales and the wider woarts charity whose mission is: To present a landmark programme of international, contemporary visual art that will enrich the cultural and educational life of Wales and its people, develop and inspire new audiences and build cultural bridges between Wales and the wider world.

Albany Center Gallery is dedicated to exhibiting skillful contemporary art and building a strong, knowledgable audience for the visual arts.