Sentences with phrase «building performance arts»

The content included building performance arts knowledge and skills, applying 21st Century skills such as creativity, communication, collaboration and critical thinking through science and arts pedagogies, and designing KLA learning projects to explore science concepts and ideas through music and performance arts.

In 2013, she announced plans to build a performance art institute in Hudson, N.Y..

Not exact matches

ch) And check out Löwenbräuareal, a multi-gallery space built into the old Löwenbräu brewery, for exhibits, performance art, lectures and films.

Primarily, this investment will see a doubling of office space with increased storage facilities and the development of a new purpose - built laboratory for Research and Development (R&D) with three state - of - the - art pilot plants, which will test and trial pre - and post-treatment liquid and solid organic waste streams, to ensure optimal anaerobic digester performance.

The mill may have been built in the 1800s, but today this waterfront space offers visitors a variety of dining, entertainment and shopping options including live music and microbrews at Silo's, art and theatre at the Riverbend Performance Plaza, sandwiches and pastries at Sweetie Pies, candy and confections at the Vintage Sweet Shoppe, and local artisan goods at Amelia's and the Napa General Store.

This office building is open to the public and has hidden gems such as kids shows, theater performances, pop up shops, free fitness classes, and a fantastic art gallery!

The indoor facilities, all of which are connected, feature a historical main building entrance, a large gymnasium, a performance space, a modern library center, a fiber arts studio, three laboratories, a woodshop, music and practice rooms, a cafeteria and a visual arts studio.

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In his feature film Art Party, Smith builds on his 2011 protest with a mix of performance, interviews and imagined scenes, en route to the 2013 Art Party Conference, where he and other speakers championed the importance of art and its place in the education systArt Party, Smith builds on his 2011 protest with a mix of performance, interviews and imagined scenes, en route to the 2013 Art Party Conference, where he and other speakers championed the importance of art and its place in the education systArt Party Conference, where he and other speakers championed the importance of art and its place in the education systart and its place in the education system.

That critique comes to the fore in a brilliant, Buñuelian performance - art sequence that will lodge itself in your brain for days, built around a terrifying turn by Terry Notary, whose animal / creature motion - capture work you may have seen in «Kong: Skull Island» and the recent «Planet of the Apes» movies.

When Norm Morrow became the principal of Jefferson High School in Los Angeles four years ago, the art deco building was severely overcrowded, had poor security, and — two months into his leadership — was one of 12 schools statewide to be audited because of low academic performance.

Because the arts help build community awareness about the school through public performances and school - and community - based projects, donor campaigns for musical instruments and art supplies are generally successful.

To this end, I have begun to build data visualizations of student academic performance for English Language Arts and Mathematics at the following Web site: http://sipbigpicture.com. This will be a Herculean task but hopefully not a Sisyphean one!

Others build on district - funded programs by bringing in cultural arts programs or free performance opportunities.

Of course, it isn't easy getting all of these seemingly conflicting features to come together, especially for a brand that's historically built go - fast performance art.

Secretary Foxx toured the plant and met with employees who are building motors and gears for state - of - the - art Amtrak Cities Sprinter (ACS - 64) locomotives that will provide improved performance, reliability and mobility for travelers on Amtrak's heavily - traveled Northeast Corridor (NEC) and Keystone Corridor.

In the great tradition of high - performance luxury coupes, Audi builds one for the coffee - table art - appreciation books.

The BMW ALPINA B7 builds on the state - of - the - art adaptive suspension technologies of the 7 Series, including tuned Dynamic Damping Control and Active Roll Stabilization, to the demanding requirements of a high performance sedan.

Her work has appeared in What I Say: Innovative Poetry by Black Writers in America, Best American Experimental Writing, Inquiring Mind, Angles of Ascent: A Norton Anthology, and elsewhere, and has also been exhibited in the Smithsonian Institute's American Jazz Museum, San Francisco's first Visual Poetry and Performance Festival, and on the building of Yerba Buena Center for the Arts.

The Müpa is a modern building on the riverbank, which has musical and theater performances, as well as visual arts shows.

This Ubud Kintamani Tour will visit places of interest in Bali like watching traditional Barong and Keris Dance performance is balinese dance story about battle good and evil, then the tour continue to visit Celuk Village is traditional village for gold and silver handicraft, then tour will visit Batuan Village is a traditional balinese village with beautiful fine art, then tour continue to visit the Tirta Empul Temple or most known as a Holy Spring Temple, a myth described if this temple was build by God Indra for protect the village from the arrogant King Maya Denawa, then ubud and kintamani volcano tour will visit the Kintamani village to see the breathtaking view of mount batur volcano, is a mountain tourism object for see the view of mount batur and lake batur view, and you will having lunch in Kintamani, while having lunch you can admire the beauty of the mount batur volcano and the lake batur from the restaurant.

I have been creating high - level art direction documentation, executive - level summaries, technical documents related to middleware engine evaluation, managing external concept artists, and building world prototypes for performance / creative evaluation.»

Anyone who has more than two brain cells and actually READ all 29 pages of the filing, can easily see that Star Citizen is excluded in «name» only; and that since SQ42 is built from EVERYTHING that was developed for Star Citizen, everything the bank listed for SQ42, by extension, also ties up engine, tech, media etc of Star Citizen because, aside from unique music and performance art (mocap for cut scenes), there is NO SQ42 without Star Citizen.

Upcoming in 2010 and 2011 Simmons will produce photographic, sound, performance and sculptural works in conjunction with MoMA PS.1, The Studio Museum, The Goethe Institute / Wyoming Building, The Kitchen, New York, The Nasher Museum of Art at Duke University, The Bronx Museum of Art and The Center For Contemporary Art, Prague and The Center for Art Design and Visual Culture, Baltimore among many other venues.

Using architecture, performance, sculpture, drawing, photography, and film, he sought a new way of seeing and art - making that focused on the commonplace and the «throwaways», such as the city's abandoned buildings, bridges, and even dumpsters.

Perhaps best known for his architectural «cuttings» — sculptures made from slices of buildings slated for demolition — Matta - Clark was co-founder of FOOD in 1971, a functioning restaurant that employed artists and hosted art / food performances.

Museums and commercial galleries fell over themselves in the rush to follow suit, building huge new spaces to accommodate installation and performance art.

They include artist - led collaborative community art projects on the theme of building, art workshops for families, docent - led gallery tours and activities, performances including a marimba band, and refreshments.

Jerri Allyn (MA, Feminist / Art and Community) creates site - oriented, interactive installations and performance art events that become a part of public life, and builds connections between various communitiArt and Community) creates site - oriented, interactive installations and performance art events that become a part of public life, and builds connections between various communitiart events that become a part of public life, and builds connections between various communities.

1998 Back Holiday, Former Key Bank Building, Skowhegan, ME Abierto 24 Horas, Festival de Fallas, Valencia, Spain Cuban Performance Art of the 80 ′ s (Chronology), InterAmerican Gallery, Miami Dade Community College, Miami, FL The Gramercy Fair, New York Ambrosino Gallery, Miami, FL Metaphors, American International College, Springfield, MA The Gramercy Fair, Miami Beach, Ambrosino Gallery, Miami, FL

Built according to the principle of rapid reaction art, the exhibition includes works and performances created here and now, without any predefined goal of a common utterance, but in an attempt to discover the point of internal struggle that hides behind the public manifestations of the process of art creation.

A new performance commissioned by High Line Art featuring a custom built food cart from which the artist offers a menu of micro performances.

With choreography specific to the structure of the building, a soundscape recorded over a month - long residency, and a narrative inspired by the centuries - old curatorial conundrum of the «Summer Exhibition», this is the London premiere of a performance which has taken different forms at a number of venues including the National Museum Stockholm, the Hamburger Kunsthalle and Birmingham Museum and Art Gallery.

Building on the legacies of Marcel Duchamp, Kurt Schwitters, Joseph Cornell and others, he helped obscure the lines between painting and sculpture, painting and photography, photography and printmaking, sculpture and photography, sculpture and dance, sculpture and technology, technology and performance art — not to mention between art and life.

The foundation's deep commitment to developing and sustaining the cultural life and heritage of Sharjah is reflected through year - round exhibitions, performances, screenings, and educational programmes in the city of Sharjah and in arts spaces across the Emirate, many of which are housed in historic buildings.

Exhibitions during the anniversary celebration include Opener 29: Arturo Herrera (through August 23, 2015), featuring new works from the Berlin - based artist's recent body of abstract paintings for which he manipulated small books found at flea markets; Machine Project — The Platinum Collection (Live by Special Request), (September 19, 2015 — January 3, 2016), which will feature a series of interventions, performances, and happenings created for the Tang by Skidmore alumnus Mark Allen in collaboration with his Los Angeles - based collective Machine Project; Affinity Atlas (September 5, 2015 — January 3, 2016), inspired by the work of pioneering cultural theorist and art historian Aby Warburg, charts an exploratory path built upon idiosyncratic treasures and contemporary art culled from the Tang's and Skidmore's collections; and Alma Thomas: A Retrospective (February 6 — June 5, 2016), which will explore the work of this influential but sometimes overlooked artist in the first museum survey of her work since 2001.

With performance art, activism, social justice, feminism, and the gay rights movements in its DNA since the beginning, 18th Street has continued to foster and support the work of many of Los Angeles» most engaging and diverse artists, and has built bridges to like - minded artist communities around the globe.

WHAT: Pratt's Fine Arts Department will open all seven studio buildings that house its expansive graduate program to the public on Friday, April 15 from 5 to 10 p.m. Work in every form will be presented from painting, drawing, photography, printmaking, and sculpture to hybrids of the same, along with installation, video, and performance.

Instead, in the eighties Acconci shifted away from video, performance and body art into work that investigated how the built environment can manipulate the viewers behavior and thereby the viewer's psychological and physical experience.

SHOWS (selection) 2014 still on view: Kunst im Bau 5, installation in the former engineering workshops of the Isarthal Railway, Munich (curator Christoph Nicolaus) UNPAINTED media art fair, Munich, lab 3.0: positions of media art (curator Li Zhenhua) 2013 ikono On Air Festival on ikonotv, ikono Menasa and numerous locations in Berlin Villa Biesental, Berlin, K - Geist 100 Economy Pack Installation in the studio building of the City of Munich, K - Geist 100 Studio, (with Jutta Burkhardt) 2012 Satellite For Contemporary Art, Platform 3, Munich, Raw Material Artistic Spirit Repository For Knowledge And Art in the Syntopic Salon, Potsdam, Germany, a collaboration with the Berlin Brandenburg Academy of Science Biennale For One, KloHäuschen Munich, Germany German Consulate General, New York, Etsi Omnes Ego Non 2011 532 Gallery Thomas Jaeckel, New York, USA, The Shadows of the Fire in my Mind, (solo show) Regensburg New Art Society, Regensburg, Germany, kitchnapping goes shopping Kunstherberge Birkenau, Munich, Germany, The Driftwood Project (Feb — Mai) Salon, ISCP Gallery, Brooklyn, New York, USA Künstlerforum Bonn, Germany (solo show) 2010 Open Studios, International Studio & Curatorial Program (ISCP), Brooklyn, New York, USA Gallery Bezirk Oberbayern, Munich, Germany, Et In Arcadia Ego, (solo catalogue) 2009 Ebersberg Art Society, Ebersberg, Germany Brainwash, performance at St Luke's Church, Munich Art Meets Fashion, nurjungekunst.de, Prater Island, Munich 2008 The Medium of Drawing, Great Art Show, Haus der Kunst, Munich, Germany 2007 The Dark Side of Beauty, nurjungekunst.de, Munich, Germany real, sortiert, fingiert, Linhof - Gallery, Munich, Germany Centre for Contemporary Art, Plovdiv, Bulgaria Goethe Institute, Sofia, Bulgaria 2006 Landshut Art Society, Landshut 2005 Ebersberg Art Society, Ebersberg art / s / hopping, Munich, Germany, (solo show) 2004 lab 30, Laboratory for Experimental Video and Sound, Kulturhaus abraxas, Augsburg, Germart fair, Munich, lab 3.0: positions of media art (curator Li Zhenhua) 2013 ikono On Air Festival on ikonotv, ikono Menasa and numerous locations in Berlin Villa Biesental, Berlin, K - Geist 100 Economy Pack Installation in the studio building of the City of Munich, K - Geist 100 Studio, (with Jutta Burkhardt) 2012 Satellite For Contemporary Art, Platform 3, Munich, Raw Material Artistic Spirit Repository For Knowledge And Art in the Syntopic Salon, Potsdam, Germany, a collaboration with the Berlin Brandenburg Academy of Science Biennale For One, KloHäuschen Munich, Germany German Consulate General, New York, Etsi Omnes Ego Non 2011 532 Gallery Thomas Jaeckel, New York, USA, The Shadows of the Fire in my Mind, (solo show) Regensburg New Art Society, Regensburg, Germany, kitchnapping goes shopping Kunstherberge Birkenau, Munich, Germany, The Driftwood Project (Feb — Mai) Salon, ISCP Gallery, Brooklyn, New York, USA Künstlerforum Bonn, Germany (solo show) 2010 Open Studios, International Studio & Curatorial Program (ISCP), Brooklyn, New York, USA Gallery Bezirk Oberbayern, Munich, Germany, Et In Arcadia Ego, (solo catalogue) 2009 Ebersberg Art Society, Ebersberg, Germany Brainwash, performance at St Luke's Church, Munich Art Meets Fashion, nurjungekunst.de, Prater Island, Munich 2008 The Medium of Drawing, Great Art Show, Haus der Kunst, Munich, Germany 2007 The Dark Side of Beauty, nurjungekunst.de, Munich, Germany real, sortiert, fingiert, Linhof - Gallery, Munich, Germany Centre for Contemporary Art, Plovdiv, Bulgaria Goethe Institute, Sofia, Bulgaria 2006 Landshut Art Society, Landshut 2005 Ebersberg Art Society, Ebersberg art / s / hopping, Munich, Germany, (solo show) 2004 lab 30, Laboratory for Experimental Video and Sound, Kulturhaus abraxas, Augsburg, Germart (curator Li Zhenhua) 2013 ikono On Air Festival on ikonotv, ikono Menasa and numerous locations in Berlin Villa Biesental, Berlin, K - Geist 100 Economy Pack Installation in the studio building of the City of Munich, K - Geist 100 Studio, (with Jutta Burkhardt) 2012 Satellite For Contemporary Art, Platform 3, Munich, Raw Material Artistic Spirit Repository For Knowledge And Art in the Syntopic Salon, Potsdam, Germany, a collaboration with the Berlin Brandenburg Academy of Science Biennale For One, KloHäuschen Munich, Germany German Consulate General, New York, Etsi Omnes Ego Non 2011 532 Gallery Thomas Jaeckel, New York, USA, The Shadows of the Fire in my Mind, (solo show) Regensburg New Art Society, Regensburg, Germany, kitchnapping goes shopping Kunstherberge Birkenau, Munich, Germany, The Driftwood Project (Feb — Mai) Salon, ISCP Gallery, Brooklyn, New York, USA Künstlerforum Bonn, Germany (solo show) 2010 Open Studios, International Studio & Curatorial Program (ISCP), Brooklyn, New York, USA Gallery Bezirk Oberbayern, Munich, Germany, Et In Arcadia Ego, (solo catalogue) 2009 Ebersberg Art Society, Ebersberg, Germany Brainwash, performance at St Luke's Church, Munich Art Meets Fashion, nurjungekunst.de, Prater Island, Munich 2008 The Medium of Drawing, Great Art Show, Haus der Kunst, Munich, Germany 2007 The Dark Side of Beauty, nurjungekunst.de, Munich, Germany real, sortiert, fingiert, Linhof - Gallery, Munich, Germany Centre for Contemporary Art, Plovdiv, Bulgaria Goethe Institute, Sofia, Bulgaria 2006 Landshut Art Society, Landshut 2005 Ebersberg Art Society, Ebersberg art / s / hopping, Munich, Germany, (solo show) 2004 lab 30, Laboratory for Experimental Video and Sound, Kulturhaus abraxas, Augsburg, GermArt, Platform 3, Munich, Raw Material Artistic Spirit Repository For Knowledge And Art in the Syntopic Salon, Potsdam, Germany, a collaboration with the Berlin Brandenburg Academy of Science Biennale For One, KloHäuschen Munich, Germany German Consulate General, New York, Etsi Omnes Ego Non 2011 532 Gallery Thomas Jaeckel, New York, USA, The Shadows of the Fire in my Mind, (solo show) Regensburg New Art Society, Regensburg, Germany, kitchnapping goes shopping Kunstherberge Birkenau, Munich, Germany, The Driftwood Project (Feb — Mai) Salon, ISCP Gallery, Brooklyn, New York, USA Künstlerforum Bonn, Germany (solo show) 2010 Open Studios, International Studio & Curatorial Program (ISCP), Brooklyn, New York, USA Gallery Bezirk Oberbayern, Munich, Germany, Et In Arcadia Ego, (solo catalogue) 2009 Ebersberg Art Society, Ebersberg, Germany Brainwash, performance at St Luke's Church, Munich Art Meets Fashion, nurjungekunst.de, Prater Island, Munich 2008 The Medium of Drawing, Great Art Show, Haus der Kunst, Munich, Germany 2007 The Dark Side of Beauty, nurjungekunst.de, Munich, Germany real, sortiert, fingiert, Linhof - Gallery, Munich, Germany Centre for Contemporary Art, Plovdiv, Bulgaria Goethe Institute, Sofia, Bulgaria 2006 Landshut Art Society, Landshut 2005 Ebersberg Art Society, Ebersberg art / s / hopping, Munich, Germany, (solo show) 2004 lab 30, Laboratory for Experimental Video and Sound, Kulturhaus abraxas, Augsburg, GermArt in the Syntopic Salon, Potsdam, Germany, a collaboration with the Berlin Brandenburg Academy of Science Biennale For One, KloHäuschen Munich, Germany German Consulate General, New York, Etsi Omnes Ego Non 2011 532 Gallery Thomas Jaeckel, New York, USA, The Shadows of the Fire in my Mind, (solo show) Regensburg New Art Society, Regensburg, Germany, kitchnapping goes shopping Kunstherberge Birkenau, Munich, Germany, The Driftwood Project (Feb — Mai) Salon, ISCP Gallery, Brooklyn, New York, USA Künstlerforum Bonn, Germany (solo show) 2010 Open Studios, International Studio & Curatorial Program (ISCP), Brooklyn, New York, USA Gallery Bezirk Oberbayern, Munich, Germany, Et In Arcadia Ego, (solo catalogue) 2009 Ebersberg Art Society, Ebersberg, Germany Brainwash, performance at St Luke's Church, Munich Art Meets Fashion, nurjungekunst.de, Prater Island, Munich 2008 The Medium of Drawing, Great Art Show, Haus der Kunst, Munich, Germany 2007 The Dark Side of Beauty, nurjungekunst.de, Munich, Germany real, sortiert, fingiert, Linhof - Gallery, Munich, Germany Centre for Contemporary Art, Plovdiv, Bulgaria Goethe Institute, Sofia, Bulgaria 2006 Landshut Art Society, Landshut 2005 Ebersberg Art Society, Ebersberg art / s / hopping, Munich, Germany, (solo show) 2004 lab 30, Laboratory for Experimental Video and Sound, Kulturhaus abraxas, Augsburg, GermArt Society, Regensburg, Germany, kitchnapping goes shopping Kunstherberge Birkenau, Munich, Germany, The Driftwood Project (Feb — Mai) Salon, ISCP Gallery, Brooklyn, New York, USA Künstlerforum Bonn, Germany (solo show) 2010 Open Studios, International Studio & Curatorial Program (ISCP), Brooklyn, New York, USA Gallery Bezirk Oberbayern, Munich, Germany, Et In Arcadia Ego, (solo catalogue) 2009 Ebersberg Art Society, Ebersberg, Germany Brainwash, performance at St Luke's Church, Munich Art Meets Fashion, nurjungekunst.de, Prater Island, Munich 2008 The Medium of Drawing, Great Art Show, Haus der Kunst, Munich, Germany 2007 The Dark Side of Beauty, nurjungekunst.de, Munich, Germany real, sortiert, fingiert, Linhof - Gallery, Munich, Germany Centre for Contemporary Art, Plovdiv, Bulgaria Goethe Institute, Sofia, Bulgaria 2006 Landshut Art Society, Landshut 2005 Ebersberg Art Society, Ebersberg art / s / hopping, Munich, Germany, (solo show) 2004 lab 30, Laboratory for Experimental Video and Sound, Kulturhaus abraxas, Augsburg, GermArt Society, Ebersberg, Germany Brainwash, performance at St Luke's Church, Munich Art Meets Fashion, nurjungekunst.de, Prater Island, Munich 2008 The Medium of Drawing, Great Art Show, Haus der Kunst, Munich, Germany 2007 The Dark Side of Beauty, nurjungekunst.de, Munich, Germany real, sortiert, fingiert, Linhof - Gallery, Munich, Germany Centre for Contemporary Art, Plovdiv, Bulgaria Goethe Institute, Sofia, Bulgaria 2006 Landshut Art Society, Landshut 2005 Ebersberg Art Society, Ebersberg art / s / hopping, Munich, Germany, (solo show) 2004 lab 30, Laboratory for Experimental Video and Sound, Kulturhaus abraxas, Augsburg, GermArt Meets Fashion, nurjungekunst.de, Prater Island, Munich 2008 The Medium of Drawing, Great Art Show, Haus der Kunst, Munich, Germany 2007 The Dark Side of Beauty, nurjungekunst.de, Munich, Germany real, sortiert, fingiert, Linhof - Gallery, Munich, Germany Centre for Contemporary Art, Plovdiv, Bulgaria Goethe Institute, Sofia, Bulgaria 2006 Landshut Art Society, Landshut 2005 Ebersberg Art Society, Ebersberg art / s / hopping, Munich, Germany, (solo show) 2004 lab 30, Laboratory for Experimental Video and Sound, Kulturhaus abraxas, Augsburg, GermArt Show, Haus der Kunst, Munich, Germany 2007 The Dark Side of Beauty, nurjungekunst.de, Munich, Germany real, sortiert, fingiert, Linhof - Gallery, Munich, Germany Centre for Contemporary Art, Plovdiv, Bulgaria Goethe Institute, Sofia, Bulgaria 2006 Landshut Art Society, Landshut 2005 Ebersberg Art Society, Ebersberg art / s / hopping, Munich, Germany, (solo show) 2004 lab 30, Laboratory for Experimental Video and Sound, Kulturhaus abraxas, Augsburg, GermArt, Plovdiv, Bulgaria Goethe Institute, Sofia, Bulgaria 2006 Landshut Art Society, Landshut 2005 Ebersberg Art Society, Ebersberg art / s / hopping, Munich, Germany, (solo show) 2004 lab 30, Laboratory for Experimental Video and Sound, Kulturhaus abraxas, Augsburg, GermArt Society, Landshut 2005 Ebersberg Art Society, Ebersberg art / s / hopping, Munich, Germany, (solo show) 2004 lab 30, Laboratory for Experimental Video and Sound, Kulturhaus abraxas, Augsburg, GermArt Society, Ebersberg art / s / hopping, Munich, Germany, (solo show) 2004 lab 30, Laboratory for Experimental Video and Sound, Kulturhaus abraxas, Augsburg, Germart / s / hopping, Munich, Germany, (solo show) 2004 lab 30, Laboratory for Experimental Video and Sound, Kulturhaus abraxas, Augsburg, Germany

About CPR (Center For Performance Research) CPR is the singular new development for the performing arts in Brooklyn's first L.E.E.D. certified green building of its kind.

Marina Abramovic has paired up with Rem Koolhaus to construct Center for the Preservation of Performance Art dedicated to performances of over 6 hours Performance artist Marina Abramovic and iconic architect Rem Koolhaus have paired up to design and build her in Hudson, New York.

As you begin a journey of discovery through the atmospheric Custom & Immigration building, you will be completely immersed, interacting with art works, music and live performance.

In 2012, VCUarts unveiled the design for the Institute for Contemporary Art by Steven Holl Architects, a 38,000 - square - foot building for the presentation of cutting - edge art and performance from around the world to serve as a new destination for contemporary arts and culture in the regiArt by Steven Holl Architects, a 38,000 - square - foot building for the presentation of cutting - edge art and performance from around the world to serve as a new destination for contemporary arts and culture in the regiart and performance from around the world to serve as a new destination for contemporary arts and culture in the region.

With the move to a new, larger building in 1963, the School's program of instruction expanded to include photography and film animation, as well as performance and installation art.

The Transliterative Tease is the first of four Slavs and Tatars performance - lectures organized by the University of Houston Cynthia Woods Mitchell Center for the Arts as part of the INTERSECTIONS initiative, which aims to increase knowledge about Muslim cultures through the arts while focusing on the complexity and diversity within Houston's local Muslim population, with an emphasis on the University of Houston's own student body and seeks to build bridges between visiting artists and UH studeArts as part of the INTERSECTIONS initiative, which aims to increase knowledge about Muslim cultures through the arts while focusing on the complexity and diversity within Houston's local Muslim population, with an emphasis on the University of Houston's own student body and seeks to build bridges between visiting artists and UH studearts while focusing on the complexity and diversity within Houston's local Muslim population, with an emphasis on the University of Houston's own student body and seeks to build bridges between visiting artists and UH students.

Welcome to the limelight, curated by Natalie Woyzbun, includes works by Jessica Craig - Martin, Instant Coffee, Christian Jankowski, David Kramer, Liisa Lounila, and Tony Matelli that invite the viewer into spaces of entertainment and leisure; You don't live here anymore, curated by Montserrat Albores Gleason, features works in which ideas of dwelling and building transform the site of art and its methods of construction; Uninvited (working with restrictions), curated by Kerryn Greenberg, considers how success can be realized in failure, and freedom found through restriction, in the performances of Steven Cohen and his partner, Elu; and In Other Words, curated by Mariangela Méndez Prencke, focuses on bilingual works that use collage and other visual devices to translate themselves into a foreign context.

In 2016, he was the first Performance Fellow at the newly reopened San Francisco Museum of Modern Art, where he created works that address their new building designed by Craig Dykers of Snøhetta.