Sentences with phrase «buildings filmed head»

Not exact matches

«They [the film's creators] just can't wrap their head around the idea that someone might build something because they like building things.»

Whilst filming the happenings, they were attacked by about six well - built men who are security guards at the party's head office.

That's the advice of microbiologist Norman Pace, who has had the unenviable task of analysing the film of microbes that builds up within shower heads at 45 sites in the US.

Throughout the film, Sorrentino packs in numerous surrealistic touches, from the sight of a nun buried up to her neck in sand (accompanied by an aural assault on the soundtrack) to a grotesque glimpse of Rizzo with a potato poultice around his head to the jarring sight of Geremia's village, built by Mussolini on an Italian swampland.

By contrast, Garland builds things up slowly, patiently establishing the characters, their realities, and the place they're heading into, structuring the film like a kaleidoscopic, psychedelic detective story.

Even while spending quality time with John, Emily, President Sawyer, Finnerty, and the head of White House security, Martin Walker (James Woods), you still know what's coming, but Emmerich doesn't just hand over the action as quickly as most films, giving «White House Down» an impressively effective build before unleashing the ultimate display of DC destruction.

Because the film is thirty years old, there's a built - in curiosity value in seeing how its very young cast members look nowadays that lends the usual talking - heads footage added appeal, and some behind - the - scenes stills add welcome context.

Complete with jabs at social - media marketing, this is one of the film's few extended jokes likely to go over the collective heads of very young auds, but it's the kind of absurdly exaggerated everyday detail — complete with the repurposing of familiar gadgetry — on which Aardman's comic brand is built.

The film explores a world where John Cusack discovers a portal in an office building that puts you in the head of the actor John Malkovich for 15 minutes.

In the film, we follow street puppeteer Craig (John Cusack, looking like a small, humming pile of hair) as he confronts the economic viability of his chosen occupation by getting an admin job on the 7 1/2 floor of a building that also happens to hide a tiny door which leads, if one crawls through cobwebs and puddles, to the inside of John Malkovich's head, wherein for 15 minutes the brain tourist can vicariously live through famous actor John Malkovich's eyes before getting spit up into a ditch off the New Jersey Turnpike.

xXx: Return of Xander Cage's action builds to such a relentless head that even the serious stakes of the film's motivation give way to pleasant vibes.

As the film heads into awards season following a summer release, talk will presumably build about which of the women leads the film, but any such debate should be nipped in the bud: Moore and Bening are as democratic a partnership as the characters they play, each performance informing the other to an equal extent as they intricately map out their roles in the parenting game.

You might plan for the one moment where Ruth Negga's proud woman rises from silence to shout down her oppressors, or you might picture all of the dramatic build - up of the film coming to a head in a jubilant courtroom victory scene circled by shouting protesters on both sides.

Built around an extensive parody of the Talking Heads concert film Stop Making Sense, the episode involved coming...

It's only in the closing 30 minutes that the film eases into gear, building up a head of steam for a tense denouement which is dramatically satisfying if not entirely plausible.

A better option would be for Sony and Marvel to use the opportunity as a launching pad any number of the many great teen heroes in the Marvel Comics roster, thus beginning to build a new generation of heroes as the Marvel films head into a new decade.

«A film without main characters where the lives of characters that have lost their head intertwine in a dramatic and less dramatic way in an ordinary concrete panel apartment building.»

In the middle of shooting his third feature, Soft in the Head, he decided to steer the improvised film's narrative arc in a new direction, retreating to the roof of the apartment building where he was shooting to scrawl out story beats on a napkin alongside his producer and Cody Stokes, his director of photography and frequent collaborator.

The film builds to a shocking, inevitable, frenzied finale so intense that at one Sundance screening an audience member assumed the head - in - lap airplane - crash position.

A deeply sentimental and meditative film about the weight of grief and the attachments we have to the homes we build, A Ghost Story overcomes its somewhat pretentious trappings (long, Malickian takes with whispered narrative, shooting in Academy Ratio with rounded corners) and silly premise of watching Casey Affleck spend nearly the entire film with a sheet over his head and spins a metaphysical tale that transcends space and time.

Argento, co-writer Bernardino Zapponi, and various members of Goblin sit for separate talking heads in an information - dense piece (11 mins., HD) that confirms a few myths about the film, such as that it all began with the image of the psychic conference and that the elevator / pearl death sequence was inspired by a lift in Zapponi's building.

The head travels back and forth, building up cathodes or anodes for a microbattery more powerful than any battery that has been achieved with traditional thin film printing methods.