Sentences with phrase «builds out of canvas»

Not exact matches

The odd hybrid of small town soap opera and brutal crime thriller builds slowly — maybe a little too slowly for some — but director Richard Fleischer does an impressive job of weaving the stories and character around each other visually, with characters criss - crossing through scenes and Fleischer panning his camera to across the vast canvas to pick out threads of others stories.

Sakaizawa's iterative process makes similar use of the canvas, as layers of paint, applied in dozens of identical gestures, build out beyond a two - dimensional surface.

This extra-extra-large pizza, on the other hand, drips with wall power to spare, with pepperoni made from painted canvas and other toppings, like olives and onions, astonishingly created purely out of built - up paint.

Whether it's an empty, soiled upholstered armchair or floppy, cut - out canvas of the Supreme Court Building, his works evoke a melancholy past of bygone glory days as he depicts the emotional void.

To the left, a film cuts among extended shots of an industrial dockyard, a building on fire, fish in the deep blue sea, and a black cutout swimming in and out of place on another canvas.

For her booth, she built an elevated white platform in a corner to display 24 small paintings by Phillipe Decrauzet, the reds and blacks shifting like a spinning zoetrope, with one canvas - size block of white cube cut out to reveal a bit of the sky outside, peeking in.

The small gallery is filled with soil that had been sculpted into an uneven terrain, including a couple of canvases that came out of the earth and leaned against the building's walls.

Instead each painting builds a wall of canvas and paint, on which a wholly idealized relationship might be played out.

[citation needed] For his first New York City solo show in 1973, Buren suspended a set of nineteen black and white striped squares of canvas on a cable that ran from one end of the John Weber Gallery to the other, out the window to a building on the other side of West Broadway and back.

The «most odd perspective» created by the design of the concentric orthogonals survived the addition of color coding as Stella pushed into the copper and aluminum series, cutting out the «superfluous» (his term) negative spaces and building elaborate shaped canvases in the 1960s with dazzlers such as Empress of India (1965).

Sounds like your painting has «sunk in'this is where different amounts of oil have soaked into the support (your canvas) and made the painting look dull and «dead» this is exactly what you want to have if you are building up the painting in layers, if you have finding it hard o judge the colours you can «oil out» the canvas.