Sentences with phrase «built for cod»

The eatery is located in the Murray Premises — a warehouse that was built for cod fishers in 1846 — and has a large wine cellar and an assortment of fish caught by Newfoundlanders.

Not exact matches

As religious people, we build buildings for the glory of Cod that dazzle us with pride, not in God, but in ourselves and what we've achieved.

This «builds on the lessons we have Learned from the Cape Wind leasing process,» said Salazar, referring to the first federally permitted wind farm slated for construction off the coast of Cape Cod, Massachusetts.

These obstacles have delayed, and in some cases nixed, many projects — and so far, not a single offshore wind turbine is operating in the U.S. Organizers of Cape Wind, an offshore wind park to be built more than five miles (eight kilometers) from Cape Cod, Mass., have been battling public opposition and regulatory hurdles for more than seven years.

The Scene: For the last 50 years, hippies, rockers, and New Agers have flocked to this Cape Cod hangout, originally built in 1897 as the Cahoon Hollow U.S. Life Saving Station.

COTTAGES & BUNGALOWS McBee Cottages has ten units in two buildings that feature white bead - board interiors and box beamed ceilings in classic Cape Cod style for that classic beach atmosphere.

It also may simply be that Activision would rather focus resources on the current Call of Duty multiplayer arenas and have no interest in diverting attention elsewhere with Call of Duty: WWII's recent esport events building steam for the competitive COD scene.

This turned the game into a corner - camping - ambush shooter as the only way to stay invisible was to crouch and not move - aka don't need to hack the game to cheat, they did all the work for you, smh... This killed any momentum Sony had built up from advertising and CoD: Ghosts went on to steal the epic melee style from it as well as the «perk system» where your streak earns you perks, metaphorically quartering all the good meat off Killzone 3's dead corpse before leaving it to rot.

It already feels like the current crop of Call of Duty games are entering their twilight, with all the excitement of Call of Duty WWII building towards its release later this year, but there's still plenty of multiplayer action for those that want it, and Activision are kicking off the Days of Summer event across three COD games to celebrate what should be the sunnier days of the year.

Travels to Washington on 3 May for march to the Pentagon in protest of Reagan foreign policy; teaches at Yale Summer School of Music and Art; Mazurs build a summer home overlooking Wakeby Pond in Mashpee on Cape Cod after Gail Mazur's family summer home there is destroyed by fire (1979); after dissolution of the Harcus - Krakow Gallery, continues regular exhibitions at the Barbara Krakow Gallery, Boston (also 1984, 1987, 1989, 1990, 1993, 1995, 1996, and 1998); solo exhibitions: Rutgers University Art Gallery (now the Jane Vorhees Zimmerli Art Museum), New Brunswick, New Jersey (in conjunction with a large acquisition of the artist's work); John Stoller Gallery, Minneapolis; Greenberg Gallery, St. Louis; Andrews Gallery, College of William and Mary, Williamsburg, Virginia; group exhibition: American Prints: Process and Proofs, Whitney Museum of American Art, New York.

CA Spectral Hues, curated by Sharon Bliss, Palo Alto Art Center, Palo Alto, CA Art Market, with Chandra Cerrito Contemporary, San Francisco, CA Building the Art House, curated by Katherine Connell and Emma Spertus, Rosenberg Library, City College of San Francisco, San Francisco, CA Big Idea, curated by Sue Collier, Leslie Ford, Jack McWhorter and JoAnn Rothschild, The Painting Center, New York, NY Along the Lines, Harrington Gallery, curated by Julie Finegan, Pleasanton, CA 2016 Plus +1, Trestle Contemporary Art Gallery, Brooklyn, NY Group show, November - December 2016, Galleri Urbane, Dallas, TX Palette, curated by Kelly Inouye, Theodora Mauro and Lisa Solomon, ampersand international arts, San Francisco, CA Small Works, Trestle Gallery, Brooklyn, NY Art Market, with Chandra Cerrito Contemporary, San Francisco, CA 2015 Therely Bare Redux, Zeitgeist Gallery, Nashville, TN Therely Bare Redux, Clara M Eagle Gallery, University of Tennessee, Murray Territory of Abstraction, Pentimenti Gallery, Philadelphia, PA Out of Storage, Studio 110 Projects, Sausalito, CA Art Market San Francisco, (with Chandra Cerrito Contemporary), San Francisco, CA The Airplane Show, B Sakata Garo, Sacramento, CA 2014 un.bound.ed, curated by Brent Hallard and Don Voisine, Root Division, San Francisco, CA (edition) DOPPLER SHIFT, curated by Mary Birmingham, Visual Arts Center, Summit, NJ (catalogue) The Intuitionists, curated by Heather Hart, Steffani Jemison & Jina Valentine, The Drawing Center, New York, NY (catalogue) First / Last, curated by Heather Phillips, Park Life, San Francisco, CA 2013 DOPPLER, Parallel Art Space, Brooklyn, NY (catalogue) Generations IX: The Red / Pink Show, A.I.R. Gallery, Brooklyn, NY Made In Paint: 2012 Artists in Residence, The Sam & Adele Golden Gallery, New Berlin, NY Rituals of Exhibition II, Light Space Project, H Gallery, Chiang Mai, Thailand Rituals of Exhibition, curated by Giles Ryder and Gilbert Hsiao, Don't Be Selfish, Phayao, Thailand POSTE CONCRET II, curated by Richard van der Aa, ParisCONCRET, Paris, FR 2012 Soft Luminosity, curated by Guido Winkler and Iemke van Dijk, IS Projects, Leiden, NL (edition) Art On Paper 2012, The Weatherspoon Museum of Art, Greensboro, NC (brochure) Islands of Order in a Sea of Chaos, curated by Ruth van Veenen, de Vishal, Haarlem, NL Doppler Stop, Amsterdams Grafisch Atelier, Amsterdam, NL (catalogue) Doppler Stop, Kunst & Complex, Rotterdam, NL Doppler Stop, Fluctuating Images / General Public, Berlin, DE Doppler Stop, trenutak.39 / Museum of Contemporary Art, Zagreb, HR Trade - O - Mat, curated by Kathryn Kenworth, Kala Art Institute, Berkeley, CA 2011 A Romance of Many Dimensions, curated by Brent Hallard, Brooklyn Artists Gym, Brooklyn, NY POSTE CONCRET I, curated by Richard van der Aa, ParisCONCRET, Paris, FR BYO, IS Projects, Leiden, NL Stop & Go Rides Again, touring exhibition curated by Sarah Klein, Z Space, San Francisco, US; Kunst & Complex, Rotterdam, NL; Fluctuating Images / General Public, Berlin, DE; Fluctuating Images / Interventionstraum, Stuttgart, DE An Exchange with Sol Lewitt, Massachussetts Museum of Contemporary Art, North Adams, MA (catalogue) ReTrace, Cesar Chavez Art Gallery, San Francisco State University, San Francisco, CA 2010 TOUCH, curated by Brent Hallard, ParisCONCRET, Paris, FR (catalogue) Factor XX, curated by Jenny Balisle, Los Gatos Museum, Los Gatos, CA (catalogue) The Rule of Typical Things, Gregory Lind Gallery, San Francisco, CA 2009 TRANS: form color, Meridian Gallery, San Francisco, CA (catalogue) TRANSformal, Pharmaka, Los Angeles, CA (brochure) The Grid, curated by JT Kirkland, MP5, Portland, OR 2008 Calculated Color, curated by Jane Lincoln, Higgins Art Gallery, Cape Cod, MA (brochure) The Space Between, curated by Cathy Kimbell, San Jose Institute of Contemporary Art, San Jose, CA (brochure) Close Calls, Headlands Center for the Arts, Sausalito, CA (also 2005, 2004) TOUCH, curated by Brent Hallard, Busdori, Tokyo, Japan Out of the Fog: Artists from Headlands Center for the Arts, curated by Dianne Romaine and Holly Blake, Art works Downtown, San Rafael, CA 2007 TRANS: Abstraktion, Weltraum, Munich, DE (brochure) 7 - 07 Hung Liu curates 7 Women Artists in the year of the Pig, b.Sakata Garo, Sacramento, CA (brochure) Bay Area Currents, The Oakland Art Gallery, Oakland, CA Visual Noise, UMC Gallery, University of Colorado, Boulder, CO The Unknown Quantity, Gregory Lind Gallery, San Francisco, CA Systems & Transmutations, Root Division, San Francisco, CA (catalogue) Still, Contemporary Quarterly, curated by Chandra Cerrito, www.ContemporaryQuarterly.com (brochure) 2006 Suitcase: Bus - Dori, curated by Brent Hallard, Tokyo, JP Summertime, Judy Saslow Gallery, Chicago, IL microcosm, curated by Victoria Wagner, Richmond Art Center, Richmond, CA (brochure) Sketch, The Memorial Union Gallery, University of California at Davis, Davis, CA 2005 Contemporary Perspectives, Museum of Contemporary Art, Santa Rosa, CA 2004 and now they aren't.

Opponents of the Cape Wind project — a plan to build several 417 - foot - high turbines off the coast of Cape Cod — as well as projects planned for the tall - grass prairies in Kansas and the ridgetops of Vermont and New Hampshire, cite aesthetics as one of the major drawbacks of wind power.

Building on the tactics that led surprisingly compelling narrative in last year's CoD, Infinite Warfare, the campaign makes you care about the dynamics at play for these brothers in arms, especially the unbreakable bond between Red and Zussman.

I think one of the things many things people misunderstood about Call of Duty Declassified is the fact that the game was built with a primary focus on the multiplayer aspect of the game, it has everything COD multiplayer on consoles has to offer, everything from customizable weapons and classes as well as perks and killstreak rewards to clantags, full prestige levels and ranks, challenges, game modes maps from the original Black ops etc the list goes on, I recommend people take a look at videos on youtube of Declassifieds multiplayer before taking a reviewers word for what their personal opinion of the game is.

Full Of Charm And Character Describes This Lovely Updated Cape Cod That Features Hardwood Floors Throughout, Renovated Kitchen And Bathrooms, Lots Of Crown Molding, New Interior And Exterior Paint, Built In Cabinets In Spacious Master Bedroom, Mosaic Theme In 1/2 Bath, Updated Basement With Extra Windows For Light And Full Bathroom.

As they grew older, we built in a shelving unit into the eves (We were in a Cape Cod at that point) for more storage.

I'm pretty sure this 1969 Cape Cod had these floors when it was built, and we've lived here for 18 years.However, we do know they were refinished once, from an earlier ebony stain, and stripped to a golden oak stain.