Sentences with phrase «burning wall of fire»

Not exact matches

Mourners will gather round a wall of hand - written tributes on Bramley Road - which sprung up shortly after the fire - in the shadow of the burnt - out building.

It is said that the fire, «forming a sort of arch like a ship's sail billowing in the wind, made a wall around the body of the martyr, which was in the midst, or like gold and silver burning in furnace» (15:2).

The fire made the likeness of a room, like the sail of a vessel filled with wind, and surrounded the body of the martyr as with a wall, and he was within it not as burning flesh, but as bread that is being baked, or as gold and silver being refined in a furnace.

Did not the burning bush speak, the moving finger write on a despot's wall, the Tower of Babel confound language and, thus, communication, the Pentecost bring tongues of fire that translated love into each listener's native language?

The only light comes from a fire burning behind them, and all they can see are shadows on the wall, thrown there by people and things passing in front of the fire.

► Lightning strikes a lighthouse and we see a close - up of gel spreading and becoming larger at the base of the building where a small fire burns briefly; a wall of gel rises like a curtain from a jungle forest into the sky, making noises like muttering and muffled roars as we hear that the phenomenon is spreading and destroying all species on Earth; five scientists armed with military rifles enter the area to find trees that have become covered with flowers, woody plants have grown into human shapes covered with blossoms, the bodies of three missing soldiers have been engulfed with vines, moss, and lichens that have grown out of the bodies and the head of a soldier is found in a path (we see no blood or facial expression).

If the fire had spread, and melted the shower stall (not difficult) it already would have been burning inside the wall of the apartment, which could have spread it throughout the entire building.

Bug fixes are still update worthy (hopefully none exist) 5 Types of towers: - Arrow: Single target, attacks ground and air units - Cannon: Single target splash damage, attacks ground units only - Splash: Area of Effect (AoE) attack in radius around tower, attacks ground units only - Air: Single target shot that splits into two new projectiles, attacks air units only - Wall: Cheap tower for creating a path for creeps 3 Tower Elements: - Ice: Slow attack, long range, costly, applies slow to enemies - Fire: Fast attack, short range, expensive, applies burn to enemies - Normal: Average stats across the board, cheap 6 Types of Towers: - Normal: Basic creep that progresses slowly ahead with an average health - Armored: High health point creep that can take a beating, but is also very slow - Speed: Fastest creep in the game, but also one of the weakest - Flying: This creep will bypass your ground defenses and walls by flying from start to finish - Dividing: This creep will separate and split into smaller creeps until it is killed a total of 7 times - Parachute: You thought the Flying creep was bad?

XP is a very important gameplay mechanic as earning enough XP to level - up to the next level will unlock a skill point in order to afford a new upgrade within your subclass such as upgrading from a magnetic grenade to a voidwall grenade which creates a horizontal wall of burning void light, while Towering Barricade provides a large barrier which is capable of reinforcing a position with cover from enemy fire; Defensive Strike produces an overshield around your character and allied characters following killing an enemy using this melee ability; and much more besides, albeit some upgrades require your character to be levelled up to a specific level before being able to unlock the ability with a skill point.

The final episode also unveils the fate of our protagonists — John Malkovich (In the Line of Fire, RED, Burn After Reading), Bill Paxton (Aliens, Titanic, Edge of Tomorrow), Rose McGowan (Planet Terror, Scream), Jon Bernthal (Fury, The Wolf of Wall Street) and Bruce Campbell (Burn Notice, Bubba Ho - Tep), who have found themselves in a harrowing situation as they attempt to discover the true cause of the global pandemic and the terrible secret that Atlas has been hiding.

Endlessly running around searching for something you missed - a hidden switch here, a crack in a destructible wall there, or a great big Shawshank Redemption-esque tunnel hidden by a pin - up poster - will either drive you to quit, or stoke the fires of your perseverance into a white - hot inferno that'll have your eyes burning and the wax dribbling out of your ears.

Featuring a story told through the eyes of four employees of the Atlas corporation and played by a celebrity cast consisting of John Malkovich (In the Line of Fire, RED, Burn After Reading), Bill Paxton (Aliens, Titanic, Edge of Tomorrow), Rose McGowan (Planet Terror, Scream), and Jon Bernthal (Fury, The Wolf of Wall Street), Exo Zombies ushers in a new breed of zombies and a truly unique experience, all included first in the Havoc DLC Pack.

, you are lying on the floor of your place looking up, a small draft runs through the room, between the door and the window, and all things seem perfectly still, wind only disturbs concrete in imperceptible ways, or it may take millions of years to be noticed and, as the air runs through the space, all your plants move and all is animated and all is alive somehow, and here are the thoughts of all men in all ages and lands, they are not original with me, and that wind upon your plants is the common air that bathes the globe, and we have no ambitions of universalism, and I'm glad we don't, but the particles of air bring traces of pollen and are charged with electricity, desert sand, maybe sea water, and these particles were somewhere else before they were dragged here, and their route will not end by the door of this house, and if we tell each other stories, one can imagine that they might have been bathed by this same air, regrouped and recombined, recharged as a vehicle for sound, swirling as it moves, bringing the sound of a drum, like that Kabuki story where a fox recognizes the voice of its parents as a girl plays a drum made out of their skin, or any other event, and yet I always felt your work never tells stories, I tend to think that narrative implies a past tense, even if that past was just five seconds ago, one second ago was already the past, and human memory is irrelevant in geological time, plants and fish know not what tomorrow will bring, neither rocks nor metal do, but we all live here now, and we all need visions and we all need dreams, and as long as your metal sculptures vibrate they are always in the Present, and their past is a material truth alien to narrative, but well, maybe narrative does not imply a past tense at all and they are writing their own story while they gently move and breathe, and maybe nothing was really still before the wind came in, passing through the window as if through an irrational portal to make those plants dance, but everything was already moving and breathing in near complete silence, and if you're focused enough you can feel the pulse of a concrete wall and you can feel the tectonic movements of the earth, and you can hear the magma flowing under our feet and our bones crackling like a wild fire, and you can see the light of fireflies reflected in polished metal, and there is nothing magical about that, it is just the way things are, and sometimes we have to raise our voice because the music is too loud and let your clothes move to a powerful bass, sound waves and bright lights, powerful like the sun, blinding us if we stare for too long, but isn't it the biggest sign of love, like singing to a corn field, and all acts of kindness that are not pitiful nor utilitarian, that are truly horizontal as everything around us is impregnated with the deadliest violence, vertical and systemic, poisonous, and sometimes you just want to feel the sun burning your skin and look for life in all things declared dead, a kind of vitality that operates like corrosion, strong as the wind near the sea, transforming all things,

For her 2017 exhibition at Lehmann Maupin New York, titled, Fire (America), Fernández presented a 16 - foot glazed ceramic panel depicting a nocturnal image of fire, a series of burned, laser - cut landscapes on paper, and a site - specific installation that resembled a horizon line composed of charred lump charcoal applied directly to the gallery waFire (America), Fernández presented a 16 - foot glazed ceramic panel depicting a nocturnal image of fire, a series of burned, laser - cut landscapes on paper, and a site - specific installation that resembled a horizon line composed of charred lump charcoal applied directly to the gallery wafire, a series of burned, laser - cut landscapes on paper, and a site - specific installation that resembled a horizon line composed of charred lump charcoal applied directly to the gallery walls.

Best known for her immersive installations and public projects that explore the various historical and psychological implications of the genre of landscape, Teresita Fernández's most recent exhibition at Lehmann Maupin, Fire (America), debuts a 16 - foot glazed ceramic wall panel depicting a nocturnal landscape engulfed in flames, as well as a new series of abstract landscapes made from burned paper.

Its perforations remained closed while the fire was burning, so that the smoke was kept out of the room and could escape through the chimney or a cavity in the wall.