A cop (Jakob Cedergren) who's been
busted down to desk duty takes a call from a
woman who is apparently in the process
of being abducted; he then tries to marshal forces in the outside
world via his headset to save her.
Both exhibitions emphasize the plural nature
of feminist art: art made all over the
world by
women of all different nationalities, classes, and cultural and racial affiliations, and presumably identified with both the «essentialist» and the «constructionist» brands
of feminist theory and politics, not to mention the many strategies
of feminist art, from craft work to political exposé to canon -
busting to the deconstruction
of gender mythologies to body - centered investigations.
- Dancer with Veil (1928)- Reclining Figure (1929)-
Woman Leaning on a Column (1929, cast 1960s)- Dancer (1929, cast 1960s)- The Snuffer (1930, cast 1960s)- Meditation (1931, cast 1960s)- Jacob and the Angel (1931, cast 1960s)- First Study for Prometheus (1931, cast 1960s)- The Song
of the Vowels (1931, Cornell University, Princeton)- Picador, Bas Relief (c. 1932)- Head,
Bust and Arms (1932)-
Woman with Hair (1932)- Bull and Condor (1932, cast 1960s)- Gericault (1933)- David and Goliath (1933, cast 1963)- First Study for «Toward a New
World» (1934, cast 1965)- Study for «Prometheus» (1936, drawing)- The Rape
of Europa (1938)- Song
of Songs (1945)- Mother and Child (1949, Honolulu Academy
of Arts)- Sketch for «Our Tree
of Life» (1962)- Sketch for Duluth Monument (1963)- Bellerophon Taming Pegasus (1964 - 66, Columbia Law School)