Sentences with phrase «by abstraction games»

Not exact matches

The new version of the game, which is being developed by Abstraction Games, will include all of the content and feature of the other versions.

Kick and Fennick is the first game developed by a two - man team from the Netherlands known as Jaywalkers Interactive, with help from developer Abstraction Games — the studio responsible for bringing Hotline Miami and Rogue Legacy to PlayStation platforms.

By the way, Jimmy - Given what Chris Roberts says here about not liking video game abstractions like lives / score counters, that really, really puts the combat sim intro of Wing Commander in perspective - must have seemed like a radical move at the time!

Heroes of Loot... is created by one guy, except for the music, which is done by Gavin Harrison... releases on iOS, Android, Ouya and PC + Mac simultaneously... has 2 - player coop mode added for Ouya and Android Greenthrottle controllers... will come to PS Vita with help from Abstraction games... supports host of controllers and the NVidia Shield... has been 9 months in development..

Mondrian — Abstraction in Beauty is a block breaking game inspired by videogame art history and the limitations on form and function presented by the De Stijl philosophy.

The Sexy Brutale is developed by Cavalier Game Studios, Tequila Works, Abstraction Games, and published by Tequila Works.

Developed and published by Abstraction Games, 8 - bit Adventure Anthology is a compilation featuring faithful remakes of three of the best 8 - bit point & click adventure games ever made.

Abstraction Games is a game development and platform adaptation studio favored by players, publishers and passionate dev - partners alike.

On the first floor, Ceal Floyer's wall of speakers blaring the engaged signal of a failed telephone call, Line Busy (UK)(2011), is both a minimal work of art and a note of restrained humour; Cory Arcangel's hacked computer game screens, MIG 29 Soviet Fighter Plane and Clouds (2005), could be either political statement or benign dreamscape; while Allora & Calzadilla's Solar Catastrophe (2012) is a hard - edged abstraction made from solar panels, as well as an ironic admission of the wreckage left behind by this renewable energy source.

1987 1987 Biennial Exhibition, Whitney Museum of American Art, New York (catalogue) Perverted by Language, Hillwood Art Gallery, Long Island University, Greenvale, NY (curated by Robert Nickas, catalogue) Reconstruct / Deconstruct, John Gibson Gallery, New York (curated by Robert Nickas, catalogue) Extreme Order: Cemin, Gober, Halley, Lemieux, Steinbach, Lia Rumma Gallery, Naples (curated by Collins & Milazzo, brochure) Primary Structures, Rhona Hoffman Gallery, Chicago (curated by Robert Nickas) Avant - Garde in the Eighties, Los Angeles County Museum of Art, Los Angeles (catalogue) Paint — Film, Bess Cutler Gallery, New York Post-Abstract Abstraction, The Aldrich Museum of Contemporary Art, Ridgefield, CT (curated by Eugene Schwartz, catalogue) NY Art Now: The Saatchi Collection, Saatchi Gallery, London (catalogue) Generations of Geometry, Whitney Museum of American Art at The Equitable Center, New York Similia / Dissimilia, Columbia University Art Gallery, New York; travelled to Sonnabend Gallery and Leo Castelli Gallery, New York; Städtische Kunsthalle, Düsseldorf, Germany (curated by Rainer Crone, catalogue) The Castle, documenta 8, Kassel, Germany (curated by Group Material) Reinhard Onnasch Galerie, Berlin (catalogue) Anti-Baudrillard, White Columns, New York (curated by Group Material) Recent Tendencies in Black and White, Sidney Janis Gallery, New York (curated by Jerry Saltz, catalogue) Terrae Motus, Grand Palais, Paris (catalogue) The Beauty of Circumstance, Josh Baer Gallery, New York (catalogue) New York Now, The Israel Museum, Jerusalem, Israel (catalogue) 1986 Admired Work, John Weber Gallery, New York Spiritual America, CEPA Galleries, Buffalo, NY (catalogue); travelled to Stavanger Faste Galleri, Stavanger, Norway (curated by Collins & Milazzo) New New York, Cleveland Center for Contemporary Art, OH Signs of Painting, Metro Pictures, New York, and Donald Young Gallery, Chicago Painting and Sculpture Today 1986, Indianapolis Museum of Art, Indianapolis, IN (catalogue) Paravision II, Margo Leavin Gallery, Los Angeles (curated by Collins & Milazzo) Political Geometries: on the Meaning of Alienation, Hunter College Art Gallery, New York (catalogue) Post Pop, Michael Kohn Gallery, Los Angeles Tableaux Abstraits, Villa Arson, Centre National d'Art Contemporain, Nice, France (catalogue) Europa / Amerika, Ludwig Köln Museum, Cologne, Germany (catalogue) End Game: Reference and Simulation in Recent Painting and Sculpture, Institute of Contemporary Art, Boston, MA (curated by David Joselit and Elisabeth Sussman, catalogue) Ashley Bickerton, Peter Halley, Jeff Koons, Meyer Vaisman, Sonnabend Gallery, New York The Hidden Surface, Middendorf Gallery, Washington, DC Geometry Now, Craig Cornelius Gallery, New York Surfboards, Michael Kohn Gallery, Los Angeles Art and Its Double: A New York Perspective (El arte y su doble), Centre Cultural de la Funcacio Caixa de Pensions, Madrid; travelled to Fundación Caja de Pensions, Barcelona (catalogue) Rooted Rhetoric, Castel Dell «Ovo, Naples (catalogue)

The most obvious comment made by Young's series is the reinvention of action painting (the title Greeting Card comes from a 1944 Jackson Pollock painting) and the continuation of abstraction through conceptual means long after the end - game conclusions of formalism.

2003 Greetings from New York, New Abstraction, Galerie Thaddaeus Ropac, Salzburg, Austria Game Over, Grimm / Rosenfeld Galerie, Munich, Germany The Larger Room, curated by Mari Eastman, 678 Echo Park Avenue, Los Angeles, CA