Sentences with phrase «by cineaste»

Not exact matches

Being a fairly highbrow cineastes» mag, Sight & Sound tends to keep a safe distance from awards season — which is probably just as well, if Nick James's grim - faced editorial on the subject is anything to go by.

In 1955, Nick Ray's most famous film was adored by American teenagers and by French intellectual cinephiles and cineastes.

Hugo goes on to find out more about Méliès» past, beautifully realized by top cineaste Scorsese with writers Brian Selznick and John Logan.

Any cinema that shows Marienbad is an art cinema by definition, and anyone who sincerely likes it has moved beyond being a film lover and earned the accolade of cineaste.

Wes Anderson movies are possibly the closest thing to an event movie for the... I was going to say something like «indie nerd cinephile set,» but the truth is Anderson's films are beloved by all kinds of audiences — those who love tentpoles, cineastes, sci - fi aficionados, etc..

Hollywood may have been a sclerotic dinosaur, but inspired in equal measure by European cineastes and America's dharma bums, other eager - beaver bohemians were gnawing away at the system — hanging out at pop art gallery shows and beatnik poetry readings, digging Dylan and the Doors, studying the Method, smoking pot, and finding work at AIP.

By now, any self - respecting cineaste is aware of the campfire tale about a group of kids who set about recreating Steven Spielberg's Raiders of the Lost Ark over a period of many years.

While it deserved to beat fellow contender Operation Petticoat (like Pillow Talk, co-written by Stanley Shapiro and Maurice Richlin), no cineaste would agree with it besting the other nominees (are you ready?)

Carried over from the earlier DVD edition are two commentary tracks (one by co-writer Jean Gruault, Truffaut collaborator Suzanne Schiffman, editor Claudine Bouche, and Truffaut scholar Annette Insdorf, the other featuring actress Jeanne Moreau and Truffaut biographer Serge Toubiana), excerpts from the 1985 documentary The Key to Jules and Jim about the author Henri - Pierre Roche, an episode of Cineaste de notre temps from 1965 dedicated to Truffaut, and a segment from the series L'Invitie du Dimanche from 1969 with Truffaut, Moreau, and filmmaker Jean Renoir, footage of Truffaut interviewed by Richard Roud at the 1977 New York Film Festival, excerpts from Truffaut's presentation at a 1979 American Film Institute «Dialogue on Film,» a 1980 archival audio interview with Truffaut conducted by Claude - Jean Philippe, video interviews with cinematographer Raoul Coutard and co-writer Jean Gruault, and a video conversation between scholars Robert Stam and Dudley Andrew.

Two of them involve TV series, justified by both the need to be modern and the fact that they are made by true - blue Cannes - tested cineastes.

Behind «Holy Motors» — the strange, perverse and entertaining neo-noir film by Léos Carax — lies a near century of movie surrealism: of deliberately fantastic, illogical and sometimes pathological filmmaking in which the cineaste (whether it's Luis Bunuel or Jean Cocteau or Maya Deren or Carax) tries to dream on screen and carry us into the maddest of reveries.

The supplement package is highlighted by three half - hour items - an episode of the French TV series Cineastes de notre temps that focuses on Jean - Pierre Melville; an archival interview with assistant director Bernard Stora; and an interview with Rui Nogueira, author of «Melville on Melville».