Sentences with phrase «by curatorial associate»

Organized by Curatorial Associate Anna Stothart, Mickalene Thomas features a selection of five, recent, large - scale paintings.

Not exact matches

The show is organized by Bennett Simpson, senior curator, with Rebecca Matalon, curatorial associate, The Museum of Contemporary Art, Los Angeles.

The Artist's Museum is organized by Dan Byers, Mannion Family Senior Curator, with Jeffrey De Blois, Curatorial Associate.

Retrospective is organized at MoMA PS1 by Jenny Schlenzka, Associate Curator and Alex Sloane, Curatorial Assistant.

«Fast Forward: Painting from the 1980s» is organized by Jane Panetta, associate curator, with Melinda Lang, curatorial assistant of The Whitney.

Catalogue Carlos Rolón: Outside / In will be accompanied by a catalogue that features essays by NOMA's Curator of Modern and Contemporary Art Katie A. Pfohl, the Perez Art Museum's Curator of Contemporary Art Maria Elena Ortiz, and the Museo de Arte de Ponce's Associate Curator of European Art, Pablo Pérez d'Ors, an interview of Carlos Rolón by NOMA's Andrew W. Mellon Foundation Fellow for Modern and Contemporary Art Allison Young, as well as short essays by artist Theaster Gates and NOMA Curatorial Fellow Lucia Momoh.

Maria Lassnig is organized by Peter Eleey, Curator and Associate Director of Exhibitions and Programs, and Jocelyn Miller, Curatorial Assistant at MoMA PS1, and organized in collaboration with the Neue Galerie Graz — Universalmuseum Joanneum.

The exhibition is co-organized by MoMA PS1 and Fundación Jumex Arte Contemporáneo, and curated by Peter Eleey, Curator and Associate Director of Exhibitions and Programs, MoMA PS1; and Magalí Arriola, Curator, Fundación Jumex Arte Contemporáneo; with Jocelyn Miller, Curatorial Assistant, MoMA PS1; and Javier Rivero, Curatorial Assistant, Fundación Jumex Arte Contemporáneo.

The Art Amnesty is organized by Peter Eleey, Curator and Associate Director of Exhibitions and Programs, MoMA PS1, with Jocelyn Miller, Curatorial Assistant.

Made in L.A. 2016: a, the, though, only is organized by Hammer curator Aram Moshayedi and Hamza Walker, director of education and associate curator, Renaissance Society, with January Parkos Arnall, curatorial assistant, Public Engagement and MacKenzie Stevens, curatorial assistant.

VW Sunday Sessions is organized by Taja Cheek, Curatorial Assistant, MoMA PS1; and Alex Sloane, Curatorial Assistant, MoMA PS1; with Alexandra Rosenberg, Associate Producer; Lucy Lie, Production Coordinator; Chris Roberts, Production Coordinator; and Kenzo Perron, Production Assistant.

Through careful deliberation by the selection committee that included Jesse Greenberg (artist), Naomi Hersson - Ringskog (executive director, No Longer Empty), David Humphrey (artist), Nicole Russo (owner and director, Chapter NY), Elisabeth Sherman (senior curatorial assistant, Whitney Museum of American Art), John Silvis (artist, independent curator and art advisor), Lumi Tan (associate curator, The Kitchen), and Nari Ward (artist), ten artist proposals were chosen to receive funding ranging from $ 750 - $ 1,500 to carry out their projects.

This exhibition is organized by ICA's curatorial department under the leadership of Eva Respini, Barbara Lee Chief Curator, with Jessica Hong, Curatorial curatorial department under the leadership of Eva Respini, Barbara Lee Chief Curator, with Jessica Hong, Curatorial Curatorial Associate.

The Little Things Could Be Dearer is organized by Mia Locks, Curatorial Associate, MoMA PS1.

Free and open to the public, the symposium is organized by Kate Kraczon, Laporte Associate Curator; Lauren Downing, Curatorial Assistant; and Tausif Noor, Spiegel Wilks Curatorial Fellow, all at the Institute of Contemporary Art.

Organized by Dena M. Woodall, associate curator of prints and drawings, and curatorial assistant Lauren Rosenblum, the exhibition features 20th - century prints from the permanent collection selected by artists known for their work in other disciplines — specifically sculpture, photography, painting, installation, and dance.

As part of AS - AP's mission to preserve, present, and protect the archival heritage of living and defunct for - and not - for - profit art spaces, AS - AP has partnered with Exit Art to make available online dozens of significant interviews conducted by Herb Tam, Associate Curator — Exit Art, and Lauren Rosati, Assistant Curator — Exit Art, as part of the curatorial research conducted for the 2010 exhibition, Alternative Histories.

Hammer Projects: Mary Reid Kelley is organized by Hammer curatorial associate Emily Gonzalez - Jarrett.

The exhibition is curated by Allegra Pesenti, curator at large, Menil Drawing Institute and former curator of the Grunwald Center for the Graphic Arts, with Leslie Cozzi, curatorial associate.

This exhibition is organized by curator Ali Subotnick with Emily Gonzalez - Jarrett, curatorial associate.

Infinite Blue is organized by a curatorial team including Yekaterina Barbash, Associate Curator of Egyptian Art; Susan L. Beningson, Assistant Curator of Asian Art; Meghan Bill, Curatorial Assistant, Arts of Asia, Africa, the Pacific Islands, and the Islamic World; Edward Bleiberg, Senior Curator of Egyptian Art; Connie Choi, former Assistant Curator of American Art; Joan Cummins, Lisa and Bernard Selz Curator of Asian Art; Susan Fisher, Director of Collections; Barry R. Harwood, Curator of Decorative Arts; Deirdre Lawrence, Principal Librarian, Libraries and Archives; Cora Michael, former Associate Curator of Prints and Drawings; Kimberly Orcutt, Andrew W. Mellon Curator of American Art; Nancy Rosoff, Andrew W. Mellon Senior Curator of Arts of the Americas; Lisa Small, Senior Curator of European Art; Sara Softness, Assistant Curator of Special Projects; and Eugenie Tsai, John and Barbara Vogelstein Senior Curator of Contemporary Art; with guidance provided by Nancy Spector, former Deputy Director and Chief Curator, Brooklcuratorial team including Yekaterina Barbash, Associate Curator of Egyptian Art; Susan L. Beningson, Assistant Curator of Asian Art; Meghan Bill, Curatorial Assistant, Arts of Asia, Africa, the Pacific Islands, and the Islamic World; Edward Bleiberg, Senior Curator of Egyptian Art; Connie Choi, former Assistant Curator of American Art; Joan Cummins, Lisa and Bernard Selz Curator of Asian Art; Susan Fisher, Director of Collections; Barry R. Harwood, Curator of Decorative Arts; Deirdre Lawrence, Principal Librarian, Libraries and Archives; Cora Michael, former Associate Curator of Prints and Drawings; Kimberly Orcutt, Andrew W. Mellon Curator of American Art; Nancy Rosoff, Andrew W. Mellon Senior Curator of Arts of the Americas; Lisa Small, Senior Curator of European Art; Sara Softness, Assistant Curator of Special Projects; and Eugenie Tsai, John and Barbara Vogelstein Senior Curator of Contemporary Art; with guidance provided by Nancy Spector, former Deputy Director and Chief Curator, BrooklCuratorial Assistant, Arts of Asia, Africa, the Pacific Islands, and the Islamic World; Edward Bleiberg, Senior Curator of Egyptian Art; Connie Choi, former Assistant Curator of American Art; Joan Cummins, Lisa and Bernard Selz Curator of Asian Art; Susan Fisher, Director of Collections; Barry R. Harwood, Curator of Decorative Arts; Deirdre Lawrence, Principal Librarian, Libraries and Archives; Cora Michael, former Associate Curator of Prints and Drawings; Kimberly Orcutt, Andrew W. Mellon Curator of American Art; Nancy Rosoff, Andrew W. Mellon Senior Curator of Arts of the Americas; Lisa Small, Senior Curator of European Art; Sara Softness, Assistant Curator of Special Projects; and Eugenie Tsai, John and Barbara Vogelstein Senior Curator of Contemporary Art; with guidance provided by Nancy Spector, former Deputy Director and Chief Curator, Brooklyn Museum.

The exhibition is organised by Kathy Halbreich, Associate Director, the Museum of Modern Art, with Mark Godfrey, Curator, International Art, Tate Modern, and Lanka Tattersall, Curatorial Assistant, Department of Painting and Sculpture, the Museum of Modern Art.

In Real Life: Lara Schnitger is a Public Engagement project organized by Connie Butler, Chief Curator, Anne Ellegood, Senior Curator, and January Parkos Arnall, Curatorial Associate, Public Engagement.

The show is organized by Lanka Tattersall, Assistant Curator, with Rebecca Matalon, Curatorial Associate, The Museum of Contemporary Art, Los Angeles.

Drawn from the Whitney's collection, «Fast Forward» has great moments, in individual efforts and the groupings worked out by its organizers, Jane Panetta, an associate curator, and Melinda Lang, a curatorial assistant.

This program is organized by January Parkos Arnall, curatorial associate, Public Engagement, and MacKenzie Stevens, curatorial assistant.

The Hammer's presentation of Artists» Film International is organized by Emily Gonzalez - Jarrett, curatorial associate.

In Real Life: Women's Center for Creative Work is a Public Engagement project organized by January Parkos Arnall, Curatorial Associate, Public Engagement.

In Real Life programs are organized by January Parkos Arnall, curatorial associate, Public Engagement; Connie Butler, chief curator; Leslie Cozzi, curatorial associate; Anne Ellegood, senior curator; Emily Gonzalez - Jarrett, curatorial associate; Aram Moshayedi, curator; MacKenzie Stevens, curatorial assistant; and Ali Subotnick, curator.

Now Here is also Nowhere is curated by Luis Croquer, Deputy Director of Art and Education with assistance from Merith Bennett, Senior Curatorial Associate.

Made in L.A. 2018 is organized by Anne Ellegood, senior curator, and Erin Christovale, assistant curator, with MacKenzie Stevens, curatorial associate.

In Conversation: LaToya Ruby Frazier with Curator Dean Daderko, Contemporary Arts Museum, Houston, and Curatorial Associate Anna Stothart, ICA, Boston Thursday, January 16, 5:30 p.m. Grace Street Theater, 934 W Grace St Cosponsored by VCUarts Department of Photography & Film

The presentation will include a responsive Q&A session convened by Tara McDowell, recently appointed Associate Professor and Director of Curatorial Practice at Monash University.

Moderated by Dr Tara McDowell, Associate Professor and Director of Curatorial Practice, Monash University

States of Incarceration is organized for the Tang Teaching Museum by Rachel Seligman, Assistant Director for Curatorial Affairs, Tang Teaching Museum, and Eric Morser, Associate Professor of History, Skidmore College with Skidmore College students from the course «Adventures in Public History: The Prison Project.»

Sunday Sessions is organized by Jenny Schlenzka, Associate Curator with Alex Sloane, Curatorial Assistant and Rosey Selig - Addiss, Associate Producer.

Organized by Klaus Biesenbach, Director, MoMA PS1, and Chief Curator at Large, The Museum of Modern Art, with Jocelyn Miller, Curatorial Associate, MoMA PS1.

Tania Bruguera: Talking to Power / Hablándole al Poder is organized by Yerba Buena Center for the Arts and curated by Lucía Sanromán, director of visual arts, and Susie Kantor, curatorial associate.

Organized by Neville Wakefield, P.S. 1 Senior Curatorial Advisor; Michelle Elligott, MoMA Archivist; and Eva Respini, MoMA Associate Curator of Photography.

The series is edited by Jocelyn Miller, Curatorial Associate, MoMA PS1.

Organized by Alanna Heiss, Founding Director, MoMA PS1, and Director, Clocktower Productions, with Beatrice Johnson, Associate Curator, Clocktower Productions; and Oliver Shultz, Curatorial Assistant, MoMA PS1.

Organized for MOCA by Associate Curator Rebecca Morse, in collaboration with a curatorial team that includes Director Jeffrey Deitch, Director of Publications Lisa Gabrielle Mark, Curator Alma Ruiz, and Curator Bennett Simpson, the exhibition expands on a collection show originally conceived by Chief Curator Paul Schimmel, that considered the work of Los Angeles artists in a local context, following Collection: MOCA's First Thirty Years, which presented Los Angeles artists in an international context.

«Tacita Dean: Five Americans» is curated by Massimiliano Gioni, Associate Director and Director of Exhibitions, and Margot Norton, Curatorial Associate.

The exhibition is curated by Cynthia Burlingham, deputy director, curatorial affairs and Allegra Pesenti, senior curator and associate director, Grunwald Center for the Graphic Arts, Hammer Museum, in collaboration with independent scholar Florian Rodari.

This event will be held in English and will be moderated by Artis Curatorial Associate and CCA Curator Chen Tamir.

is co-organized by Ryan Inouye, Curatorial Assistant and Ethan Swan, Education Associate.

Curated by Benjamin Godsill, curatorial associate, New Museum.

Organized by Stuart Comer, Chief Curator, and Thomas J. Lax, Associate Curator, with Martha Joseph, Curatorial Assistant, Department of Media and Performance Art.

Matters of Fact also includes a black box / cinema space featuring a variety of moving image programs created by CCS Bard Graduate Students Suzy M. Halajian and Alicia Ritson, and CCS Bard Curatorial and Program Associate Nathan Lee.

The Hammer's presentation is organized by Cynthia Burlingham, deputy director, curatorial affairs, with Leslie Cozzi, curatorial associate, Grunwald Center for the Graphic Arts.