Sentences with phrase «by dadaist»

Materially reflecting the complexities of individual and collective identity, Les guérillères XII also evokes the uncanny formal ruptures employed by Dadaist artists in the aftermath of World War I. Perret's figure in repose occupies the time and space between action and inaction; whilst guns pose a key threat to societies of our time, here this cast resin gun is candy - like, fetishised, temporarily immobilised yet still harbouring potential.

Working across media including hand - drawn animation and opera, he has become something of a rock star and was in top form with his rendition of a sound poem first presented by the Dadaist Kurt Schwitters in 1932.

Emerging from the dominant Abstract Expressionism movement and inspired by the Dadaists, Jasper Johns revolutionized the concept and materiality of artwork by employing experimental techniques and different points of view.

They're more in keeping with Duchamp and Kurt Schwitters» brand of subversion and the radical dismantling of traditional art - making by the Dadaists than the superficial antics of Pop.

This free - associational technique was adopted by Dadaists and Surrealists, among others, to create writings or art with involuntary actions and processes not under the rigors and discipline of the conscious mind.

The recent creative history of Winnipeg brings up a number of successful artists influenced by Dadaists, graffiti art, and outsider artists like Henry Darger.

Not exact matches

Now Rosefeldt is releasing his project as a single 90 - minute feature, described on his website as «a series of striking monologues -LSB-...] created by editing and reassembling a collage of artists» manifestos, from declarations penned by the Futurists, Dadaists and Situationists, to the musings of individual artists, architects, dancers and filmmakers such as Sol LeWitt, Yvonne Rainer and Jim Jarmusch.»

Most of the artists of the sixties and seventies that the Whitney features were influenced by and created derivative variations of the work of Joseph Beuys, Marcel Duchamp, Jean Dubuffet, and various other European Dadaists and Surrealists.

In the beginning of the»60s, Arman was still under a tremendous impression by the exhibition German Dadaist Kurt Schwitters held in 1954.

Known by his nom de plume CPLY, he was a self - taught artist pushing the limits of art - world decorum, as well as a collector, gallerist and connector of some of the most important artists of the 20th century, in particular European Surrealists and Dadaists such as Max Ernst, Man Ray and Marcel Duchamp, and American Pop artists.

The recent exhibition at the Solomon R. Guggenheim Museum in New York, Art and China after 1989: Theater of the World (6 October 2017 — 7 January 2018), opened with numerous works by Huang dated to his early Dadaist years.

Mixed in with the works of Willumsen are rarely seen works by the better known Dadaist Francis Picabia (1879 — 1953) and newer work by the suddenly resurgent Julian Schnabel (b. 1951), who — as might be expected — is the main draw.

(9 pm, BBC4) is part of a season on conceptual art that has ranged from Vic Reeves on the Dadaists to a survey by James Fox.

Rosalind Jacobs» lifelong friendships with many of the iconic artists of the Surrealist and Dadaist movements resulted in an amazing collection of works by Rene Magritte, Marcel Duchamp, Max Ernst, and most substantially, Man Ray.

Drawing from Dadaist techniques, this work proposes a form of Little Theatre: objects are actors that perform and are performed by conditions and chance occurrence.

There is certainly a resemblance of appearance, of certain technical devices, but Rauschenberg has seen something in them, has seen the Dadaist objects as the works of art they have tried not to be, and by concretizing what he has seen, and repeating it, new meanings and values come into being.

He is influenced by the notion of «tensegrity», proposed by Kenneth Snelson, the paintings and prints of Terry Winters, methods of unifying conscious and subconscious thought such as through Surrealist Automatism, and the approach of Dadaists to question the meaning of symbols.

That show marked a shift from the idea of a constructivist, analytical and technological Colombo, attributed to him over the years by various Italian critics, to one that placed more emphasis on his dadaist - surrealist links, which were formulated by the artist himself as a part of a thesis on Max Ernst and Dadaism, completed as part of his diploma at Milan's Accademia di Brera in 1959.

The Dada attitude of «anything goes» was certainly embraced by the artists who, like the original Dadaists, used unorthodox materials in protest against the traditions of «high art».

by Kurt Schwitters Dadaist and creator of total works of art Kurt Schwitters wrote and composed his Ursonate between 1923 and 1932.

With this adroit relationship to images, Tompkins is thus as much a Dadaist as she is a feminist; the two strands of her work commingle and produce heretofore - unexplored spaces for reflection upon identity, causing one to understand the true nuance of art informed by gender and sexuality.

But Fort Gansevoort flips the script on millennia of male - dominated athletics with art works by thirty - one women made between the mid-twentieth century and now, from Elizabeth Catlett's jubilant 1958 print of a barefoot girl jumping rope to a just - finished collage of a pigtailed boxer by Deborah Roberts, a young artist who borrows the Dadaist strategies of Hannah Höch for the era of Black Lives Matter.

For his first extensive presentation in Istanbul, Dirimart opens both galleries, in Dolapdere and Nişantaşı, to the films and photographs of Berlin - based artist Julian Rosefeldt, who has been celebrated worldwide for his film installation Manifesto (2015), a reenactment of historical avant - garde manifestos by artist groups such as the Dadaists, the Situationists, and Futurists, featuring Australian actress Cate Blanchett in thirteen different roles.

Also on view at the Museum, will be kinetic sculptures by Alexander Calder, installations by Kurt Schwitters and Man Ray, abstract works by František Kupka and works by classic Surrealist and Dadaist masters Joan Miro, Marcel Duchamp, André Masson, Jean Arp.

George Grosz, Dallas Broadway, 1952, watercolor on paper, Dallas Museum of Art, Foundation for the Arts Collection, anonymous gift in memory of Leon A. Harris In 1952 George Grosz, the expatriate German dadaist and satirist, was invited to Dallas by Leon Harris, Jr., the young vice president of the Harris and Company department store.

This silkscreen (an edition of 20) by Shinro Ohtake is a tribute to German Dadaist Hannah Höch, who was instrumental to the development of 20th - century photomontage.

At the museum's Betty and Edward Marcus Sculpture Park at Laguna Gloria, large - scale bronze works will be on view, including Miffy Fountain (2008), a working fountain that co-opts the beloved children's book character created by Dutch author and illustrator Dick Bruna; a new edition of Sachs's bronze interpretation of a Buddhist stupa, Stupa (2012), created specifically for this exhibition; and Duralast (2008), a Dadaist construction from the artist's series of «battery towers,» comprising a stack of automobile batteries rendered in bronze.

During his early career of the early 1960s, Richter was introduced to American and British Pop art, a style which was just becoming known in Europe, and also to the Dadaist Fluxus movement and its Happenings, founded by the Lithuanian - born American art theorist George Maciunas (1931 - 78).

By asking people to name two nouns, a Dadaist idea of Exquisite Corpse is created which is then painted as literally as possible.

Working in the lineage of the Dadaists and the Nouveau Réalisme movement, Bradford has honed a refined technique of décollage, a process defined by cutting, tearing away or otherwise removing, pieces of an original image.

The founder of British Pop - art, Paolozzi trained at the Edinburgh College of Art (1943), St Martin's School of Art (1944), and at the Slade School of Art (1944 - 1947), before working in Paris, France (1947 - 1949) where he met and became influenced by a number of famous artists, including the Swiss sculptor Alberto Giacometti, the former Dadaist and Surrealist Jean Arp, the Romanian sculptor Constantin Brancusi, and the Cubists Georges Braque and Fernand Léger.

True, Dada was essentially anti-art, but the years during which it flourished 1916 - 1922 were marked by great polarization and political strife, and as soon as things calmed down most Dadaists became Surrealists.

Outraged by the carnage and immorality of the War, Dadaists were anti-war, anti-art, and determined to ridicule what they considered to be the meaninglessness of the modern world.

The new group exhibition at Various Small Fires, Artificial Complexion, is inspired by the work of poet / artist / bohemian Baroness Elsa von Freytag - Loringhoven, an influential Dadaist figure who collaborated frequently with Man Ray and may have conceived Marcel Duchamp's infamous Fountain.

Gordon's photosculptures exist somewhere between two and three dimensions, visually interrupted by his disjunctive cuts which recall the photomontages of the Dadaists.

Los Angeles... Beginning 16 October, Hauser Wirth & Schimmel will present a comprehensive exhibition of the renowned Dadaists Kurt Schwitters (1887 — 1948) and Hans Arp (1886 — 1966), in the context of works by the Spanish painter, graphic artist and sculptor Joan Miró (1893 — 1983).

In 1921, disillusioned with the reception given to Dadaist ideas by New Yorkers he left America to live and work in Paris, where he created one of his best known Dadaist artworks: «Indestructible Object» (1923), a metronome with a photo of an eye attached to its clicking arm.

So now — in a sort of reversal of fortune gleefully predicted half a century ago by none other than Salvador Dalí — Sigmar Polke, though championed as an inheritor of the avant - garde strategies of the Dadaists and the Abstract Expressionists, turns out to be the new pompier.

He became intoxicated by the Surrealists and assorted Dadaists which influenced his unique blend of American Pop mixed in with a healthy dose of European Surrealism; all weighted by the color and pattern legacy of Matisse.

Smith's conceptual artwork of non-representational renderings and certain Dadaist quality, which often incorporates ready - made materials and collage references, is so desired it is already fetching mind - boggling prices at auctions held by the most renowned auction houses worldwide.

These included: Little French Girl (1914 — 18), by Constantin Brancusi; an untitled still life (1916) by Juan Gris; a bronze sculpture (1919) by Alexander Archipenko; and three collages (1919 - 21) by the legendary German Hanoverian Dadaist Kurt Schwitters.

The gallery also has a traveling exhibition titled «Schwitters Miró Arp,» that brings together works by renowned European Dadaists Kurt Schwitters, Joan Miró and Hans Arp.

In 1986, he founded Xiamen Dada, a postmodern group mixing Zen Buddhism with Dadaist surrealism, influenced by artists including Joseph Beuys, John Cage and Marcel Duchamp.

The history of the world by Zipora Fried would probably look something like the black and white avant - garde films of the Dadaist canon: morphing, jagged, and driven by a language that is neither recognizable nor familiar, emphasizing everyday objects as agents of intellect rather than simple extensions of the hand.

REFERRING TO THE GROUP OF «Yippies» (protesting the embalming of Surrealism) outside the Museum of Modern Art the night the show opened, Salvador Dali was quoted by Newsweek (April 8, 1968) as saying, «These are the Dadaists of today.»

But there are some promising precedents: an eco rap by China's Green Beat on how using Beijing's public transit can win over the opposite sex and an awesome Dadaist meditation climate change by Dr. Octagon.