Sentences with phrase «by dia»

The Mnuchin show coincides with Andre's traveling retrospective, «Sculpture as Place,» organized by Dia: Beacon and currently on view at the Museo Nacional Centro de Arte Reina Sofía in Madrid through October 12.

The exhibition coincides with Andre's traveling retrospective, Carl Andre: Sculpture as Place, organized by Dia: Beacon and currently on view at the Museo Nacional Centro de Arte Reina Sofia, Madrid through October 12, 2015.

(It shouldn't go unnoted, however, that Mr. Hirschhorn is represented by the blue - chip capitalist gallery Gladstone and that he created «Gramsci Monument» in fulfillment of a commission by the Dia Foundation, a pillar of the American art establishment.)

In Austin, Texas, Cathy Byrd meets seminal video and performance artist Joan Jonas about how context affects each presentation of The Shape, The Scent, The Feel of Things, a project commissioned by Dia Beacon in 2004.

Sculpture as Place, 1958 — 2010, a show organised by Dia Art Foundation in association with the Museo Reina Sofía, is the first retrospective on the artist to look over the fifty years of his output, yielding over two thousand sculptures and a similar number of poems, dozens of hard - to - classify objects and hundreds of postcards.

The exhibition, organized by Dia curator Yasmil Raymond and former Dia director (now MOCA director) Philippe Vergne, is an occasion to consider the entire sweep of Andre's oeuvre, which, together with Donald Judd and Richard Serra's work, formed the hieratic core of the Minimalist movement — with Andre's key contribution being his breaking of the fourth wall, as it were, by encouraging viewers to interact with his famous floor - tile sculptures by walking on them.

Joseph Beuys, a subscriber to the idea of artist as shaman, performer of the piece «I Like America and America Likes Me» has a permanent installation outside Dia Chelsea, a converted loft building at 548 West 22nd Street purchased by the Dia Art Foundation in 1987.

Venice Biennale (2017) and the acquisition by the Dia Art Foundation, New York of Stuart's installation of 4 earth scrolls:

curated by Christine Macel at the 57th Venice Biennale (2017) and the acquisition by the Dia Art Foundation, New York of Stuart's installation of 4 earth scrolls: Sayreville Strata Quartet (1976), which is currently on show at Dia: Beacon.

A major museum retrospective devoted to Flavin's work was organized, in cooperation with the Estate of Dan Flavin, by the Dia Art Foundation in association with the National Gallery of Art, Washington, DC, where it was first on view in 2004.

The building was named the Dan Flavin Art Institute and is maintained by Dia Art Foundation.

Timed to Agnes Martin's long - term installation at Dia: Beacon, this essay collection, organized by Dia's staff, seeks to distill the essential ambivalences of Martin's production: those pendent questions of what her art really means.

The project is upkept by Dia, with support from Heiner Friedrich and David Zwirner (Image courtesy of hamptons-magazine.com)

Funded by the Dia and Menil Foundations, and designed by Renzo Piano - co-creator of the Pompidou Centre in Paris - the museum boasted an extensive collection of the painter's work.

It was one of a group of works being sold by the Dia Art Foundation to establish an acquisitions fund.

Commissioned by Dia, Opus + One will comprise objects and images created over the past two decades and will be on view at Dia: Beacon, Riggio Galleries, in New York's Hudson Valley for one year.

For example, his Gramsci Monument, a major public artwork installed during summer 2013 with the help of residents at Forest Houses, a New York City Housing Authority development in the Bronx, New York, culminated in the publication of a substantial book documenting the project produced by Dia Art Foundation.

Associate curator Evelyn Hankins is coordinating the Hirshhorn's presentation of «Andy Warhol: Shadows,» which is organized by Dia Art Foundation.

«Spiral Jetty» was acquired by Dia Art Foundation as a gift from the artist's estate in 1999.

Prune Flat is a theatrical piece that explores perceptual discrepancies between film and reality and has recently been acquired by the Dia Art Foundation, New York and the Centre Georges Pompidou, Paris.

Preface by Dia al - Azzawi.

The works consigned by the Dia Art Foundation to create an acquisition fund raised $ 38.4 million.

Permanently installed outside the Fridericianum museum but maintained by the Dia Art Foundation — four footpaths converge to signal its location.

It is a poignant reminder of the time when the building was occupied by the Dia Art Foundation, conceptual commissions appeared on the roof, and March in New York wasn't dominated by art fairs.

«The Broken Kilometer» by Dia Art Foundation is located at 393 West Broadway in New York City, and is a long - term view by Walter de Maria since 1979.

«Thomas Hirschhorn: Gramsci Monument,» commissioned by the Dia Art Foundation Thomas Hirschhorn's seminal series of philosopher monuments came to a memorable conclusion with his Gramsci Monument.

These days, she's exploring candid photography while working on a series of decorated human and animal skulls, a juxtaposition of morbid subjects and flashy colors inspired by Dia de los Muertos festivals and vintage tattoo art.

(This key work in Dia's collection was the subject of a major scholarly monograph, Palermo: To the People of New York City, copublished by Dia and Richter Verlag, Düsseldorf, in 2009.)

First American retrospective of influential German artist Blinky Palermo was organized by Dia Art Foundation and Bard Center for Curatorial Studies June 25 — October 31, 2011 ANNANDALE - ON - HUDSON, NY — The acclaimed exhibition Blinky Palermo: Retrospective 1964 — 1977 concludes its year - long tour at Dia: Beacon and... read more →

Recent solo projects include «Flamme Eternelle» at Palais de Tokyo in Paris, France (2014) and «Gramsci Monument», a major public installation presented by Dia Art Foundation and located at Forest Houses, a New York City Housing Authority development in the Morrisania neighbourhood of the Bronx, New York, USA (2013).

Organized by Dia Art Foundation and CCS Bard, the exhibition represents the first collaboration between the two largest museums in the Hudson Valley dedicated to art from the 1960s to the present.

Inspired by Dia's Minimalist aesthetic, they commission a site - specific exhibition from a single artist every few months.

The monumental series, acquired by Dia Art Foundation in the 1970s, was meticulously restored by the artist, who installed the work at Dia Beacon in May 2008, marking its first ever exhibition in North America.

A picture of the cult and fixed installation The Earth Room by Walter de Maria, still preserved and hosted by The Dia Art Foundation, 141 Wooster Street, New York.

These are the first six provocative lectures on contemporary art initiated by the Dia Center.

Farther afield, Thomas Hirshhorn entices art audiences to venture to the South Bronx with his Gramsci Monument (2013), sponsored by Dia Art Foundation, at the Forest Houses public housing complex.

541 and 545 West 22nd Street, New York (but no longer at 548 West 22nd Street), plus extended exhibitions of Walter de Maria at 141 Wooster Street and 393 West Broadway, Soho Open: Tuesday to Saturday 11 - 6 (free Friday after 3) Web site: Basic info, maintained by the Dia Arts Foundation.

Published by Dia Art Foundation.

Co-organized by Dia Art Foundation and CCS Bard, the first North American retrospective of the work of Blinky Palermo (1943 — 1977) is curated by Lynne Cooke and has traveled from: Los Angeles County Museum of Art (October 31, 2010 — January 16, 2011) to Hirshhorn Museum and Sculpture Garden (February 24 — May 15, 2011).

For example, his Gramsci Monument, a major public artwork installed during summer 2013 with the help of residents at Forest Houses, a New York City Housing Authority development in the Bronx, New York, culminating in the publication of a substantial book documenting the project produced by Dia Art Foundation.

Nancy Holt's Sun Tunnels (1973 — 1976), four hollow concrete cylinders situated in Utah's Great Basin desert, has been acquired by the Dia Art Foundation — its first such work by a woman.

My understanding is the first 83 follow the installation at the Heiner Freidrich Gallery and then the rest have been determined by Dia Art Foundation.

In 2013, she was the Coordinator and Lead Teacher at Thomas Hirschhorn's Gramsci Monument, produced by Dia Art Foundation in the Bronx, NY and will work with Hirschhorn again this summer as a fellow at the Paul Klee Center in Bern, Switzerland.

A Minimalist pioneer nurtured by the Dia Art Foundation alongside Donald Judd and Dan Flavin, Fred Sandback (1943 - 2003) is famous for his delicate constructions in wire and yarn.

An early career painting by Dia Azzawi, recognised as one of Iraq's most influential living artists, is also on show alongside Kadhim Hayder's painting of symbolic white horses titled Fatigued Ten Horses Converse with Nothing (The Martyrs Epic)(1965).

The building was named the Dan Flavin Art Institute, and is maintained by the Dia Art Foundation.

However, The Earth Room, maintained by the Dia Center, has the summer off, presumably so as not to shame homeowners sloppy about tending their own lawns on hot days.

Published by Dia Art Foundation on the occassion of the exhibition «Carl Andre: Sculpture as Place, 1958 - 2010,» the first major retrospective of Andre's work in the United States since the late 1970s.

The Sand Kingdom is home to sugar skull people inspired by Dia de los Muertos, while the Cascade Kingdom houses a T - rex that looks like it was ripped out of Jurassic Park.

Its most directly inspired by the Dia de los Muertos (hence the skulls) but I wanted to create the white with the bright colors like the skull face paint from the Day of the Dead.