Sentences with phrase «by fugue»

Furthermore, the fundamental frequency of male wing beats have been measured at 500 to 900 Hz, far lower than the high - pitched tone emitted by Fugue FM.

Not exact matches

By the use of scientific methods we can be told accurately and completely about the sound produced in the playing of a Beethoven sonata or a Bach fugue.

The opening minutes of «Fugue» not only suggest that we're in for another grim and off - kilter portrait of femininity, but that Smoczynska is again twisting a very familiar setup into a ruthless piece of storytelling that plays by its own rules.

More likely, the adolescent, hormonal fugue state of wanting to store Lea Thompson beneath a trap door in your room, wishing your teacher killed by invading forces, and arming oneself in preparation for the indiscriminate murder of dozens of incompetent foreign stooges proved too intoxicating a cocktail to resist.

Aided by Christopher Blauvelt's sumptuous cinematography, this consistently surprising film slinks along with melancholic dreaminess, matching the fugue state that plagues its grief - stricken protagonist.

As her fortunes have collapsed, Jasmine's very sense of reality has begun to fray: Kept afloat by booze and pills, she slips into occasional fugue states, replaying old memories and conversations aloud.

He functions as the opposite to Hunter's well - meaning and thoroughly optimistic Dawn who exists to drag Manglehorn up by his bootstraps and out of his fugue state into a better life.

For a visual generation, the appreciation of art is not unteachable, and music, though more difficult to deconstruct, can also be dissected by a dedicated teacher able to explain, say, the mathematical structure of a Bach fugue.

Fugue is a journal of new literature edited by graduate students within the University of Idaho's English and Creative Writing Programs.

«LittleBigPlanet 3 The Ziggurat Theme» features performances by Winifred Phillips and the Generations Productions Choir, executing a complex classical vocal fugue supported by an organic instrumental arrangement.

As the performers moved about the space in a random pattern of loose choreography, they sang the lines: «Who say you have to be a dead dog... One is the loneliest number that you'll ever do... And it comes down, it comes down, well it comes down, and it comes down, it comes it comes... Scores of blood and fire and freeways, I am going to get my share... One is the loneliest number that you'll ever do... Who say you have to be a dead dog...» Handling each other's bodies with as much regard as the set's props, the performers alternate between a cappella and in - the - round chorus, fugue and eventually total discordance, rising as high as Math Bass as she climbs to the top of the ladder supported by her full cast in order to smash the plant and end the performance.

From 1909 to 1913 many experimental works in the search for this «pure art» had been created by a number of artists: Francis Picabia painted Caoutchouc, 1909, [20] The Spring, 1912, [21] Dances at the Spring [22] and The Procession, Seville, 1912; [23] Wassily Kandinsky painted Untitled (First Abstract Watercolor), 1910, [24] Improvisation 21A, the Impression series, and Picture with a Circle (1911); [25] František Kupka had painted the Orphist works, Discs of Newton (Study for Fugue in Two Colors), 1912 [26] and Amorpha, Fugue en deux couleurs (Fugue in Two Colors), 1912; Robert Delaunay painted a series entitled Simultaneous Windows and Formes Circulaires, Soleil n ° 2 (1912 — 13); [27] Léopold Survage created Colored Rhythm (Study for the film), 1913; [28] Piet Mondrian, painted Tableau No. 1 and Composition No. 11, 1913.

Andy Parkinson reviews the recent exhibition John Bunker: Six Fugues, curated by Sam Cornish, at Westminster Library.

In Bunker's Falling Fugue, Parkinson continues, «the figures (torn and cut shapes and gestural painterly marks), seem to occupy a fairly narrow cubist space, blues often being interpreted (by me at any rate) as sky, which sometimes opens up into a much deeper space than I was first perceiving.»

Fugue of Play: An Exhibition on Art and Video Games, Curated by Alle Jung.

Cogswell's RIVER FUGUES began in Cleveland with Cuyahoga Fugues, 2003, followed by Hudson Weather Fugues, Wave Hill, NY, 2005; Hudson River Fugues, Tang Museum, NY, 2009 - 2010; River Fugues, Belgium, Monaco, Chicago Field Museum 2007 - 09; Mississippi River Fugues, Art Museum, University of Memphis 2008, Wyoming River Fugues, Art Museum, University of Wyoming 2012 and River Fugues: Moving the Water (s), CUE Art Foundation, NYC, May 2014.

Recent exhibitions and screenings include CURRENT: Contemporary Art from Scotland, Minsheng Art Museum, Shanghai, China (2016/17); Historicode: Scarcity & Supply, The 3rd Nanjing International Art Festival, Baijia Lake Museum, Nanjing, China, (2016/17); fugue states, Centre for Contemporary Art, Glasgow (2015); Ripples on The Pond, Gallery of Modern Art, Glasgow (2015); MOTHS, Summerhall, Edinburgh (2015); 3 Scripts for Future - telling, a performance for Tenletters, Glasgow (2015); Our Extra-Sensory Selves (premiere), Glasgow International Film Festival (2015); Let The Body Be Electric, Let There Be Whistleblowers, an exhibition with Allison Gibbs, Ken Jacobs and Joachim Koester at Dan Gunn Berlin, curated by Heidi Ballet and Anselm Franke (2014); Spirits of Ecstasy (Murnau's Death Mask), The Happy Hypocrite - Heat Island (issue 7 spring 2014 edited by Isla Leaver - Yap); Kelly, Glasgow International (2014) and SPIRIT SHADOW SPECTRE BONES and PHANTOM, Intermedia, Centre for Contemporary Art, Glasgow (2013).

Of his several volumes of poetry, recent ones are Fugue State and the Arion Press edition of Gloria, with etchings by Alex Katz.

Some of the works, such as Marina Rosenfeld's album, Warrior Queen or Blair Saxon Hill's Cane relate directly to thoughts inspired by a musical fugue.

There are eleven works by seven artists, each of which is meant to play off another, in the interest of something like a «fugue.»

Kandinsky entitled a 1912 painting Fugue (Controlled Improvisation), and by the 1920s lots of artists were doing it, Paul Klee and Josef Albers, amongst them.

On my trip to London on what must be the hottest day of the year so far, even though it's now about 7 o'clock in the evening it's still really warm and here I am wearing a suit, carrying luggage and chasing across the capital to visit Westminster Library, to see collages by John Bunker in the show Six Fugues, curated by Sam Cornish.

Six Fugues: New Collages by John Bunker was showing at Westminster Library between 1 July and 19 July 2014.