Sentences with phrase «by ghost ship»

Developed by Ghost Ship Games as their first title on the platform, DRG aims to scratch that itch for...

Developed by Ghost Ship Games as their first title on the platform, DRG aims to scratch that itch for some jolly good Co-Op with big bushy beards.

Deep Rock Galactic is developed by Ghost Ship Games and published Coffee Stain Publishing by it will be available from 28th February 2018 in the GO →

Not exact matches

Left his party in the lurch by walking away before a new leader was in place thus leaving Harperson to be routinely put to the sword every week live on TV to an audience of millions and as a result the party is now a rudderless floundering ghost ship with no coherent policies or positions on anything under the sun.

The ghost ship is being hoisted to the surface by a vessel called the Ievoli Ivory, which is commonly used in offshore drilling.

In 2002 Desmond completed a starring role in the Joel Silver produced horror movie, GHOST SHIP, which was released by Warner Bros..

Edition • Easter Chipmunk Alvin and the Chipmunks Go to the Movies: Star Wreck • Daytona Jones and the Pearl of Wisdom • Funny, We Shrunk the Adults New to Blu - ray: Hop • The Muppets • Jack and Jill • Hugo • Puss in Boots • Mission: Impossible - Ghost Protocol • Clueless • A Night to Remember Live - Action with CGI Family Comedies: The Smurfs • Yogi Bear • G - Force • Marmaduke • Underdog • Beverly Hills Chihuahua Three - quels: Toy Story 3 • Shrek the Third • Ice Age: Dawn of the Dinosaurs • The Santa Clause 3: The Escape Clause Directed by Mike Mitchell: Sky High Written by Aibel & Berger: Kung Fu Panda Cruise Ship: The Suite Life on Deck: Anchors Away!

The deleted / extended bits are as follows: Andy Samberg (4:12) on Bob Dylan, Aziz Ansari (1:42) on acting and Twitter, alternate Reggie banter (0:39), Medi - Ship complications (1:06), Fabrice Fabrice (4:21) performing a poem on a lost city, Anna Kendrick (1:47) recalling her Tony nomination as a 12 - year - old and eating a cat's liver, Rodney Waber (5:34) dishes more Harrison Ford gossip, dances, and reveals a senior citizen ticket price trick, David Cross (2:49) talks talking animals and white toilets, Senator Dewhurst (3:14) confesses strange sex dreams about his aunt and his plan to drive drunk, Zoe Saldana (2:03) answers questions about movies and acts out a Jerry Maguire reboot, «Garry Marshall» (1:19) explains why he's done with movies, Gillian Jacobs (1:38) discusses the ghost of Christopher Marlowe and the conflict in Nebraska, Chef Emeril Lugosi (0:34) endures a pun about sun - dried tomatoes, Andy Richter (4:59) delivers a kid - friendly version of «The Aristocrats» joke, pulls a gun after not answering a fart question (a task handled by Andy Samberg on the show itself), and responds to the 1990s TV movie The Shining, Tom Perdy (0:44) shows off a couple of additional cartoons.

Ghost Ship was directed by Steve Beck, whose last and first movie was the dreadful 13 Ghosts, and it's about a big an improvement as you could hope for.

In a haunted, death - obsessed age, a ghost ship appearing in the mist is by turns a provocative mystery, an inspiration to creativity, and a tragic story of the disappearance of a family and of a bond between husband and wife that, for one moment, transcends the impenetrable barrier of death.

The city was torn into moonlit strips — the dour Castle, the High Kirk where Reform preachers stoked hearts and minds, the dark maw of the Grassmarket and the tenements sliding down the long spine to the palace where Jamie Saxt (but six years our elder) slept uneasily amidst the ghosts of his many murdered regents, his fantasies of sorcerers... On Inchcombe island the abandoned monastery was a black ship with its cargo of souls, going nowhere... In the nearby Auld Kirk of North Berwick the witch trials were proceeding by that most reliable proof: evidence under torture.

Captain Crozier comes up on deck to find his ship under attack by celestial ghosts.

Old Town Trolley Tours, Boston Tea Party Ships & Museum, Boston Chocolate Tour, DC Ducks, SEALS, Paula Deen Tour, Monuments by Moonlight and Transportainment are registered trademarks of Historic Tours of America ® and Ghosts & Gravestones and Frightseeing are registered service marks of Historic Tours of America ®

To find the Ghost Ship and rescue Tetra, Link must travel the seas on a steamboat captained by Linebeck.

In the Phantom Hourglass manga by Akira Himekawa, Linebeck was part of an investigation of the ghost ship.

«Ghost Ship» is a track composed by Yasunori Mitsuda for the game Chrono Cross.

Today we bring you an emotional response to the tragic Ghost Ship warehouse fire in Oakland on December 2, 2016, «All Is Fair in Dreams» by Bay Area collaborative duo XUXA SANTAMARIA.

Incorporating video shot in both a modernist dollhouse and a melting spring forest, this performance and live essay moves widely among sites and texts, ranging from Anna Kavan's slipstream novels to the nineteenth - century Caribbean and from fascist glacial cosmology to ghost ships allegedly crewed by cannibal rats.

David Walsh, Elizabeth Pearce, Jane Clark 2013 ISBN 9780980805888 Lindsay Seers, George Barber, Frieze, January 2013 One of Many, Adrian Dannatt, Artist Comes First, Jean - Marc Bustamante (ed), Toulouse International Art Festival (exhibition catalogue), June 2013 All the World's a Camera: Notes on non-human photography, Joanna Zylinska, Drone ISBN 978 -2-9808020-5-8 (pg 168 - 172) 2013 Lindsay Seers, Artangel at the Tin Tabernacle - Jo Applin, ArtForum, December 2012 Lindsay Seers, Martin Herbert, Art Monthly, October 2012 Exhibition, Ben Luke, Evening Standard, (pg 60 - 61) 20 September 2012 Lindsay Seers @ The Tin Tabernacle, Sophie Risner, Whitehot Magazine, September 2012 Artist Profile: Lindsay Seers, Beverly Knowles, this is tomorrow, 12 September 2012 Dream Voyage on a Ghost Ship, Richard Cork, Financial Times, (pg 15) 11 September 2012 Nowhere Less Now, Amy Dawson, Metro (pg 56) 7 September 2012 Voyage of Discovery, Helen Sumpter, Time Out, (pg 42) 6 - 12 September 2012 Nowhere Less Now, Rachel Cooke, The Observer, (pg 33) 2 September 2012 Divine Interventions, Georgia Dehn, Telegraph Magazine, 25 August 2012 Eine Buhne fur das Ich, Annette Hoffmann, Der Sonntag, 25 March 2012 Das Identitätsvakuum - Dietrich Roeschmann, Badische Zeitung, 27 March 2012 Ich ist ein anderer - Kunstverein Freiburg - Badische Zeitung, 21 March 2012 Action Painting - Jacob Lundström, FLM NR.16, March 2012 Dröm - fabriken - Peter Cornell, Kultur, 21 February 2012 Vita duken lockar Konstnärer - Fredrik Söderling, Dagens Nyheter (pg 4 - 5) 15 February 2012 Personligen Präglad - Clemens Poellinger, SvD söndag, (pg 4 - 5) 12 February 2012 Uppshippna hyllningar till - Helena Lindblad, Dagens Nyheter (pg 8 - 9) 9 February 2012 Bonniers Konsthall - Sara Schedin, Scan Magazine, (pg 48 - 9) Febuary 2012 Ausstellungen - Monopol, (pg 120) February 2012 Modeprovokatörer plockas up par museerna - Susanna Strömquist, Dagens Nyheter (pg 8 - 9) January 2012 Promosing in Kabelvåg - Seers» «Cyclops [Monocular] at LIAF, Kjetil Røed, Aftenposten, 10 September 2011 Reconstructing the Past - Lindsay Seers» Photographic Narrative, Lee Halpin, Novel ², May / June 2011 Lindsay Seers, Oliver Basciano, Art Review, May 2011 Lindsay Seers, Jen Hutton, ArtForum Picks (online), April 2011 Lindsay Seers: an impossibly oddball autobiography, Murray Whyte, The Toronto Star, 13 April 2011 The Projectionist, David Balzer, Eye Weekly, 6 April 2011 dis - covery, exhibition catalogue, 2011 Lindsay Seers: It has to be this way ², Paul Usherwood, Art Monthly, April 2011 Lindsay Seers: Gateshead, Robert Clark, Guardian: The Guide, February 2011 It has to be this way ², 2011, novella published by Matt's Gallery, London Neo-Narration: stories of art, Mike Brennan, modernedition.com, 2010 Steps into the Arcane, ISBN 978 -3-869841-105-2, published 2010 It has to be this way1.5, novella 2010, published by Matt's Gallery, London Jarman Award, Laura McLean - Ferris, The Guardian, September 2009 Top Ten, ArtForum, Summer 2009 Reel to Real - On the material pleasure of film, Colin Perry, Art Monthly, July / August 2009 Remember Me, Tom Morton, Frieze, June / July / August 2009 It has to be this way, 2009, published by Matt's Gallery, London Lindsay Seers at Matt's Gallery, Gilda Williams, ArtForum, May 2009 Lindsay Seers: It has to be this way — Matt's Gallery, Chris Fite - Wassilak, Frieze, April 2009 Lindsay Seers: it has to be this way, Rebecca Geldard, Art Review, April 2009 Review of Altermodern - Tate Triennial 2009, Jorg Heiser, Frieze, April 2009 Tate Triennial: «Altermodern» — Tate Britain Feb 3 — April 26, 2009, Colin Perry, Art Monthly, March 2009 Lindsay Seers: It has to be this way (Matt's Gallery, London), Jennifer Thatcher, Art Monthly, March 2009 No sharks here, but plenty to bite on, Tom Lubbock, The Independent, 6 February 2009 Lindsay Seers: Tate Triennial 2009: Altermodern, Nicolas Bourriaud, Tate Channel, 2009 «Altermodern» review: «The richest and most generous Tate Triennial yet», Adrian Searle, The Guardian, Feb 2009 Critics» Choice for exhibition at Matt's Gallery, Time Out London, January 29 — February 4 2009 In the studio, Time Out London, January 22 — 28 2009 Lindsay Seers Swallowing Black Maria at SMART Project Space Amsterdam, Michael Gibbs, Art Monthly, Oct 2007 Human Camera, June 2007, Monograph book Published by Article Press Lindsay Seers, Gasworks, London, Pil and Galia Kollectiv, Art Papers (USA), February 2006 Review of Wandering Rocks, Time Out London, February 1 — 8, 2006 Aften Posten, Norway, Front cover and pages 6 + 7 for show at UKS Artistic sleight of hand — «Eyes of Others» at the Gallery of Photography, Cristin Leach, Irish Times, 25 Nov 2005 There is Always an Alternative, Catalogue (Dave Beech / Mark Hutchinson) 2005 Wunderkammer, Catalogue, The Collection, October 2005 Lindsay Seers» «We Saw You Coming»;» 20,000 Leagues Under the Sea»; «Apollo 13»; «2001», Lisa Panting, Sphere Catalogue (pg 46 - 50), Presentation House Gallery, 2004 Haunted Media (Site Gallery, Sheffield), Art Monthly, April 2004 Miser and Now, essays in issues 1, 2 + 3 Expressive Recal l - «You said that without moving you lips», Limerick City Gallery of Art, Dougal McKenzie, Source 37, Winter 2003 Braziers International Artists Workshop Catalogue, 2002 Review of Lost Collection of an Invisible Man, Art Monthly, April 2003 Slade - Hannah Collins, Chris Muller, Lindsay Seers, Elisa Sighicelli, Catherine Yass, (A journal on photography, essay by John Hilliard), June 2002 Radical Philosophy, 113, Cover and pages 26/30, June 2002 Elle magazine, June 2002, page 92 - 93 Review, Dave Beech, Art Monthly, June 2002 Nausea: encounters with ugliness, Catalogue Lindsay Seers, Artists Eye, BBC Programme by Rory Logsdail The Fire Station, a film by William Raban and a catalogue by Acme The Double, Catalogue from the Lowry, Lowry Press, July 2000 Contemporary Visual Arts, Roy Exley, June 1999 Hot Shoe, Chris Townsend.

At the John Hansard Gallery you will discover extraordinary film installations by Isaac Julien and Catherine Yass (who also features at SeaCity Museum), the account of Chris Burden's Ghost Ship and Thomas Joshua Cooper's haunting sea photographs.

Loosely drawing from the narrative and imagery in The Odyssey — a text taught by Buckley's father at City College in New York City — the artist's prints reference ghost ships and sea monsters, sirens and Sappho.

HERNAN BAS Floating in the Dead Sea with ghost ship pirated by Hedi Slimane, 2003 acrylic, watercolor, pencil and collag...

HERNAN BAS Floating in the Dead Sea with ghost ship pirated by Hedi Slimane, 2003 acrylic, watercolor, pencil and collage on paper 30 x 22.5 inches 76.2 x 57.2 cm LM12328 Rubell Family Collection, Miami

Hernan Bas, Floating in the Dead Sea with Ghost Ship Pirated by Hedi Slimane, 2003, water - based oil on paper, 30 × 22 inches.

The gallery is proud to announce the Portland Art Museum «s acquisition of «Ghost Ship Wreck (1)» (2010) by Christopher Russell for its permanent collection.

The work is titled «Floating in the Dead Sea With Ghost Ship Pirated by Hedi Slimane.»??

Sarah Glennie was born in Britain and moved to Ireland in 1995 to work at IMMA, where she curated a number of projects, including solo exhibitions by Olafur Eliasson, and Shirin Neshat and the major public art project GHOST SHIP by Dorothy Cross.