Sentences with phrase «by icon image»

Exterior graphics were provided by Icon Image Graphics and the 370Z's headlights were tinted yellow to resemble ski goggles; once on the snow the 370Z becomes the 370Zki.
A custom body wrap by Icon Image Graphics, with special Armada Snow Patrol logo, was the final touch.

Not exact matches

Your browser will confirm that you are shopping in a secure environment by showing either a locked padlock icon or an image of a padlock next to the payment details in the relevant area of the website.
In 787, the seventh ecumenical council in Nicea resolved the controversy over icons by declaring that both word and image may lead to knowledge of God.
Whether or not Merton and Chatral were permanently changed by this brief meeting, Merton's account of it presents a beautiful icon of interfaith encounter (I think of the images of Peter and Paul embracing, or Francis and Dominic).
All content included on this site, including but not limited to, text, graphics, logos, button icons, images, audio and video clips, digital downloads, data compilations, and software is the property of Nestlé Waters North America Inc. or its content suppliers and protected by United States and international copyright laws.
web site, including but not limited to the graphics, text, audio, images, pictures, icons, movies, video, layout, and look and feel of the site is protected by copyrights, trademarks, service marks, and / or other proprietary rights under the laws of the U.S. and other countries.
When I try to think of the ultimate pop culture icon for modern day parenting, the image that instantly comes to my mind is a mother reading a worn - out paperback copy of Baby and Childcare by Dr. Benjamin Spock (probably given to her by her mother!).
The website and the entire contents of the website, including the text, graphics, images, logos, button icons, HTML code, and other material are copyrighted by the Endocrine Society under the copyright laws of the United States (Title 17, U.S. Code).
All content included on this site, such as text, graphics, logos, button icons, images, audio clips, digital downloads, data compilations, and software, is the property of Healthy Moms or its content suppliers and protected by United States and international copyright laws.
This upgrade called the «Serious Member Badge» was designed to showcase that the member was serious about online dating by displaying icons on your images and highlighting your profile.
Working Paper Series # 1: Michael A. Genovese, Art and Politics: The Political Film as a Pedagogical Tool # 2: Donald B. Morlan, Pre-World War II Propaganda: Film as Controversy # 3: Ernest D. Giglio, From Riefenstahl to the Three Stooges: Defining the Political Film # 4: John W. Williams, The Real Oliver North Loses: The Reel Bob Robert Wins # 5: Robert L. Savage, Popular Film and Popular Communication # 6: Andrew Aoki, «Chan Is Missing:» Liberalism and the Blending of a Kaleidoscopic Culture # 7: Barbara Allen, Using Film and Television in the Classroom to Explore the Nexus of Sexual and Political Violence # 8: Robert S. Robins & Jerrold M. Post, Political Paranoia as Cinematic Motif: Stone's «JFK» # 9: Richard A. Brisbin, Jr., From State and Local Censorship to Ratings: Substantitive Rationality, Political Entrepreneurship, and Sex in the Movies # 10: Stefanie L. Martin, Fiction and Independent Films: Creating Viable Communities and Coalitions by Reappropriating History # 11: Peter J. Haas, A Typology of Political Film # 12: Phillip L. Gianos, The Cold War in U.S. Films: Representing the Political Other # 13: Michael A. Genovese, The President as Icon & Straw Man: Hollywood & the Presidential Image # 14: Michael Krukones, Hollywood's Portrayal of the American President in the 1930s: A Strong and Revered Leader # 15.
*** / **** Image A Sound A - Extras B starring Joan Crawford, Jack Carson, Zachary Scott, Eve Arden screenplay by Ranald MacDougall, based on the novel by James M. Cain directed by Michael Curtiz by Alex Jackson The difference between Joan Crawford and her inextricably - linked contemporary Bette Davis is the difference between an icon and a mere actress.
The Blu - ray's loading icon shows several golden links disappearing and reappearing one by one against the Alamut city skyline, the same image that adorns the pop - up menu during film playback.
When your data consumption hits 50 % of 100 MB which is supposed to be your data allowance for the month, the application would immediately warn you on the home screen of your device by showing an icon such as that which appears circled in red in the first image at the top of this article.
You can post an image in a tweet by using the little camera icon in the tweet field on Twitter in the upper left side on your Twitter page.
If you're on your profile page, you can find the «Hangout on Air» button by hovering your mouse over the «Profile» icon at the top left of your background image and selecting «Hangout on Air» from the drop - down menu.
His image became synonymous with protest against the government and the oppressions of society after Alan Moore and David Lloyd had the lead character in V for Vendetta wear a Guy Fawkes mask; the mask was later picked up by the protest group Anonymous and has become a major cultural icon.
Next, when you see our «share» image (at right, here) in a newsletter, just share the newsletter with your fellow book - loving friends and family members by using any the four icons (email, Twitter, Facebook, LinkedIn) at the top, and you'll automatically be entered to win that fabulous box of books.
You can type your note, or you can also insert an image or a Web site link by clicking icons at the bottom of the window.
Grab one of the images below (by right - clicking on the image and saving the image to your computer) and follow these instructions for adding a custom icon to your mailing list tab.
This can be acheived by tapping on the «gear» icon up in the top right hand corner, as highlighted by the red arrow in the above image.
You'll know the book has an Audible version by the headphone icon on the cover image.
All content on this Site, including, but not limited to, text, graphics, audio clips, logos, buttons, images, digital downloads, data compilations, software, icons, HTML code, and XML code, is the property of Dimensional and its affiliates or its suppliers, and is protected by United States and international copyright laws.
All content included in or made available through this site — such as text, graphics, logos, button icons, images, audio clips, digital downloads, data compilations, and software — is the property of Credit Canada Debt Solutions, Inc. or its content suppliers, and is protected by Canadian and international copyright laws.
All content included on this site, such as text, graphics, logos, button icons, images, audio clips, digital downloads, data compilations, and software, is the property of Value Investing Singapore and is protected by international copyright laws.
PROPRIETARY RIGHTS Loving Pets Corporation owns all rights, title and interest in and to the material appearing on www.LovingPetsProducts.com, including, without limitation, all marks, graphics, images, layouts, presentation, page headers, button icons, typefaces, trade names, trade dress, logos, content, website design, data compilations, and text, which are protected by copyright, trademark, trade dress and other intellectual property laws.
Copyright Notice All content of this website (such as text, graphics, logos, button icons, images, audio clips, digital downloads, data compilations and software) is our exclusive property or that of our content suppliers (if applicable) and is, unless specifically stated otherwise, protected by copyright or similar ownership rights.
You can even change the background color or image by tapping the theme icon in the bottom right of each frame.
The second image sent by our exclusive source shows the Battle.net shop page, now with the added inclusion of Black Ops 4 right next to the Destiny 2 icon.
My shiny Shuppet was denoted by a sparkle icon in the Pokémon list, as seen in the image below.
For the High Line, Lawler presents Triangle (adjusted to fit)(2008 / 2009/2011), an image taken in a room at Sotheby's in New York which features works by Minimalism and Conceptual Art icons Donald Judd, Frank Stella, and Sol LeWitt.
Viewed together these images by fifteen painterly explorers present powerful, silent and stubborn real - world icons capable of evoking memory, pleasure, isolation, longing, regret, loss, acceptance and the imminent passage of time.
... [while other images] celebrate Africa as a continent in which the geopolitical boundaries imposed by European colonial authorities were completely dissolved... [giving] artists the freedom to... borrow visual icons from any part of the continent... This exhibition has been organized with Pace Primitive, New York, and is accompanied by a fully - illustrated color catalogue with an essay by Dr. Nnamdi Elleh, Assistant Professor of Architecture History and Theory at the University of Cincinnati, Ohio.
The image was inspired by an photo of the cultural icons captured by Ron Galella in 1968.
I investigate systems of representation to understand and challenge the process by which images become icons or events become history.
Alison Ward's performances, videos and sculptures create a world populated by a masked and costumed cast that re-interpret her own image in the form of popular cultural icons.
Exhibitions include Dos Mundos: Worlds of the Puerto Ricans 1973, Mira, Mira, Mira, Museum of the City of New York 1974, Ten Japanese Artists, 1975; Legacy of James Vanderzee, 1977; Sacred Artifacts: Objects of Devotion, 1982; Disinformation: The Manufacture of Consent, 1985; Repulsion: Aesthetics of the Grotesque, 1987; Foreign Affairs: Conflicts in the Global Village, 1988; Dia De Los Muertos, 1988; Prisoners of Image: Ethnic and Gender Stereotyping, 1989; Mon Reve: Haiti after the Duvaliers, 1989; Artists of Conscience, 1992; Peoples Choice: Komar & Melamid, 1994; Expansion Arts, I, II, III, 1995 - 1998; (Mickey) Mouse: An American Icon, 1998; The Artists as Patron, 1999; Honeymoon Series by Yoshio Itagaki, 2000; Between the Real and the Unreal: Recent works by Simen Johan, 2000, Genochoice an installation by Virgil Wong, 2000.
Saint Phalle was adept at using the media to consolidate her public image, and soon became an icon of the 1960s art scene, attaining a broad cultural profile that was furthered by her numerous public art projects, including the Tarot Garden in Tuscany and the Stravinsky Fountain in Paris.
Perhaps this search began in the mid-1980s, with Johns's cycle The Seasons (1985 — 86), in which picturing this venture of thought required a detour through picturing something like a self — hard to commit to it being Johns's self — through references to some of the artist's earlier image strategies (flags, devices) as well as icons of philosophical thinking such as the Platonic forms, Joseph Jastrow's duck - rabbit diagram (the latter made famous by Ludwig Wittgenstein's inquiry into «seeing as» in the Philosophical Investigations, 1953) and Pliny's origin story of the birth of painting as the tracing of a loved - one's silhouette in shadow.
From Warhol's iconic image of America's most famous rock - and - roll singer Double Elvis to Picasso's revealing wartime self - portrait Le Marin, the works offered in Christie's Post-war and Contemporary art auctions are by some of the greatest icons in recent art history.
The work comprising Tear Sheets was crafted by tearing and obscuring the source material — juxtaposing pornography, advertisements and images of gay icons.
Alongside his celebrated abstractions, early black - and - white paintings and the photorealist depictions of candles, skulls and clouds that have become indisputable icons of modern painting, Panorama includes nearly 30 new paintings made over the past ten years, extensive comparative works, studio photographs, archival images and a substantial interview with the artist conducted by Nicholas Serota.
The Bruce High Quality Foundation, known for their humorous and irreverent projects and performances that often take a subversive and critical stance towards the current market's seemingly insatiable appetite for hyped new artists, answers this question ad nauseum by insinuating the image cum icon of their namesake, Bruce High Quality, into thousands of images from popular culture and art history.
By the 1960s and 1970s, his well - known images of the Twentieth Century Fox logo, gas stations, and other icons of American culture — as well as his association with the renowned Ferus Gallery group — had established him a leader in the West Coast Pop art movement.
As the title suggests, the exhibition addresses 21st - century Nature, explored as a surviving model, a stimulating yet melancholy icon, or else an image mediated by the digital culture.
Long fascinated by the resilience of pop icon shapes, Plummer - Fernandez expands on his ideas about illusory images, material, and copyright to generate a new version of familiar faces.
They seek a unity of paint and image: the irregular surfaces and organic forms employed by all three painters encourage external associations, but first of all, they form icons of painted - ness.
Strongly influenced by pop culture, Stikki Peaches combines images of classic films, celebrities, and musical icons into hybrid characters.
Major exhibitions Brand brought to the Getty include Holy Image, Hallowed Ground: Icons from Sinai, California Video, Bernini and the Birth of Baroque Portrait Sculpture, and, most recently, he opened Drawings by Rembrandt and his Pupils: Telling the Difference.
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