Sentences with phrase «by international curators»

Another pavilion that refutes the privileged position that the nation state is given at the Venice Biennale and challenges the depressing number of black artists in Christine Macel's vision is the Diaspora Pavilion, which is presented by the International Curators Forum and University of the Arts London.

Fifth lecture by Okwui Enwezor within the series of public lectures by international curators and critics, as part of the Royal College of Art's Visual Arts Administration: Curating Contemporary Visual Art course.

Positions is a platform for single artist projects, selected by international curators, critics and collectors.

Second lecture by Thelma Golden within the series of public lectures by international curators and critics, as part of the Royal College of Art's Visual Arts Administration: Curating Contemporary Visual Art course.

Seventh lecture by Guillermo Santamarina within the series of public lectures by international curators and critics, as part of the Royal College of Art's Visual Arts Administration: Curating Contemporary Visual Art course.

With exhibitions conceptualized by international curators in Vienna's leading art galleries, the gallery festival examines the significance of language in contemporary art.

The programme will comprise lectures, artist talks, film screenings and panel discussions presented by international curators, artists and leading experts in the field.

Led by Victoria Siddall (Director, Frieze Fairs) and newly appointed Artistic Director Loring Randolph, Frieze New York builds on its commitment to innovation and showcasing boundary - pushing practice, with new programs led by international curators from major institutions.

Led by Victoria Siddall (Director, Frieze Fairs) and newly appointed Artistic Director Loring Randolph, Frieze New York builds on its commitment to innovation and showcasing boundary - pushing practices, with new programs led by international curators from major institutions.

Presented by International Curators Forum (ICF) and University of the Arts London (UAL) at the Palazzo Pisani S. Marina during the 57th Venice Biennale (13 May - 26 November 2017).

Not exact matches

Details of the tumor confirmation, announced by an international research team led by Penn Museum Associate Curator and Paleoanthropologist Janet Monge, is available in a research paper, «Fibrous dysplasia in a 120,000 + year old Neandertal from Krapina, Croatia,» in the online scientific journal PLOS ONE.

The discovery was made by an international team of scientists led by Yohannes Haile - Selassie — a curator of physical anthropology at the U.S. museum.

To mark the 175th anniversary of photojournalism, the editors of TIME magazine (which is owned by Health's parent company, Time Inc.) worked with an international team of curators, historians, and photographers to carefully select the photos published in 100 Photographs: The Most Influential Images of All Time ($ 25; amazon.com).

Danielle Krysa from The Jealous Curator posts about amazing art and how to incorporate it into your home; Si Mazouz from French by Design shares gorgeous home tours from primarily international / European homes; Aaron de Simone from I Heart Luxe is one of the most popular pinners out there and he shares a curation of his favorite pins for the week; and Nathan Michael is a photographer from Chicago who shares great photographic stories from his travels.

«Finding Vivian Maier,» co-directed by Maier's chief curator, John Maloof, debuted last November at DOC NYC and went on to win the Grand Jury Prize at the Miami Film Festival (tying with «The Overnighters» by Jeff Moss), the audience awards for Best Documentary Feature and Best New Director at the Portland International Film Festival, a Founder's Prize at the Traverse City Film Festival and the John Schlesinger Award at the Palm Springs International Film Festival.

READINGS Dan Duryea: Heel with a Heart by Mike Peros, reviewed by Nick Pinkerton; A World Redrawn: Eisenstein and Brecht in Hollywood by Zoe Beloff, reviewed by Michael Joshua Rowin; Apichatpong Sourcebook: The Serenity of Madness, edited by Independent Curators International; reviewed by Nicolas Rapold

, Syd Garon (CEH15, Outstanding Graphic Design, Jodorowsky's Dune), Eugene Hernandez (Deputy Director, Film Society at Lincoln Center), Eric Hynes (Associate Curator of Film, Museum of the Moving Image), Jason Ishikawa (Head of International Sales, Cinetic Media), Steve James (CEH12 Winner, Outstanding Feature & Direction, The Interrupters), Kirsten Johnson (CEH17 Winner, Outstanding Feature & Cinematography, Cameraperson), John Kusiak (CEH12 Winner, Outstanding Score, Tabloid), Loira Limbal (Vice President, Firelight Media), Elizabeth Lo (CEH16 Winner, Outstanding Nonfiction Short Film, Hotel 22), Michal Marczak (CEH17 Winner, Heterodox Award, All These Sleepless Nights), Marilyn Ness (CEH17 Winner, Outstanding Feature, Cameraperson), Dan Nuxoll (Artistic Director, Rooftop Films), Bill Ross (CEH13 Nominee, Outstanding Direction, Tchoupitoulas; CEH16 Nominee, Cinematography, Western), Kelli Scarr (CEH09 Nominee, Outstanding Score, In a Dream), Mo Scarpelli (CEH16 Nominee, Spotlight Award, Frame by Frame), Jess Search (Chief Executive, The Doc Society), Signe, Byrge Sorensen (CEH16 Winner, Outstanding Feature Film & Production, The Look of Silence), Jean Tsien (Editor of CEH17 Audience Nominee Miss Sharon Jones!)

This is the inaugural event in the international series of programs for writers headed by Gareth Howard and Hayley Radford, who were curators, last year, of London Book Fair's AuthorLounge.

Patricia Phelps de Cisneros, the arts patron and an ARTnews Top 200 collector, will receive the 2017 Leo Award, given annually by Independent Curators International, the arts organization founded in 1975 to support curatorial endeavors.

In 2017 alone, VIA provided grants for Pope.L's Whispering Campaign that was included in this year's Documenta 14; the Los Angeles Nomadic Division's public installation by Jose Dávila that will debut as part of Pacific Standard Time; and nonprofits such as Triple Canopy and Independent Curators International.

«By honoring Patty with the Leo Award, we acknowledge a vision — international in scope, supportive of artists and curators, and focused on education — which in so many ways echo ICI's core values,» ICI executive director Renaud Proch told ARTnews in an email.

Organised by Vogue Italia, the Photo Vogue Festival has already established itself on the international festival calendar as a meeting place for art and photography, drawing in key industry figures, renowned photographers and leading curators.

Curated by Shamim M. Momin, Director, Curator, and co-founder of LAND (Los Angeles Nomadic Division), IN / SITU is a key element of the exposition's innovative artistic programming, providing the opportunity for exhibitors to showcase large - scale installations, site - specific and performative works by select international artists.

The on - site installations program IN / SITU, selected by a major international curator, and EXPO Projects organized by the fair Directors, feature large - scale suspended sculptures and site - specific works within the exhibition hall, alongside EXPO VIDEO, featuring a dynamic curated screening program for film, video, and new media works, and Special Exhibitions booths highlighting non-profit organizations.

In addition to the 12 international artists selected to participate in the project, Australian artist duo Clark Beaumont will be invited by the curators to present work in a new thirteenth room.

Curated by Lauren Haynes, Curator, Crystal Bridges and Mark Godfrey, Senior Curator, International Art, and Zoe Whitley, Curator, International Art, Tate Modern.

Mr. Johnson has exhibited in many corners of the world including the Tokyo Metropolitan Museum in Japan, the Guangzhou International Art Fair in China and New York City in a juried exhibition curated by Jordan Kantor, during his tenure as Assistant Curator at the Museum of Modern Art.

The programme included an international video exhibition, Fireflies in the Night (22 - 24 June), organised by critic Robert Storr, former Dean of the Yale School of Art, with curators Barbara London, Kalliopi Minioudaki and Francesca Pietropaolo.

Her exhibitions and publications have five times been voted the best in the United States by the International Art Critics Association and three times by the Art Museum Curators Association, and she has twice received the College Art Association's distinguished Alfred H. Barr Jr..

A unique amalgamation of artist, Spiritualist and medium, the fascinating and unexpected story of Houghton has generated international interest from curators and writers who see her work as representing an abandonment of figurative form that anticipates the development of modern abstraction by artists such as Kandinsky or Malevich by several decades.

The shortlist for the Prize, announced on July 27, 2016, was selected by an international jury that included Kitty Scott, the AGO's Carol and Morton Rapp Curator of Modern and Contemporary Art; Russell Ferguson, Professor in the Department of Art at the University of California; and Stan Douglas, acclaimed artist and filmmaker.

The show and programme are the culmination of a three - year initiative by Liverpool Biennial, in partnership with Independent Curators International, New York and CACTUS, Liverpool, opening 15 June 2018.

The Paper Sculpture Show is organized by Cabinet magazine, Independent Curators International (ICI), and SculptureCenter.

Landers» work has been included in numerous museum exhibitions including: «Slightly Unbalanced,» organized by the Independent Curators International, «Superconscious, Automatisms Now,» at the Contemporary Arts Museum Houston, «Destroy Athens,» 1st Athens Biennial, Greece, and «Defamation of Character» at the P.S. 1 Contemporary Art Center, New York.

Curated by Renaud Proch, Executive Director of Independent Curators International (ICI), the 2014 edition of the program is a reflection on artistic practice in Chicago, and on the intense exchange of ideas that the city generates.

Enter «High Times, Hard Times: New York Painting, 1967 - 1975,» a brave if deficient exhibition organized by Independent Curators International, which concludes its three - stop tour at the National Academy Museum.

Published by Moderna Museet, Stockholm in association with Hatje Cantz, the formidable catalogue also demonstrates the «great force» with which af Klint merged her talents as medium and artist.7 Edited by Iris Müller - Westermann, curator of International Art at Moderna Museet, the volume is weighted heavily on the visual; page after page of af Klint's works threaten to overwhelm the senses even in reproduction.

It is curated by Achim Borchardt - Hume, Director of Exhibitions, Tate Modern; and Leah Dickerman, The Marlene Hess Curator of Painting and Sculpture, The Museum of Modern Art, New York; with Catherine Wood, Senior Curator, International Art (Performance), Tate Modern; and Fiontán Moran and Juliette Rizzi, Assistant Curators, Tate Modern.

Recent shows include Death's Boutique at the Yerba Buena Center for the Arts, San Francisco; Mixed Signals, a traveling exhibition organized by ICI (Independent Curators International); This is Killing Me, a group exhibition at MASS MoCA; a solo show at Simon Preston Gallery, New York; and most recently, Despair Beyond Despair, a solo project at LAXART, Los Angeles.

The panel is chaired by Jessica Morgan, Artistic Director of the 10th Gwangju Biennale, and The Daskalopoulos Curator, International Art at Tate Modern.

At the Prada Foundation, celebrated curator Germano Celant (best known for ushering Arte Povera to international renown) has organized a fascinating show together with artist Thomas Demand and architect Rem Koolhaas that lovers of art history can't miss: an artwork - by - artwork restaging of curator Harald Szeemann's legendary 1969 show «When Attitudes Become Form» at the Bern Kunsthalle, which redefined the possibilities of what curating can and should be.

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The exhibition is produced by Independent Curators International.

Villar Rojas, who is described by the Serpentine curators as being «on the brink of gaining international renown for his dramatic, large - scale sculptural works», 1 operates in the tradition of Merz and her fellow Arte Povera artists in focusing his work on clay and brick, but with a contemporary twist of conceptualism and site - specificity.

Showcasing the work of 21 artists, including nine new productions commissioned and selected in close collaboration with independent curator Julie Boukobza, the show has been produced by Balkan Projects — a new initiative led by LA - based Serbian actress Marija Karan, which aims to bring the Balkan art scene to an international stage.

As an artist - curator, his work supports the efforts of local and international artists by creating platforms for experimentation, discussion and collaboration.

Presided over by Willy Merz, the Fondazione makes use of the collaboration of a scientific committee comprising Frances Morris (Head of Collections, International Art, Tate Modern, London), Beatrice Merz (Director Castello di Rivoli, Museo d'Arte Contemporanea, Torino), Richard Flood (Director of Special Projects & Curator at Large of the New Museum of Contemporary Art, New York) and Vicente Todolí (Artistic Advisor HangarBicocca, Milan).

Curated by Iwona Blazwick OBE, Director, and Magnus af Petersens, Curator at Large, Whitechapel Gallery, Adventures of the Black Square: Abstract Art and Society 1915 — 2015, (15 January — 6 April 2015), is international in its scope.

Accompanying the exhibition, is a new publication, a supplemental book that presents scholarly texts by curator and art historian, Iris Müller - Westermann, Senior Curator of International Art at Moderna Museet, Stockholm and by New York based scholar, critic and curator, Alex Bacon; in addition it includes a visual essay that traces the specific historical inspirations and touchstones for this group of works, in hopes to speak to both the past and curator and art historian, Iris Müller - Westermann, Senior Curator of International Art at Moderna Museet, Stockholm and by New York based scholar, critic and curator, Alex Bacon; in addition it includes a visual essay that traces the specific historical inspirations and touchstones for this group of works, in hopes to speak to both the past and Curator of International Art at Moderna Museet, Stockholm and by New York based scholar, critic and curator, Alex Bacon; in addition it includes a visual essay that traces the specific historical inspirations and touchstones for this group of works, in hopes to speak to both the past and curator, Alex Bacon; in addition it includes a visual essay that traces the specific historical inspirations and touchstones for this group of works, in hopes to speak to both the past and future.

This publication introduces and presents the work of a global cast of painters selected by an international panel featuring some of the most prominent names in contemporary art (including the painter Cecily Brown, curators Tony Godfrey, Yuko Hasegawa and Gregor Muir, and writer - critics Suzanne Hudson, Barry Schwabsky and Philip Tinari) offering an intelligent snapshot of the best new talent in painting from across the world, gathered through an open call for submission that drew over 4,300 entries.