Action News Heroes is developed and published
by Krewe Studios.
To ride you have to be invited, or ask to be invited,
by the krewe.
Hosted
by The Krewe of Alegria.
Saturday, January 27 Mardi Gras Dog Parade DeLand 11a Presented
by The Krewe of Amalee.
2p - 5p Presented
by The Krewe of Alegria.
The model accessorized with second - skin booties (try a similar pair from Topshop), a crossbody bag with a chain - link strap, and round sunglasses
by KREWE ($ 275; krewe.com).
Soon after, the krewe of Zulu would march, followed
by the krewe of Rex and finally, the truck parade.
Not exact matches
At dinner, after you order from the counter, someone from Bayou Bakery's «
Krewe» hands over a card with an iconic New Orleans street name, from Decatur to Bourbon, as a table marker to flag service for each dish whisked down from the kitchen and brought directly to the table
by the staff — perhaps even Guas himself.
The sunglasses seen are
by zeroUV,
Krewe du Optic, Free People and Quay.
Apalachicola Mardi Gras Barkus Parade 1p - 6p Sponsored
by Mystic
Krewe of Salty Barkers.
According to the Mobile Press - Register, at least 40 Mardi Gras parades are scheduled from Jan. 26 to Fat Tuesday on Feb. 13, with an additional 80 - plus parties and balls hosted
by the city's «
krewes» — secret - ish organizations that put on galas and parades during Mardi Gras season.
Two site specific pieces
by Dezsö built into a wall in one gallery reference Carnival art and craft: specifically, the float designs for the 1892
Krewe of Proteus parade attributed to artist Carlotta Bonnecaze, who is cited as the first female Carnival parade float designer.
The video will capture a performance
by Newsome, featuring a coronation ceremony and a «second line» of the «King of Arms float,» made in collaboration with New York's Martino Auto Concepts, dancers, revelers, and McMain High School musicians, who have all been inducted as members of Newsome's newly formed Mardi Gras - inspired «King of Arms»
krewe.
Standouts include Carrie Mae Weems» holographic narrative about race, sex, and politics portrayed
by ghostly characters on a burlesque stage; The Propeller Group's video that draws parallels between funeral practices in Vietnam and New Orleans, along with the collective's sculptures of tricked - out musical instruments, which were also photographed with members of Louisiana marching bands; Glenn Kaino's installation of water tanks that turn military machines into coral reefs; Jean - Michel Basquiat's paintings and works on paper that reference the cultural legacy of the Mississippi Delta and the South; Camille Henrot's video exploration of the universe
by way of the storage rooms of the Smithsonian Institution; Tavares Strachan's 100 - foot long neon sign declaring «You belong here» from a barge on the Mississippi River; and Andrea Fraser's monologue, in which she recreated a heated debate
by New Orleans city council members during a 1991 vote to racially integrate the Mardi Gras
krewes — changing her voice and expression as she dynamically alternated between speakers, both black and white.