Sentences with phrase «by plastique»
These are the leftovers of a performance by Plastique Fantastique that took place on the show's opening night.
http://www.studiointernational.com/
Photo by Plastiques.
Photography by Plastiques photography
Not exact matches
His work is in the public collection of the Centre National des Arts Plastiques, France and is distributed by Lux (UK) and Video Data Bank (USA).
This time it sounded as if the wall... had been picked for some political reason by the O.A.S. as a place to set off a plastique.»
«Poetry Plastique,» curated by Jay Sanders and Charles Bernstein, Marianne Boesky Gallery, New York, NY, (2/9/01 - 3/10/01)
Laure Vigna's residency in 18th Street (October through December 2013) is inscribed within an artistic research project funded by CNAP (Centre National des Arts Plastiques), French Ministry of Culture and Communication.
C1S — Coated on one side (paper or print) C2S — Coated on two sides (paper or print) CA2M — Centro de Arte Dos de Mayo (Madrid) CAA — College Art Association CalArts — California Institute for the Arts CACT — Thessaloniki Center of Contemporary Art CAFA — China Central Academy of Fine Arts (Beijing) CAPC — Contemporary Art Museum (Bordeaux) C.G.A.C. — Centro Galego de Arte Contemporanea (Santiago de Compostela) CIFO — Cisneros Fontanals Art Foundation (Miami) CIMAN — International Committee for Museums and Collections of Modern Art CMYK — Cyan, magenta, yellow, and key (black), which are the primary printing colors CNAP — Centre National des Arts Plastiques (Paris) CoBrA — Copenhagen (Co), Brussels (Br), and Amsterdam (A), a free - spirited Marxist avant - garde movement lasting from 1948 to 1951 featuring the artists Asger Jorn, Christian Dotremont, and Constant, whose countries of origins make up the group's name CoCA — Centre of Contemporary Art Znaki Czasu (Torun) CPIF — Centre Photographique d'Ile - de-France CPLY — The name American artist William N. Copley went by as a painter CP — Cancellation proof (the proof made after an edition is finished as evidence that the artist has defaced the plate) C - Print — Chromogenic color print CR — Catalogue raisonné CTP — Computer to plate, digital printing process
A first monograph of Arsham's work was published by the French Centre National des arts plastiques and a second one was published by Galerie Perrotin in 2012.
Waters hopes the exhibition at the DCA — which also features a selection of «shonky» films, an art school for teenagers and preview night events featuring an artist talk, live performance by artists Plastique Fantastique and Walter's performative installation The Shonky Bar — will also inspire similar interest.
Owen Oppenheimer (b. USA, 1969) studied painting at Cheltenham School of Art, followed by postgraduate courses at L'Institut des Hautes Etudes en Arts Plastique in Paris and the Rijksakademie in Amsterdam.
Commissioned by Liverpool Biennial International 08 Supported by Centre National des Arts Plastiques, Paris and Hannover Kunstverein
Siah Armajani's Sacco and Vanzetti Reading Room No. 4, 1987 - 94, included in the exhibition Transhumance, curated by Sébastien Faucon and Marianne Lanavère at Centre National des Arts Plastiques, Paris.
He created works commissioned by the Centre Nacionale des Arts Plastiques in Paris, the Fonds d'Arts Publiques in Marseille, the Public Art Fund in New York, InSite 2005 in San Diego - Tijuana, and Istanbul 2010, and has been resident artist and consulting advisor in several research and education centers including the Visual Studies Workshop in Rochester, the Banff Center in Canada, Arteleku in San Sebastian, Spain and the University of Western Sydney in Australia.Muntadas is currently Professor of the Practice at ACT / Department of Architecture at MIT and visiting professor at the IUAV in Venice, Italy.
Her paintings have been foregrounded by these various disciplines: by painting, with shows such as «Slow Art: Painting in New York Now,» at P.S. 1 Contemporary Art Center; by feminism, with exhibitions such as «Sexual Politics: Judy Chicago's «Dinner Party» in Feminist Art History,» at the Armand Hammer Museum; and by language, with shows such as «Poetry Plastique,» at Marianne Boesky Gallery in New York.
Curated by Lucy A. Sames & Dane Sutherland, the show is the second instalment of their ongoing project Exta which «mobilises mystic intensities and sci - fi rituals, adapting the occult art of haruspicy as a method of visceral divination» and will feature work by Verity Birt, Jamie & Rickie McNeill and Plastique Fantastique.
Major support for the exhibition is provided by the Fondation Nationale des Arts Graphiques et Plastiques, Etant donnés: The French - American Fund for Contemporary Art and Consulate General of France in New Orleans.
Envisioning diagrams as «abstract machines activated through performance or thought», Plague of Diagrams invites 27 artists to participate in the exhibition and its programme, including performances by Ami Clarke and Plastique Fantastique, as well as participation by Benedict Drew and Joey Holder, among others.