Sentences with phrase «by sideshow»

Stop by Sideshow in Williamsburg this week and check out «Unclaimed Space,» the 2014 University of Connecticut MFA exhibition featuring work by Micah Cash, Julia DePinto, Jared Holt, Shane Morrissey and Reagen Elizabeth O'Reigaekn.
Don't get distracted by sideshows.

Not exact matches

However, many of the on - demand companies who have recently re-classified their independent contractors as employees — or who began doing business by only hiring so - called W2 employees — say blaming legal reasons is just a sideshow.
By now you've heard all about Elon Musk's latest sideshow: flamethrowers.
«Don't Google Stormy Daniels or get distracted by the latest sideshow, no matter how eye - popping.»
Like the bodiless heads you see sometimes in circus sideshows, it is as though I have been surrounded by mirrors of hard, distorting glass.
While specifically Anglican conundrums are shown to have broader cultural and ecclesial analogues (they are no «sideshow»), the question of what inter-Christian and inter-ecclesial communion could come to marks the final interrogation, which largely goes unanswered, save by welcoming «slow, cautious, critical» cooperation.
«There is no constitutional provision for this kind of sideshow,» said Lloyd, pointing to the fact that the leader of the party is elected by an electoral college made up of rank - and - file members as well as MPs and unions.
These referendum campaigns are not sideshows, as the lingering bitterness the coalition's junior partners feel about the way they were treated by the Tories in the electoral reform fiasco shows.
De Blasio allies believe Mr. Cuomo is trying to create a sideshow by offering praise for a potential reform to 421a that has little chance of becoming law and is opposed by developers, many of whom support the governor.
Gracey and screenwriters Bill Condon and Jenny Bicks don't make much of the connection between current popular culture and Barnum's hoax - heavy sideshows, even when they underline his attempts to go legit by presenting Jenny Lind (Rebecca Ferguson), a Swedish opera singer.
I guess it's no surprise that, like so much of the reporting on the issue, the real story — of government lies, of the vulnerability of secret information, of what the leaked intelligence does to our trust in our own government — is sidelined by the human sideshow.
Sideshow Collectibles has unveiled its life - sized Iron Man Mark III figure which is inspired by its appearance in Marvel's 2008 blockbuster Iron Man.
Directed by Robert Weine, it features Werner Kraus as the tyrannical Dr. Caligari, a sideshow barker in cape and top hat who commands the sleeping Cesare (Conrad Veidt), the carnival's star attraction, to rise at night and do his bidding, a literal sleepwalker who is both monster and victim.
Admittedly, my Maysles experience is severely limited: I've yet to see Salesman, which frequent readers of this site will know is held in high regard by my co-editor; Gim me Shelter made little impression in the moment, and has since been colored by the disapproving insights of several friends and colleagues; and I've only seen snippets of Grey Gardens, though enough that I feel a severe discomfort at what appears to be a prod - on - the - freaks sideshow.
As it starts, we find him playing the part of «The Noble Savage» in a 1933 carnival sideshow (and wearing impressive age makeup reminiscent of that worn by Dustin Hoffman at the beginning of 1970's «Little Big Man»).
Catherine Keener's character, a new client of Eva's who turns out to be Albert's gossipy ex, somewhat alleviates this issue by giving Eva a direct connection between the more expressive sideshows and her more interior hangups about growing close to someone after having been wounded before, taking a chance to vet her new man to avoid problems down the road.
It's all in service of a tall tale being told by an ancient Indian (Johnny Depp) who may or may not be Tonto, a sideshow attraction who spins this yarn to a little boy (Mason Cook) wearing a Lone Ranger get - up in a fair in 1930s San Francisco.
One of the sideshow freaks in Paul Weitz's adaptation of the teen - gothic novels gets by with no innards; his upper body wobbles on an exposed spine.
Riggs vs. King was a sideshow blown up to national proportions by Riggs's skill for advertising his own brand of chauvinism, which he inflated to cartoonish proportions to get himself back in the news and eventually lure King onto the court.
One of these, known as Evermoist, is fronted with such growl and charisma by Ruby Rose, the movie tumbles into the bad trap of making the mean - girl sideshow more enticing than its main event.
(When asked recently by Chalkbeat about its stance on vouchers, Jeffries said: «We just don't do a lot on vouchers, and in a lot of ways vouchers are really a sideshow.»)
By James Comans, editor at MSEDBLOG School Choice is a sleazy carnival game, and Betsy DeVos is the queen sideshow barker.
«Obviously, there will be an ongoing dialogue and we'll participate in it at some point,» he said, «but right now we don't want to be distracted by the issues that are the sideshows
Today, BookPage contributing writer Alice Cary shares details of her talk with Beth Macy, author of Truevine, a compelling account of two African - American brothers who were kidnapped by a circus promoter and displayed as sideshow freaks for decades.
Sheri S. Tepper is the author of several acclaimed novels, including The Margarets, The Companions, The Visitor, The Fresco, Singer from the Sea, Six Moon Dance, The Family Tree, Gibbon's Decline and Fall, Shadow's End, A Plague of Angels, Sideshow, and Beauty, which was voted Best Fantasy Novel of the Year by readers of Locus magazine.
Some of the sideshow people in the old days were quite handsome / beautiful, but that was never exploited by the circus owners.
Liabilities are an important sideshow in a world driven by assets.]
This area, developed by a young music promoter, Sol Bloom, concentrated on Midway Plaisance and introduced the term «midway» to American English to describe the area of a carnival or fair where sideshows are located.
Sideshow Collectibles proudly presents the Mass Effect 3: M - 6 Carnifex Full Scale Replica, masterfully sculpted and painted by the artisans at TriForce.
Sideshow Collectibles is proud to present the officially licensed Mass Effect 3: Geth Pulse Rifle Full Scale Replica, masterfully sculpted and painted by the artisans at TriForce.
«Painterly Pasted Pictures» an exhibition of 20th century painters of collage curated by E. A. Carmean Jr. @ Freedman Art, New York, NY 2013 «Color & Edge» with Lauren Olitski Poster and Ann Walsh @ Sideshow Gallery, Brooklyn, NY 2012 «Extreme Possibilities: New Modernist Paradigms» The Painting Center, NYC, NY curated by Karen Wilkin 2009 «Direct Sculpture: A Dialogue in Polymers», Student Union Gallery, Univ. of Massachusetts Amherst, Amherst, MA 2006 «Greenberg in Syracuse; Then and Now», Company Gallery, ThINC, Syracuse NY 2005 «Studies in Abstraction: Lauren Olitski, Susan Roth, and Ann Walsh», curated by Wendy S. Evans, Student Union Gallery, Univ. of Massachusetts, Amherst, 2005 «Rural Artists / Urban Sensibilities», C. W. White Gallery, Portland ME 2003 «The Clement Greenberg Collection», Joe & Emily Lowe Gallery, Syracuse, NY 2003 «Clement Greenberg, A Critic's Collection», Portland Art Museum, Portland, Oregon 2001 «The Mirvish Teaching Collection», Agnes Ethrington Gallery, Queens University, Kingston, Ont.
It had the sharply focused attention of «Seurat's Circus Sideshow,» portraits by Anthony van Dyck and Bartolomé Esteban Murillo, and Rembrandt's Abraham.
2012 Ed's Party: spheres of Influence in the LA Art Scene, William Turner Gallery, Santa Monica, CA Mic: Check (The: human mic)(Occupy), Sideshow Gallery, Brooklyn, NY What Only Paint Can Do: an erratic selection of Triangle Alumni, Curated by Karen Wilkin, Triangle Arts Association, Brooklyn, NY Notations: Contemporary Drawings As Idea and Process, Kemper Art Museum, Washington University, St. Louis, MO
That list includes exhibitions at Storefront in Bushwick, Sideshow Gallery in Williamsburg, Janet Kurnatowski Gallery in Greenpoint, The Elizabeth Foundation in Midtown Manhattan, and an exhibition curated by the online editor Hrag Vartanian at Outpost gallery in Ridgewood, Queens, called «#TheSocialGraph: An Evolving Exploration of Social Media Art.»
7 pm: Boardwalk Nights opens 7 — 10 pm: DJ set by SHARKEY 10 — 10:30 pm: Sideshow 11 pm: DJ set by SHARKEY Midnight: Boardwalk closes
2014 21 & Counting, The Painting Center, New York, NY To Leo, A Tribute from the American Abstract Artists, Sideshow, Brooklyn, New York Top Drawer, Imogen Holloway Gallery, Saugerties, New York Stargazing, curated by Catherine Cullen, Trestle Gallery, Brooklyn, NY
2010 It's a Wonderful Life, Sideshow Gallery, Brooklyn, NY Selected Works by Gallery Artists, Knoedler & Co., New York, NY... On Paper, Michael Rosenfeld Gallery LLC, New York, NY
Elizabeth Ferry / Honey Ramka / 56 Bogart / thru 11/23 Work It Out curated by Eric Heist / Momenta / 56 Bogart / Bushwick / thru 12/7 Caroline Cox / Studio 10 / 56 Bogart / Bushwick / thru 12/21 Tilo Baumgartel / Slag / 56 Bogart / Bushwick / thru 12/28 Robert Lansden / Henry Contemporary / 56 Bogart / Bushwick / thru 11/23 Farrell Brickhouse; James Prez / Life on Mars / 56 Bogart / thru 12/7 Oskar Nilsson / Interstate / 66 Kickerbocker Ave. / Bushwick / thru 11/23 Ragnar Kjartsson and The National / Luhring Augustine / 25 Kickerbocker Ave. (second location) / Bushwick / thru 12/21 Peggy Ahwesh / Microscope / 1329 Willoughby (new location) / Bushwick / thru 1/4 Opening 11/22 (6 - 9 PM) Etched Impressions: 18 Years of Jennifer Melby Editions / Schema Projects / 92 St. Nicolas / Bushwick / thru 12/14 Claudia Baez / Art - 3 / 109 Ingraham / thru 11/22 Hronir: Un-Lost Things / Temporary Storage / 119 Ingraham / thru 11/21 Closing Reception 11/21 (6 - 9 PM) Flatfile Year 2 / TSA: Tiger Strikes Asteroid / 44 Steward Ave. # 49, Bushwick / thru 11/23 Ryan Foerster / Clearing / 505 Johnson Ave. / thru 12/28 Henry Hargreaves + Caitlin Levin / Air Circulation / 160 Randolph / thru 1/4 Mari Rantanen; Shingo Francis; Royce Weatherly; Kurt Steger / Art Helix / 299 Meserole / thru 11/30 Reception 11/21 (6 - 9 PM) Abstraction and its Discontents; French Paradox / Storefront Ten Eyck / 324 Ten Eyck / thru 11/23 Phillip David Stearns / Transfer / 1030 Metropolitan / thru 12/13 Icono Clash: Fred Fleisher; Tommy Mishima; GJA Stewart / Projekt722 / 722 Metropolitan / thru 12/8 Graham Collins / Soloway / 348 S. 4th / Williamsburg / thru 12/9 Tracy Henenberg; Susan Mayr / Sideshow / 319 Bedford / Williamsburg / thru 12/7 The Great Figure: D.Heidkamp; L.Ludlow; K.Mayerson; D.Schutz; H.Taylor; T.Thornton / Journal / 106 N 1st / Williamsburg / thru 12/21 Emily Roz / Front Room / 147 Roebling / Williamsburg / thru 11/23 You - Tility curated by Amanda Friedman / Southfirst / 60 N 6th Williamsburg / thru 12/21 Opening 11/21 (Lu Yang / Ventana244 / 244 N 6 / Williamsburg / thru 11/22 Paulien Lethen / Art 101 / 101 Grand / Wmsburg / thru 12/21 Opening 11/21 (6 - 9 PM) Cecilia Avendano / Reverse Space / 28 Frost, Williamsburg / thru 11/23 Brian Dewan / Pierogi / 177 N 9th / Williamsburg / thru 12/21 Opening 11/21 (7 - 9 PM) Linda Herritt; Elana Herzog / The Boiler / 191 N. 14th St. / Greenpoint / thru 12/21 Tim Simonds / Cathouse Funeral / 260 Richardson, Greenpoint / thru 1/4 Opening 11/22 (7 - 10 PM) Stefan Tcherepnin / Real / 673 Meeker / Greenpoint / thru 12/7 10 Year Anniversary / Kurnatowski / 205 Norman / Greenpoint / thru 12/21 Opening 11/21 (7 - 9 PM) Adam Brent / Auxiliary Projects / 212 Norman Ave., Greenpoint (new location) / thru 11/23 J.Cohen, M.Freeman, C.Kelly, C.Lazard, M.Lowe, V.Vreeland, R.Watson Horn / Cleopatra's / 110 Meserole / Grpt / thru 12/22 Britta Deardorff / Regina Rex @ Bunker 259 / 259 Banker / Greenpoint / thru 12/12 Shape Scapes / Calico / 67 West # 203 / Greenpoint / thru 11/28 Interrupting Camus: Meena Hasan; Carlos Rigau; Charles Shedden / Heliopolis / 154 Huron / Greenpoint / thru 11/30
by Alan Feuer Boston Globe, Nov. 16, Intimacy of attention paid in close up by Sebastian Smee Brooklyn Daily Eagle, Nov. 16, «Visions of an American Dreamland:» New book and Brooklyn Museum exhibition highlight Coney Island by Peter Stamelman The New York Times, Nov. 15, Amusement for Everyone by Ken Johnson Boston Globe, Nov. 11, Andy Warhol and Robert Mapplethorpe Rocked the Boat by Mark Feeney Crave, Nov. 11, Exhibit Warhol & Mapplethorpe: Guise & Dolls by Miss Rosen Antiques and the Arts Weekly, Nov. 10, Q&A: Linda Roth WSFB / Better Connecticut, Nov. 9, Get Some Art History at this Local Stop by Kara Sundlun Take Magazine, November 2015, This MATRIX is Real by Janet Reynolds American Fine Art Magazine, November 2015, Radical Chick and Taylor Made by Jay Cantor Art New England, November 2015, Preview: Warhol & Mapplethorpe: Guise & Dolls by Susan Rand Brown The Hartford Courant, Oct. 16, Gender - Bending «Warhol & Mapplethorpe» Exhibit At Wadsworth by Susan Dunne The Wall Street Journal, Oct. 13, At the Wadsworth Atheneum, an Old Building Gets New Life by Lee Rosenbaum Hartford Courant, Oct. 2, Artist Pokes Fun At «Great Chain Of Being» With New Wadsworth Exhibit by Susan Dunne The Economist, Oct. 1, Temple of Delight by Miles Unger Hartford Courant, Oct. 1, Renewed Atheneum a Cultural Tourism Spark Op - Ed by William Hosley Art in America, October 2015, Coney Island Forever by Jonathan Weinberg The Boston Globe, Sept. 19, European marvels await in Hartford at refurbished Atheneum by Sebastian Smee The Hartford Courant, Sept. 19, Wadsworth Atheneum Reopens To Line Of Visitors Saturday by Kristin Stoller The Hartford Courant, Sept. 19, Editorial: Wadsworth Atheneum Makeover is a Triumph Hyperallergic, Sept. 18, A Worthy Renovation for the Wadsworth Atheneum's European Art Galleries by Benjamin Sutton The New York Times, Sept. 17, Review: Wadsworth Atheneum, a Masterpiece of Renovation by Roberta Smith WNPR, Sept. 17, Hartford's Wadsworth Atheneum Unveils Newly Renovated Galleries by Diane Orson The Art Newspaper, Sept. 16, Wadsworth relives Gilded Age glory days in grand reopening by Julia Halperin The Hartford Courant, Sept. 13, Wadsworth Atheneum Unveils Final Phase of Years - Long Renovation by Susan Dunne Fox CT, Sept. 11, The art of a reopening at the Wadsworth by Jim Altman Apollo Magazine, Sept. 5, J.P. Morgan: The Man Who Bought the World by Rachel Cohen The Art Newspaper, September 2015, Wadsworth relives Gilded Age glory days in grand reopening by Julia Halperin The New York Times, Aug. 31, The Wadsworth Atheneum in Hartford Puts Final Touches on a Comeback by Ted Loos The Independent, Aug. 28, Warhol and Mapplethorpe capture each other by Charlotte Cripps The Hartford Courant, Aug. 18, Three «Aspects of Portraiture» at Wadsworth by Susan Dunne The Hartford Courant, July 16, Vibrant Paintings of Modernist Peter Blume at Wadsworth by Susan Dunne The Boston Globe, June 30, Hank Willis Thomas's slick image masks a closed door by Sebastian Smee The Boston Globe, June 25, Bradford enters MATRIX at Wadsworth Atheneum by Sebastian Smee Hartford Courant, June 25, Artist Creates Site - Specific «Pull Painting» at Atheneum by Susan Dunne Observer, June 16, A Peek Inside Hartford's Wadsworth Atheneum as It Preps for a Grand Reopening by Alanna Martinez The Wall Street Journal, June 5, Madrid's Thyssen Offers the Dark Religiosity of Zurbarán by J.S. Marcus Art New England, May / June 2015, Reviving the Grande Dame by Susan Rand Brown Humanities, May / June 2015, The Coney Island Exhibition That Captures Its Highs and Lows by Tom Christopher The Magazine Antiques, May / June 2015, Visions of Coney Island by Robin Jaffee Frank The New York Times, April 19, An American Dreamland, From the Beginning by Sylviane Gold Artes Magazine, April 16, At Hartford's Atheneum: «Coney Island: Visions of an American Dreamland, 1861 - 2008» by Richard Friswell Hartford Courant, April 9, Sideshow Mind Game at Atheneum by Susan Dunne Hyperallergic, March 4, Two Exhibitions Examine the Art of the American Side Show by Laura C. Mallonee Republican American, March 1, Coney Island R us by Tracey O'Shaughnessy Hyperallergic, Feb. 24, Mapplethorpe's Other Man by Larissa Archer WNPR, Feb. 24, Where We Live: The Lore and Lure of Coney Island by Betsy Kaplan and John Dankosky The Boston Globe, Feb. 24, Frame by Frame: Behind «Agbota,» an artist's irony and imagination by Sebastian Smee Real Simple, March 2015, A Life in Full Antiques and the Arts Weekly, Feb. 20, Step Right Up!
Fragment of the Mystery Mummy by Michael McMillen, part of the exhibit «Sideshow» at Wadsworth Atheneum in Hartford.
Her work has been the subject of solo exhibitions at Kristen Lorello, NY, and Saskia Fernando Gallery, Colombo, Sri Lanka, and included in the following group exhibitions: Plus One, curated by Melanie Kress, Sideshow Gallery, Brooklyn, NY, [Old / New] Psychedelic Providence, curated by Jamilee Lacy and sponsored by Providence College Galleries, Tiger Strikes Asteroid, Chicago, IL, and You Don't Bring Me Flowers, curated by Quang Bao, 68 Projects, Galerie Kornfeld, Berlin, Germany.
Inspired by Georges Seurat's Circus Sideshow (Parade de cirque), this thematic exhibition examines the fascination the sideshow held for other 19th - century artists — including Daumier and Sideshow (Parade de cirque), this thematic exhibition examines the fascination the sideshow held for other 19th - century artists — including Daumier and sideshow held for other 19th - century artists — including Daumier and Picasso.
Sideshow Gallery's current exhibition of works on paper by Sasha Chermayeff and Chuck Bowdish is a case study in the challenges on the road to making art.
Recent solo exhibitions in New York have been held at Bjorn Ressle Gallery, Sideshow Gallery, John Davis Gallery, Able Fine Art, Creon Gallery, and, currently, at Rooster Gallery, where the show has been recommended by Art in America.
«Taking as its focus one of The Met's most captivating masterpieces, this thematic exhibition affords a unique context for appreciating the heritage and allure of Circus Sideshow (Parade de cirque), painted in 1887 - 88, by Georges Seurat (1859 - 91).
Seurat's Circus Sideshow is organized by Susan Alyson Stein, Engelhard Curator of Nineteenth - Century European Painting, Department of European Paintings, The Metropolitan Museum of Art, and guest curator Richard Thomson, Watson Gordon Professor of Fine Art at the University of Edinburgh, with the assistance of Laura D. Corey, Research Assistant, Department of European Paintings, The Metropolitan Museum of Art.
Yet before Bushwick was even on the map, there was Sideshow Gallery, founded in 1999 by Richard Timperio in the nearby neighborhood of Williamsburg.
LOM's main event takes place Friday with a 10 + group exhibition, followed by «Thru The Rabbit Hole» — the 15th annual Sideshow Gallery Invitational on Saturday night in Williamsburg (319 Bedford Avenue).
There are eight at Sideshow, and D. Wigmore's group show has nine more, along with works from the»60s by three other artists who were in «The Responsive Eye»: Richard Anuszkiewicz, Sue Fuller and Mon Levinson.
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