Sentences with phrase «by suprematism»

One can divide painting abstracted into two groups: - on the one hand the geometric abstraction characterized at the beginning by the suprematism of Malévitch in Russia and the constructivism of Piet Mondrian in Holland, - and on the other hand, the abstracted expressionnism in which form and color are often posed arbitrarily while expressing the unconscious feelings and emotions of the painter.

These early paintings are strongly informed by the Suprematism of Malevich, and the Constuctivism of Tatlin and Rodchenko.

• Alexander Rodchenko (1891 - 1956) Russian sculptor, painter, industrial designer; influenced by Suprematism; leading exponent of Constructivist non-figurative sculpture.

Not exact matches

Constructivist artists were strongly inspired by technology and architecture (also criticized as only their inferior imitation, by the Russian artist Malevich, the founder of Suprematism).

The Russian Suprematism started circa 1915/16 by founding artist Malevich.

The painstakingly rendered edges of perfect geometric forms, reminiscent of Suprematism's formal pared down attitude, are diluted by the rash of activity that surrounds them.

In its very title, Suprematism claimed an ultimate, and one does not hit the goal by looking back.

The legendary Black Square and the star of the Suprematism movement, the artwork by Kazimir Malevich certainly represents one of the major examples of hard edge painting, even though it wasn't created during the highlight years of the style.

As expected, his artistic influences are based on avant - garde Russian and constructivist painters, Malevitch's Suprematism and color expression by the New York school of expressive abstraction.

In the history of Modernism, the concept of the «spiritual» as employed in Malevich's Suprematism has been more or less displaced by irony, as suggested in works by Ed Ruscha, Steven Parrino, Charles Ray, John Baldessari, and Banks Violette.

«Suprematism is the rediscovery of pure art, which, in the course of time, had become obscured by the accumulation of «things.»

The initial artistic movement in the Soviet period had been the Avant Garde led by artists such as Kazimir Malevich, Alexander Rodchenko and Mikhail Larionov and this incorporated neo-primitivsim, futurism, suprematism and constructivism.

Peckham - based artist, graffiti writer and contemporary artist Remi Rough stands apart from other street art - leaning practitioners in that his work is often referred to as «visual symphonies», thanks to his keen eye for the geometrical treatment of form, colour, line and space, and inspired by avant - garde movements such as Suprematism and Italian Futurism.

Founded on Utopian ideals, by the nihilist Kasimir Malevich (1878 - 1935), Suprematism expressed limitless confidence in the ability of engineers to create a new Soviet world.

But he is also confronting Kazimir Malevich and Suprematism, that artistic reconstruction plan initiated by «0,10», the mythic exhibition in Saint Petersburg in 1915.

Influenced by Josef Albers and Russian Suprematism and Constructivism, Stanczak creates abstract compositions full of vibrating colors and optical illusion.

The Paul J. Sachs Prints and Illustrated Books Galleries, second floor Since the early 20th century, abstraction has been associated with so many artistic movements, from Suprematism and Constructivism to Abstract Expressionism and Op art, that it can no longer be defined by any one style or tradition.

• Suprematism (c.1913 - 18) Founded by Kasimir Malevich, the first great pioneer of non-objective art based exclusively on geometric abstraction.

Heavily influenced by Russian Suprematism, Hinman creates abstract works, favoring color, shape, and form over literal representation.

Coined by Russian painter Kazimir Malevich in 1915, Suprematism declared a break with traditional modes of representation, embracing geometric abstraction and aiming to revolutionize artistic practice with an autonomous visual language of «pure artistic feeling.»

It was then taken up by others, such as his compatriot Kasimir Malevich (1878 - 1935)- the inventor of Suprematism - who wrote (in 1919) «In referring to non-objectivity, I wish to make it clear that Suprematism is not concerned with things, objects, etc..»

Suprematism Russian pure Abstract art movement of 1913 - 15, led by Kasimir Malevich, that used geometric elements.

It reproduces a 2004 — 05 manifesto on abstract painting by Rebecca Morris that Owens certainly seems to have taken to heart: «Never stop looking at macramé, ceramics, supergraphics, and Suprematism,» it reads.

Planned in anticipation of the centennial year of the 1917 Russian Revolution, the exhibition highlights breakthrough developments in the conception of Suprematism and Constructivism, as well as in avant - garde poetry, theater, photography, and film, by such figures as Alexandra Exter, Natalia Goncharova, El Lissitzky, Kazimir Malevich, Vladimir Mayakovsky, Lyubov Popova, Alexandr Rodchenko, Olga Rozanova, Vladimir and Georgii Stenberg, and Dziga Vertov, among others.

In this quest, he was strongly influenced by the work of Kasimir Malevich (1878 - 1935), inventor of Suprematism, whose Black Square (1915, Tretyakov Gallery, Moscow) inspired Reinhardt to create paintings devoted to a single colour.