Sentences with phrase «by suprematist»

Abstract sculptors who were influenced by Suprematist / Constructivist ideas included Sophie Taeuber - Arp (1889 - 1943) and Naum Gabo (1890 - 1977).

Monochrome painting as it is usually understood today began in Moscow, with Suprematist Composition: White on White [13] of 1918 by Suprematist artist Kazimir Malevich.

While the 1994 show featured Judd's works as well as two drawings by Kazimir Malevich, a recent 2017 exhibition curated by Flavin Judd, also at Galerie Gmurzynska, included 20 drawings and two paintings by the Suprematist artist and also featured a cadmium - red floor piece by Judd that was shown in the original exhibition in Moscow.

Not exact matches

Whether she's a prim homemaker intoning Malevich's Suprematist call for truth over sincerity to her children at the dinner table as if it were grace, a dishevelled homeless man in an apocalyptic wasteland declaring the old world dead, or a wasted party reveller praising a century illuminated by electricity, Blanchett's performance has a chameleon bravura that turns what could have been a dry conceptual exercise into a hilariously absurdist provocation.

Russian Suprematist artist Kazimir Malevich furthered this flatness by placing flat colorful shapes on pure white backgrounds in his works, and De Stijl painter Piet Mondrian painted flat grids in red, blue, yellow, white, and black.

Highly influenced by the art of Kazimir Malevich and Russian Suprematist theories, he became occupied with solid fields of color arranged in geometric forms of squares and rectangles, directly inspired by Malevich's Black Square (1915).

Though an admirer of artists such as Malevich and Mondrian, Quaytman was moved more by the spirit of optimism in Suprematist painting than its physical properties.

Guided by the one surviving photograph of this exhibition, with which Malevich unveiled his vision of Suprematist art, the curators positioned the 1929 version of Malevich's Black Square in the upper corner of one room.

Still, the charge of clubbiness that inevitably hung over this basically good - natured exhibition was countered by the defensive edge of its Jenny Holzer — ish title, set, to be sure, in the Suprematist sans - serif bold font preferred by Barbara Kruger.

The auction will probably remain known for the last - minute withdrawal of Egon Schiele's early nude, titled Danaë and the five - minute contest for Kazimir Malevich's Suprematist Composition With Plane in Projection from 1915, which hammered at $ 18.6 million, followed by Claude Monet's Le Bassin Aux Nymphea (1917 - 1920), with $ 16 million, just like Max Ernst's Le roi jouant avec la reine (1944), and Alberto Giacometti's Buste de Diego (1957) with $ 10 million.

At the outset of Modernism, geometric shapes in painting and sculpture were being foregrounded by the Western avant - garde — in Russia with the Suprematists and Constructivists, in Holland with the De Stijl movement, and in Germany with the Bauhaus < «p >

Bound by their 50 x 50 cm paper and defined by their pencil planometrics, the evocative title of the series pays a debt to Frank Stella, but they also make nods to other abstract expressionists, notably Barnett Newman, to the earlier suprematist paintings of Kazimir Malevich, to Sol LeWitt and Agnes Martin, to ancient Chinese cities as squares, to Islamic caravanserai and Italian cloisters, to the houses within houses of Oswald Mathias Ungers, and even to the composition of Greek chorus and 1970s CBGB punk — that is to say, to all the good things in life.

Lyubov Popova (1889 - 1924) Suprematist and Constructivist artist, influenced by Cubo - Futurism.

During the 1940s and 50s, for instance, important works by Ernst Ludwig Kirchner and Henri Matisse were added to the collection; also during the 50s, the museum acquired a series of works by the Russian Suprematist Kasimir Malevich, as well as design works by De Stijl, the Bauhaus Design School and related design movements such as Russian Constructivism, as well as Kinetic art, the COBRA group, and Pop art.

- Suprematist Composition in Red (1915) by Kasimir Malevich.

Her latest semi-abstract color - block paintings, reminiscent of those by modernists like Agnes Martin and Ad Reinhardt and Russian Suprematist Kazimir Malevich, both conceal and broadcast various declassified military reports — papers that relate to everything from medical guidelines for detainees to the legality of interrogation methods — in a sense showing by painterly example how certain words are cut from the page so the audience doesn't suffer the brutal truth in favor of the prettier surface.

Suprematist Composition (1915) by Kazimir Malevich, who was recently the subject of a major exhibition at Tate Modern, and remains a lasting influence on Zaha Hadid RA.

It was also a moment in which he began to consider and truly digest the work of important abstractionists from all over, from the boxy squares of the Russian suprematist Kazimir Malevich (which he had admired at the Stedelijk Museum in Amsterdam) to the effusive drips of Jackson Pollock to the mosaic - like canvases produced by the African American color field painter Sam Gilliam.

The show will also include 30 major pieces from the Russian avant - garde suprematist and constructivist movements, loaned by the Tretyakov State Gallery in Moscow and the Russian Museum in St Petersburg.

«That show reduced art to decoration, and «White on White»» — the Suprematist painting by Kasimir Malevich — «barely survived it.

Ivan Puni, also known by the western version of his name Jean Pougny, was a Russian avant - garde artist who considered himself to be a Suprematist and Cubo - Futurist.

One of the only three known surviving plates created by the legendary Kazimir Malevich, this example is one of the finest examples of Suprematist composition for decorative arts.

As well as paintings, sculptures and works on paper by Mikhail Larionov, Natalia Goncharova, Constructivist pioneer Vladimir Stenberg and Kazimir Malevich, he also possesses over 700 works of Suprematist porcelain, 100 of them designed by Malevich.

He was inspired by it as much as by Mondrian or Kazimir Malevich, the spiritual Russian Suprematist.

In November 2008, a Suprematist - style painting by Malevich became the most valuable painting by a Russian ever sold at auction.

The first Suprematist exhibition («0.10», Zero - Ten) took place in St Petersburg, in December 1915, and featured thirty - five abstract works by Malevich, including a host of rectangles, triangles and circles, many in vivid colours.

By confining himself to such elementary means and a small predefined repertoire of «Suprematist» colours he was able to arrive at an independence from the subject which had evaded earlier Russian avant - garde painters.