Sentences with phrase «by the fabric workshop»

2003 On the Wall: Contemporary Wallpaper, co-published by The Fabric Workshop and Museum and The Museum of Art, Rhode Island School of Design, Providence

Doug Aitken's Interiors was commissioned and organized by the Fabric Workshop and Museum, Philadelphia.

«Cai Guo - Qiang: Fallen Blossoms» Organized by the Fabric Workshop and Museum and Philadelphia Museum of Art, Philadelphia.

Not exact matches

The Fabric Workshop and Museum, founded in 1977 by arts visionary Marion «Kippy» Boulton Stroud, is celebrating its 40th birthday with a major retrospective exhibit.

Published in cooperation with the Fabric Workshop and Museum, Philadelphia, and featuring critical essays by a diverse array of writers and art theorists — including feminist philosopher Hélène Cixous — ALLY shows how these artists have worked together to create a new pictorial language.

Learn traditional Shibori fabric dyeing techniques using a variety of all - natural materials during this afternoon workshop taught by artist and designer, Kalen Kaminski.

Sze, artist - in - residence at the Fabric Workshop and Museum, will speak about her work in conversation with Hal Foster and Philadelphia Museum of Art curator Carlos Basualdo, followed by a Q&A session.

Photo by Will Brown, image courtesy the artist, Lehmann Maupin, New York and Hong Kong, and the Fabric Workshop and Museum, Philadelphia © Nari Ward

Upcoming for the artist are the group showFighting, Kissing, Dancing, curated by Carlos Rigau, at the Fabric Workshop and Museum, Philadelphia, opens May 2011, and a solo project in December 2011, Fanimaltastic at the de la Cruz Collection Contemporary Art Space, Miami.

In conjunction with the ongoing exhibition habitus, The Fabric Workshop and Museum presents a gallery talk by textile scholar Dr. Linda Eaton, the John L. & Marjorie P. McGraw Director of Collections and Senior Curator of Textiles at the Winterthur Museum.

This 2001 photo by Robert Pruitt is one of a series on display at the Fabric Workshop and Museum, along with the box of items that influenced Pruitt's images.

27) Allora & Calzadilla: An excellent 2014 exhibition at Chelsea's Gladstone Gallery was followed up by an even better two - institution outing in Philly that explored art, music, and intellectual history at the Philadelphia Museum of Art and The Fabric Workshop and Museum.

Dynamic duo by Edith Newhall «Few artworks in Philadelphia can inspire the jaw - dropping awe that Tristin Lowe's single, gigantic felt replica of a whale, Mocha Dick, at the Fabric Workshop and Museum, does (and will do all summer).

Fabric Workshop features Philly artist By Edward Sozanski» -LSB-...] Tristin Lowe's contribution, a monumental sculpture, is a piece that would normally dominate such a group show; perhaps it does if one sees it last.

NARI WARD We the People, 2011 shoelaces 96 x 324 inches 243.8 x 823 cm Edition of 3, 1 AP In collaboration with The Fabric Workshop and Museum, Philadelphia Photo by Will Brown LM15178

His recent solo exhibition «Proposition Player,» organized by the Contemporary Arts Museum, Houston, traveled to MASS MoCA and The Fabric Workshop and Museum in 2005.

The Fabric Workshop and Museum (FWM) presents new work by Artist - in - Residence Sarah Sze.

Intervals — at two sites, the Philadelphia Museum of Art and the Fabric Workshop — is the largest solo exhibition they have had in the United States, and probes the present by interweaving it with the past through language, science, and music.

2004 African Art, African Voices: Long Steps Never Broke a Back, Philadelphia Museum of Art, PA, USA Continental Drift: Installations by Ilya Kabakov, Joan Jonas, Juan Muños, Yinka Shonibare, Norton Museum in West Palm Beach, FL, USA Fashination, Moderna Museet, Stockholm, Sweden The Fabric Workshop and Museum, New York, NY, USA Flexible 4: Identities, Landes Museen, Linz, Austria Between The Lines, James Cohan Gallery, New York, NY, USA Black President: The Art and Legacy of Fela Anikulapo - Kuti, Yerba Buena Centre for the Arts, San Francisco, CA, USA, (catalogue) 2003 Looking Both Ways: Art of the Contemporary African Diaspora, The Museum for African Art, New York, USA (catalogue) Love over Gold, Gallery of Modern Art, Glasgow, Scotland Black President: The Art and Legacy of Fela Anikulapo - Kuti, New Museum, New York, NY, USA, (catalogue) Flexible 4: Identities, The Whitworth Art Gallery, Manchester Supernova: Art of the 1990s from the Logan Collection, SF MOMA, San Francisco, CA, USA (doublures), vêtements de l'art contemporain, Musée national des beaux - arts du Québec, Québec, Canada (catalogue) Independence, South London Gallery, London The African Exile Museum, Migros Museum, Zürich, Switzerland Somewhere better than this Place, The Contemporary Arts Center, Cincinnati, Ohio, USA

The Bowdoin College Museum of Art (BCMA) today announced its receipt of two major collections of artworks that will significantly expand its holdings: nearly 350 works from the estate of Marion Boulton «Kippy» Stroud (1939 — 2015), founder of the Fabric Workshop and Museum in Philadelphia and the Acadia Summer Arts Program (ASAP) on Maine's Mount Desert Island, known as «Kamp Kippy»; and an archive of visual art by the artist, scholar, and curator Walter Pach (1883 — 1958), numbering approximately 1,200 works from the gallerist and scholar Francis M. Naumann and his wife Marie T. Keller.

His wallpapers have been acquired by major international museum collections such as the Smithsonian Cooper Hewitt, the National Museum of Design in New York, the Victoria and Albert Museum in London, and the Fabric Workshop and Museum in Philadelphia.

An exhibition of new works by Hamilton alongside a selection of historical objects, including literature, textiles, dolls, and needlework portfolios, is on view at The Fabric Workshop and Museum through January 8.

One comprises some 350 works from the estate of Marion Boulton «Kippy» Stroud, the founder of the Fabric Workshop and Museum in Philadelphia, who died in 2015 at the age of 76; the other is a trove of material by the pioneering American artist and art historian Walter Pach numbering some 1,200 pieces, compiled by New York art dealer Francis M. Naumann and his wife, Marie T. Keller.

Art Materialized: Selections from the Fabric Workshop, organized by Independent Curators, Inc., New Gallery of Contemporary Art, Cleveland; traveled to Long Beach Museum of Art, Long Beach, California; Contemporary Arts Center, New Orleans, Louisiana Group Exhibition, Paula Cooper Gallery, New York.

Traveled to Firstsite, The Minories Art Gallery, Colchester; Arnolfini, Bristol; Ikon Gallery, Birmingham; Middlesborough Art Gallery, Middlesborough; Armand Hammer Museum of Art, University of California, Los Angeles; The Fabric Workshop and Museum, Philadelphia (this last presentation was organized directly by the curators with some variation in the checklist).

Ally, Janine Antoni, Anna Halprin and Stephen Petronio, The Fabric Workshop and Museum, April 21 — July 31, www.fabricworkshopandmuseum.org (Don't be deterred by Sold Out performances,).

On view at the Fabric Workshop and Museum, the exhibition Ally features work by collaborators Janine Antoni, Anna Halprin and Stephen Petronio.

Petronio in Halprin's The Courtesan and the Crone, at the Fabric Workshop and Museum, photo by Carlos Avendaño

Catalogue: essay, A Project by Richard Tuttle / Line / 1967 / Road Trip / The Vogels / The Philadelphia Museum of Art / Agnes Martin / 1975 / The Spaces in Between / The Fabric Workshop and Museum / Books / In Thirteen Parts / Words.

1987 Art — to — Wear Fashion Show, Boutique and Luncheon, The Cleveland Center for Contemporary Art, USA Malerei — Wandmalerei, Grazer Kunstverein, Stadtmuseum Graz, Austria Drawings from the Eighties, Carnegie Mellon University Art Gallery, Pittsburgh, USA Art Against Aids, M. Knoedler & Co, New York, USA (Benefit exhibition and auction for the American Foundation for Aids Research) Avant Garde in the Eighties, Los Angeles County Museum, USA Romanticism and Classicism, The QCC Art Gallery, Queensborough Community College, Bayside, New York, USA Working Woman, The Harcus Gallery, Boston, USA Stations, IAC (Centre International d'art Contemporain de Montreal), Canada The Success of Failure, Laumeier Sculpture Park and Gallery, Saint Louis, USA, traveled to Johnson Gallery, Middlebury College, Middlebury, Vermont; University of Arizona Museum of Art, Tucson, AZ (Exhibition organized and circulated byIndependent Curators Incorporated, New York) The Importance of Drawing, Fuller Goldeen Gallery, San Francisco, USA Still Life: Beyond Tradition, Visual Arts Museum, New York, USA Not So Plain Geometry, and Prints in Paris, Crown Point Press, New York, USA Faces, Crown Point Press, San Francisco, USA (Prints by Alex Katz, Francesco Clemente, Chuck Close and Pat Steir) and Recent Publications D'ornamentationi, Daniel Newburg Gallery, New York, USA A Decade of Pattern: Prints, Pieces and Prototypes from the Fabric Workshop, The Graduate School of Fine Arts, University of Pennsylvania at the Institute of Contemporary Art, Philadelphia, USA Stephen Antonakos, Michael Singer, Robert Stackhouse, Pat Steir, 19th Bienal de Sao Paulo, Brazil (Panorama of seven drawings by Steir) For 25 Years: Crown Point Press, Museum of Modern Art, New York, USA Drawings, Sylvia Cordish Fine Art, Baltimore, USA, The West Company, St. Paul, MN, Art and the Law (Traveling exhibition) Images of Stone: Two Centuries Artists» Lithographs, Sarah Campbell Blaffer Gallery, University of Houston, USA, traveled toSan Angelo Museum of Fine Arts, San Angelo, TX; Tyler Museum of Art, TX; Aspen Art Museum, Aspen, CO..

Young is represented by Monique Meloche Gallery in Chicago and has had solo exhibitions at the Fabric Workshop and Museum in Philadelphia, Penn.; Luce Gallery in Turin, Italy; and Monique Meloche Gallery.

The project combined installed environments, sculptures, and repeated movement performances by Antoni and Petronio on four floors of the Fabric Workshop and Museum.

The Fabric Workshop and Museum presents new work by Artist - in - Residence Sarah Sze in her first solo exhibition in the Philadelphia area.

With Center support, The Fabric Workshop and Museum presents Ally, a performance - as - exhibition conceived by visual artist Janine Antoni in collaboration with Petronio and modern dance pioneer Anna Halprin.

Nari Ward Installation view, We the People Fabric Workshop and Museum, 2011 photo by Will Brown Courtesy of the Fabric W...

Artist Talk by Nari Ward and Reception Friday, November 4th, 2011, 6 — 8 pm The exhibition We the People highlights recent, prominent installations and sculptural works by Nari Ward, who is a current artist - in - residence at The Fabric Workshop and Museum (FWM).

Philadelphia Weekly November 02, 2011 November First Friday Picks: We the People at Fabric Workshop and Museum By Katherine Rochester Call it serendipity.

Nari Ward Installation view, We the People Fabric Workshop and Museum, 2011 photo by Will Brown Courtesy of the Fabric Workshop and Museum

«American Art Today: Faces and Figures,» The Patricia & Phillip Frost Art Museum (formerly The Art Museum at FIU), Florida International University, Miami, FL, January 17 — March 9, 2003 «The Harlem Renaissance and Its Legacy,» Worcester Art Museum, Worcester, MA, January 18 — April 13, 2003 «A Century of Collecting: African American Art in the Art Institute of Chicago,» Art Institute of Chicago, Chicago, IL, February 15 — May 18, 2003; catalogue «Structures of Difference,» Wadsworth Atheneum Museum of Art, Hartford, CT, February — April 13, 2003 «The Space Between: Artists Engaging Race and Syncretism,» Davis Museum and Cultural Center, Wellesley College, Wellesley, MA, March 18 — June 8, 2003 «Visual Poetics: Art and the Word,» Miami Art Museum, Miami, FL, April 25 — November 16, 2003; brochure «Visualizing Identity,» The Jack S Blanton Museum of Art, University of Texas at Austin, Austin, TX, August 27, 2003 — January 4, 2004 «Drawing Modern: Works from the Agnes Gund Collection,» Cleveland Museum of Art, Cleveland, OH, October 26, 2003 — January 1, 2004; catalogue «Skin Deep,» Numark Gallery, Washington, D.C., March 15 — April 26; brochure «Only Skin Deep: Changing Visions of the American Self,» curated by Coco Fusco and Brian Wallis, International Center of Photography, New York, NY, December 12, 2003 — February 29, 2004; traveled to Seattle Art Museum, Seattle, WA, 2004; Museum of Photographic Arts, San Diego, CA, 2005; catalogue «Supernova,» San Francisco Museum of Modern Art, San Francisco, CA, 2003 «Fast Forward: Twenty Years of White Rooms,» White Columns, New York, NY, 2003; catalogue «Today's Man,» curated by John Connelly, Hiromi Yoshii Gallery, Tokyo, Japan, 2003 «The Disembodied Spirit,» curated by Alison Ferris, Bowdoin College Museum of Art, Brunswick, ME, 2003; catalogue «The Alumni Show,» curated by Nina Felshin, Ezra and Cecile Zilkha Gallery, Wesleyan University, Middletown, CT, 2003; catalogue «Crimes and Misdemeanors,» Contemporary Arts Center, Cincinnati, OH, 2003 «DL: The Down Low in Contemporary Art,» Longwood Art Gallery at Hostos, Bronx, NY, 2003 «The Paper Sculpture Show,» organized by ICI, Sculpture Center, Long Island City, NY, 2003; traveled to Contemporary Art Center of Virginia, Virginia Beach, VA; Hunter Museum of American Art, Chattanooga, TN; Southeastern Center for Contemporary Art, Winston - Salem, NC; Orange County Museum of Art, Newport Beach, CA «An American Legacy: Art from the Studio Museum,» The Parrish Art Museum, Southampton, NY, 2003 «Stranger in the Village,» Guild Hall, East Hampton, NY, organized by the Museum of Modern Art, NY, 2003 «On the Wall: Wallpaper and Tableau,» The Fabric Workshop and Museum, Philadelphia, PA, 2003 «Family Ties,» curated by Trevor Fairbrother, Peabody Essex Museum, Salem, MA, 2003 «Influence, Anxiety, and Gratitude (Toward and understanding of trans - generational dialogue as a gift economy),» curated by Bill Arning, MIT List Visual Arts Center, Cambridge, MA, 2003 «American Art Today: Faces & Figures,» The Art Museum at Florida International University, Miami, FL, 2003

An apt model is Ally, a collaborative series of performances at the Fabric Workshop and Museum opening on April 21, led by artist Janine Antoni (b. 1964) in collaboration with two preeminent choreographers Stephen Petronio (b. 1956) and founding postmodernist Anna Halprin (b. 1920)-- all of whom are in residence at the FWM.

1996 L'Ossessione Del Segno, Studio La Città, Verona, Italy; (7 Dec. --RRB- Millennium Eve Dress, The Fabric Workshop and Museum, Philadelphia, PA; curated by Janet Kardon (6 Dec. - 22 Feb. 1997) Unconditionally Abstraction, Schmidt Contemporary Art, St. Louis, MO; (23 Nov. - 20 Dec.) Patterns of Excess, Beaver College Art Gallery, Beaver College, Glenside, PA; curated by Paula Marincola (7 Nov. - 20 Dec.) Luminous Bodies, Rotunda Gallery, Brooklyn, NY; curated by Dara Meyers - Kingsley (19 Sept. - 2 Nov. cat.)

«American Art on Paper from the 1960s to Present: Selections from the Permanent Collection,» Mildred Lane Kemper Art Museum (formerly the Washington University Gallery of Art), Washington University, St Louis, MO, January 23 — April 18, 2004 «neoqueer: new visual art by lesbian, gay, bisexual and transgender artists,» Center on Contemporary Art (COCA), Seattle, WA, February 7 — March 20, 2004 «Super-Sized: The Big Print Show,» Greg Kucera Gallery, Seattle, WA, May 12 — June 12, 2004 «Remembering,» Sweeney Art Gallery, University of California, Riverside, CA, October 1 — December 11, 2004 «Experiments with Truth,» guest curator Mark Nash, The Fabric Workshop and Museum, Philadelphia, PA, December 3 — March 12, 2005 «Love / Hate: From Magritte to Cattelan: Masterpieces from the Museum of Contemporary Art, Chicago,» curated by Francesco Bonami, Villa Manin Centro d'Arte Contemporanea, Codroipo (Udine), Italy, 2004 «Great White,» curated by Joanna Montoya, Center for Curatorial Studies Museum, Bard College, Annandale - on - Hudson, NY, 2004 «Open House,» Brooklyn Museum of Art, Brooklyn, NY, 2004 «Singular Forms (Sometimes Repeated),» curated by Nancy Spector, Solomon R Guggenheim Museum, New York, NY, 2004 «Robert Colescott & Glenn Ligon from the Logan Collection,» curated by Shannen Hill, Victoria H Myhren Gallery, University of Denver, Denver, CO, 2004

«Ernest C Withers and Glenn Ligon: I Am A Man Teaching Galleries One and Two,» Contemporary Art Museum St Louis, MO, January 20 — March 28, 2006 «Down by Law, curated by The Wrong Gallery,» Whitney Museum of American Art, New York, NY, January 21 — May 15, 2006 «Collective Histories / Collective Memories: California Modern,» Orange County Museum of Art, Newport Beach, CA, February 6 — September 24, 2006 «Exhibition of Work by Newly Elected Members and Recipients of Honors and Awards,» American Academy of Arts and Letters, New York, NY, May 19 — June 12, 2006 «Legacies: Contemporary Artists Reflect on Slavery,» New - York Historical Society, New York, NY, June 16, 2006 — January 7, 2007; catalogue «The Past Made Present: Contemporary Art and Memory,» Museum of Fine Arts, Houston, TX, September 2, 2006 — January 15, 2007 «Group Dynamic: Portfolios, Series, and Sets,» Des Moines Art Center, Des Moines, IA, September 15 — December 29, 2006 «black alphabet: conTEXTS of contemporary african - american art,» Zacheta National Gallery of Art, Warsaw, Poland, September 22 — November 19, 2006 «Interstellar Low Ways,» Hyde Park Art Center, Chicago, IL, October 15, 2006 — January 14, 2007 «Process and Collaboration: Celebrating Twelve Years at 1315 Cherry Street,» The Fabric Workshop and Museum, Philadelphia, PA, December 2, 2006 — January 6, 2007 «Defamation of Character,» organized by Neville Wakefield, PS 1 Contemporary Art Center, Long Island City, New York, October 29, 2006 — January 8, 2007 «Voodoo Macbeth,» curated by David A Bailey, De La Warr Pavilion, East Sussex, UK, October 7, 2006 — January 22, 2007 «Yes Bruce Nauman,» Zwirner & Wirth, New York, NY, July 7 — September 9, 2006 «Gifts go in one direction,» curated by Alexander Nagel, apexart, New York, NY, July 5 — August 12, 2006 «SUBJECT,» Lyman Allyn Museum, New London, CT, May 13 — August 14, 2006 «Invitational Exhibition of Painting and Sculpture,» American Academy of Arts and Letters, New York, NY, March 7 — April 9, 2006 «Dark Places,» Santa Monica Museum of Modern Art, Los Angeles, CA, January 21 — April 22, 2006 «Skin Is a Language,» Whitney Museum of American Art, New York, NY, January 12 — May 21, 2006 «Portraits of Artists: A selection of photographic works from the collection,» Luhring Augustine, New York, NY, January 7 — February 11, 2006

«Miami Arts Project,» Miami, FL, January — March, 1998; brochure «I'm Still In Love With You: Visual Artists and Writers Respond to the 1972 Album by Al Green,» Women's 20th Century Club, Eagle Rock, CA, February 14 — March 14, 1998 «Postcards from Black America,» Breda, De Beyerd Museum, Breda, The Netherlands, 1998; catalogue «Núcleo Historico, XXIV Bienal de São Paulo,» curated by Paulo Herkenhoff, São Paulo, Brazil, 1998 «100 Years of Sculpture: From Pedestal to Social,» Walker Art Center, Minneapolis, MN, 1998 «Exterminating Angel,» Galerie Ghislaine Hussenot, Paris, France, 1998 «Heart, Mind, Body, Soul,» Whitney Museum of American Art, New York, NY, 1998 «Cut on the Bias: Social Projects of the 90's,» from the Permanent Collection: The Fabric Workshop and Museum, Philadelphia, PA, 1998 «Histories (Re) Membered: Selections from the Permanent Collection of the Bronx Museum,» Paine Webber Art Gallery, New York, NY, 1998 «100 Years of Sculpture: From pedestal to Social,» Walker Art Center, Minneapolis, MN, 1998 «Exterminating Angel,» Galerie Ghislane Hussenot, Paris Miami Art Project, Miami, FL, 1998 «Hindsight: Selections from the Permanent Collection,» Whitney Museum of American Art, New York, NY, 1998 «A Portrait of Our Times: An Introduction to the Logan Collection,» San Francisco Museum of Modern Art, San Francisco, CA, 1998

Ally is a performance - as - exhibition that reimagines the traditional retrospective, conceived by MacArthur Fellow Janine Antoni in collaboration with pioneering choreographer Anna Halprin and contemporary dance artist Stephen Petronio during a two - year residency at The Fabric Workshop and Museum (FWM).

The Fabric Workshop and Museum presents a gallery talk by textile scholar Dr. Linda Eaton, the John L. & Marjorie P. McGraw Director of Collections and Senior Curator of Textiles at the Winterthur Museum.

Founded in 1977, The Fabric Workshop and Museum has developed from an ambitious experiment to a renowned institution with a widely - recognized Artist in Residence Program, an extensive permanent collection of new work created by artists at the Workshop, in - house and touring exhibitions, and comprehensive educational programming including lectures, tours, in - school presentations and student apprenticeships.

He continues, «Once I did a performance at the Fabric Workshop for Louise Bourgeois's «She Lost It» where I wrapped strips of printed gauze over my barely - covered body, and by the time I got unwrapped, both Aggie (Gund) and Anne were there in the audience laughing.

MacArthur Fellow and visual artist Ann Hamilton, whose installations incorporate textiles and fabric, created a major off - site installation on the Delaware River waterfront, accompanied by an exhibition of historical and contemporary fabrics at the Fabric Workshop and fabric, created a major off - site installation on the Delaware River waterfront, accompanied by an exhibition of historical and contemporary fabrics at the Fabric Workshop and Fabric Workshop and Museum

1989 911 Contemporary Arts Window Installation, Seattle, WA A Rain of Talent: Umbrella Art, Fabric Workshop, Philadelphia: traveled to the American Crafts Museum, NY., and Wustum Museum of Fine Art, Racine, WI 2 - D, 3 - D, Seattle Art Museum, Seattle, WA Made By Hand, Minneapolis College of Art and Design, Minneapolis, MN