Sentences with phrase «by white cube gallery»

«I'm bearish about the contemporary art market,» James Chanos, president and founder of hedge fund firm Kynikos Associates LP, said at a Dec. 1 beach party organized by White Cube gallery.

Marc Quinn is represented by the White Cube Gallery in London and by Galerie Thaddaeus Ropac in Salzburg and Paris.

The artist lives and works in London and is currently represented by White Cube Gallery.

She is represented by White Cube Gallery, London.

A good investment by White Cube gallery's Jay Jopling, who bought it for about # 20,000 in 2005, this was only the third painting by the 47 - year - old Briton to appear at auction.

The exhibition, the first of Kiefer's work in this country for eight years, is the first of two linked Kiefer shows organised by the White Cube gallery.

The most notable was the $ 2.3 million (# 1.4 million) paid by US philanthropist Stewart Rahr, for a 4 x 5ft felt tip pen painting, Curtis (2007) by the American artist Mark Bradford, who is represented in London by the White Cube Gallery.

Liu Wei lives and works in Beijing and is represented by White Cube Gallery.

Not exact matches

There are several galleries you can visit in Hong Kong, which host art by Gagosian and White Cube among others.

The artist creates works as signifiers of the destruction of the natural world by «colonial powers», via a series of tabletops containing mineral fragments and photographs of equatorial scrublands.The minerals are representative of the original environment now re-contextualized within the white cube of the gallery space becoming «art», and forming a dialectic concerning «value».

Black Thorns in the White Cube; Paragraph Gallery, Kansas City, MO and Western Exhibitions, Chicago IL, curated by Amelia Ishmael

by Kostas Prapoglou We rarely see Hauser & Wirth's North Gallery in Savile Row totally transformed and freed from its white cube aesthetics.

Sous la Lune at Institute of Contemporary Arts Singapore, Lasalle College of the Arts, by Adeline Chia Vandy Rattana at Sa Sa Bassac, Phnom Penh, by Vera Mey aaajiao at Gallery Yang, Beijing, by Edward Sanderson Peepshow at Long March Space, Beijing, by Li Bowen Yeh Wei - Li at Hanart TZ Gallery, Hong Kong, by Stephanie Bailey Thinking Tantra at Jhaveri Contemporary, Mumbai, by Niru Ratnam Discordant Harmony at Hiroshima City Museum of Contemporary Art, by Dean Kissick Ken Kagami at Misako & Rosen, Tokyo, by Dean Kissick Seoul Babel at Seoul Museum of Art, by Tiffany Chae Heri Dono at Mizuma Gallery, Singapore, by Sherman Sam A Fact Has No Appearance: Art Beyond the Object at National Gallery Singapore, by Mark Rappolt Ni Youyu at Museum of Contemporary Art, Taipei, by Aimee Lin White Cube... Literally at Gallery Isabelle van den Eynde, Dubai, by Kevin Jones Corruption: Everybody Knows... at e-flux, New York, by Ming Lin Tadanori Yokoo at Albertz Benda, New York, by Joshua Mack Song Yige at Marlborough Fine Art, London, by Matthew McLean Maria Taniguchi at Ibid, London, by Ming Lin

(100 x 150 cm) © the artist Courtesy White Cube Zhang Huan Zhu Gangqiang 4th September — 3rd October White Cube Mason's Yard is pleased to present the first exhibition with the gallery by the acclaimed artist Zhang Huan.

Walking into the gallery, one is greeted not by a conventional white cube, but rather a disjointed arrangement of white, yellow, black and blue.

Gilbert & George have a new exhibition opening on Friday 18th at the White Cube Bermondsey gallery which will hold a generous offering of over sixty new works by the partners in crime.

White Cube Duke Street was the first gallery established by Jay Jopling in 1993.

Within their Bermondsey gallery, White Cube is currently exhibiting works by Josiah McElheny (Boston USA, 1966) narrating the last decade of McElheny's ongoing exploration of alternative histories of modernism and the politics of aesthetics.

The works will be exhibited on the site of the festival in a pop - up exhibition organized by the contemporary art gallery White Cube.

2017 On Bodies: GMF x UNT, The Goss - Michael Foundation, Dallas, Texas «The Critic as Artist» curated by Michael Bracewell and Andrew Hunt, Reading Museum, London, UK ISelf Collection, Self - Portrait as the Billy Goat, Whitechapel Gallery, London Dreamers Awake, curated by Susanna Greeves, White Cube, London, UK As Above, So Below: Portals, Vision, Spirits & Mystics, Irish Museum of Modern Art, Dublin, Ireland The Ends of Collage: New York, Luxembourg & Dayan, New York, NY The Ends of Collage: London, Luxembourg & Dayan, London, UK La Movida, HOME, Manchester, UK Coming Out: Sexuality, Gender and Identity, Walker Art Gallery, Liverpool, UK Daughters of Penelope, Dovecot Studios, Edinburgh, Scotland

Visiting galleries with some friends last weekend, we enjoyed an interesting show at White Cube Mason's Yard in St James by American artist, Josiah McElheny.

3 April — 9 May 2009 White Cube Hoxton Square is pleased to present an exhibition of new work by Ashley Bickerton, his third at the gallery.

By moving exhibits into diverse communities, we hope to broaden the reach of contemporary art and show it differently than most «white cube» museums and gallery spaces do.

Close to Lambeth Bridge, Newport Street's sleek, White Cube style space stands midway between the galleries founded by Hirst's dealer Jay Jopling in Bermondset in 2011 and his former patron Charles Saatchi in Chelsea in 2008.

In recent years, solo exhibitions of Breitz's work have been hosted by the Palais de Tokyo (Paris), De Appel (Amsterdam), Moderna Museet (Stockholm), Castello di Rivoli (Turin), White Cube (London), San Francisco Museum of Modern Art, Standard Bank Gallery (Johannesburg) and South African National Gallery (Cape Town).

The gallery is designed to replicate Wagstaff's white modernist cube of a penthouse, including ficus trees in chrome planters and an elaborate silver ice bowl and spoon once owned by Wagstaff.

Published by White Cube, London and James Cohan Gallery, New York / Shanghai, on the occasion of Fred Tomaselli, March 27 - May 16, 2009, White Cube, London.

(he is also represented by Stevenson Gallery, in South Africa, White Cube in London, and L&M Arts, in Los Angeles.)

1996 «Lari Pittman: New Paintings,» White Cube, London, UK, September 13 — October 26, 1996 «Lari Pittman,» Los Angeles County Museum of Art, Los Angeles, CA, June 23 — September 8, 1996; Contemporary Arts Museum, Houston, TX, November 1, 1996 — January 5, 1997; Corcoran Museum, Washington D.C., February 8 — April 7, 1997; catalogue «Lari Pittman: Works on paper, 1982 to 1995,» curated by Elizabeth Brown, Hammer Museum, Los Angeles, CA, January 30 — March 10, 1996; University Art Museum, University of California, Santa Barbara, Santa Barbara, CA, March 16 — April 21; catalogue 1995 «Lari Pittman: Like You,» Regen Projects, Los Angeles, CA, November 11 — December 9, 1995 «Lari Pittman,» Studio Guenzani, Milan, Italy, January 19 — February 28, 1995 1994 Jay Gorney Modern Art, New York, NY, 1994 Texas Gallery, Houston, TX, 1994 1993 Rosamund Felsen Gallery, Los Angeles, CA, 1993 «Lari Pittman: Paintings & Works on Paper, 1989 — 1993,» Mandeville Gallery, University of California, San Diego, La Jolla, CA, 1993 Jablonka Galerie, Cologne, Germany, November 6 — December 12, 1993 1992 Jay Gorney Modern Art, New York, NY, 1992 1991 Rosamund Felsen Gallery, Los Angeles, CA, 1991 1990 Rosamund Felsen Gallery, Los Angeles, CA, 1990 1989 Rosamund Felsen Gallery, Los Angeles, CA, 1990 1988 Rosamund Felsen Gallery, Los Angeles, CA, 1988 1987 Rosamund Felsen Gallery, Los Angeles, CA, 1987 1986 Patty Aande Gallery, San Diego, CA, 1986 1985 Rosamund Felsen Gallery, Los Angeles, CA, 1985 1984 Rosamund Felsen Gallery, Los Angeles, CA, 1984 1983 Rosamund Felsen Gallery, Los Angeles, CA, 1983 1982 «Lari Pittman: Code of Honor,» curated by Paul Schimmel, Newport Harbor Art Museum, Newport Beach, CA, December 17, 1982 — January 23, 1983 «Lari Pittman: Sunday Painting,» Los Angeles Contemporary Exhibitions, Los Angeles, CA, June 9 — July 9, 1982 Selected Group Exhibitions:

But the artist and critic Brian O'Doherty did something of the sort in the 1970s, when he wrote of how far both the creation and canonisation of modern art had been informed by the dominant «white cube» model of gallery space, which had conferred a monumental aura on much large - scale abstract painting.

The South Gallery II of White Cube Bermondsey is turned into a magical, wondrous and captivating space filled with new works by Cerith Wyn Evans.

These qualities are underpinned and stabilised by the architectural accuracy of his miniature interiors, which draw from broad influences, from classical Palladian or a White Cube gallery space, to the contemporary commercial kitsch of fast - food joints, or even a depiction of his childhood home as in the 18 Fortis Green series.

Meanwhile, down in Brazil, the thirteenth edition of SP - Arte features some 120 international exhibitors — including Cheim & Read, Galeria Nara Roesler, Lisson Gallery, Marian Goodman Gallery, Mizuma Art Gallery, and White Cube — exhibiting modern and contemporary art and design at the São Paulo's Cicillo Matarazzo Pavilion, which was designed in 1951 by Oscar Niemeyer, in the city's historical Ibirauera Park.

The artist is represented by Gagosian Gallery in New York, Bevery Hills, and London, White Cube Bermondey, White Cube Mason's Yard, and White Cube London.

That boom was driven by a commercial gallery scene and auction - houses less interested in practices drawn from the neo-avant-garde, but instead in the type of works that grace white cube spaces — in particular, large paintings that were shifted profitably at auction.

He called his small premises there White Cube in reference to the influential collection of essays by Brian O'Doherty, Inside the White Cube: Ideologies of the Gallery Space, in which the author argued that the blank, box spaces of modern galleries had themselves become «the archetypal image of 20th - century art».

Meanwhile, across the street at Tanya Bonakdar Gallery, ghostly shadows doubled and tripled against the walls of chapel - like, white - cube rooms as guests passed before projected lights chiseled by Olafur Eliasson, who appeared a bit more grizzled than usual and slightly dazed by the commotion around him.

Yet, despite being one of the bestselling artists represented by the bestselling White Cube gallery, he has never had the profile of his peers Damien Hirst and Tracey Emin.

(FT) Of Algorithms and Architecture — Esteemed artist Julie Mehrehtu, whose work is currently in solo shows at Marian Goodman Gallery in New York and White Cube in London (not to mention highly coveted by collectors worldwide) shares 500 words with Artforum about her artistic practice and mark - making process.

Tomaselli lives and works in Brooklyn and is represented by James Cohan Gallery in New York and White Cube Gallery in London.

Nor has he given up geometry: the glass enclosure runs parallel to the gallery's white cube, and one can take its measure by circulating the narrow space between walls.

For Oliver, «getting into painting» meant a degree in Art History at Bristol University, three intensive years studying in Florence as a portrait painter followed by work experience at notable galleries Hauser & Wirth and White Cube.

In gallery news: David Zwirner now represents the Joan Mitchell Foundation, with an exhibition planned for next year in the gallery's New York space — «The gallery is proud to be entrusted to help with the extraordinary legacy of Joan Mitchell, one of the most important and original American painters to emerge in the second half of the twentieth century», Zwirner commented; Lehmann Maupin have announced representation of the Estate of Heidi Bucher — «Her exploration of spaces — often designated as feminine, particularly domestic environments and objects — is very much in line with Lehmann Maupin's programming and closely ties into the work of artists such as Do Ho Suh and Liza Lou,» director Anna Stothart said; New York's James Cohan Gallery represents Matthew Ritchie; LA's Kayne Griffin Corcoran now represents painter Mary Obering (her work is on show at their booth at Frieze New York); London's White Cube have opened an office on New York's Upper East Side; and Mexico City gallery kurimanzutto also opened a space in New York's Upper East Side yesterday, inaugurated with new work by Abraham Cruzvigallery news: David Zwirner now represents the Joan Mitchell Foundation, with an exhibition planned for next year in the gallery's New York space — «The gallery is proud to be entrusted to help with the extraordinary legacy of Joan Mitchell, one of the most important and original American painters to emerge in the second half of the twentieth century», Zwirner commented; Lehmann Maupin have announced representation of the Estate of Heidi Bucher — «Her exploration of spaces — often designated as feminine, particularly domestic environments and objects — is very much in line with Lehmann Maupin's programming and closely ties into the work of artists such as Do Ho Suh and Liza Lou,» director Anna Stothart said; New York's James Cohan Gallery represents Matthew Ritchie; LA's Kayne Griffin Corcoran now represents painter Mary Obering (her work is on show at their booth at Frieze New York); London's White Cube have opened an office on New York's Upper East Side; and Mexico City gallery kurimanzutto also opened a space in New York's Upper East Side yesterday, inaugurated with new work by Abraham Cruzvigallery's New York space — «The gallery is proud to be entrusted to help with the extraordinary legacy of Joan Mitchell, one of the most important and original American painters to emerge in the second half of the twentieth century», Zwirner commented; Lehmann Maupin have announced representation of the Estate of Heidi Bucher — «Her exploration of spaces — often designated as feminine, particularly domestic environments and objects — is very much in line with Lehmann Maupin's programming and closely ties into the work of artists such as Do Ho Suh and Liza Lou,» director Anna Stothart said; New York's James Cohan Gallery represents Matthew Ritchie; LA's Kayne Griffin Corcoran now represents painter Mary Obering (her work is on show at their booth at Frieze New York); London's White Cube have opened an office on New York's Upper East Side; and Mexico City gallery kurimanzutto also opened a space in New York's Upper East Side yesterday, inaugurated with new work by Abraham Cruzvigallery is proud to be entrusted to help with the extraordinary legacy of Joan Mitchell, one of the most important and original American painters to emerge in the second half of the twentieth century», Zwirner commented; Lehmann Maupin have announced representation of the Estate of Heidi Bucher — «Her exploration of spaces — often designated as feminine, particularly domestic environments and objects — is very much in line with Lehmann Maupin's programming and closely ties into the work of artists such as Do Ho Suh and Liza Lou,» director Anna Stothart said; New York's James Cohan Gallery represents Matthew Ritchie; LA's Kayne Griffin Corcoran now represents painter Mary Obering (her work is on show at their booth at Frieze New York); London's White Cube have opened an office on New York's Upper East Side; and Mexico City gallery kurimanzutto also opened a space in New York's Upper East Side yesterday, inaugurated with new work by Abraham CruzviGallery represents Matthew Ritchie; LA's Kayne Griffin Corcoran now represents painter Mary Obering (her work is on show at their booth at Frieze New York); London's White Cube have opened an office on New York's Upper East Side; and Mexico City gallery kurimanzutto also opened a space in New York's Upper East Side yesterday, inaugurated with new work by Abraham Cruzvigallery kurimanzutto also opened a space in New York's Upper East Side yesterday, inaugurated with new work by Abraham Cruzvillegas.

Hirst was represented by both the White Cube and the Gagosian gallery, the latter also putting a painting by Jean - Michel Basquiat on sale for $ 5m.

Other sales included Joan Mitchell's Abstract Expressionist work Syrtis (1961), which sold for $ 6.75 m at White Cube; Self - Eater (2003) by Dana Schutz, which found a new owner at $ 400,000 from Petzel Gallery; and two pieces by Alberto Burri, which were bought by international collectors for $ 1.3 m and $ 450,000 from Mazzoleni, experts in post-war Italian art.

When newspapers give a list of the artists represented by Jay Jopling at the White Cube gallery - Damien Hirst, Tracey Emin, Antony (Angel of the North) Gormley, Marcus (Myra Hindley) Harvey, Marc (blood head) Quinn - the name of Gary Hume, one of the gallery's biggest money - spinners and currently probably its most fashionable artist, is always missing.

Raqib Shaw Absence of God IV... The Blind Butterfly Catcher 2008 © the artist Photo: Todd - White Art Photography Courtesy White Cube 20 May — 4 July 2009 White Cube Hoxton Square is pleased to present «Absence of God», the first exhibition at the gallery by Raqib Shaw.

Close has been represented by The Pace Gallery (in New York City) since 1977, and by White Cube (in London) since 1999.

Breathing Room III White Cube, Mason's Yard, London, 3 June - 10 July 2010 Flare II St Paul's Cathedral, London, until mid August 2010 Event Horizon Madison Square Park, New York, US, until 15 August 2010 Firmament IV Anna Schwartz Gallery, Sydney, Australia, until 3 July 2010 Antony Gormley by Martin Caiger - Smith (# 14.99, Tate).

The controversial work, which contributed to Emin's 1999 Turner Prize nomination, was bought by Jay Jopling, Emin's art dealer and founder of the White Cube gallery.