Prior to the twentieth century, printing was a cottage industry, handled
by master printers, typographers and book setters.
For example, while the press release presents «Proof» as «a three - person show featuring prints and artist's books made
by master printers Ruth Lingen, Jennifer Melby and Leslie Miller,» the exhibition checklist does not credit individual works to particular printers but, as is conventional, credits only the «artists,» e.g. Elizabeth Murray, James Siena, Vija Celmins, Henrik Drescher (See the images above from Planthouse's website.
The many remarkable prints here represent significant innovations in printmaking, developed
by master printers specifically to accommodate Kelly's focused artistic vision.
Printed
by master printers, Narayana Press.
Prints are
by master printer John Delaney, who printed for Richard Avedon, Irving Penn, and Annie Leibovitz amongst others.
Curated by Curator in Residence, Carol R. Dyson, the exhibition features large wall reproductions
by master printer, Michael Platt.
Founded and run
by master printer Gerhard Steidl, the imprint is known for its exacting attention to detail and perfection in print quality.
Printed
by Master Printers Curated by Anthony Kirk and Susan Rubin Center for Contemporary Printmaking, Norwalk, CT Included prints by Carroll Dunham and Joanne Greenbaum, published by Harlan & Weaver April 7 - May 25, 2011
Each photograph (in editions of 99) was made from the original negative by the artist, assisted
by a master printer from a custom lab.
This is an etching printed
by Master Printer Cindi Ettinger for the Philagrafika Invitational Portfolio.
All photographs in the Marking Questions portfolio are selenium - toned silver gelatin prints, rendered
by a master printer from 120 film negatives.
For those not familiar with the term, a Wayzgoose was a an entertainment give
by a master printer to his workers every year on St Bartholomew's Day.
Not exact matches
This exhibition features works printed
by local artist and
master printer Lou Stovall who worked with JACOB LAWRENCE on the 15 - panel series between 1986 - 1997.
On loan from the family of
master printer, painter, and poet Georges Visat, this exhibition is composed of over 60 prints
by iconic Surrealist artists...
Running concurrently with the PrintMatters - organized shows are exhibitions at art spaces large and small; their offerings range from student works to prints
by blue - chip artists collaborating with
master printers.
The artist first began to make a profound engagement with the medium in the mid-1960s, working with
master printer Kenneth Tyler, who convinced Stella to make his first prints
by filling a Magic Marker — the artist's preferred drawing implement — with lithography fluid.
The exhibition derives from the catalogue Conversations from the Print Studio: A
Master Printer in Collaboration with Ten Artists, co-authored
by Zammiello and Elisabeth Hodermarsky, Sutphin Family Senior Associate Curator of Prints, Drawings, and Photographs at the Yale University Art Gallery.
Esopus 23 presents specially - commissioned projects exclusive to this issue including a series of images printed on translucent and metallic stocks
by Marilyn Minter, a portfolio of die - cut works
by Mickalene Thomas, a collection of images and documentation
by Jody Wood relating to her ongoing «Beauty in Transition» series, a new series of paintings
by Stefan Kürten; drawings
by Karo Akpokiere dealing with the challenges of living and working between Berlin and Lagos, and a series of abstract photographic «landscapes» created in the darkroom
by master black - and - white
printer Chuck Kelton.
Cage executed Rauschenberg's concept much as a
master printer collaborates with an artist
by operating a printing press.
Published
by Arion Press in 1984, this artist book is a collaboration between Ashbery, eight artists, and
master -
printer Andrew Hoyem.
In 2014 FHE established a Visiting Artist &
Master Printer program with the goal of creating a world - class program that promotes creative interaction between professional artists and students while also creating sustainability within the printmaking field —
by training the next generation of artists and printmakers.
This print
by Whitfield Lovell was created at the Smith College Print Workshop in 2011 with the assistance of
master printer Maurice Sanchez.
1985 37th Annual Purchase Exhibition - Hassam and Speicher Fund, American Academy and Institute of Arts and Letters, New York, NY Through a
Master Printer: Robert Blackburn and The Printmaking Workshop, The Columbia Museum, Columbia, SC; The Arkansas Art Center, Little Rock, AR; Mississippi Museum of Art, Jackson, MI New Color Abstraction: Sam Gilliam, Al Loving, William T. Williams, Cleveland State University Art Gallery, Cleveland, OH Artists as Mentors: A Special Exhibition of Works
by its Artistic Committee and Selected Emerging Artists, The Cinque Gallery, New York, NY Tribute — Robert Blackburn, Association of Community - Based Artists of Westchester, Mount Vernon, NY
Curated
by Marion Boulton Stroud, FWM Artistic Director; Ruth Fine, Special Projects in Modern Art, National Gallery of Art, Washington, D.C.; Virgil Marti, Artist / Curator; and Mary Anne Friel, FWM Project Coordinator /
Master Printer.
As far as the art goes, the show features the Legacy Stone; a limited edition digital c - print taken in Sheep Meadow, Central Park
by art photographer Ventiko (a.k.a. Dexter Dean); and a limited edition grave rubbing print of the actual stone, created in collaboration with
master printer James Stroud of Center Street Studio.
This work was printed
by Tamarind Institute
Master Printer Bill Lagattuta.
Random Act 10.15.15 @ 6:30 p.m.: Collaborative Practice features a panel discussion on printmaking and the commemorative MFA 50th anniversary prints
by Elisabeth Condon and Jane Hammond in collaboration with
Master Printer Erika Greenberg - Schneider.
Stella first became interested in printmaking in the mid-1960s, while working alongside
master printer Kenneth Tyler at Gemini G.E.L..
By 1973, he had a print studio installed in his New York house.
This work was created
by the artist working with
master printer Jack Shirreff at 107 Workshop near Bath, England.
April 16th - August 14th, 2005 This exhibition presents a number of architecture - related prints
by the Italian
master printer, Giovanni Battista Piranesi.
Master Printer Sam Carr - Prindle helped her incorporate custom - made stencils from her studio in New York into copper plates mainly
by using a modified sugar lift aquatint technique.
Throughout his latter academic studies he worked for
master lithographer Kent Lovelace at Stone Press Editions in Seattle, most notably as assistant
printer for the production of two editions
by artist Jacob Lawrence.
Curator Anthony Kirk,
master printer at the Center, had seen a number of recent such pieces, including some made at the Center for Contemporary Printmaking
by artists Phyllis Peckar Clamage and Allison Roberts.
Hall, who went on to earn an MFA in printmaking from the University of Texas — Austin, is now
Master Printer at Pace Prints in New York, NY, a fine art print publisher and print gallery selling original museum - quality prints
by leading artists from the 15th to the 21st century.
In her essay for the exhibition catalogue, CPP founder and
master printer Kathan Brown, who had a long and fruitful relationship with the artist, states these prints are «the most complex and subtle use of color aquaint that I know of
by any artist at any time in history» — a profound statement from one who has dedicated her life to that medium.
Others like Carl Fudge, Michael Kreuger, Jürgen Partenheimer, and Chris Ulivo were invited
by RISD Editions, an artist in residency program, where a
master printer and students work together with the artist to edition printed work in the RISD Printmaking Department.
The prints were produced from the original negatives
by August Sander's grandson, Gerd Sander, who is himself a photographer and
master printer.
This exhibition is curated
by Paul Mullowney,
Master Printer, who runs Mullowney Printing in the Mission District of San Francisco.
Projects are directed
by the artists and facilitated
by the studio with its highly skilled
master printers.
The Antique Print Department will feature works
by master wood engraver and woodcut
printer Eric Gill.
As a
master printer, Balkin's portfolios provided a vehicle for creating provocative images unfettered
by the pressures of time.
A «new» Rembrandt portrait is actually the creation of a 3 - D
printer — and a statistical analysis of 346 paintings
by the Dutch
master.