Sentences with phrase «by aesthetic choices»

The talk will also cover the renderer we finally settled on, motivated as much by aesthetic choices as technical ones, and discuss some of the current choices we are still exploring for lighting, anti-aliasing and optimization.

The material man may choose to live outwardly a moral life, guided by aesthetic choice.

Not exact matches

Examining absurd theories around Mad Men and True Detective, Julia Yost characterizes this phenomenon as a shift from the aesthetic to the forensic: «Everything on screen and soundtrack is a clue, and the viewer's challenge is to suss out the secrets encoded by the creators» choices in writing, casting, wardrobe, and art direction.

Because of Percy's explicit engagement with Kierkegaard, we may justifiably interpret the ending as a representation of the ethical / aesthetic choice... Binx, that is, begins the novel in the aesthetic mode, but by the end, he has given up moviegoing and committed to society by becoming a doctor and getting engaged.

According to Ari Schulman: Because of Percy's explicit engagement with Kierkegaard, we may justifiably interpret the ending as a representation of the ethical / aesthetic choice... Binx, that is, begins the novel in the aesthetic mode, but by the end, he has given up moviegoing and committed....

In choreography the goal is artistic expression and choices are dictated by elegance and aesthetic appeal.

Kindly and almost unbearably intellectual and autodidactic, Seligman listens as Joe lays out the narrative of her sexual awakening, budding promiscuity, and compulsion, the two often digressing into literary, musical, and fly - fishing references that provides Joe's story a contour, unfolding (as in much von Trier's recent work) in discrete chapters marked by their own title cards and sets of aesthetic choices.

Mark and Kameron's exchange in our last round about the lack of explicit gay sex scenes in Call Me by Your Name, and what that «omission» (or, as Mark more precisely identifies it, deliberate aesthetic choice) has meant to different segments of the film's queer audience, brought to mind BPM, a brainy but also wrenchingly heartfelt film whose story in part revolves around those very questions: how much to show, to whom, and for what purpose.

A beautiful assortment of stunning color choices, complimented by specially designed wheels and stylishly placed M - Sport badging, completes the aesthetic effect of this lovely convertible.

This is a global marketing thing, and give the choice I'd probably prefer the aesthetic of the Kindle logo, but it's not a dealbreaker by any means.

In the remaining minutes of his TED Talk, Kidd takes you through his work, revealing the aesthetic choices that went into designing covers for books by Michael Crichton, John Updike, David Sedaris, Haruki Murakami, and others.

If split rail is your aesthetic choice it must be backed by wire.

This week, Aggelos is joined by Co-Founder of The Dungeon Crawler Network, Thais to discuss some of the recent aesthetic choices that Intrepid Studios have revealed in recent posts in the official Discord as well as going over our mailbag!

A staple in art historical discussions of institutional critique, Lawler's photographs challenge the viewer to think about the context in which works of art are displayed, and subsequently the overlooked aesthetic choices made by the places in which they are viewed, sold, and stored.

by Elana Hagler This essay explores the subconscious impulses behind aesthetic choice and offers a framework for a deeper understanding of contemporary representational painting.

Other works in the exhibition include Jorge Pardo's handcrafted wooden palette and modernist designed furniture that question the nature of the aesthetic experience; pioneering conceptual artist Joseph Kosuth's discourse on aesthetics in neon, An Object Self - Defined, 1966; Rachel Lachowicz's 1992 row of urinals cast in red lipstick, which delivers a feminist critique of Duchamp's readymade; Richard Pettibone's paintings of photographs of Fountain; Richard Phillips» recent paintings based on Gerhard Richter's highly valued work; Miami artist Tom Scicluna's neon sign, «Interest in Aesthetics,» a critique of the use of aesthetics in Fort Lauderdale's ordinance on homelessness; the French collaborative Claire Fontaine's lightbox highlighting Duchamp's critical comments about art juries; Corey Arcangel's video Apple Garage Band Auto Tune Demonstration, 2007, which tweaks the concept of aesthetics in the digital age; Bernd and Hilla Becher's photographs, Four Water Towers, 1980, that reveal the potential for aesthetic choices within the same typological structures; and works by Elad Lassry and Steven Baldi, who explore the aesthetic history of photography.

Ray refers to his art as influenced by his first profession as a graphic designer, commenting that «the hard edges, the symmetry, and the bright colors,» are aesthetic choices he brings to both art and design.

The abstract elements are loosely associative of the American strip landscape with its generic corporate architecture and signage and the colour choices are equally inspired by this ubiquitous corporate aesthetic.

2008 Text / Messages: Books by Artists - Walker Art Center, Minneapolis, MN Inspired by Literature: Art and Fine Books - Jane Voorhees Zimmerli Art Museum, New Brunswick, NJ PEGGY GUGGENHEIM E LA NUOVA PITTURA AMERICANA - Peggy Guggenheim Collection, Venice Collector's Eye - Gana Art Gallery, Seoul Blake to Kahlo to Warhol: Masterworks from the Harry Ransom Center - El Paso Museum of Art (EPMA), El Paso, TX 1945 - 1949 Repartir à zéro, comme si la peinture n'avait jamais existé - Musée des Beaux - Arts de Lyon, Lyon Action / Abstraction - Saint Louis Art Museum, Saint Louis, MO Contemporary Masters: Print Selections - Amy Simon Fine Art, Westport, CT REFLECTIONS ON LIGHT - 30 years Galerie Bernd - Galerie Klüser, Munich Tilted Balance - Collectors Contemporary, Singapore From Abstract Expressionism to Pop Art: Johns, Rauschenberg and the Aesthetic of Indifference — Sonoma Valley Museum of Art, Sonoma Nuances of Printmaking - Koehnline Museum of Art, Des Plaines (IL) The sight of music - Mississippi Museum of Art MMA, Jackson, MS Abstraction: Summer 2008 - Thomas McCormick Gallery, Chicago, IL Philadelphia Collects: Works on Paper - Delaware Center for Contemporary Arts - DCCA, Wilmington, DE Ganz schön ART - ig - LECKERBISSEN III - Fischerplatz Galerie, Ulm Paper Trail II: Passing Through Clouds - The Rose Art Museum, Waltham, MA Modern and Contemporary Prints - Osborne Samuel, London, United Kingdom Action / Abstraction: Pollock, de Kooning, and American Art, 1940 - 1976 - The Jewish Museum of New York, New York City, NY Blood on Paper - the Art of the Book - Victoria & Albert Museum - V&A, London, United Kingdom Die Hände der Kunst - MARTa Herford, Herford Side By Side Docents» Choice: Works On Paper - Mount Holyoke College Art Museum, South Hadley, MA Color as Field - American Painting, 1950 — 1975 - Smithsonian American Art Museum, Washington, DC Far Ouby Artists - Walker Art Center, Minneapolis, MN Inspired by Literature: Art and Fine Books - Jane Voorhees Zimmerli Art Museum, New Brunswick, NJ PEGGY GUGGENHEIM E LA NUOVA PITTURA AMERICANA - Peggy Guggenheim Collection, Venice Collector's Eye - Gana Art Gallery, Seoul Blake to Kahlo to Warhol: Masterworks from the Harry Ransom Center - El Paso Museum of Art (EPMA), El Paso, TX 1945 - 1949 Repartir à zéro, comme si la peinture n'avait jamais existé - Musée des Beaux - Arts de Lyon, Lyon Action / Abstraction - Saint Louis Art Museum, Saint Louis, MO Contemporary Masters: Print Selections - Amy Simon Fine Art, Westport, CT REFLECTIONS ON LIGHT - 30 years Galerie Bernd - Galerie Klüser, Munich Tilted Balance - Collectors Contemporary, Singapore From Abstract Expressionism to Pop Art: Johns, Rauschenberg and the Aesthetic of Indifference — Sonoma Valley Museum of Art, Sonoma Nuances of Printmaking - Koehnline Museum of Art, Des Plaines (IL) The sight of music - Mississippi Museum of Art MMA, Jackson, MS Abstraction: Summer 2008 - Thomas McCormick Gallery, Chicago, IL Philadelphia Collects: Works on Paper - Delaware Center for Contemporary Arts - DCCA, Wilmington, DE Ganz schön ART - ig - LECKERBISSEN III - Fischerplatz Galerie, Ulm Paper Trail II: Passing Through Clouds - The Rose Art Museum, Waltham, MA Modern and Contemporary Prints - Osborne Samuel, London, United Kingdom Action / Abstraction: Pollock, de Kooning, and American Art, 1940 - 1976 - The Jewish Museum of New York, New York City, NY Blood on Paper - the Art of the Book - Victoria & Albert Museum - V&A, London, United Kingdom Die Hände der Kunst - MARTa Herford, Herford Side By Side Docents» Choice: Works On Paper - Mount Holyoke College Art Museum, South Hadley, MA Color as Field - American Painting, 1950 — 1975 - Smithsonian American Art Museum, Washington, DC Far Ouby Literature: Art and Fine Books - Jane Voorhees Zimmerli Art Museum, New Brunswick, NJ PEGGY GUGGENHEIM E LA NUOVA PITTURA AMERICANA - Peggy Guggenheim Collection, Venice Collector's Eye - Gana Art Gallery, Seoul Blake to Kahlo to Warhol: Masterworks from the Harry Ransom Center - El Paso Museum of Art (EPMA), El Paso, TX 1945 - 1949 Repartir à zéro, comme si la peinture n'avait jamais existé - Musée des Beaux - Arts de Lyon, Lyon Action / Abstraction - Saint Louis Art Museum, Saint Louis, MO Contemporary Masters: Print Selections - Amy Simon Fine Art, Westport, CT REFLECTIONS ON LIGHT - 30 years Galerie Bernd - Galerie Klüser, Munich Tilted Balance - Collectors Contemporary, Singapore From Abstract Expressionism to Pop Art: Johns, Rauschenberg and the Aesthetic of Indifference — Sonoma Valley Museum of Art, Sonoma Nuances of Printmaking - Koehnline Museum of Art, Des Plaines (IL) The sight of music - Mississippi Museum of Art MMA, Jackson, MS Abstraction: Summer 2008 - Thomas McCormick Gallery, Chicago, IL Philadelphia Collects: Works on Paper - Delaware Center for Contemporary Arts - DCCA, Wilmington, DE Ganz schön ART - ig - LECKERBISSEN III - Fischerplatz Galerie, Ulm Paper Trail II: Passing Through Clouds - The Rose Art Museum, Waltham, MA Modern and Contemporary Prints - Osborne Samuel, London, United Kingdom Action / Abstraction: Pollock, de Kooning, and American Art, 1940 - 1976 - The Jewish Museum of New York, New York City, NY Blood on Paper - the Art of the Book - Victoria & Albert Museum - V&A, London, United Kingdom Die Hände der Kunst - MARTa Herford, Herford Side By Side Docents» Choice: Works On Paper - Mount Holyoke College Art Museum, South Hadley, MA Color as Field - American Painting, 1950 — 1975 - Smithsonian American Art Museum, Washington, DC Far OuBy Side Docents» Choice: Works On Paper - Mount Holyoke College Art Museum, South Hadley, MA Color as Field - American Painting, 1950 — 1975 - Smithsonian American Art Museum, Washington, DC Far Out!

Pohl's unique aesthetic has been widely exhibited with features in the Orlando Museum of Art, Context Miami, Dallas Art Fair, The Santa Monica Museum of Art, Cornell Museum of Art and American Culture, the Denver International Airport, and a public sculpture show curated by Olga Viso, in which she won the People's Choice Award.

Whereas «Art by Telephone» had artists phone into an institution for installers to make their works via instructions, I wanted this collaboration to include artists calling in their directions directly to each other and asserting their own aesthetic choices.

David Richard Gallery Presents «Post-Op: «The Responsive Eye» Fifty Years After», The First In A Series Of Exhibitions Reviewing Seminal MoMA Exhibition Post-Op: «The Responsive Eye» Fifty Years After, the first in a series of presentations commemorating the fiftieth anniversary of the ground - breaking «Op Art» exhibition organized by William C. Seitz at the Museum of Modern Art, focuses on the aesthetic pursuits and choices during the careers of a select group of American artists who were included in The Responsive Eye.

«time / frame,» The Jack S Blanton Museum of Art, University of Texas at Austin, Austin, TX, January 25 — July 28, 2002 «Fifty Years of Supporting the New: The Charles H Carpenter Jr Collection,» Aldrich Museum of Contemporary Art, Ridgefield, CT, September 22 — December 31, 2002 «In the Spirit of Martin: The Living Legacy of Dr Martin Luther King Jr,» Smithsonian Institution Traveling Exhibition Service (organizer), Charles H Wright Museum of African American History, Detroit, MI, January 12 — August 4, 2002; traveled to Bass Museum of Art, Miami Beach, FL, September 7 — December 1, 2002; Frederick R Weisman Art Museum, Minneapolis, MN, January 19 — April 6, 2003; International Gallery, Smithsonian Institution, Washington, D.C., May 15 — July 27, 2003; Memphis Brooks Museum of Art, Memphis, TN, August 30 — November 9, 2003; and Montgomery Museum of Fine Arts, AL, January 3 — March 28, 2004; catalogue «LIFE DEATH LOVE HATE PLEASURE PAIN: Selected works from the MCA Permanent Collection,» Museum of Contemporary Art, Chicago, IL, 2002 «Structures of Difference,» curated by Nicholas Baume, Wadsworth Atheneum, Hartford, CT, 2002 «Drawings of Choice from a New York Collection,» Krannert Art Museum, University of Illinois at Urbana - Champaign, Champaign, IL, curated by Joself Helfenstein: traveled to Arkansas Arts Center, Little Rock, AR; Georgia Museum of Art, Athens, GA; Bowdoin College Museum of Art, Brunswick, ME; Cincinnati Art Museum, Cincinnati, OH «Recent Acquisitions,» Fonds Régional d'Art Contemporain, Reims, France, 2002 «Pushing Aesthetic Boundaries: Contemporary Prints,» Gallery M, New York, NY, 2002 «Charles H Carpenter, Jr Collection: Fifty Years of Supporting the New,» Aldrich Museum of Contemporary Art, Ridgefield, CT, 2002 «New York, New Work, Now!

«By the time the story shifts to a town where people are hanging from trees in overly neat formation, the image of mass suicides has been drained of its shock, and a human calamity is revealed to be an aesthetic choice.

That transparency seemingly mimics the transitions by other OEMs into an UI with more transparencies and «glass - like» behavior, something which is also apparent in Google's choice of default wallpaper, as the dynamic «Aurora Time lapse» background has the kind of blurred aesthetic we'd expect from other OEMs.

We've always appreciated its ease of use and clean aesthetic, but now there's the breadth of features to go with that, and though by no means perfect, the range of app choice in the Windows Phone Store is improving all the time.

CEO Tim Cook quickly jumped to the defense of his design team, trying to excuse the poor aesthetic choice by highlighting ease of use and removal simplicity compared to often rigid third - party options.