Sentences with phrase «by an oil painter»

Consider this a tech product review by an oil painter.

More recently, Gail has been focusing on painting still lifes, twelve of which have been juried by Oil Painters of America into their shows.

Not exact matches

After 1940, artists began using plastic - based material that was a far cry from the oil - based paints used by classical painters.

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The animated biopic of painter Vincent Van Gogh will include 57,800 oil paintings by 60 different artists and will chart the final months and mysterious death of the artist.

Billed as «the world's first oil painted feature film», which is slightly harder to quantify than the film's PR people might hope, Loving Vincent consists 65,000 frames painted by a team of 125 classically - trained painters on glass, with about two - thirds of those have been copied over live - action reference footage.

Investor Steve Muench and «Loving Vincent» painters / animators Biserka Petrovic and Adam Maciejewski will discuss how a team of 120 oil painters came together to re-create Van Gogh's paintings to create the 90 - minute film, written and directed by Dorota Kobiela and Hugh Welchman.

LOVING VINCENT is the world's first fully painted film, with every one of the 65,000 frames of the film an oil - painting hand - painted by 125 professional oil - painters.

The film uses a new oil painting for each shot, with movement added from one frame to the next by a painter's brush.

As labor - intensive missions go, then, «Loving Vincent» — a fictionalized inquest into the Dutch - born, France - adopted genius Vincent van Gogh as his final days are remembered by those close to him — is an appreciation of one man's celebrated art by way of a startling approach: animating a movie out of 65,000 oil paintings, all done by hand, by 125 professional oil - painters.

With a world created by Robert Kurvitz as ongoing source material and visual assets drawing on an oil painting look from Russian Realist painters, what have been the challenges in uniting these varied elements, and which parts «clicked» the fastest?

The exhibition presents large - scale oil paintings that are figurative, psychologically imbued, beautifully rendered, and wonderfully sublime by one of the most significant Realist painters of his generation.

Since the band split in the mid-1980s, Simonon has focused on oil on canvas paintings inspired by 20th century realism and its documentation of the living conditions of the working classes, in particular the work of the American Ashcan School in turn of the century New York, and the «Kitchen Sink» school of painters of 1950s post-War Britain.

The tour for members started with a viewing of the Maria Hupfield piece on the VOLTA video wall, followed by a stop at the Nancy Margolis Gallery to see oil on panel pieces by still life and figurative painter Aubrey Levinthal.

Featured alongside the works from the Museum's permanent collection is a large oil sketch by major American regionalist painter John Steuart Curry depicting the iconic Oklahoma Land Run.

Yiadom - Boakye is one of the most renowned painters of her generation, her lush oil paintings embracing many of the conventions of historical European portraiture but expanding on that tradition by featuring purely fictional subjects.

Inspired by Paul Cézanne, the nineteenth century Post-Impressionist painter, Turshen layers delicate oil colors on graphite drawings, giving the work character and depth.

To purchase by check, download the attached order form and send the completed form along with your payment to Oil Painters of America, Attn: Catalog Orders, PO Box 2488, Crystal Lake, IL.

Her paintings have won awards at international juried shows hosted by The Portrait Society of America, Oil Painters of America and American Impressionist Society.

Klaas Muller offers the oil on copper Perseus and Andromeda by the 16th - century German painter Hans Rottenhammer, while a marble and bronze pendulum clock from the Louis XIV period can be found at Benoît et Sébastien Tercelin de Joigny.

The following quotes are from his book, Problem Solving for Oil Painters, published in 1986 by Watson - Guptill.

«Flora / Fauna» features works by contemporary romantic painter Annika Connor, including watercolor and oil on canvas paintings revolving around themes of nature and wildlife.

The theme is examined in works by Spanish painter Antonio Saura, such as a gestural 1962 ink and oil on paper, alongside pieces by Maria Helena Vieira da Silva and Zoran Mušič.

Painter on a Study Trip was sparked by an encounter with an eponymous 19th Century oil painting in the collection of the Museum of Fine Arts in Alexandria.

In his large - scale oil painting Mother Tongue (2013), a hybrid geometric and gestural abstract work, Gerber has been informed by French lyrical abstraction, more precisely the calligraphic style of the German born painter Hans Hartung (1904 - 1989).

This 1969 oil on canvas in light pastel colors entitled «Raindrops» is by West Coast Abstract Expressionist painter Adine Stix (1909 - 1987).

This 1966 oil on untreated linen entitled «Dialectic» is by West Coast Abstract Expressionist painter Adine Stix (1909 - 1987).

One piece that especially stood out — a large work made up of twenty white paper squares divided by a thin wooden frame on which much smaller squares and rectangles painted in oil had been arbitrarily placed — is a visual testimony to the love of music and poetry that informs the creative work of this painter.

International Deadline: August 24, 2018 — Oil Painters of America 2018 Eastern Regional Juried Exhibition Of Traditional Oils is being hosted by McBride Gallery, located in Annapolis, Maryland, October 28 through November 25, 2018.

This April 1980 oil on canvas entitled «George Washington; What Would He Say, to the MX Missile» is by West Coast Abstract Expressionist painter Adine Stix (1909 - 1987).

Lisa Hamilton, Open Secret, 2008 Oil on canvas, 36 x 32 inches October 17 — November 30, 2008 Jane Kim / Thrust Projects presents works by New York abstract painter Lisa Hamilton.

Her work and techniques are profiled in the book «Creative Oil Painting, Techniques from 15 Master Painters» by M. Stephen Doherty.

In 2005, she began her studies in drawing and oil painting at the MFA in Boston, followed by extensive studies with notable artists such as realist painter Tom Ouellette, Sam Vokey, Don Demers, Joseph McGurl, David Curtis, Rosalie Nadeau, and Stuart Dunkel.

This 2007 oil on canvas cityscape is by San Francisco painter Jack Freeman (1938 - 2014).

The SCAD Museum of Art presents an exhibition of selected works by acclaimed German painter Corinne Wasmuht, marking her first solo museum exhibition in the U.S. Wasmuht is best known for her large - scale oil paintings, which seek to define her own place within a contemporary global landscape wrought with a constant influx of information and imagery.

This 2005 oil on canvas cityscape entitled «Noe Valley North» is by San Francisco painter Jack Freeman (1938 - 2014).

This January 1999 oil on canvas landscape with clouds is by San Francisco painter Jack Freeman (1938 - 2014).

The eye - popping exhibition, A New Republic, showcased Feb 11th to May 8th 2016 at the Seattle Art Museum, assembled an extensive series of life - size, oil on canvas portraits of young African - Americans, by rising American painter Kehinde Wiley (b. 1977).

The SCAD Museum of Art presents an exhibition of selected works by acclaimed German painter Corinne Wasmuht, marking her first solo museum exhibition in the U.S. Wasmuht is best known for her large - scale oil paintings, which seek to define her...

Anne Appleby, Little Sweet Pea, 2008 Oil and wax on wood, 36.6 36.6 inches Both followers of artist and colour theorist Josef Albers, the American painter Anne Appleby and German artist Kuno Gonschior have a common aspiration of capturing colours, by means of abstraction and through analytical observation of natural experiences.

French painter, Stéphane Joannes» large oil on canvas paintings depict solitary cargo ships surrounded by the vast sky and water.

Tapley notes that the five painters in the show, Robert Anderson, Daniel O'Connor, Tim Parsley, Emil Robinson and Tina Tammaro, have each committed to «a curiously old - fashioned choice: to keep making pictures by hand, using simple drawing materials, and a grand old medium, oil paint... these painters [also] devote themselves, at least in part, to another old practice: working from «life.»

Also present is an arresting 2008 oil - on - canvas portrait of the author by painter Michael J. Deas.

Sam Gilliam (American, b. 1938) An American color field painter, Gilliam is represented in the exhibition by Eiler Blues (1978), a wall - size oil painting with embedded objects on stitched and unstretched awning canvas.

Consider «Study for The Forest in Winter at Sunset,» a work in oil and charcoal on brown paper by Théodore Rousseau, the 19th - century French painter now under scrutiny at the Morgan Library & Museum.

This is a landscape painting guide for oil painters that is beautifully illustrated with a variety of landscape paintings by professional artists.

Painter, sculptor, poet, and musician Larry Rivers was an established figure in the New York School, recognized for creating large paintings merging abstract and narrative elements, as in Washington Crossing the Delaware (1953), where the general leads his men through a space defined by murky oil washes and broad gestural brushwork.

This oil painter does not stop at the eerie progress of a night bus though London's lamp lit streets, but sees the waiting people outside a late night off license on Brick Lane as secrets revealed by lights from shop windows; the city becomes a beacon of life no matter the time of day.

Highlights include Chain Pier; an oil painting featuring the Brighton landmark, which was swept away by a storm in 1896, as well as a letter written in 1824 in which Constable expresses his views on what it is to be a painter.

Photo - realistic canvases from The China Painters series (2007 - 08), produced by copyists from the notorious «oil painting village» of Dafen, complete Jankowski's exhibition, while similarly highlighting the potentially serious ramifications of staging or altering reality, whether that manipulation happens through translation via mass - media or as a by - product of an inherent flaw in man's nature.