Sentences with phrase «by angles of light»

FASCINATED BY HIS BLACK - AND - WHITE IMAGES of a man in a rumpled shirt emerging from the subway seemingly propelled by an angle of light and Billie Holiday captured in soft focus, photographer Dawoud Bey discusses the style and composition of photographer Roy DeCarava (1919 - 2009).

Not exact matches

And having heard multiple people say it wasn't a penalty, having seen it from multiple angles, and now having witnessed yet another shoddy refereeing display because he probably should have sent Colgate off for dangerous play by pushing Firmino into the crowd, you do have to wonder if Arsene's points over the last week and a bit have been brought further into light about the standard of referees in this country.

«The gradual brightening of the radio signal indicates we are seeing a wide - angle outflow of material, traveling at speeds comparable to the speed of light, from the neutron star merger,» said Kunal Mooley, now a National Radio Astronomy Observatory (NRAO) Jansky Postdoctoral Fellow hosted by Caltech.

The hologram operates with circularly polarized light, and the information is encoded on to the light beam by the varied angles of the skyscrapers.

The other is the so - called shape - by - shading technique — or stereophotoclinometry — which deduces the 3 - D lay of the land from multiple images taken from different angles under a range of lighting conditions.

While the amount of light reflected at each of these interfaces is small, by combining many layers with the same properties, most of the light can be reflected away — except for that coming in at precisely the right angle and polarization.

Airbus, the European aircraft manufacturer, suggests that by midcentury aircraft skin could alternate between transparent and opaque, somewhat like today's light - sensitive eyeglasses, giving passengers a wide - angle view of the clouds.

A LIGO technician tests one of the observatory's mirror systems by shining light on its surface at an angle.

The group of Majed Chergui at EPFL, along with national and international colleagues, have shed light on this long - standing question by using a combination of cutting - edge experimental methods: steady - state angle - resolved photoemission spectroscopy (ARPES), which maps the energetics of the electrons along the different axis in the solid; spectroscopic ellipsometry, which determines the optical properties of the solid with high accuracy; and ultrafast two - dimensional deep - ultraviolet spectroscopy, used for the first time in the study of materials, along with state - of - the - art first - principles theoretical tools.

The first, instead of sending different colors in different directions like a conventional grating, deflects three wavelengths of light by exactly the same angle.

When the physicists chose to record the laser light emerging from one of the gates, then the light traversing that route, alone, ended up with deflection angles amplified by a factor of more than 100 in the intermediate measurement step.

The researchers control the nanolithography by altering the size of the nanosphere, the duration of light exposures, and the angle, wavelength and polarization of light.

With the technology that has historically been used to produce glasses - free 3 - D images — known as a parallax barrier — simultaneously projecting eight different viewing angles would mean allotting each angle one - eighth of the light emitted by the projector, which would make for a dim movie.

«For photovoltaics, an array of lenses placed atop a solar cell can serve as a light collector to enhance the efficiency of the photovoltaic system by making it less sensitive to the inclination angle of the solar light with respect to the cell surface.»

«The light elements that makes up these «molecular tadpoles» are easily located by neutrons» says Dr Isabelle Grillo, at the ILL. «Moreover, small angle neutron scattering which we use at the ILL allows to characterise the self - assembled systems from the nanometre scale to tenth of micrometres and is perfectly adapted to observe the coming together of the C60 footballs» into these beautiful core structures.»

The resulting set of light angles and intensities then has to be encoded into the patterns displayed by the modulators.

It could be that the prey are better lit from that angle or perhaps their view of the shark is obscured by the glaring sun.

This is because rays of light reflected from the target at angles too wide to be intersected by normal lenses are bent into a detector by the scattering lens (see diagram).

The lookdown's «polaro - cryptic» mirror skin functions by selectively reducing the degree of polarization and transforming the angle of polarization of the reflected light depending on the conditions.

This phenomenon of gravitational microlensing — «micro» because the angle by which the light is deflected is small — is the effect for which scientists will be looking during the next three months.

â $ ˜Never have seen anything like this.â $ ™ Excellent cinematography by Janusz Kaminski; mastery of light and shadow, chiaroscuro, of the composition of cinematographic space, interiors and exteriors, of angles, particularly, the diagonals that give movement, depth and the impression of a larger space.

The plot here is entirely predictable but as with Ozu's family dramas the real meat is in the film's visual aesthetic and cultural context, at once captured most intensely during a scene where Teresa witnesses a financial crisis - related suicide with all the suddenness of an Alfonso Cuaron action sequence and Chen captures her jaded shock by shooting her from low angles through light - heavy filters.

At 88, Plummer looks about as handsome as a man his age can be, with cheekbones that take the light beautifully, his white hair swept back and set off by a beard that's still, from certain angles, sort of sexy.

He takes the opportunity to give the scene a psychological angle by subtly obscuring his actors (Natalie Wood and Richard Beymer) and lighting them in red and blue, the colours of comfort and conflict.

The kit was jointly developed with the automotive lighting division of Magneti Marelli, and includes magnetic underbody rock lights, 7 - inch LED projector bi-function headlamps, A-pillar-mounted high - powered LED spot lights, upper bumper LED auxiliary lighting, cornering fog lamps controlled by steering angle, low - profile integrated overhead LED auxiliary spot lights protected through the windshield, and unique LED taillamps to make this Wrangler - based concept look futuristic from any angle.

It is distinguished by a unique Gold Rush Green color - shifting paint scheme that changes between hues of green and gold when viewed from different angles and in different light.

With its steeply angled A-pillars, low belt line and emphatic glass house the new cee'd has something of a coupé - like profile, while the front is dominated by the latest interpretation of the Kia «tiger - nose» grille flanked by wrap - around lamp clusters housing signature LED daytime running lights on the majority of models.

These are switched on automatically: depending on the steering angle, yaw rate and vehicle speed, the active light function pivots the headlamps sideways by up to 15 degrees almost instantaneously, thereby greatly enhancing illumination of the road.

All wooden elements were «Riva 1920» manufactured by the Italian wood experts from a single piece of Kauri wood that shimmers depending on the viewing angle and light gold to red to brown.

Stunning from every angle, the sleek silhouette of our QX60 is enhanced by 18 - inch wheels, automatic bi-xenon headlights, fog lights, and LED taillights.The cabin has been meticulously designed with upscale elements and thoughtful touches to pamper you such as rich wood, heated leather seats, a sunroof, and metal accents.

Xenon Adaptive Headlamps These are auto - leveled and steered in response to steering angle, vehicle speed and turning rate to light more of the road through curves and dips, and all four are encircled by luminous rings that serve as parking and (if desired) daytime running lights.

The all - new Focus lighting technologies including Adaptive Front Lighting System that adjusts the headlight beam angle and intensity to match the driving environment, and Glare - free high beam that removes the guilt of accidentally dazzling other drivers and helps users see more of the road ahead at night, are supported by advanced full - LED headlamps that use an innovative adjustable drum configuration for greater flexibility and softer, less distracting tranlighting technologies including Adaptive Front Lighting System that adjusts the headlight beam angle and intensity to match the driving environment, and Glare - free high beam that removes the guilt of accidentally dazzling other drivers and helps users see more of the road ahead at night, are supported by advanced full - LED headlamps that use an innovative adjustable drum configuration for greater flexibility and softer, less distracting tranLighting System that adjusts the headlight beam angle and intensity to match the driving environment, and Glare - free high beam that removes the guilt of accidentally dazzling other drivers and helps users see more of the road ahead at night, are supported by advanced full - LED headlamps that use an innovative adjustable drum configuration for greater flexibility and softer, less distracting transitions.

Seller additionally give hybrid (3xAAA or USB cable) external led lamp with two level of brightness and proper angle of covering space by light.

THE STAR THAT BURNS BRIGHTEST BURNS OUT FASTER THAN THE STAR THAT EMITS A COOLER, DARKER LIGHT We measure the health of a rally or weakness of a selloff by the angle of its rise or fall.

Avalon Hotel - Gothenburg, Sweden (June 2007) The Avalon is a destination in itself, with a lodge - like feel produced by jutting angles, a mix of low and high ceilings and abundant use of light wood.

At the heart of The Layar's two - bedroom villas is the two - tiered, light - flooded living area, individually defined by angled roofs and curved walls.

Even krotos» face would need similar lighting and angles to tell the real depth of any changes, and being so well versed in cgi like you are, you know that such direct comparisons are often hard when the content has dynamic lighting and no way to watch the two exact scenes side by side.

Such a formulaic approach to horror does not work well, and when combined with the fact that the player is never literally left in the dark (due to the unlimited lantern light), much of the horror brought by the game's spooky atmosphere is dissolved with a quick changing of camera angles.

By 1979, Soulages had shifted his emphasis by moving away from former juxtapositions toward a more formally ordered surface, yet still latent with energy through his ability to discover light emanating from various angles, reminiscent in some way to the play of light on dark found in an extraordinary brick loggia designed by Josef Albers on the campus of Rochester Institute of Technology (destroyed 2001By 1979, Soulages had shifted his emphasis by moving away from former juxtapositions toward a more formally ordered surface, yet still latent with energy through his ability to discover light emanating from various angles, reminiscent in some way to the play of light on dark found in an extraordinary brick loggia designed by Josef Albers on the campus of Rochester Institute of Technology (destroyed 2001by moving away from former juxtapositions toward a more formally ordered surface, yet still latent with energy through his ability to discover light emanating from various angles, reminiscent in some way to the play of light on dark found in an extraordinary brick loggia designed by Josef Albers on the campus of Rochester Institute of Technology (destroyed 2001by Josef Albers on the campus of Rochester Institute of Technology (destroyed 2001).

He heightens the transformative process of photography by shooting at specific hours; light coming in at particular angles highlights and intensifies certain objects and details.

The quality of light and the distinctive viewing angle often taken by Malicoat give the artwork a moody, almost surreal quality, while at the same time creating a sense of timeless memory.»

The video, frantic in pace, with rapidly changing camera angles, is amusing but nothing to write home about, and dangerously plays into the platitude that such frenetic camerawork somehow sheds light upon our goldfishlike attention spans, supposedly fractured by the new omnipresence of advanced technology.

Her work confirms a major sensibility, a preternatural gift for draftsmanship, a discerning eye for composition, and a genius for the architectonic arrangement of lines, angles, planes, circles, and negative and positive space, all enhanced by potent shadings of color and light.

On the top floor, illuminated by filtered light from sloping skylights angled in the manner of classic artists» studios, director Patrick Charpenel had installed a disorienting mini Fred Sandback show within a larger display from the permanent collection.

Using dramatic lighting influenced by her involvement in the theater, she paints with strong yellows and warms hues, which she combines with distorted and oddly angled images to create visions of eerie suspense, as in a depiction of a prone figure, whose face is unrevealed.

The dual lifelike and lifelessness of her sculptural models and disconcerting odd - angled lighting (more precisely, Roberta Smith notes that the paintings «seem lighted by a monitor's glow») make a room full of her work feel haunting.

Pale walls, subtle gray leather sofas and bleached hardwood floors are lit by torrents of light falling from high - angled windows.

Produced by folding and processing light - sensitive photographic paper, the works develop patterns of angles, creases and folds.

Within the 1951 White Paintings series, the artist proposed that his seemingly static white paintings were actually dynamically altered by ambient components − shadows, natural and artificial lighting, dust particles and angles of view — in fact changing the work itself.

By attaching angled cubes to create a repetitive pattern on a flat surface, the artist explores the natural, yet visually illusive, kinetic interplay of light and shadow.