Sentences with phrase «by application of paint»

Elrod's work exists in a dichotomy of being deliberately clean of idiosyncrasies created by application of paint by hand, while also eliciting an expressiveness that belies its technological roots.
By the application of paint on canvas, the observer can enjoy both the visual aesthetic while contemplating the mystical at the same time.

Not exact matches

Its rigid compositional attempt to define a rational space is undermined by the floating figures and particularly by the raw application of paint, which sits on the surface of the canvas and reminds us of its autonomous nature as scraped pigment.
The findings may have implications in a variety of applications, he says, such as painting, producing synthetic fibers, and performing mass spectrometry, to name a few that depend on the precise control of tiny droplets of liquid augmented by electric fields.
Many of them are created by the screen print dyeing technique, which allows the application of a thicker layer of paint on a fabric.
My guess is that if you do use FolkArt ® Home Decor ™ Chalk by Plaid for painting your jars, you will be mesmerized by the depth of color, the ease of application, and the rapid drying power of this paint.
The only externally apparent features that differentiate it from the Kia Optima are the hybrid badging, application specific wheel design, a lowered ride height by approximately 1 in (25 mm), and the availability of a special light platinum graphite paint color.
The latter color is the result of a new paint application process developed by INFINITI which employs a combination of coating machinery and manual techniques to achieve the deep, lustrous finish.
Due to the application of several layers of paint followed by high - gloss polishing, they boast a sporty and elegant depth effect.
Asked to comment on his last exhibition, he explained: «By playing on the border between clarity and suggestion, my work prioritises the intuitive application of paint and aims to describe the viscosity of light and fragility of form.»
You could not have known the truly vanguard applications of tools by Akili Ron Anderson in the creation of his works, and for which each of the five «small paintings» he created are tour de force works of art.
I should also note that he was the first of the New York School to make a mural - size painting (it measures 7.5 × 10 feet), and that his personal style owes nothing to the athletic gesture that is often identified with certain works by Pollock, de Kooning and Kline, or the subtle applications of the hard - edge geometry of Reinhardt, or the fields of suffused and unbroken color in Rothko and Newman.
Rachel Macarthur's four oil paintings on paper are informal, gestural, arriving - at - form in the process of paint application, and there is gesture and painterly dialogue in the three wonderful paintings by Karl Bielik.
In that sense, it is not dissimilar in application to some of Helen Frankenthaler's paintings or the late pictures of Willem de Kooning, the light touch in the Kiata painting also reminds me of those exquisite surfaces created by Ken Whisson.
untitled, 1958, culminates this style, influenced no doubt by Mitchell's sojourns in France, and displays the highly gestural application of paint and brilliant gem - colored hues for which she is now acclaimed.
The body - proportioned canvases are animated and energized by the viewer — Grotjahn's airy and atmospheric surfaces motivate observers to move their bodies in space from side to side, as well as bending, stooping and stretching, in order to see the play of light on his thick application of paint.
In some works the thick application of paint seems to tantalizingly obscure, while in other works, Katy's removal of the painterly gesture, with rags dipped in varnish or even by sanding, further complicates and deepens our reading of the expression.
Paysage de mer, painted by Courbet in Normandy in 1869, with its vigorous application of paint and urgent, thickened brushstrokes is in ideal symbiosis with the depopulated sea and turbulent cloudscape he powerfully evokes.
Like a body encoded by textiles, a room can (momentarily) elide its physical reality through the application of provisional systems: a voile curtain over barred windows: bright acrylic paint applied to hard stone; an A4 drawing of flowers, tacked up with masking tape onto breeze block.
Informed and inspired by nature, his paintings explore pattern ranging from the scales of fish to the flight patterns of birds, as well as derivations of pattern from nature into common, everyday applications such as wallpaper and fabric designs.
The resulting paintings, often distinguished by an arc shape that imbues them with a sense of movement, are also distinct for their attention to surface texture and experimental application of color as in Harmonica YP (1972), a highlight of BAMPFA's collection.
That «threshold of appearance» marks a particular transitional awareness that is formally made evident by the opaque use of a singular soft lovat green paint application, something that adds to the sense of veiled transparency and in certain aspects also reinforces the interstitial space that often exists in Serebriakova's art between drawing and painting.
Resisting the turn to traditional conventions of painting and sculpture that characterized the 1980s, he began his series of Plate Paintings, representational works with sculptural surfaces produced by layering shards of found pottery with thick applications of pigment.
(Deemed the gold standard for vetting classical and modern art, deep knowledge of the artist's process — brushstroke, paint application, layering, rubbing, washing and so forth — were further supported by the new tools of x-ray fluorescence, infrared spectroscopy and x-radiography to more precisely date paints, paper and canvas and assess structural integrity.
By the 1960s, he'd begun to experiment with different paint applications to enliven backgrounds and regain something of his former touch, and imposed an increased variety of shapes upon those surfaces.
In Li Trincere's trapezoidal and cruciate paintings, the simple forms are enhanced by the rich and glossy surfaces achieved by the application of multiple coats of acrylic or sparkly enamel paint; meanwhile Matthew Deleget's humorously nihilistic single - color paintings are nearly destroyed by hammering out the centers, leaving an irregular maw of colored shards and the wall surface behind the remains.
His analysis of paint pigment and its application has led him to analyse seven paintings by Turner to create a new branch of his ongoing colour experiments — the Turner Colour Experiments.
By employing variations on color, size, paint application, format, and the stretch of the canvas, Mosset has continued questioning the preconceived notions of what constitutes a painting.
In the 1980s Milroy's paintings featured everyday objects depicted against an off - white ground, compositionally arranged in a grid or random scatter and characterised by a quick gestural application of paint.
On view in his third solo exhibit, Greene's non-traditional applications of paint captivate the senses and create a surface that is informed by the analog and digital way of observing our environment.
No Accidents is an intriguing name for work whose creamy application seems characterized by an excessive amount of paint.
The destruction brought to a work like Speechless (2013)-- the scraped and gouged surfaces punctured by the blanked - out faces of unidentifiable persons — is disturbed more by the buffed gradations and soft, whimsical applications of paint than the frustrated violence brought to bear on the pictures.
Begun while Rauschenberg was taking classes during the 1951 — 52 academic year at Black Mountain College in North Carolina, Untitled [black painting with portal form] features a deep black rectangle — the portal form — surrounded by a loose grid of exposed newspaper and layers of paint that are almost geologic in their application.
The balance and symmetry in Keltie Ferris's paintings invite their viewers to discover underlying grid formations, hidden beneath the layers of color and different styles of application, created by broad brushstrokes and smudged colors.
Carmen Herrera is able to simultaneously create harmony, asymmetry and an endless diversity of movements, rhythms and spatial tensions across her canvases by using nothing more than the most inconspicuous application of paint.
The British artist, Shaun McDowell, has worked to create distinct series of paintings using different materials and applications in each body — acrylic paint applied by hand, oil stick drawn and smudged, oil paint applied wet on dry to build up layers of clear independent marks that form a whole.
Termed Color Field painting by the art critic and champion of American abstract painting, Clement Greenberg, it was defined and differentiated from Abstract Expressionism by an intense approach to color theory and a revolutionary application of paint.
The British artist, Shaun McDowell, has worked to create distinct series of paintings using different materials and applications in each body — acrylic paint applied by hand, oil stick drawn and smudged, oil paint applied wet on dry to build up layers of...
His «spray loop» paintings, produced by using a spray paint gun, were a fascinating embodiment of the reductive abstract tendencies in 1960s American art, and of the interest of the time in innovative applications of new techniques.
This act of layering — quite physical in its presence — is produced by the artist's application of slender intersecting lines of oil paint that form a scrim on the paintings» surface.
Reminiscent of works by Christopher Wool or Cy Twombly, Succo's style incorporates thick application of oil paint bolstered by scratched grids, scribbles and passionate gestures.
The term was coined by writer, curator and Los Angeles Times art critic Jules Langsner, along with Peter Selz, in 1959, to describe the work of painters from California, who, in their reaction to the more painterly or gestural forms of Abstract expressionism, adopted a knowingly impersonal paint application and delineated areas of color with particular sharpness and clarity.
The words in Ligon's neon piece are eclipsed by the application of black paint on the front of the tubes of light.
His works surprisingly multiply the spatial effects of white by ranging broadly in modes of paint application, assorted support and surface materials, and repertoire of hanging devices.
History: of: Application: One, 1978, in Galerie Lelong by Cranbrook Academy of Art alum McArthur Binion (Painting» 73) was one of the six selected.
Informed by the artist's love of Mark Rothko's color fields and the painterly techniques of predecessors such as Barnett Newman, Brice Marden, Agnes Martin, and Georgia O'Keefe, Colen's Mailorder paintings emerge from a laborious process of application and control.
The moody dystopian atmospheres are punctuated by subtle color shifts and a variety of paint applications varying from meticulous rendering to loose, abstract expressionist strokes, describing figures and places like a visual shorthand.
While Remi's art has always been about creating dimension within the depths of a canvas or a wall, his new works have taken that idea in an exciting new direction, by transforming a three dimensional object such as a skull through the application of paint and by extracting complex shapes from the flat canvas into sculptural forms.
But we soon find ourselves seduced by paint applications, from bold swipes to thin washes; by rich color, coiling lines, rhythmically stabbed pat - terns, drips and much, much more, all in the service of unpredictable shapes.
Noland achieved this varied application of paint and emphasis on certain colors by using a gel medium, which sits on the surface of the paintings and gives the color a tangible, physical quality.
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