Sentences with phrase «by art auction houses»

Not exact matches

When the bidding opened at Christie's in New York on Nov. 15, Prince Bader participated by telephone and was represented in the room by Alex Rotter, co-chairman of postwar and contemporary art at the auction house.

By JANE SEYMOUR Auction houses regularly make headlines when they sell high art at astronomical prices.

sites selling art online are unencumbered by the physical infrastructure of the traditional gallery or auction house, they can also make their commissions lower and the whole business of buying art much cheaper and more accessible.

According to dealers, auction house experts, and other advisers, the private art market is exponentially larger — fueled by increasing demand from Russia, Asia, the Middle East, and other emerging markets.

By focusing on the small and mid-size media outlets, you can bring lots of attention to your art without competing against the big galleries and auction houses that are sucking up all of the oxygen in the big media companies.

It was generously supported by international auction house Phillips alongside public funding from the National Lottery through Arts Council England.

Gorvy curated The Loaded Brush, mounted by Christie's in November 2016, which was the first selling exhibition of international twentieth century art in Asia by any auction house.

The Royal Academy of Arts is the centre of proceedings — the courtyard hosts a number of temporary works by emerging artists — and more than 60 galleries and auction houses across Mayfair and St James's are taking part.

The festival is supported by international auction house Phillips, and receives public funding from the National Lottery through Arts Council England.

The February auctions in London, held by Christie's, Phillips and Sotheby's, will be closely followed by art insiders and the general public alike: oftentimes auction records are achieved for the top quality works that the auction houses have to compete for.

Edited by Thomas Girst and Magnus Resch (author of the bestselling Management of Art Galleries), this indispensable and fun guide to contemporary art contains exclusive anecdotes, advice and personal stories from artists, museum directors, gallerists, auction house insiders, collectors and many moArt Galleries), this indispensable and fun guide to contemporary art contains exclusive anecdotes, advice and personal stories from artists, museum directors, gallerists, auction house insiders, collectors and many moart contains exclusive anecdotes, advice and personal stories from artists, museum directors, gallerists, auction house insiders, collectors and many more.

She later transitioned into a strategic role in where she worked on the auction house's Evening Sales of Contemporary Art, which included record - breaking prices for works by artists such as Clyfford Still and Gerhard Richter.

In 2011, during the first year of exploding art sales among Mainland Chinese buyers, Zhang Daqian was the third most valuable artist by sales volume at the three major auction houses worldwide.

Art Night is a project by Unlimited Productions supported by international auction house Phillips.

It also offered insight into the collecting impulse of Henry Pearlman, a businessman who became interested in modern art when he saw a painting by Chaim Soutine at an auction house in the mid-1940s.

A «Walk on the Wild Side» history ramble will explore Mayfair's Victorian art history, hosted by Colin Sheaf, the chairman of the local auction house Bonhams.

Growing up in Paris, she was drawn to art early on by her mother, who worked for an auction house, and in her teens she began buying fairly history - sanctioned works like 19th - century watercolors, eventually developing a special affection for Delaunay.

Curated by Charpenel (who also organised the Superflex display) and arrayed inside the museum's top floor, the exhibition features a who's who of important art - market names (Damien Hirst, Carol Bove, Thomas Ruff), alongside a mere handful of bona fide auction - house jewels (Robert Gober's Flying Sink, 1985, Jeff Koons's Three Ball Total Equilibrium Tank, 1985, and Andy Warhol's blue Jackie Smiling, 1964).

As you're likely overwhelmed, we asked art dealers, auction - house officials, and collectors to suggest strategies for picking «entry points» — relatively inexpensive ways to collect pieces by name artists, or by lesser - known artists of good repute (or with a cult following), in various schools and movements of art.

In recognition of the growth in interest, British auction house Bonhams started specialising in contemporary African art in 2007 and saw average prices increase five-fold by 2016 and Sotheby's first - ever Modern and Contemporary Art Sale took place in London in May 2017 and totalled # 2,794,7art in 2007 and saw average prices increase five-fold by 2016 and Sotheby's first - ever Modern and Contemporary Art Sale took place in London in May 2017 and totalled # 2,794,7Art Sale took place in London in May 2017 and totalled # 2,794,750.

For those who think the art market is simply manipulated by the auction houses and galleries, here is a long lasting painter who has the support of three very prominent galleries.

Although she had been interested in modern and tribal art, by the time I started going to school in the mid-1940's she had fallen in love with the Hudson River School of landscape painters of the 19th Century whose paintings were auctioned off for a few dollars, literally, then at the various auction houses where we spent most Saturdays on University Place like Kalisky and Gabay and Lawners, and the nearby Astor over on Broadway.

Swann and other regional auction houses periodically sold works by African American artists in their general sales of post-war, modern and contemporary art.

Girls» Club and Christie's Auction House have teamed up to present the series Opportunity Ascending: Spotlight on Women Artists, to focus on investment and collection opportunities within contemporary art by women.

Recent activity at leading auction houses has often defied talk about a softening art market, as works by Monet and others have sold for millions.

Jeff Koons» Popeye the star lot for the Contemporary Art evening sale at Sotheby's is guaranteed by the auction house itself according to a circle symbol in the catalogue.

The panel, titled «The Future of the Museum: The Rapidly Evolving Roles of Nations, Directors and Collectors,» was hosted by Charlotte Burns, of the art advisory firm Art Agency, Partners (a division of Sotheby's auction house), and included LACMA's director, Michael Govan; Sotheby's Asia CEO Kevin Ching; Doryun Chong, the deputy director and chief curator of the M + museum in Hong Kong; and Allan Schwartzman, the co-founder of Art Agency, Partneart advisory firm Art Agency, Partners (a division of Sotheby's auction house), and included LACMA's director, Michael Govan; Sotheby's Asia CEO Kevin Ching; Doryun Chong, the deputy director and chief curator of the M + museum in Hong Kong; and Allan Schwartzman, the co-founder of Art Agency, PartneArt Agency, Partners (a division of Sotheby's auction house), and included LACMA's director, Michael Govan; Sotheby's Asia CEO Kevin Ching; Doryun Chong, the deputy director and chief curator of the M + museum in Hong Kong; and Allan Schwartzman, the co-founder of Art Agency, PartneArt Agency, Partners.

In 2007, when London - based moviemakers Christopher Thompson and Alper Cagatay made the decision to «acquire» a piece of art by legendary street artist Banksy — whose Space Girl and Bird sold for $ 575,000 at Bonham's auction house in 2007 — and find a buyer for it, neither of them knew exactly what they were getting into.

Jess Fuller Born 1972, Portland, Maine, US Lives and works in Brooklyn, NY Education University of Iowa, Master of Fin e Arts, Painting, Iowa City, US Boston University, Bachelor of Fine Arts, Painting, Boston, US Solo Exhibitions 2017 Canada, New York, US 2015 Fairy Smoke, Herald St, London, UK Planet without a body, Martos Gallery, New York, US 2012 NADA Miami, Martos Gallery, Miami, US Jellie, organized by Mary Grace Wright, Martos Gallery, New York, US 2011 Washed up and bleached out, organized by Jens Peter Brask, Galleri Tom Christoffersen, Copenhagen, DK Group Exhibitions 2016 Fort Greene, curated by Adrianne Rubenstein, Venus, Los Angeles, US Re-Planetizer, curated by The Pit, Regina Rex, New York, US Inside Out, Berthold Pott Gallery, Cologne, DE 8 Femmes, Office Baroque, Brussels, BE 2015 BFA Boatas, Sao Paulo, BZ Call and Response, Gavin Brown?s Enterprise, New York, US I Can?t Wait to GetOff Work, Bannerette, New York, US 2013 The Fruit Loop, Soloway, New York, US Beach Painting Club, Paddle 8 Silent Auction, NY Limits of Desire, 7 Dunham, New York, US A la Carte, Minimal Art, Shoot The Lobster, New York, US 2012 Temperature, curated by Hillary Doyle and Reid Hitt, Projekt722, New York, US Made with Mustard, East Hampton Shed, East Hampton, US Slowed and Throwed, Chinatown Arcade, New York, US Bred and Fed, organized by Mary Grace Wright, Shoot The Lobster, Iowa City, US The Cat Show, Tomato House, Brooklyn, US Dallas Art Fair, Martos Gallery, New York, US New Traditionalists, organized by Mary Grace Wright, Martos Gallery, New York, US 2011 Text / Image, SOUTHFIRST, Brooklyn, US The Idea of the Thing..., organized by Rachel Uffner, Halsey McKay, East Hampton, US BNA: From Brooklyn to Nashville, ZieherSmith pop - up gallery, Nashville, US Tensile Strength, ZieherSmith, New York, US Monochrome, The Journal Gallery, Brooklyn, US Group Expo, The Armory Show, Canada Gallery, New York, US The Balloon, SOUTHFIRST, Brooklyn, US A PERSON OF COLOR: a mostly orange exhibition, organized by Jose Lerma, The Green Gallery, Milwaukee, US 2010 SALAD DAYS, The Journal Gallery, Brooklyn, US Material Issue and Other Matters, organized by Wallace Whitney and Michael Mahalchick, Canada Gallery, New York, US Selected Press 2015 Steer, Emily,?

Contemporary art, a broad category that is defined by auction houses, galleries and collectors in many different ways, can mean anything produced after 1960, or everything since 1980, or sometimes, simply, works made by living artists.

With this exhibition, the curators suggest a narrative that serves as an alternative to the one told by the big auction houses, major art fairs and biennials, and mega-galleries.

(NYT) New Picasso Discovered, Heads to Market - In one of those classic check - your - attic tales, the Evansville Museum of Arts, History and Science found a layered glass mosaic by Picasso (titled Seated Woman With Red Hat) in an old mislabeled shipping crate and is now hoping to sell it at Guernsey's auction house for as much as $ 40 million, which would multiply the museums endowment ninefold.

The decision by a respected institution to stake a claim on an artist almost always produces a copycat effect, as curators at other museums, as well as collectors, art advisers and auction houses, take note.

2003 «Sketches 2» Swan coach house, Atlanta, Ga 2003 «ROAR Goes Postal» Roswell Alliance for the Arts, Roswell, GA 2003 «In Flight Entertainment» Spruill Art Center, Atlanta, GA 2003 «Castleberry Tour» represented by Marcia Wood Gallery, Atlanta, GA 2003 «Tickled Pink» Marcia Wood Gallery, Atlanta, GA 2003 «SGF Project» SGF Building, Atlanta, GA 2001 «Rape Crisis Benefit» Live Auction, Asheville, NC 1998 «Sketches», Eye Drum, Atlanta, GA 1998 «Annual Erotica Show» Atlanta, GA 1997 «Masters Program Exhibition» collaboration with artist Phil Ahnen, Montana State University, Bozeman, MT 1995 Senior show, ACA Gallery, Atlanta, GA 1995 «Bakers Dozen» Old Highland Bakary, Atlanta, Ga 1995 «Juried Sculpture Exibition» University of Georgia, Athens, GA 1995 «Installations» Autry Mill Nature Preserve, Alpharetta, GA 1995 «Central Metals» City Hall, Atlanta, GA 1994 «Form Feed» Old HighLand Bakery, Atlanta, GA 1994 «Decatur Arts Festival» City Hall, Decatur, GA 1993 «19» Old Highland Bakery, Atlanta, GA 1993 «Central Metals» City Hall, Atlanta, GA 1992 «Juried Student Exhibition» Atlanta College of Art, GA 1992 Group Exhibition, Gallery 100, Atlanta, GA 1991 Group Exhibition, New Visions, Atlanta, GA 1990 «National Campaign for the Freedom of Expression» Clear Ring House Gallery, Winston - Salem, NC 1990 Group Exhibition, Sawtooth Center for Contemporary art, Winston - Salem, NC 1990 Two Person Exhibition, Clear Ring House Gallery, Winston - Salehouse, Atlanta, Ga 2003 «ROAR Goes Postal» Roswell Alliance for the Arts, Roswell, GA 2003 «In Flight Entertainment» Spruill Art Center, Atlanta, GA 2003 «Castleberry Tour» represented by Marcia Wood Gallery, Atlanta, GA 2003 «Tickled Pink» Marcia Wood Gallery, Atlanta, GA 2003 «SGF Project» SGF Building, Atlanta, GA 2001 «Rape Crisis Benefit» Live Auction, Asheville, NC 1998 «Sketches», Eye Drum, Atlanta, GA 1998 «Annual Erotica Show» Atlanta, GA 1997 «Masters Program Exhibition» collaboration with artist Phil Ahnen, Montana State University, Bozeman, MT 1995 Senior show, ACA Gallery, Atlanta, GA 1995 «Bakers Dozen» Old Highland Bakary, Atlanta, Ga 1995 «Juried Sculpture Exibition» University of Georgia, Athens, GA 1995 «Installations» Autry Mill Nature Preserve, Alpharetta, GA 1995 «Central Metals» City Hall, Atlanta, GA 1994 «Form Feed» Old HighLand Bakery, Atlanta, GA 1994 «Decatur Arts Festival» City Hall, Decatur, GA 1993 «19» Old Highland Bakery, Atlanta, GA 1993 «Central Metals» City Hall, Atlanta, GA 1992 «Juried Student Exhibition» Atlanta College of Art, GA 1992 Group Exhibition, Gallery 100, Atlanta, GA 1991 Group Exhibition, New Visions, Atlanta, GA 1990 «National Campaign for the Freedom of Expression» Clear Ring House Gallery, Winston - Salem, NC 1990 Group Exhibition, Sawtooth Center for Contemporary art, Winston - Salem, NC 1990 Two Person Exhibition, Clear Ring House Gallery, Winston - Salem,Art Center, Atlanta, GA 2003 «Castleberry Tour» represented by Marcia Wood Gallery, Atlanta, GA 2003 «Tickled Pink» Marcia Wood Gallery, Atlanta, GA 2003 «SGF Project» SGF Building, Atlanta, GA 2001 «Rape Crisis Benefit» Live Auction, Asheville, NC 1998 «Sketches», Eye Drum, Atlanta, GA 1998 «Annual Erotica Show» Atlanta, GA 1997 «Masters Program Exhibition» collaboration with artist Phil Ahnen, Montana State University, Bozeman, MT 1995 Senior show, ACA Gallery, Atlanta, GA 1995 «Bakers Dozen» Old Highland Bakary, Atlanta, Ga 1995 «Juried Sculpture Exibition» University of Georgia, Athens, GA 1995 «Installations» Autry Mill Nature Preserve, Alpharetta, GA 1995 «Central Metals» City Hall, Atlanta, GA 1994 «Form Feed» Old HighLand Bakery, Atlanta, GA 1994 «Decatur Arts Festival» City Hall, Decatur, GA 1993 «19» Old Highland Bakery, Atlanta, GA 1993 «Central Metals» City Hall, Atlanta, GA 1992 «Juried Student Exhibition» Atlanta College of Art, GA 1992 Group Exhibition, Gallery 100, Atlanta, GA 1991 Group Exhibition, New Visions, Atlanta, GA 1990 «National Campaign for the Freedom of Expression» Clear Ring House Gallery, Winston - Salem, NC 1990 Group Exhibition, Sawtooth Center for Contemporary art, Winston - Salem, NC 1990 Two Person Exhibition, Clear Ring House Gallery, Winston - Salem,Art, GA 1992 Group Exhibition, Gallery 100, Atlanta, GA 1991 Group Exhibition, New Visions, Atlanta, GA 1990 «National Campaign for the Freedom of Expression» Clear Ring House Gallery, Winston - Salem, NC 1990 Group Exhibition, Sawtooth Center for Contemporary art, Winston - Salem, NC 1990 Two Person Exhibition, Clear Ring House Gallery, Winston - SaleHouse Gallery, Winston - Salem, NC 1990 Group Exhibition, Sawtooth Center for Contemporary art, Winston - Salem, NC 1990 Two Person Exhibition, Clear Ring House Gallery, Winston - Salem,art, Winston - Salem, NC 1990 Two Person Exhibition, Clear Ring House Gallery, Winston - SaleHouse Gallery, Winston - Salem, NC

Artwork sold at benefit auction for L'Aquila's earthquake victims 2013: NOoSPHERE Arts Gallery, New York + artist book presentation 2012: Francesco Fabbri Prize for contemporary arts, Francesco Fabbri Foundation, Pieve di Soligo 2012: «Senza Titolo», curated by Luca Panaro, Marche Centro D'Arte, S. Benedetto del Tronto 2012: «A House Is Not A Home,» Spazio Gerra, Reggio Emilia (as Vênus et Milö) 2012: «Open Art Defender,» Arte Fiera Art First, Bologna 2011: «Zootropio,» a project by Vênus et Milö, Bologna 2011: «Kokoro,» benefit Japan exhibition and sale, Camera16 Arte Contemporanea Gallery, Milan 2011: Fotografia Europea, Amarillo Art Gallery, Reggio Emilia 2010: Special Mention, Lens Based Art Show, Osservatorio Gualino, Turin 2010: «The Exhibition Lab,» Foley Gallery and Sasha Wolf Gallery, New York City 2010: Festival International de l'Image Environnementale (FIIE), La Villette, Paris 2010: «Fools Rush In,» promoted by APA NY and Win - Initiative, BathHouse Studios, New York City 2009: «Dimensione massima 10 × 12,» curated by 3/3 and cameraoscura, FotoGrafia Festival, Rome 2009: «Viaggi Sentimentali,» SpazioFarini6 Gallery, part of Photofestival, Milan 2008: «Out of Berlin... Pass the Picture,» curated by Alex Moh in collaboration with Goethe Institut Malaysia, Annexe Gallery, Kuala Lumpur 2008: «A New Outlook On The World,» curated by Julian Cox and Jane Jackson, Shepherd Center, Atlanta Arts Gallery, New York + artist book presentation 2012: Francesco Fabbri Prize for contemporary arts, Francesco Fabbri Foundation, Pieve di Soligo 2012: «Senza Titolo», curated by Luca Panaro, Marche Centro D'Arte, S. Benedetto del Tronto 2012: «A House Is Not A Home,» Spazio Gerra, Reggio Emilia (as Vênus et Milö) 2012: «Open Art Defender,» Arte Fiera Art First, Bologna 2011: «Zootropio,» a project by Vênus et Milö, Bologna 2011: «Kokoro,» benefit Japan exhibition and sale, Camera16 Arte Contemporanea Gallery, Milan 2011: Fotografia Europea, Amarillo Art Gallery, Reggio Emilia 2010: Special Mention, Lens Based Art Show, Osservatorio Gualino, Turin 2010: «The Exhibition Lab,» Foley Gallery and Sasha Wolf Gallery, New York City 2010: Festival International de l'Image Environnementale (FIIE), La Villette, Paris 2010: «Fools Rush In,» promoted by APA NY and Win - Initiative, BathHouse Studios, New York City 2009: «Dimensione massima 10 × 12,» curated by 3/3 and cameraoscura, FotoGrafia Festival, Rome 2009: «Viaggi Sentimentali,» SpazioFarini6 Gallery, part of Photofestival, Milan 2008: «Out of Berlin... Pass the Picture,» curated by Alex Moh in collaboration with Goethe Institut Malaysia, Annexe Gallery, Kuala Lumpur 2008: «A New Outlook On The World,» curated by Julian Cox and Jane Jackson, Shepherd Center, Atlanta arts, Francesco Fabbri Foundation, Pieve di Soligo 2012: «Senza Titolo», curated by Luca Panaro, Marche Centro D'Arte, S. Benedetto del Tronto 2012: «A House Is Not A Home,» Spazio Gerra, Reggio Emilia (as Vênus et Milö) 2012: «Open Art Defender,» Arte Fiera Art First, Bologna 2011: «Zootropio,» a project by Vênus et Milö, Bologna 2011: «Kokoro,» benefit Japan exhibition and sale, Camera16 Arte Contemporanea Gallery, Milan 2011: Fotografia Europea, Amarillo Art Gallery, Reggio Emilia 2010: Special Mention, Lens Based Art Show, Osservatorio Gualino, Turin 2010: «The Exhibition Lab,» Foley Gallery and Sasha Wolf Gallery, New York City 2010: Festival International de l'Image Environnementale (FIIE), La Villette, Paris 2010: «Fools Rush In,» promoted by APA NY and Win - Initiative, BathHouse Studios, New York City 2009: «Dimensione massima 10 × 12,» curated by 3/3 and cameraoscura, FotoGrafia Festival, Rome 2009: «Viaggi Sentimentali,» SpazioFarini6 Gallery, part of Photofestival, Milan 2008: «Out of Berlin... Pass the Picture,» curated by Alex Moh in collaboration with Goethe Institut Malaysia, Annexe Gallery, Kuala Lumpur 2008: «A New Outlook On The World,» curated by Julian Cox and Jane Jackson, Shepherd Center, Atlanta (GA)

The Beaux - Arts carriage house, at 138 East 13th Street, was built in 1903 by architecture firm Jardine, Kent, and Jardine and formerly housed the Van Tassel & Kearney Auction Mart, a top seller of horses and horse - drawn carriages, according to the Real Deal.

2011 Postcards from the Edge, CRG Gallery, New York, US Litos Grafere, Danish Art Center Silkeborg Bad, Silkeborg, DE; Museum of Stavanger, NO Freeriding, East / West Galleries, Woman's University, Denton, Texas, US Sculpture in So Many Words: Text Pieces 1960 - 75, Ziehersmith, New York, US Intrusions, Galerie Michèle Chomette, Paris, FR Compagni Di Viaggio - Traveling Companions, Mestna Galerija Ljubliana, SI L'Insoutenable Légéreté de L'Être, Yvon Lambert, VIP Art Fair, Online Art Fair, New York, US Box is a Box is a Box, Librairie Florence Loewy, Paris, FR Drawn / Taped / Burned Abstraction on Paper, Kotonah Museum of Art, Kotonah, New York, US As Long as it Lasts, Galerie Sonja Junkers, Munich, DE Works from the Pentti Kouri Collection, Tracy Williams Ltd, New York, US Picasso: Guitars 1912 - 1914, Museum of Modern Art (MoMA), New York, US Berlin International Film Festival, various theaters around Potsdamer Platz, Berlin, DE Observadores - Revelaҫões, Trânsitos e Distâncias, Museu Colecção Berardo, Lisbon, PT Market Art Fair, The Royal Swedish Academy of Fine Arts, Stockholm, SE Feuille à Feuille, Musée de Vence, FR TextVideo / Female: Art after 60's, PKM Gallery, Seoul, KR Topography / Topography, Brooke Alexander Editions, New York, US Bidoun Project, Mercer Street, New York, US Temporary Stedelijk 2 - Making Histories: Changing Views of the Collection, The Temporary Stedelijk at the Stedelijk Museum, Amsterdam, NL Push Pull, Rijksmuseum, Amsterdam, NL Bild / Objekt: Neuere Amerikanische Kunst aus der Sammlung, Kunstmuseum Winterthur, Winterthur, CH Tod's Art Plus Drama Party 2011, Whitechapel Gallery, London, UK Shelf Ramp Wedge Bridge, Fitzroy Gallery, New York, US CLAP, Hessel Museum of Art, Annandale - on - Hudson, New York, US 100 Briques Pour Madagascar Œuvres Contemporaines, Hotel Marcel Dassault, Paris, FR Bomb 30th Anniversary Gala and Silent Auction, Capitale, New York, US Benefit Auction from the Icelandic Wetlands, The Culture House, Reykjavik, IS Locations, Paula Cooper Gallery, New York, US As Long as it Lasts, Arratia, Beer Gallery, Berlin, DE After Hours: Murals on the Bowery, Festival of Ideas for a New City, New Museum and Art Production Fund, New York, US A Place to Which We Can Come, St. Cecilia Convent, Brooklyn, New York, US The End of Money, Witte de With, Rotterdam, NL Designing the Whitney of the Future, Hurst Gallery, Whitney Museum of American Art, New York, US Hong Kong International Art Fair, Hong Kong Convention and Exhibition Center, Hong Kong, CN Made in Italy, Gagosian Gallery, Rome, IT Jeff Wall The Crooked Path, Center for Fine Arts, Brussels, BE Through the Warp, Regina Rex, Ridgewood, New York, US Interloqui, National Glass Center, The University of Sunderland, Sunderland, UK Personal Structures, Palazzo Bembo, Venice, IT Arte in Movimento, La Galleria, Venice, IT Middle Age, Leo Castelli Gallery, New York, US Brooke Alexander Editions, Helga Maria Klosterfelde Edition, Berlin, DE Void if Removed: Concrete Erudition 4, Le Plateau - Fonds Régional d'art Contemporaind «Ile - de-France, Paris, FR As Far as the Eye Can See, The Field Sculpture Park, Omi International Art Center, Ghent, New York, US 20 Jahre Gegenwart, Museum für Moderne Kunst (MMK), Frankfurt am Main, DE Anarchism Without Adjectives: On the Work of Christopher D'Arcangelo, 1975 - 1979, Centre d'Art Contemporain de Brétigny, Brétigny, FR Play Time, Lieu D'art Contemporain, Sigean, FR Plot: Plan: Process Works on Paper from the 1960's to Now, Leslie Tonkonow, New York, US Distant Star / Estrella Distante, Regen Projects, Los Angeles, US 15 Minutes Homage to Andy Warhol, Pollock - Krasner House and Study Center, East Hampton, New York, US Seoul International New Media Festival, various cinemas in Seoul, KR Art = Text = Art: Works by Contemporary Artists, Joel and Lila Harnett Museum of Art, University of Richmond Museums, Henrico, US Melanchotopia, Witte de With, Rotterdam, NL Belvedere.

They identified art fairs as a key weapon to compete on the field of event - driven buying started by auction houses.

In Hong Kong, where just one major art museum is in operation, private art galleries and auction houses play an important role in art education by presenting museum - quality works.

For this show, she photographed art by Richter, Lichtenstein, Ryman, Serra, Martin, and Flavin as it sat at auction houses.

Tellingly, at a time when the totals at evening sales of contemporary art are becoming ever - more bloated by financial guarantees — Christie's evening sale of May 13 took in $ 744.9 million, the highest total in art - auction history — Mr. Dolman was wary of Phillips entering an arms race to secure the most valuable eight - figure auction lots, which can yield auction houses little in the way of profit.

In 2015, auction house Christie's broke records by selling $ 1 billion worth of art in the space of a week.

At the auction house's last big contemporary art sale in October, work by German artists accounted for more than 43 % — nearly # 21m — of the sale total.

For years, contemporary art sales at the world's leading auction houses were dominated by the works of American and British artists.

It began as the term «Urban Market» used by the advertising industry to define members of the Hip Hop buying public, and now has been retrofit by the auction houses for use in their large generalized auctions that began to appear during the Street Art boom of the last decade.

Although the economic slowdown has had the greatest impact on auction houses, the closing arguments on the stability of the art market in Asia will certainly be presented by Art Basel Hong Kong 2016 and its 239 participating galleriart market in Asia will certainly be presented by Art Basel Hong Kong 2016 and its 239 participating galleriArt Basel Hong Kong 2016 and its 239 participating galleries.

«In the Sun» by American impressionist painter Childe Hassam will be sold at Sotheby's on May 17 as part of its American Art sale for an estimated $ 1.5 million to $ 2.5 million, the auction house said Thursday.

The live auction will be conducted by Hugh Edmeades of Christie's, the world's largest art business and fine arts auction house.

«The system today — put in place by galleries, auction houses, and art critiques — has nothing to do with talent, development of skill, or maturation of the art world,» said Cenedella, a teacher at the Art Students League of New York known for satirical works that have included a painting of Santa Claus on a crucifart critiques — has nothing to do with talent, development of skill, or maturation of the art world,» said Cenedella, a teacher at the Art Students League of New York known for satirical works that have included a painting of Santa Claus on a crucifart world,» said Cenedella, a teacher at the Art Students League of New York known for satirical works that have included a painting of Santa Claus on a crucifArt Students League of New York known for satirical works that have included a painting of Santa Claus on a crucifix.

, Futura, Praga 2015 Contemporary Art Museum St. Louis Benefit Auction 2015 «Interregnum», Rob Tufnell, Londra 2015 «Under a Thawing Lake», Città del Messico 2015 Paramount Ranch, Los Angeles, CA 2015 Hollywood Hills House, Los Angeles, CA 2014 «Corruption Feeds» curated show by Will Benedict, Bergen Kunsthall, Bergen 2014 «Increasingly Skeptical Bodies Begin to Come Forward», Welcome Screen, Londra 2014 «The Office», curated by Pierre - Alexandre Mateos & Charles Teyssou, ACL Partners, Parigi 2014 «RRBGGGRWW (polysemes)», Grand Century, New York City, NY 2014 «Puppies Puppies ft. Martin Creed», Important Projects, Oakland, 2014 Bed - stuy Love Affair Benefit Auction, Brooklyn, NY 2014 «Lena Youkhana + Puppies Puppies», PeregrineProgram, Chicago, IL 2014 «Are You Thinking About Atlantis?»