Sentences with phrase «by art historian james»

Such an observation was elaborated on nearly ten years later by the art historian James Meyer in his nuanced 1993 exhibition What Happened to the Institutional Critique?.

On the occasion of the exhibition, the gallery will publish a catalogue in collaboration with Steidl, Göttingen, which will feature new scholarship on the artist by art historian James Lawrence.

Her first retrospective exhibit was in 1966 at the gallery of Art at Howard University, curated by art historian James A. Porter.

Her first retrospective exhibit was in 1966 at the Gallery of Art at Howard University, curated by art historian James A. Porter.

Not exact matches

On the other hand, the treasure hunters are portrayed by an all - star international cast: married art expert James Granger (Matt Damon), the youngest of the lot, architect Richard Campbell (Bill Murray), sculptor Walter Garfield (John Goodman), French art dealer Jean Claude Clermont (Jean Dujardin), art historian Preston Savitz (Bob Balaban) and alcoholic British art expert Donald Jeffries (Hugh Bonneville).

Greco Deco is a term coined by Washington, DC based art historian James M. Goode to describe a style of art and architecture popularized in the late 1920s and 1930s.

It is accompanied by a fully illustrated catalogue with an essay by James Lawrence, a critic and historian specializing in postwar and contemporary art.

Written by legendary performance art historian RoseLee Goldberg, Performa 11 is the definitive document of the Performa 11 biennial, and features documentation by the 150 artists who took part, including Robert Ashley, Tarek Atoui, Gerard Byrne, Simon Fujiwara, Guy Maddin, Liz Magic Laser, Athi - Patra Ruga, Laurel Nakadate and James Franco, Shirin Neshat and Frances Stark.

Count among these offerings Joseph Grigley's «The Gregory Battcock Archive» (2009 - 14) a selection of personal ephemera from the late art historian and critic; Julie Ault's selection of works by the late - artist Martin Wong and her screening of filmmaker James Benning's Easy Rider (1969); and the late Tony Greene's paintings curated by Catherine Opie and Richard Hawkins.

Manchanda's engaging volume examines key works from the past fifty years and includes short texts by artists, curators, and art historians, including Josephine Meckseper, James Voorhies, Richard Meyer, and Hal Foster.

At BAFTA Qualifying Aesthetica Short Film Festival: ASFF, we welcome Turner Prize nominee Isaac Julien for a special Q&A hosted by Art Historian Dr James Boaden on Friday 7 November.

One had to feel a little sorry for him in the reckoning: One of his paintings, through no doings of his own, breaks auction records for a work by a living European artist, and he gets pitted against no less a luminary than Giovanni Battista Tiepolo as quintessential of what art historian James Meyer called the market's «overestimation of the contemporary.»

Curated by renowned art historian John Wilmerding, the Pop art survey will include over 75 important works by Robert Arneson, Vija Celmins, Jim Dine, Robert Indiana, Jasper Johns, Alex Katz, Edward Kienholz, Jeff Koons, Roy Lichtenstein, Marisol, Claes Oldenburg, Ed Ruscha, Robert Rauschenberg, Larry Rivers, James Rosenquist, George Segal, Marjorie Strider, Wayne Thiebaud, Andy Warhol, John Wesley, Tom Wesselmann, and H.C. Westermann.

James Cuno, president of the J. Paul Getty Trust and an evangelist for the use of technology by art historians, assessed «Recognition» as a «well - meaning and an interesting experiment.

Publications include Nihilistic Optimistic, published by Blain Southern London on the occasion of the inaugural exhibition at Hanover Square of the same title October 2012 with an interview by Hans Ulrich Obrist, an essay by Jon Savage and foreword by Gustav Metzger; Turning the Seventh Corner, published by Blain Southern, London, 2011, with texts by David Adjaye and James Putnam which comprehensively documents the conception and realisation of the artists» exhibition at Blain Southern, Berlin, 2011; British Rubbish, an updated survey of the artists» work from 1996 to 2010 with an essay by Jeffrey Deitch, and new texts by Michael Bracewell and Nick Cave, published October 2011 by Rizzoli, New York; Polymorphous Perverse, a documentation of works exhibited at the Freud Museum, London, providing a fascinating insight into Freud's theories and how they relate to art practice with critical essays from the distinguished American art historian Linda Nochlin and James Putnam, published by Other Criteria, London, 2008; and Wasted Youth, a survey of the artists» work from 1996 to 2006 with essays by Jeffrey Deitch and Sir Norman Rosenthal, published by Rizzoli, New York in 2006.

Inspired by midcentury photobooks and magazines, as well as the materials in the artist's own archive, 50 Photographs features a tipped - in sleeve with fictitious contact sheets, a checklist and an essay by art historian and curator James Oles on photographic prints and archives, in which he recounts the story behind this publication.

A catalogue, with essays by Jon Thompson, Angel Gonzales, critic, James Elkins, art historian, and Roger Cardinal, author and authority on Outsider Art, accompanies the exhibitiart historian, and Roger Cardinal, author and authority on Outsider Art, accompanies the exhibitiArt, accompanies the exhibition.

In addition to contributions by the directors of the Museum Ludwig and ARoS — Yilmaz Dziewior and Erlend G. Høyersten — the authors include Tom Holert, distinguished German art historian, taking an in - depth look at Rosenquist's unique spatiality; Stephan Diederich, curator and specialist at Museum Ludwig, giving a review of the themes in the exhibition; Sarah Bancroft, art historian, curator, and Rosenquist expert who co-curated the 2003 Guggenheim Museum Rosenquist retrospective (and current head of the Rosenquist Foundation and the studio) illuminates Rosenquist's seminal source collages; Tino Grass, German designer and researcher, revealing new perspectives on Rosenquist's historic work F - 111; Isabel Gebhardt, Museum Ludwig conservator, outlining the intensive research efforts and conservation work recently undertaken on Horse Blinders; and Tim Griffin, former editor - in - chief of the esteemed American art journal Artforum, discussing the political potential of Pop art as exemplified by a work James Rosenquist created for one of the magazine's issues.

Facing Two Directions: A Japanese Painter Looks to China: A small exhibition built around a pair of six-fold screens by Sakaki Hyakusen, gifts of distinguished UC Berkeley art historian emeritus James Cahill.

The James Cohan Gallery is publishing a full - color catalogue «Constellations» to accompany the exhibition, with essays by art historians Karen Lang and Pepe Karmel.

It includes a joint introduction by Enrique Juncosa, José Conrado de Villalonga and Iwona Blazwick, directors of the organising institutions, as well as essays by Professor Roger Cardinal, art historians James Elkins and Ángel González Garcia and Jon Thompson (price $ 29.95).

In this thought - provoking conversation, hosted by the Leadership Advisory Committee, contemporary artist Kerry James Marshall and art historian Kymberly Pinder discussed how artists have shaped the public reception of African American art history through their writings and other activist gestures.

Pousette - Dart's work has been discussed and reappraised by art historians and artists, among them Alex Bacon, Britta Buhlmann, Charles H. Duncan, Robert Hobbs, Sam Hunter, Hilton Kramer, Donald Kuspit, James K. Monte, Stephen Polcari, Joanna Pousette - Dart, Carter Ratcliff, Barbara Rose, Lowery Stokes Sims, Roberta Smith, Robert Storr and Christopher Wool.

The gallery has published more than one hundred twenty - five exhibition catalogs with scholarly contributions by leading art historians, artists or critics; authors have included Hilton Als, David Anfam, Debra Bricker Balken, Isabelle Dervaux, Joseph Jacobs, Leslie King - Hammond, Sam Hunter, Susan C. Larsen, Gail Levin, George Lipsitz, Whitfield Lovell, Robert Morgan, Francis V. O'Connor, Carter Ratcliff, Arlene Raven, Martica Sawin, Barry Schwabsky, James Siena, Lowery Stokes Sims, Elisabeth Sussman, Stephen Westfall, and John Yau.

Andrew Lloyd Webber, who owns several works by Spencer and considers both Stanley Spencer and Francis Bacon as two of the greatest British painters of the twentieth century as well as British sculptor Anthony Gormley, broadcaster Jon Snow and art historian James Fox, who recently became President of the Friends of Stanley Spencer Gallery.

The critic, James Pinero, who is also the magazine's managing editor, cited an essay in the exhibition invitation by art historian Karen Wilkin that praised the paintings» «ravishing physicality» and said Little's orchestrations of geometry and chroma «delight our eyes and stir our emotions and intellect.»