Sentences with phrase «by art historian yve»
The critic, James Pinero, who is also the magazine's managing editor, cited an essay in the exhibition invitation by art historian Karen Wilkin that praised the paintings» «ravishing physicality» and said Little's orchestrations of geometry and chroma «delight our eyes and stir our emotions and intellect.»
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In his exhibition catalog essay, * Rubinstein says that he thinks of the show «as a sequel to «High Times Hard Times: New York Painting 1967 - 1975,» a 2006 - 2007 traveling exhibition curated by art historian Katy Siegel.»
Curated by art historian Barbara Rose, the exhibition is in collaboration with the Roberto Polo Gallery.
The exhibitions will be accompanied by a catalogue published by David Zwirner Books, featuring an essay by the art historian Richard Shiff and reproductions of individual works as well as installation views to best convey the experience of seeing the paintings.
On the occasion of the exhibition, Lisson Gallery will publish the first major monograph on Stamm, a comprehensive survey of the entire «Wooster» series, including an essay by art historian Alex Bacon and an illustrated chronology of the artist's career.
Compiled and edited by art historian Eva Meyer - Hermann, the catalogue raisonné illustrates and document approximately five hundred paintings by the artist from 1975 to the present day.
Curated by art historian and critic Barbara Rose, the exhibition features works from 1950 through the 1990s and is the first comprehensive East Coast solo show of the acclaimed West Coast artist.
The exhibition will be accompanied by a fully illustrated catalogue published by David Zwirner, which will feature new scholarship by art historian Richard Shiff, an interview from 1978 with Robert Kudielka — one of her foremost critics — and an essay on the artist's wall paintings by Paul Moorhouse, 20th Century Curator at the National Portrait Gallery in London.
Pace will publish a catalogue to accompany the exhibition, with a new essay by art historian Martica Sawin.
A new catalogue with an essay by art historian Jonathan Fineberg will accompany the exhibition.
Featuring an interview with the artist by Anne Reeve and new scholarship by art historian Robin Clark, it also includes reproductions of archival and documentary material discovered during the curatorial process, from sketches by the artist to gallery invitation cards, early catalogue covers, and historic photographs, as well as installation views of the show.
The second volume will include an essay by art historian Alex Bacon.
[vi] As noted by art historian Robert Hobbs, Hofmann's «painting sessions were particularly rewarding for Thomas who was alerted to the emotive potentialities of color, the need to work contrapuntally in terms of positive as well as negative spaces, and the significance of taking the overall dimensions of a given canvas into consideration as key compositional elements.»
Terry Winters 1981 - 1986 will be accompanied by a publication reproducing a comprehensive selection of works from this period and will feature an essay by art historian and critic Richard Shiff.
Mitchell - Innes & Nash will publish a hard - cover illustrated catalogue in conjunction with the exhibition, which will feature an essay by art historian and writer Michael Lobel.
Galerie St. Etienne, for instance, is featuring the early German Modernist painter Paula Modersohn - Becker (1876 - 1907), who is the subject of a new biography by the art historian Diane Radycki.
Curated by art historian John Wilmerding, this outstanding - sounding group show, which examines how Pop artists broadened the scope of classical still life to include sculpture and other new media, includes over 75 artworks from an all - star list of artists from Jasper Johns and Jeff Koons to Wayne Thiebaud and Andy Warhol.
This book will be the only accessible, affordable survey of Auerbach's work on the market Including a new essay by art historian T. J. Clark, the book also features statements from the artist and previously unseen documentary photographs.
Following an 11:30 am talk about the mural by art historian Isabel Rojas - Williams, and an official re-dedication ceremony by the City of Los Angeles, enjoy live music, art activities, and great food at Olvera Street restaurants.
Co-curated by art historian Jason Weems and Joanna, the exhibition features photographs by Ansel Adams, Clem Albers, Dorothea Lange, and Tōyō Miyatake, taken at the Japanese American internment camp at Manzanar during World War II.
One of the most important, if controversial, feminist considerations of Frankenthaler's work was a 1998 essay (revised in 2005) by the art historian Lisa Saltzman.
The museum is sponsoring several informative programs in connection with Milton Avery & the End of Modernism, among them two Tea & Tour events featuring exclusive docent - led exhibition tours and introductions by Museum Director Karl E. Willers, Ph.D., the organizer of the exhibition; an illustrated talk by art historian Charles A. Riley II, Ph.D.; and a series of three lectures on the exhibition by Dr. Willers.
The Museum will present a public lecture about Plensa by art historian and critic Barbara Rose on November 12, and additional public programming is planned throughout the year.
[1] The exhibition took its name from Pictures, a 1977 show organized by art historian and critic Douglas Crimp at New York's Artists Space gallery.
On the occasion of the exhibition, a new monograph on Riley is forthcoming from David Zwirner Books, featuring new scholarship on the artist by art historian Richard Shiff.
Entitled The Wound, the exhibition is curated by art historian and theorist Selen Ansen.
The exhibition will be accompanied by a fully illustrated catalogue with an essay by art historian Paul Hayes Tucker.
The exhibition will be accompanied by a fully illustrated and comprehensive catalogue raisonné on the series with an essay by art historian Dr. David Anfam, Senior Consulting Curator of the Clyfford Still Museum in Denver and curator of the recent exhibition Abstract Expressionism at the Royal Academy, London.
A catalogue of the show, which includes an essay by art historian and curator, Constance Lewallen, will be available.
In addition, David Zwirner Books is publishing a catalogue, including new scholarship by art historian Gordon Hughes.
The New Museum, founded by art historian and curator Marcia Tucker, was created to showcase groundbreaking art and ideas, while critically questioning the structures and functions of museums.
The exhibition is accompanied by a catalogue that includes a foreword by Tate director, Nicholas Serota, written to coincide with Newport Street's opening, as well as a text by art historian and critic, Barry Schwabsky, a re-published essay by the late writer Gordon Burn, and a 2009 conversation between Hoyland and Damien Hirst.
This work has been led by art historian, critic and curator, RoseLee Goldberg, whose unique approach to the role of Founding Director and Curator of Performa has initiated expanding knowledge and understanding of this important area of cultural history.
Dreaming Red includes illustrations of all the works created at ArtPace since its inception, an essay by art historian Eleanor Heartney, short essays on selected artists by the guest curators, including Cuauhtémoc Medina, Lynne Cooke, Chrissie Iles and Judith Russi Kirshner, and a lengthy essay on the personal history of the foundation and its founder.
This exhibition will be accompanied by a full - color catalogue with an essay by Art Historian Jennifer Samet.
This exhibition, curated by art historian Ugochukwu - Smooth C. Nzewi aims to remedy that relative lack of exposure with his lineup of 12 names working in all mediums, who aren't well - known outside of their respective communities.
Curated by art historian Joan Kee, «From All Sides» highlighted artists who are largely unknown in the U.S., with the exception of Park Seobo and Lee Ufan; the latter artist's work has frequently appeared in international biennials and was the subject of a major retrospective at New York's Guggenheim Museum last year.
Looking forward, Holmquist is excited to be included in the group exhibition, Drama Queer, curated by art historian Jonathan D. Katz.
Presenting early works in painting and sculpture by renowned French artist Jean Dubuffet, this compelling exhibition (organized by art historian Mark Rosenthal) focuses on the artist's development of his signature Art Brut style, which was inspired by children's drawings and the art of the mentally ill (what we now call Outsider
We are including, along with paintings and drawings, the work of a sculptor, a poet, an etcher, text by an art historian and an essay by a former resident of one ofPalladio's finest villas and the last to have remained, until recently, in the ownership of the family that commissioned its construction.
We are including, along with paintings and drawings, the work of a sculptor, a poet, an etcher, text by an art historian and an essay by a former resident of one of
Speakers will include art conservator Sandra Amann, artist Fernanda Gomes, critic Suzanne Hudson, and musicologist John Szwed, with moderation duties provided by art historian Kirsten Swenson.
Donald Judd includes new scholarship on Judd by art historian Richard Shiff, as well as archival material and interviews with the artist.
An exhibition catalog to commemorate this special exhibition will be published by the TMA and will include an essay by art historian Dr. Henry Adams.
The talk is moderated by art historian Andrea Barnwell Brownlee and features artists Linda Goode Bryant, Maren Hassinger, Dindga McCannon, Lorraine O'Grady and Howardena Pindell.
To quote a reflection made by an art historian, he is one of the last American painters who has retained «the aroma of the old Europe».
Curated by the art historian Massimo Duranti, it represents a long overdue consideration of one of the undisputed masters of twentieth - century art.
Anne Truitt: Works from the Estate is accompanied by a fully illustrated catalogue, which includes an in - depth essay by Art Historian Dr. Anna Lovatt.
This catalogue raisonné, compiled through intensive research over a period of many years by art historian Hubertus Butin, Richter's former assistant, documents the full range of graphic and photographic editions as well as the artistís books, multiples and editions in oil realized by the artist between 1965 and 2004.
In addition to almost 200 color reproductions, it includes a comprehensive exhibition history, bibliography and biographical chronology, as well as a text by artist Mel Bochner and an essay by art historian Briony Fer.