In the 1940s, the French artist and curator Jean Dubuffet coined the term Art Brut («Raw Art») to describe «works produced by persons unscathed
by artistic culture, where mimicry plays little or no part (contrary to the activities of intellectuals).
Displayed in full at the museum, the speech is a kind of manifesto for the creative field Dubuffet had been constructing since 1945, arguing the superior authenticity and raw creativity of works made by children, psychiatric patients, so - called primitive artists, and other anonymous individuals who were «uncontaminated
by artistic culture.»
His formless renderings of the human figure echo his fixation with the art practices of those he considered «unscathed
by artistic culture.»
The Frenchman boasted of the collection as «uncontaminated
by artistic culture» and «contrary to... intellectuals.»
By using this time period as springboard, «Art Brut in America: The Incursion of Jean Dubuffet» at the Folk Art Museum in New York City highlights Dubuffet's passionate belief in a new art paradigm that was non-Western and non-hierarchical and championed makers of art who are ``... uncontaminated
by artistic culture,» according to the Folk Art Museum.
Not exact matches
This is not something the atheists of earlier ages would have been very likely to say, if only because they still lived in a
culture whose every dimension (
artistic, philosophical, ethical, social, cosmological) was shaped
by a religious vision of the world.
The first is a matter of the physical and mental traits which we carry over biologically from our forebears; the second is a matter of the social environments, the literary,
artistic, religious traditions, the racial and national
culture, into which we are born and
by which our plastic lives are shaped and: molded.
Artistic expression has all the earmarks of a genetically evolved capacity: It appears early in life, is enjoyable for its own sake, exists across all
cultures, and is mediated
by ancient neural pathways in the brain.
Western
culture is characterized
by a host of
artistic, philosophic, literary, and legal themes and traditions; the heritage of Celtic, Germanic, Hellenic, Jewish, Slavic, Latin, and other ethnic and linguistic groups, as well as Christianity, which played an important part in the shaping of Western civilization since at least the 4th century.
The Kavli Prize Master of Ceremonies was the Norwegian artist and former Minister of
Culture Åse Kleveland, and the awards were accompanied
by an extensive
artistic programme.
We're steeped in an
artistic culture inspired
by the astounding beauty of the Blue Ridge Mountains.
Still, this film's story, about a woman who rejects the role of
artistic muse
by reshaping its contours in her own wickedly creative fashion, does have a ghostly outside - the - theater afterlife in the time of #MeToo, or whatever we're calling the crisis of conscience our
culture is undergoing with respect to gendered power and sexual violence.
In a film
culture dominated — visibly or not —
by views inextricably tied to the concept of auteurism, there's something irresistible about judging films
by how they reflect the
artistic evolution of their director.
The 46 - year - old former Grey's Anatomy star was joined
by her co-star Jodie Comer, as well as creator Phoebe Waller - Bridge, French Minister of
Culture and Communications Fleur Pellerin and husband Laurent Olléon, managing director of the festival Benoit Louvet, and festival
artistic director Albin Lewi.
by Bryant Frazer One of the hallmarks of contemporary remix
culture is derivative
artistic ventures that seek shortcuts to the id, making a playful, self - aware succotash of genre tropes in lieu of inventing new cosmologies.
The film, directed
by acclaimed theater director Matthew Warchus (who just this week was appointed Kevin Spacey «s successor as the
artistic director of the Old Vic Theater in London), has that mix of social issues drama,
culture clash, old people doing unlikely things, and Bill Nighy that so often proves a middlebrow crowd - pleaser.
History remembers
culture by their
artistic achievements and values, not
by their narcissistic attitudes, thus we need to consider that in order to evolve into the future, education is responsible for inspiring the present.
Through hands - on learning experiences and arts integration in all subject areas, we provide our students a
culture of academic excellence, foster a rigorous and nurturing learning environment, and instill within them a love of learning
by identifying their positive distinctions, whether academic,
artistic, or athletic, thus empowering them to be responsible, contributing members of a global community.
He explores the relationship between «low» and «high»
culture, the increasing influence of the media and the genuine
artistic urge satisfied
by handicrafts.
They are presented annually
by the Coretta Scott King Book Awards Committee of the ALA's Ethnic and Multicultural Information Exchange Round Table (EMIERT) to encourage the
artistic expression of the African - American experience via literature and the graphic arts; to promote an understanding and appreciation of the black
culture and experience and to commemorate the life and legacy of Mrs. Coretta Scott King for her courage and determination in supporting the work of her husband, Dr. Martin Luther King Jr., for peace and world brotherhood.
In celebration of Mexico's rich
artistic culture, lively paintings, beautiful bronze statues and custom furniture of native woods have all been commissioned
by local artisans to adorn this retreat.
The short scenic drive from the airport lingers on your mind.Chengdu's beautiful rivers, bridges, trees and flowers are a visual feast.History resonates in this city, where the ancient Southern Silk Road began.When you enter the opulent lobby of Shangri - La Hotel, Chengdu, warm greetings accompany you.The hotel has been showcasing the rich
artistic culture of Chengdu since its opening
by featuring nine famous contemporary artists from Sichuan.You will be ushered into a journey of China contemporary art.Up in your room, the setting is modern and the space generous.You appreciate why you picked the hotel with the largest rooms in the city centre.
An individual style inspired
by Bali's rich
culture,
artistic tradition and fine craftsmanship.
One thing that I think could be woven in is «practical art» — like pottery dishes with coordinating decorative pieces and that are very decorative
by themselves; Specific «rite of passage» art and the meaning behind it, as Melissa's ketubah art; and I the American quilt is an art form, as is weavings and wood carving and fabric constructions across many
cultures... perhaps the «niche» TAA would best fit is a person whose basic needs have been accomplished (like clean water, food, shelter) and they are ready to move into becoming self - sufficient through their
artistic trade.
What began as a natural integration of my sociopolitical beliefs with a sheer joy of art - making, has since developed into a full - fledged
artistic praxis
by which I integrate the human realm I come in contact with in the course of my travels - its individuals,
cultures, and struggles - with its refuse, in order to comment on and participate in the issues I feel most passionate about.
By reinterpreting American abstraction through the prism of their own varied cultural backgrounds and
artistic heritage, the artists urgently reaffirm the diversity and openness in American
culture, at a pivotal point in the nation's history.
In 2012, with the support of an
Artistic Innovation and Collaboration grant from the Robert Rauschenberg Foundation, the second Marfa Dialogues program considered the science and
culture of climate change, with Michael Pollan, Rebecca Solnit and Dr. Diana Liverman leading discussions concurrently with Carbon 13, a visual arts exhibition curated
by David Buckland of Cape Farewell and presented at Ballroom Marfa.
With more than 200 pieces
by 70 artists, the display starts in the 1960s when printmaking became popular, reflecting the values of consumer
culture by being readily available, cheaper and bigger than other
artistic mediums.
With attendance of more than 900,000 visitors throughout the year, 2017 saw such landmark presentations as No Place Like Home, which traced the
artistic appropriation of domestic objects from the early 20th century through today; Ai Weiwei: Maybe, Maybe Not, examining notions of individuals» relationship to their social
culture; as well as bodies of work
by acclaimed Israeli photographers Ilit Azoulay and Micha Bar - Am.
Olsen & Fischli: Your film Production Line of Happiness shows the class of Christopher Williams at Kunstakademie Düsseldorf poring over the fundamental questions posed
by artistic production: What is counter
culture?
By opening up the often narrowly defined discursive field of «post-internet,»
artistic practices are examined thematically within the larger context of digital
culture.
By 2004, his journeying, meditation and engagement with the richness of other
cultures was drawing Curto towards
artistic creation: «I needed to give a new soul to the stardust and the minerals that I love so much... I had a palette of which I knew the most intimate and little secrets.»
«It's the perfect moment to revisit Rauschenberg's career, given that his impact continues to gain momentum as more and more contemporary artists pay homage to, and are influenced
by, various facets of his creative practice and
artistic production — from his technology - based artworks and the reuse of images to international collaborations that demonstrated the power of art to spark dialogues between various
cultures,» stated Christy MacLear, CEO of the Rauschenberg Foundation.
Each embraced photography as one element of an
artistic practice guided as much
by literature, philosophy, and an attention to popular
culture as
by classical formal concerns of the medium.
The sixty plus works of art
by nearly forty artists, additionally reflect international
artistic responses to an US dominated ideology of car
culture — either in its specificity as an object or in its symbolic significance — from Swiss - born Sylvie Fleury to Belgium's Wim Delvoye.
Laure Vigna's residency in 18th Street (October through December 2013) is inscribed within an
artistic research project funded
by CNAP (Centre National des Arts Plastiques), French Ministry of
Culture and Communication.
Lévy Gorvy is particularly pleased to present a group of paintings
by internationally celebrated artist Pat Steir: four works from her new series, «For Hong Kong» (2017 — 2018), were created in homage to the
artistic and literary heritage of East Asian
cultures.
These may include solo presentations
by an individual artist, juxtapositions and thematic exhibits from artists representing a range of
cultures, generations and
artistic approaches.
Warhol intuitively understood that appearance, glamour and fame were paramount in an era dominated
by the media, and his
artistic approach sprang from the popular
culture that surrounded him.
The biennial showcases recent works of local and international artists who have been influenced
by the
cultures and
artistic traditions of Mexico and Central and South America.
In addition to the four main gallery exhibitions, the organizing institutions will host a series of panels, performances, and events in conjunction with this year's biennial.The biennial will showcase recent works of local and international artists who have been influenced
by the
cultures and
artistic traditions of Mexico and Central and South America.
Cibic's project, For our Economy and
Culture, is commissioned
by Blaž Peršin and curated
by Tevž Logar,
artistic director of Škuc Gallery, Ljubljana.
For an artist who borrows so much from contemporary black
culture epitomized
by the milieu on 125th street, Simmons's current work in this context makes a strong case for the transformative (and potentially stultifying) effects of conceptual
artistic practices.
Both formally and in regards to content, Ronay's
artistic universe is informed
by the spirituality and design of non-western
cultures, as well as the cosmology of science fiction.
He now refers to the
artistic and historical traditions specific to those
cultures which continue to be marginalized or ignored
by the art world.
«Shrink Wrap,» a group show curated
by Liza Phillips featuring
artistic responses to packaging materials and our consumer
culture opens at the Loft Gallery in Narrowsburg on Friday, July 10, with an artist's reception from 7 — 9 p.m..
An illuminating essay
by Ekow Eshun, the
artistic director at the Institute of Contemporary Arts, London, discusses Mutu's practice in relation to popular
culture, femininity, race, anthropology and botanical texts.
In conjunction with the exhibition «Murakami
by Murakami» we have invited Hans Ivar Stordal to give a lecture about manga and anime, a Japanese popular
culture that has had great significance for Takashi Murakami's
artistic practice.
Boelt and Jenkins sample, recycle and simplify imagery acquired from the internet, magasins, and urban
culture, challenging the boundaries of their art work
by introducing into the
artistic realm concepts of philosophy, science, politics and social theory.
Curated
by Alexandra Munroe together with co-curators Philip Tinari and Hou Hanru, the exhibition «bracketed
by years marked
by transformational events within China and globally, surveys the
culture of
artistic experimentation during a time characterized
by the onset of globalization and the eventual skepticism of its promised prosperity».