Sentences with phrase «by audiences of all ages»

Directed by Mark Andrews and Brenda Chapman, and produced by Katherine Sarafian, «Brave» is a grand adventure full of heart, memorable characters and the signature Pixar humor enjoyed by audiences of all ages.

Not exact matches

Apparently, audiences were not interested in seeing a nearly three - hour - long movie about a robotic alien truck eluding the clutches of an intergalactic bounty hunter by joining forces with prehistoric robot dinosaurs — that would be Transformers: Age of Extinction — or that one where Tom Cruise is repeatedly killed while fending off an alien invasion... or something.
Balmain got a much - needed shot of relevancy in the digital age by bringing its ornate styles to a wider audience, promoted by this year's hottest model, Kendall Jenner.
Preferred audience targeting allows you to identify a specific segment of the population (by age, gender, location, language, interests, etc.) and increase the odds that people in that niche will be exposed to your content in their news feed.
I recently attended a small conference in Washington, DC, co-sponsored by the New America Foundation (NAF), a think tank that describes itself as «dedicated to the renewal of American politics, prosperity, and purpose in the digital age, through big ideas, technological innovation, next generation politics, and creative engagement with broad audiences
Beyond these perhaps - obvious vocations, there are vocations to serve those in need, to serve one's friends with the depth of love Christ showed to his own friends, to care for aging parents, perhaps even an artistic vocation to serve God and one's audience by presenting beauty and sublimity.
By offering such an assortment of craft burger options, fresh salads, all - beef hot dogs, hand - dipped shakes and other menu items, Burger 21's creations appeal to all audiences and ages, particularly females who often cast the «veto vote» when selecting a restaurant.
At the age of thirteen, Puma herself appears to have inherited her mother's award winning voice, recently wowing an audience of friends, family and other admirers by singing Happy Birthday to her mom.
There are two aspects of egocentrism at this age: the imaginary audience (where your child believes that others notice and care intensely about her appearance and actions) and the personal fable (where your child believes that his experiences and emotions are unique and experienced by him alone).
When we shot the pilot I was surprised both by the size of the audience and by how broad it was, there were poeple of all ages.
Most of the 200 - strong audience in each debate will be picked by pollsters ICM from the local area to ensure a balance of gender, age, ethnicity, social class and voting intention.
A London concert by the Orchestra of the Age of Enlightenment this Sunday says as much about J. S. Bach's original audience as it does about today's cosmology
In this respect, the «psychic» who regularly liven up the press in the New Year — at least in the US — with predictions that California will fall into the sea, the president will be abducted by aliens and some film star will give birth at the age of 65, evidently understand their audience better than the astrologers.
Social networks are great platforms to set precise and detailed targeting by sex, age, interests and other attributes of your potential audience.
Source: Advocates for Youth Target Audience: Level IV (adolescence, ages 15 through 18, high school) Topic: Romantic Relationships and Dating Duration of International dating agency gives you the wonderful opportunity to meet beautiful single women who can take you to a different world altogether by merely
The trip to fetch Artie, as he prefers to be called, forces the audience to watch a singularly unclever revamp of high school as a medieval experience, complete with a Valley Girl Guinevere, a jousting - jock Lancelot, and a New Age doofus Merlin recovering from the nervous breakdown brought on by teaching at Artie's high school.
Many of the jokes are stale and calculated, as though dictated by corporate committees mindful of the franchise's all - ages audience — a joke here for dad, one for mom, one for teens, one for kids.
In this near perfect story of an unlikely 100 - year - old man, the audience follows Allan Karlsson (portrayed wonderfully by Robert Gustafsson) as he leaves his old age home to literally go anywhere.
The use of services and in particular the content accessed may be restricted to persons and audiences who meet certain requirements such as being of legal age as provided by local laws etc..
The short - statured, middle - aged Haven, who throughout the film is always dressed in white with rhinestones and gaudy designs, is distracted by the unauthorized entrance into the control room audience of a BBC journalist Opal (Geraldine Chaplin), a flea - market dressed, tattered, nit - wit, opinionated reporter who is «doing a documentary on Nashville» and lugging a tape recorder at her side.
With the fine coming of age romantic drama Call Me By Your Name now in limited release, audiences can join critics in swooning over the revelatory work of Timothée Chalamet's as the preternaturally sophisticated but hormonally confused Elio.
By contrast, Spacey's Lester, jerking off in a shower and lusting after his teenage daughter's nymphet cheerleader pal (see: Election for a better snapshot), is meant as post-modern icon: the inner dude embracing the stupid»70s teen chowderhead, who remains the taffy moral centre for an audience of middle - aged men remembering what it's like to get stoned, bang minors, and listen to Pink Floyd and The Who.
Comics and character actors have a partial immunity from the stigma of ageing: they haven't offered themselves up as dream figures, so there's no sense of their having betrayed their audience by being human after all.
By largely removing audiences under the age of 18 (face it, few parents are going to want to take their children to a film that includes a song called «Holy S — balls» in its score), that's effectively surrendering potential box office earnings from the young demographic most likely to identify with Deadpool's antics.
However, any such expectations were confounded by Winterbottom's creation of a work that challenged generic norms and tested the boundaries of the content deemed acceptable for the middle - aged middle class audiences that are the genre's mainstay.
Directed by Mark Andrews and Brenda Chapman, and produced by Katherine Sarafian, «Brave» is a grand adventure full of heart, memorable characters and signature Pixar humor that audiences of all ages around the world have come to eagerly expect.
Criminally unrecognized by awards voters and general audiences (perhaps until next month with Star Wars: The Force Awakens), Oscar Isaac has been quietly giving the most diverse range of characters of an actor his age.
What makes those other two characters entertaining is their stasis — the fact that there is little room for them for change (The aging magician's reversion to his enjoyment of the craft doesn't completely alter his personality; when he's back on stage, he opens his part of the act by insulting an audience member's fashion decisions).
Propelled by an upbeat, big - hearted energy and saturated with witty, age - defying sight gags, this is one film that promises to entertain every member of the audience.
This debut film by Lynch sees him lurking on the edge of warped character development but stays on the linear as he offers the audience a genuine filmic impression on ageing and the fear of loneliness.
Alas, the wave was but a trickle by Sunday night, and even the hope that the noise of clapping might keep the audience at home and in the theater awake, there was little of that for anything except the entrance of actors of advance age.
One of these is the widespread adoration of «Call Me by Your Name,» Luca Guadagnino's intoxicating coming - of - age love story, which has enraptured festival audiences (myself included) since its first screenings at Sundance.
The film starts with the now - aged Doug (played by Martin Mull) telling the audience, «You've probably never heard of me» and then listing his accomplishments, egged on by an an off - screen interviewer who helpfully adds «I would say you did redefine comedy,» thus standing the first rule of dramatization — you show action that induces the desired emotional response instead of telling the audience what to feel — on its head.
By the time he decides that he can't do it all alone, the film's relentless barrage of witless gags, unsubtle digs and brilliantly animated but repetitive sight gags have pretty much put its audience over the age of 5, to sleep (I heard no laughter during the screening I attended).
With great performances by Paul Dano as the young Wilson and John Cusack as the aged version, the film flawlessly moves back and forth between decades without losing its audience and it really makes you feel like you are there watching the creation of the legendary music come out of his brain.
The film feels like The Great Escape as performed by Happy Meal toys, and as such, gives audiences of all ages plenty of humor, fun, and heart to devour and enjoy.
It's telling that the post-credits sequence is a direct entreaty to an audience raised on»80s cinema; Deadpool is the culmination of the complete takeover of popular culture by guys my age.
We didn't make his sophisticated, subtle Shop Girl a hit, so he dishes out what he knows, alas, today's American audiences will gobble up greedily: a painful assemblage of distasteful slapstick (not one but two elderly and infirm folks are abused — by the putative hero, no less — in the opening moments of the film alone), cultural stereotyping, and celebrations of idiocy that will try the patience of anyone with a double - digit IQ or age.
Audiences of all ages will be dazzled and excited by the bravura action climax — an extended chase through the closet doors that are the interdimensional portals bridging Earth and Monstropolis — which actually manages to outdo its counterparts in A Bug's Life and Toy Story 2.
There's an element of «seeing it to believe it» built into the presentation: Expectations based on the history of a mostly direct - to - video franchise, an aging action - hero cast, and a patently absurd premise so conspicuously contradict the art - house sensibility of the film itself that you can hardly blame the first wave of audiences for feeling wowed by the shock.
If a child is being put off or intimidated by the complexity of language in most books aimed at their age range, don't be afraid to offer them books geared to a younger audience or containing simplified text, such as comic books or graphic novel versions of classic novels.
Certain techniques were flagged up «no hands rule; use of mini-white boards, Kagan, learning environments that are supporting; bolstering self - esteem; positivity; curiosity; creativity; identify students to lead plenary at end of lesson at the beginning; Get class blogging — quadblogging; tallies for whole class rewards; encouraging independent learning; wait time when questioning; talk about their thinking and reasoning; conversational learning; talk with learning partners before answering any questions; pair and share; Glazer learning model structure for lesson delivery — a good mix of interaction and independent work; offering choice to pupils; cross class working; allowing time to play; list / describe / explain / evaluate; new audiences beyond the school; project based learning and philosopy; swapping age - groups; cross-curricular working; read to them every day; invite varied guests in; learning by discovery using pupils» interests; stand back and watch with purpose.
He talks, in «Frames of Mind,» about Jean - Paul Sartre, a famous French philosopher, and novelist who was «extremely precocious» as a young child but «so skilled at mimicking adults, including their style and register of talk, that by age five he could enchant audiences with his linguistic fluency.»
HIGH - DEMAND BACKSTORY: Grand - master Rendell at her best is something to be savored by crime - fiction devotees of all ages, and this one, with the promised promotional effort, will find a large and eager audience.
Red Hot Internet Publicity: An Insider's Guide to Marketing Online (Volume 1) by Penny Sansevieri Discover: • Six need - to - know rules of publicity for the Internet age • The best way to design, write, and promote a website to sell your book • Twelve blockbuster techniques to use blogs for book publicity • Proven «live promotion» techniques you can use to reach a worldwide audience (2013) BONUS: When you buy the book, you get access to helpful free downloads including: • «Get Published Today» by Penny C. Sansevieri • «The Twitter Ultimate Resource Guide» by Penny C. Sansevieri • «The Ultimate Guide to Marketing on Twitter» by Penny C. Sansevieri • «7 Mistakes Even Smart Authors Make When Marketing Their Books Online» by D'vorah Lansky • «Convert Your Website Traffic and Sell More Books» by Susan Gilbert • «Create a Book Marketing Plan That Sells Books» by Dana Lynn Smith • «Social Media in 15 Minutes a Day» by Shelley Hitz • Top 100 book reviewers by Author Marketing Experts, Inc..
Those two books get branded for wildly different audiences if one was to categorize them by age but, I think the reality of it is, a good book is a good book and everyone can enjoy that.»
The Jason Debus Heigl Foundation's web site (https://jasonheigl.foundation) and all other related web sites owned or controlled by us (collectively or individually the «Site») are general audience web sites, and we do not knowingly collect PI from children under 13 years of age.
The official program includes the Mais Imaginarius section, a competition of projects by emerging artists, and Imaginarius Infantil, with workshops and innovating experiences for audiences aged between 3 and 12.
Age of Empires II: HD Edition helped the series reach new audiences but the announcement of Age of Empires IV is what really took fans by surprise.
Rather than being an instant smash, Brain Age (renamed Dr Kawashima's Brain Training in other territories) was a slow - burner, spreading by word of mouth and gradually attracting a whole new audience.
a b c d e f g h i j k l m n o p q r s t u v w x y z