Directed by Mark Andrews and Brenda Chapman, and produced by Katherine Sarafian, «Brave» is a grand adventure full of heart, memorable characters and the signature Pixar humor enjoyed
by audiences of all ages.
Not exact matches
Apparently,
audiences were not interested in seeing a nearly three - hour - long movie about a robotic alien truck eluding the clutches
of an intergalactic bounty hunter
by joining forces with prehistoric robot dinosaurs — that would be Transformers:
Age of Extinction — or that one where Tom Cruise is repeatedly killed while fending off an alien invasion... or something.
Balmain got a much - needed shot
of relevancy in the digital
age by bringing its ornate styles to a wider
audience, promoted
by this year's hottest model, Kendall Jenner.
Preferred
audience targeting allows you to identify a specific segment
of the population (
by age, gender, location, language, interests, etc.) and increase the odds that people in that niche will be exposed to your content in their news feed.
I recently attended a small conference in Washington, DC, co-sponsored
by the New America Foundation (NAF), a think tank that describes itself as «dedicated to the renewal
of American politics, prosperity, and purpose in the digital
age, through big ideas, technological innovation, next generation politics, and creative engagement with broad
audiences.»
Beyond these perhaps - obvious vocations, there are vocations to serve those in need, to serve one's friends with the depth
of love Christ showed to his own friends, to care for
aging parents, perhaps even an artistic vocation to serve God and one's
audience by presenting beauty and sublimity.
By offering such an assortment
of craft burger options, fresh salads, all - beef hot dogs, hand - dipped shakes and other menu items, Burger 21's creations appeal to all
audiences and
ages, particularly females who often cast the «veto vote» when selecting a restaurant.
At the
age of thirteen, Puma herself appears to have inherited her mother's award winning voice, recently wowing an
audience of friends, family and other admirers
by singing Happy Birthday to her mom.
There are two aspects
of egocentrism at this
age: the imaginary
audience (where your child believes that others notice and care intensely about her appearance and actions) and the personal fable (where your child believes that his experiences and emotions are unique and experienced
by him alone).
When we shot the pilot I was surprised both
by the size
of the
audience and
by how broad it was, there were poeple
of all
ages.
Most
of the 200 - strong
audience in each debate will be picked
by pollsters ICM from the local area to ensure a balance
of gender,
age, ethnicity, social class and voting intention.
A London concert
by the Orchestra
of the
Age of Enlightenment this Sunday says as much about J. S. Bach's original
audience as it does about today's cosmology
In this respect, the «psychic» who regularly liven up the press in the New Year — at least in the US — with predictions that California will fall into the sea, the president will be abducted
by aliens and some film star will give birth at the
age of 65, evidently understand their
audience better than the astrologers.
Social networks are great platforms to set precise and detailed targeting
by sex,
age, interests and other attributes
of your potential
audience.
Source: Advocates for Youth Target
Audience: Level IV (adolescence,
ages 15 through 18, high school) Topic: Romantic Relationships and Dating Duration
of International dating agency gives you the wonderful opportunity to meet beautiful single women who can take you to a different world altogether
by merely
The trip to fetch Artie, as he prefers to be called, forces the
audience to watch a singularly unclever revamp
of high school as a medieval experience, complete with a Valley Girl Guinevere, a jousting - jock Lancelot, and a New
Age doofus Merlin recovering from the nervous breakdown brought on
by teaching at Artie's high school.
Many
of the jokes are stale and calculated, as though dictated
by corporate committees mindful
of the franchise's all -
ages audience — a joke here for dad, one for mom, one for teens, one for kids.
In this near perfect story
of an unlikely 100 - year - old man, the
audience follows Allan Karlsson (portrayed wonderfully
by Robert Gustafsson) as he leaves his old
age home to literally go anywhere.
The use
of services and in particular the content accessed may be restricted to persons and
audiences who meet certain requirements such as being
of legal
age as provided
by local laws etc..
The short - statured, middle -
aged Haven, who throughout the film is always dressed in white with rhinestones and gaudy designs, is distracted
by the unauthorized entrance into the control room
audience of a BBC journalist Opal (Geraldine Chaplin), a flea - market dressed, tattered, nit - wit, opinionated reporter who is «doing a documentary on Nashville» and lugging a tape recorder at her side.
With the fine coming
of age romantic drama Call Me
By Your Name now in limited release,
audiences can join critics in swooning over the revelatory work
of Timothée Chalamet's as the preternaturally sophisticated but hormonally confused Elio.
By contrast, Spacey's Lester, jerking off in a shower and lusting after his teenage daughter's nymphet cheerleader pal (see: Election for a better snapshot), is meant as post-modern icon: the inner dude embracing the stupid»70s teen chowderhead, who remains the taffy moral centre for an
audience of middle -
aged men remembering what it's like to get stoned, bang minors, and listen to Pink Floyd and The Who.
Comics and character actors have a partial immunity from the stigma
of ageing: they haven't offered themselves up as dream figures, so there's no sense
of their having betrayed their
audience by being human after all.
By largely removing
audiences under the
age of 18 (face it, few parents are going to want to take their children to a film that includes a song called «Holy S — balls» in its score), that's effectively surrendering potential box office earnings from the young demographic most likely to identify with Deadpool's antics.
However, any such expectations were confounded
by Winterbottom's creation
of a work that challenged generic norms and tested the boundaries
of the content deemed acceptable for the middle -
aged middle class
audiences that are the genre's mainstay.
Directed
by Mark Andrews and Brenda Chapman, and produced
by Katherine Sarafian, «Brave» is a grand adventure full
of heart, memorable characters and signature Pixar humor that
audiences of all
ages around the world have come to eagerly expect.
Criminally unrecognized
by awards voters and general
audiences (perhaps until next month with Star Wars: The Force Awakens), Oscar Isaac has been quietly giving the most diverse range
of characters
of an actor his
age.
What makes those other two characters entertaining is their stasis — the fact that there is little room for them for change (The
aging magician's reversion to his enjoyment
of the craft doesn't completely alter his personality; when he's back on stage, he opens his part
of the act
by insulting an
audience member's fashion decisions).
Propelled
by an upbeat, big - hearted energy and saturated with witty,
age - defying sight gags, this is one film that promises to entertain every member
of the
audience.
This debut film
by Lynch sees him lurking on the edge
of warped character development but stays on the linear as he offers the
audience a genuine filmic impression on
ageing and the fear
of loneliness.
Alas, the wave was but a trickle
by Sunday night, and even the hope that the noise
of clapping might keep the
audience at home and in the theater awake, there was little
of that for anything except the entrance
of actors
of advance
age.
One
of these is the widespread adoration
of «Call Me
by Your Name,» Luca Guadagnino's intoxicating coming -
of -
age love story, which has enraptured festival
audiences (myself included) since its first screenings at Sundance.
The film starts with the now -
aged Doug (played
by Martin Mull) telling the
audience, «You've probably never heard
of me» and then listing his accomplishments, egged on
by an an off - screen interviewer who helpfully adds «I would say you did redefine comedy,» thus standing the first rule
of dramatization — you show action that induces the desired emotional response instead
of telling the
audience what to feel — on its head.
By the time he decides that he can't do it all alone, the film's relentless barrage
of witless gags, unsubtle digs and brilliantly animated but repetitive sight gags have pretty much put its
audience over the
age of 5, to sleep (I heard no laughter during the screening I attended).
With great performances
by Paul Dano as the young Wilson and John Cusack as the
aged version, the film flawlessly moves back and forth between decades without losing its
audience and it really makes you feel like you are there watching the creation
of the legendary music come out
of his brain.
The film feels like The Great Escape as performed
by Happy Meal toys, and as such, gives
audiences of all
ages plenty
of humor, fun, and heart to devour and enjoy.
It's telling that the post-credits sequence is a direct entreaty to an
audience raised on»80s cinema; Deadpool is the culmination
of the complete takeover
of popular culture
by guys my
age.
We didn't make his sophisticated, subtle Shop Girl a hit, so he dishes out what he knows, alas, today's American
audiences will gobble up greedily: a painful assemblage
of distasteful slapstick (not one but two elderly and infirm folks are abused —
by the putative hero, no less — in the opening moments
of the film alone), cultural stereotyping, and celebrations
of idiocy that will try the patience
of anyone with a double - digit IQ or
age.
Audiences of all
ages will be dazzled and excited
by the bravura action climax — an extended chase through the closet doors that are the interdimensional portals bridging Earth and Monstropolis — which actually manages to outdo its counterparts in A Bug's Life and Toy Story 2.
There's an element
of «seeing it to believe it» built into the presentation: Expectations based on the history
of a mostly direct - to - video franchise, an
aging action - hero cast, and a patently absurd premise so conspicuously contradict the art - house sensibility
of the film itself that you can hardly blame the first wave
of audiences for feeling wowed
by the shock.
If a child is being put off or intimidated
by the complexity
of language in most books aimed at their
age range, don't be afraid to offer them books geared to a younger
audience or containing simplified text, such as comic books or graphic novel versions
of classic novels.
Certain techniques were flagged up «no hands rule; use
of mini-white boards, Kagan, learning environments that are supporting; bolstering self - esteem; positivity; curiosity; creativity; identify students to lead plenary at end
of lesson at the beginning; Get class blogging — quadblogging; tallies for whole class rewards; encouraging independent learning; wait time when questioning; talk about their thinking and reasoning; conversational learning; talk with learning partners before answering any questions; pair and share; Glazer learning model structure for lesson delivery — a good mix
of interaction and independent work; offering choice to pupils; cross class working; allowing time to play; list / describe / explain / evaluate; new
audiences beyond the school; project based learning and philosopy; swapping
age - groups; cross-curricular working; read to them every day; invite varied guests in; learning
by discovery using pupils» interests; stand back and watch with purpose.
He talks, in «Frames
of Mind,» about Jean - Paul Sartre, a famous French philosopher, and novelist who was «extremely precocious» as a young child but «so skilled at mimicking adults, including their style and register
of talk, that
by age five he could enchant
audiences with his linguistic fluency.»
HIGH - DEMAND BACKSTORY: Grand - master Rendell at her best is something to be savored
by crime - fiction devotees
of all
ages, and this one, with the promised promotional effort, will find a large and eager
audience.
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Those two books get branded for wildly different
audiences if one was to categorize them
by age but, I think the reality
of it is, a good book is a good book and everyone can enjoy that.»
The Jason Debus Heigl Foundation's web site (https://jasonheigl.foundation) and all other related web sites owned or controlled
by us (collectively or individually the «Site») are general
audience web sites, and we do not knowingly collect PI from children under 13 years
of age.
The official program includes the Mais Imaginarius section, a competition
of projects
by emerging artists, and Imaginarius Infantil, with workshops and innovating experiences for
audiences aged between 3 and 12.
Age of Empires II: HD Edition helped the series reach new
audiences but the announcement
of Age of Empires IV is what really took fans
by surprise.
Rather than being an instant smash, Brain
Age (renamed Dr Kawashima's Brain Training in other territories) was a slow - burner, spreading
by word
of mouth and gradually attracting a whole new
audience.