Sentences with phrase «by big galleries»

Most of the names are familiar and already firmly established, represented by big galleries and already receiving large prices for their work.

Alongside the big, half - ironic gestures celebrated by big galleries and the Museum of Modern Art are the many sincere gestures in smaller galleries or under the radar.

Which means that these artists are slowly going to be better served by these bigger galleries.

Not exact matches

As evidenced by the video and recent reports from test patients, the gear is a big hit (here's a photo gallery).

As well as helping Chelsea become one of the biggest clubs in world football, Roman Abramovich's wealth has also brought him a life of enviable luxury, as evidenced by this stunning picture gallery of his $ 1.5 billion yacht...

At the Amateur he wore a big straw sun hat and dark glasses and on Sunday followed the action by peeking over the shoulders of taller members of the gallery.

Trade show: Craft Reviewed by: Katie Spragg from Studio Spragg Sectors covered: Handmade craft Dates: 12 - 14 January Venue: Earls Court, London (moving to Olympia next year) Cost of stand: # 780 (including VAT) Size of stand: 2m x 1m space (space is priced by m2) Who were the buyers: A big mix of buyers, from small independent shops and galleries to larger shops such as Heal's.

Tim Benson, who runs the gallery, joked: «The political cartoon of the year award is decided by the people, personally I think that's a big mistake.

The Gizmodo Gallery, gizmodo.com's roving exhibition of technology marvels, stops by the Big Apple

Don't miss the magnificent library by Pierre Cuypers (above) and the Gallery of Honour that holds a big collection of Dutch Golden Age masterpieces.

Tourist attractions include Cannery Row in Monterey, the Monterey Bay Aquarium, the theatres, galleries and white sand beaches of Carmel - by - the - Sea, the golf courses of Pebble Beach and the Monterey Peninsula, the rugged coastline of Big Sur and Hearst Castle in San Simeon.

However, Big Sur's Post Ranch Inn launched a special helicopter Escape Through the Skies package that lasts through the end of August 2017 (must book by July 20), which includes dinner at the resort's Sierra Mar, as well as complimentary rides in the hotel's Lexus Hybrid to Nepenthe and local favorites Phoenix Shop and Hawthorne Gallery.

Here's the first installment of 3 big photo gallery's from Padang Padang shot by our good friends Hendra Surf Photography based down at Uluwatu.

It's a wonderful thrill of validation to be approached by one of the big local art galleries.

By focusing on the small and mid-size media outlets, you can bring lots of attention to your art without competing against the big galleries and auction houses that are sucking up all of the oxygen in the big media companies.

A few booths on, Los Angeles's David Kordansky Gallery has more ceramics — bigger, brand new ones by Ruby Neri, the L.A. - based artist who started out in San Francisco doing graffiti - style work.

2018 — Figurative Diaspora: The Migration of Academic Training from Russia to China in the Service of Progressive Art, Co-curated by Mark Tansey 2017 — Piss & Vinegar: Nina Chanel Abney, Robert Arneson, Sue Coe, Robert Colescott, R. Crumb, Nicole Eisenman, Natalie Frank, Hilary Harkness, Peter Saul, Robert Williams 2016 — Now and Then: Drawings from the 19th Century to the Present 2015 — Beautiful Beast: Ball, Cook, de Jong, Demetz, Dill, Dupont, Fischl, Fox, Mennin, King, Penny, Piccinini, Pondick, Silverthorne, Smith, Taplin, Wilkinson Gallery, New York, NY 2014 — The Big Picture, Desiderio, Fischl, Rauch, Saville, Tansey, Wilkinson Gallery, New York, NY 2011 — Iconomancy, Wilkinson Gallery, New York, NY 2011 — I've Got a Secret, The Forbes Galleries, New York, NY 2011 — Uncovered, Eden Rock Gallery, St. Barths 2010 — Just Off, Sloan Fine Art, New York, NY 2007 — Normal, Linda Warren Gallery, Chicago, IL 2006 — Uprising, Lower Manhattan Cultural Council Space, New York, NY 2005 — Primed, Parsons School of Design, New York, NY 2003 — The Burbs, DFN Gallery, New York, NY 2003 — Space Invaders, FishTank Gallery, New York, NY 1985 - 89 — The Drawing Center, New York, NY, Artist Curator, Responsible for interviewing artists, portfolio reviews and initial selections for group exhibitions.

In London, as well as Science, his organisational hub, he also owns a big chunk of Newport Street in Lambeth, which is currently being turned into a new gallery that will open in 2014 and house his extensive collection of contemporary art by the likes of Bacon, Koons, Murakami, Richard Prince, Sarah Lucas and even Banksy — «We do these collaborations with my spots.

The space — and the ambition — was influenced by Charles Saatchi's big gallery in Boundary Road in north London, which opened in the mid-1980s, and initially showed work by pioneering American conceptual artists like Sol LeWitt and Donald Judd, both of whom influenced Hirst.

Filled with some two dozen wire - woven openwork sculptures by Ruth Asawa, the big second - floor gallery at David Zwirner's West 20th Street space in Chelsea looks like a basketry forest, or a subaqueous garden, or a cloud of microbial life.

2005 — BRIC PROJECT DIVERSITY, Corridor Gallery, Brooklyn, NY 2004 — THE MELTING, Rockefeller Arts Center, SUNY Fredonia — TELL ME A STORY OF A WORLD WITHOUT WORDS, City Without Walls, Newark, NJ — A SLOW READ, BRIC Rotunda Gallery, Brooklyn, NY, curated by Katarina Wong — SIX NEW YORK ARTISTS, Linda Warren Gallery, Chicago — SEEN & UNSEEN, Broadway Gallery, New York 2003 — ANNUAL JURIED EXHIBITION, Delaware Center for Contemporary Arts, Wilmington 2002 — ART AT STEEPLETOP, Millay Colony for the Arts, Austerlitz, NY 2001 — ART CONTEMPORANI DE MUNTANYA, Ecomuseu, Valls d'Aneu, Spain 1999 — LEST WE FORGET, Amory Arts Center, West Palm Beach, FL 1996 — RED CLAY SURVEY BIENNIAL, Huntsville Museum of Art, AL 1995 — CONFESSIONS, Woodruff Arts Center, Atlanta 1994 — ALEX O'NEAL AND JAN HANKINS, P. S. 122, New York 1989 — NEW AMERICAN TALENT, Austin Museum of Art, Austin, TX, curated by John Caldwell 1988 — BIGGER THAN A BREADBOX, S.I.T.E., Culver City, California 1987 — FIFTY YEARS OF VISUAL CREATION, Memphis College of Art 1986 — FOUR ARTISTS, Randolph Street Gallery, Chicago

The big hat exhibition, curated by consciousness - raised Marc Straus gallery directorsTim Hawkinson and Ken Tan, includes work by Holly Coulis, pictured here, alongside Nicole Eisenman, Anj Smith, Joan Levinson, Tomona Matsukawa, Eleanor Ray, Ann Craven, Rachel Selekman, Bettina Blohm, Lily Kelly Napangardi, Anna Leonhardt, Genieve Figgis, Emma Rivers, Tarra Bandet, Rachel Garrard, Sarah Crowner, Shara Hughes, Nicole Cherubini, Shirin Neshat, Emily Wardill, Kirsi Mikkola and Liliane Tomasko.

In addition to Nozkowski's paintings in the Pace Wildenstein booth, there was a wall of quiet, mostly achromatic paintings by Avis Newman at Lisson Gallery; both big - name galleries at the Armory Show.

Netze und andere Gebilde,» Kunsthalle Basel, Basel, Switzerland, catalogue «1999 Drawings,» Alexander & Bonin Gallery, New York, NY «00,» Barbara Gladstone Gallery, New York, NY, July 6 - August 5, 2000, catalogue 1999 «Description Without Place,» AC Project Room, New York, NY, October 23 - December 4, 1999 «Proliferation: Work from the Permanent Collection,» Museum of Contemporary Art, Los Angeles, Los Angeles, CA, March 7 — June 20, 1999 «Life is Elsewhere,» Theoretical Projects, Naples, Italy, March 25 - May 1, 1999 1997 «Maxwell's Demon,» Margo Leavin Gallery, Los Angeles, CA, November 8 - December 20, 1997 «Elusive Paradise: Los Angeles Art from the Permanent Collection,» Museum of Contemporary Art, Los Angeles, October 5, 1997 - November 14, 1999 «Painting Machines,» curated by John Stomberg, Boston University Art Gallery, Boston, MA, October 31 - December 14, 1997 1996 «Just Past: The Contemporary in the Permanent Collection, 1975 - 96,» curated by Ann Goldstein, The Geffen Contemporary at MOCA, Los Angeles, September 28 - January 7, 1997 «Final Projects: The House,» MAK Center for Art and Architecture, Schindler House, Los Angeles «The Garage Project,» MAK Center for Art and Architecture, Mackey House, Los Angeles «Everything that's interesting is new,» Deste Foundation, Athens, Greece 1995 «The Big Night,» Art Center College of Design, Pasadena, CA «Plane / Structures,» White Columns, NY, curated by David Pagel «Ambient,» Olivier Antoine, Nice, France «Saturday Night Fever,» Thomas Solomon's Garage, Los Angeles, CA 1994 «Un Papillon sur la Roue,» L'Espace d'Art Moderne et Contemporain de Toulouse et Midi - Pyrenees, Toulouse, France «Plane / Structures,» Otis Gallery, curated by David Pagel, Los Angeles 1993 «Co-Conspirators,» James Corcoran Gallery, curated by Cliff Benjamin, Santa Monica, CA «Just What Is It That Makes Today's Homes So Different, So Appealing?

Ratajkowski, who owns work by Katherine Bernhardt and Jonas Wood, said that she is a big fan of local galleries Night and Venus (formerly Venus Over Los Angeles), and will be attending an opening for young artist Calvin Marcus at David Kordansky later in the week.

-- NYTimes The Larry Gagosian Effect — Wall Street Journal World's Biggest Museum Opens in China — Studio 360 Top Exhibitions of 2010 — The Art Newspaper Recent Art News - Texas Week of 03/27/11 Ed Ruscha at the Modern Museum of Fort Worth — CBS New: Sunday Morning (Video) Simpsons Takes Shots at Dallas Football, Arts District — FrontRow A work in progress: The Dallas Arts District gathers trophy buildings, but still searches for urban vitality — Chicago Tribune James Turrell mound at Rice University - Glasstire Richard Serra, Pushing the Boundaries of Drawing — ARTnews Recent Art News - National - International Week of 03/27/11 Ed Ruscha Street Photography — LATimes Stephen Colbert Exposes Himself to Art (the Appropriate Way)-- NYTimes (Video) Jerry Saltz on Andy Warhol's Portraits of Liz Taylor — NYMag Eduardo Souto de Moura, Architect from Portugal, Wins Pritzker — NYTimes Recent Art News - Texas Week of 03/20/11 Neiman Marcus to feature artwork in Windows — FrontRow MAC director resigns — Glasstire Recent Art News - National - International Week of 03/20/11 Jerry Saltz: How a Joyride in Gavin Brown's Volvo Became Art — NYMag Walker Art Center to Acquire Merce Cunningham's collection — Art in America Cultural Complex in Santiago di Campostela is expensive mistake - The Art Newspaper Toshiko Takaezu, Ceramic Artist, Dies at 88 — NYTimes Recent Art News - Texas Week of 03/13/11 Artpace San Antonio — YouTube Crow Collection To Expand, Add Asian Sculpture Garden — FrontRow Donor's Son Sues Dallas Museum Over Art Collection, 25 Years Later — NYTimes Recent Art News - National - International Week of 03/13/11 Abramovic wins two - year copyright battle — The Art Newspaper Scents and Sensibility, Artists use scent to create new experience in museums — ARTnews Spark: How Creativity Works, by Julie Burstein, Kurt Andersen — Amazon.com (Book) Michelangelo's David «could collapse due to high - speed train building» — Telegraph Recent Art News - National - International Week of 03/06/11 Norman Foster to Design Huge Hong Kong Cultural District — NYTimes Recent Art News - Texas Week of 02/27/11 AMOA leaving downtown, focusing on Laguna Gloria — Austin 360 Recent Art News - Texas Week of 02/13/11 Amon Carter's Director of Education Named National Educator of the Year — Amon Carter Museum Blanton curator heads to National Gallery of Art — Austin 360 Director Dana Friis - Hansen departs from the Austin Museum of Art — The Austin Chronicle Dallas Architecture Forum wins AIA National Collaborative Achievment Award — Dallas Archicture Forum Recent Art News - National - International Week of 02/13/11 Egyptian Archeological Sites Were Looted, Says Antiquities Minister — NYTimes Tracey Emin, the visionary, emerges as Margate's answer to William Blake — Guardian What's The Matter With Kansas... This Time?

I had mentioned in my response to Randy Tibbits's screed regarding too few Houston or Texas artists at the Museum of Fine Arts, Houston that I thought the museum's American art galleries had bigger issues to address, «starting with too few works by artists of color and / or works addressing race, a lack of work by Native Americans, relatively little work reflecting urban social issues and labor unrest, etc..»

For one, the dominance of brick walls, wood floors, big windows and frequent columns of its repurposed 19th - century factory buildings is the apotheosis of SoHo, whose small - industry loft spaces were taken over by commercial art galleries in the 1970s.

My new year is starting off with a flurry of activity, the first of which is my participation in the ALL BIG LETTERS group show curated by Vandalog «s RJ Rushmore at Haverford College's Cantor Fitzgerald Gallery.

We're excited to announce the gallery's 2017 programme which includes the biggest and most ambitious project of brand new art ever undertaken by Sir Quentin Blake and previously unseen studio wall drawings by Turner Prize Winner Keith Tyson.

Support: Major exhibition support for Big Bling is provided by the Ford Foundation, Matthew Marks Gallery, Association for Public Art, Bloomberg Philanthropies, The Henry Luce Foundation, The Jacques and Natasha Gelman Foundation, J.P. Morgan Securities and Unalam of Unadilla, New York.

That's not only a big financial blow for a medium - sized or small gallery to absorb, it means that scores of new clients are being appropriated by these other bigger galleries.

2009 Arena Mexico, Guadalajara, Mexico Bad Habits, Albright - Know Art Gallery, Buffalo, NY, Curated by Heather Pesanti Glitterati, Headquarters, New York, NY, Curated by Thomas Woodruff and Aaron Cobbett LOVER, On Stellar Rays, New York, NY, Curated by Kate Gilmore & Candice Madey Glamour Bomb, Parlor Gallery, New Jersey, NJ hit it big, Mason Gross School of the Arrs, Rutgers University, New Brunswick, NJ Wild Exaggeration, The Grotesque Body in Contemporary Art, Haifa Museum of Art, Haifa, Israel

Among all four works, the complex relationships that unfold — between surface and volume, object and image, color and line — are redoubled in an adjoining gallery, where a big color photograph by Thomas Demand hangs all alone.

One of Wall Street's biggest investors in distressed debt claims a prominent New York gallery and artist Jeff Koons are cheating customers by failing to deliver works worth...

Ann Korologos Gallery presents Home for the Holidays: Small Works, Big Statements featuring printmakers Paula Schuette Kraemer, Leon Loughridge, Joel Ostlind, Sherrie York, and paintings, photographs, and sculpture by renowned local and national artists.

A success story in its own right, the park is also part of a bigger one, a golden triangle of art spaces all within 30 miles of each other, completed by the Hepworth Wakefield Gallery and in Leeds, the Henry Moore Institute and Leeds Art Gallery.

In the first gallery, we can compare the different styles and emotional urgencies in three big paintings by Mr. Fischl, Mr. Schnabel, and Leon Golub.

The really big news, of course, is that the widely respected Paul Schimmel — chief curator at MOCA until he was unceremoniously ousted by Deitch and Broad in 2012 — will himself be partnering with Zürich - based gallery Hauser & Wirth in 2015.

Lucille Khornak Gallery presents «Big is Beautiful,» by Lynn F. Walker This summer, the Lucille Khornak Gallery in Bridgehampton, NY is hosting a contest to offer an opportunity that unifies a larger,...

Yet they can miss the big picture by sticking to the big galleries.

Notable recent exhibitions include 82 Portraits and 1 Still Life, which opens at the Los Angeles County Museum of Art on April 15th, 2018; the show was organized by the Royal Academy, London (2016) and traveled to Ca» Pesaro, Venice (2017), Guggenheim Bilbao (2017); A Bigger Picture (2012), organized by the Royal Academy of Arts, London, that traveled to Guggenheim Bilbao (2012), Museum Ludwig, Cologne (2012 — 2013); A Bigger Exhibition, de Young Museum, San Francisco (2014); Current, National Gallery of Victoria, Melbourne (2016); Happy Birthday, Mr. Hockney at The Getty Museum, Los Angeles (2017).

A $ 3 million expansion, overseen by New York - based architects HWKN, includes a remake of the interior of its library, while one of its big gallery spaces will become a new archive, designed by the British conceptual artist Liam Gillick.

Séance of Imagination», Centre of Culture ZAMEK, Poznan, Poland — curated by Adam Budak «Kunstpreis der Böttcherstraße», Bremen, Germany «Panegyric», Forde, Geneva, Switzerland «The Big Inexplicable Paravent Illusion», Isabella Bortolozzi Galerie, Berlin, Germany «LUX / ICA Biennial of Moving Images», ICA, London, UK «Transmediale.12», Berlin, Germany «At the Speed of Stone», Marianne Boesky Gallery, New York, USA — curated by Anthony Huberman

Opening on 23rd January at the Rook & Raven gallery, Bigger Than The Both of Us, a solo exhibition by acclaimed artist Corinne Felgate is comprised of two new major installations, Bigger than the Both of Us (MOMA) and Studio X Y Z, that draw on the artist's on - going research into our collective relationship with the man - made environment, and how society's perception of the manufacturing industry shapes our understanding of what it is to exist in the world today.

A concise retrospective — a sampler, really — of important works by David Hammons, at the Mnuchin Gallery, on East Seventy - eighth Street, is a big deal, as Hammons shows generally are.

Her work has been part of various international group exhibitions including L'Autre visage: Portrait & expérimentations photographiques, Centre photographique - Pôle Image Haute - Normandie, Rouen, France (2016); Out of Obscurity, Flowers Gallery, London (2016); A Verdant Summer, Taymour Grahne Gallery, New York (2016); Art Bandini, Los Angeles (2016); Metamorphosis, Flowers Gallery, London (2015); Any Human Measure, M+B Gallery, Los Angeles (2015); Altarations: Built, Blended, Processed, University Galleries, Florida Atlantic University, Boca Raton (2015); Me and Benjamin, Galerie Xippas, Paris (2014); Foam Talent 2014, East Wing Gallery, Dubai (2014); Aggregate Exposure, George Lawson Gallery, San Francisco (2014); Foam Talent 2014, Westergasfabriek, Amsterdam (2014); Foam Talent 2014, l'Atelier Néerlandais, Paris (2014); One Step Beyond, Galerie Christophe Gaillard, Paris (2014); Fixed Unknowns, Taymour Grahne Gallery, New York (2014); Soft Target, M+B Gallery, Los Angeles (2014); Big Pictures, Public - art exhibition organized by the Cincinnati Art Museum (2014); Surface (s) / Prise (s), Galerie Christophe Gaillard, Paris (2014).

Little Big Show critiques assumptions of virtual versus «real» representation by positing two allied narratives in sequential galleries: the first in an exhibition of miniature digital reproductions, the second in a series of original artworks.

«Even the bigger galleries, the Regen Projects, the Blum & Poes, we're still not operating by the rules of New York.

Not long after Castillo made his big sale, New York's Paula Cooper Gallery sold a blockbuster piece by conceptual and minimalist artist Sol Lewitt to a private museum for a price the gallery would not specify but said was between $ 1 million and $ 1.5 mGallery sold a blockbuster piece by conceptual and minimalist artist Sol Lewitt to a private museum for a price the gallery would not specify but said was between $ 1 million and $ 1.5 mgallery would not specify but said was between $ 1 million and $ 1.5 million.