Joyner, a former Wall Street executive turned arts patron, is currently touring works from her and her husband Alfred Giuffrida's collection of nearly 400 works
by black abstract artists including Sam Gilliam, Melvin Edwards, Mark Bradford, Shinique Smith, and Kevin Beasley, with an aim «to rewrite art history,» as Joyner described it in a recent interview.
Not exact matches
The
Black Arts Movement, formally established in 1965
by a group of politically motivated poets,
artists, and musicians, had little use for
abstract painting.
But many more were inspired
by the strife of the 1960s, including
black artists whose work is primarily conceptual or
abstract, and white
artists with mainstream popularity.
From Norman Lewis to Joe Overstreet, the Harlem Renaissance — derived tradition of African - American
abstract painting (which has historically had a primarily
black audience) is intermingled with the tradition of so - called self - taught or outsider
artists such as Bill Traylor and Bessie Harvey (whose audience has been mostly in the rural south and mostly
black); the more recent wave of African - American conceptualism represented
by Adrian Piper, Lorna Simpson, and others (whose work
MUST - SEE EXHIBITION openings and interesting talks and appearances happening this week in
black art: Through June 21, 2014 Brenna Youngblood at Contemporary Art Museum St. Louis A selection of muted
abstracts by Los Angeles - based
artist Brenna Youngblood are on view at the Contemporary Art Museum St. Louis.
While certainly all of the leading
artists who were part of the
abstract expressionist movement were involved with color at various points in their career, many of the important masterworks of the movement — such as those
by Jackson Pollock, Franz Kline, Robert Motherwell, and key series
by Willem de Kooning and Barnett Newman — are notable for their lack of strong color in favor of
black and white.
Geometric Vistas: Landscapes
by Artists of Black Mountain College provides visitors with the opportunity to explore abstract landscapes and cityscapes created by artists who studied and taught at Black Mountain College between 1933 an
Artists of
Black Mountain College provides visitors with the opportunity to explore
abstract landscapes and cityscapes created
by artists who studied and taught at Black Mountain College between 1933 an
artists who studied and taught at
Black Mountain College between 1933 and 1957.
Magnetic Fields: Expanding American Abstraction, 1960s to Today places
abstract works
by multiple generations of
black women
artists in context with one another — and within the larger history of
abstract art — for the first time, revealing the
artists» role as under - recognized leaders in abstraction.
Inspired loosely
by cosmic science fiction, the two
artists new
abstract work was created using various mediums and was all in
black and white.
This 1966 original stone lithograph on paper
abstract with red, blue, and
black is
by New York / San Francisco
Abstract Expressionist
artist Gary Lee Shaffer (1936 - 2001).
«The Day After» is an
abstract painting executed in reds and
blacks by Post War,
Abstract Expressionist
artist Michael Corinne West.
Entitled Drip, Drape, Draft, the show presents works
by Robert Davis, a close friend of Johnson for more than a decade; Angel Otero, who he has known for some six years; and Sam Gilliam, an older
artist from what Johnson refers to as «an almost lost generation of
black abstract painters», with whom he recently struck up a mutually significant friendship.
Mangold's woodcuts premiering for the first time are also presented in conversation with works such as Movement in White, Umber, and Cobalt Green (1950)
by early American modernist John Marin (1870 — 1953), known for his
abstract landscapes, and with Duet and Murmur (2014), New York — based contemporary
artist Cheonae Kim's (1952 ---RRB- paintings from her linear
black - and - white series.
Black Mirror refers as well to Claude Glass, small mirrors used
by artists that
abstract and distort the reflected subject.
Such were the concerns at the heart of the Spiral Group, whose only exhibition, the 1965 First Group Showing: Works in
Black and White, is represented
by works
by Emma Amos, Reginald Gammon, Norman Lewis, Hale Woodruff, and others — along with additional works
by these
artists, including Woodruff's large
abstract painting Blue Intrusion (1958).
Stick:
Black And White 1 is an original, large one - of - a-kind
abstract painting signed
by artist Peter Nottrott.
Franz Kline is a large acrylic painting inspired
by the
black - and - white
abstract paintings of the late
artist Franz Kline.
For example, Ethiopian - born
artist Julie Mehretu's Okemos Drawings (Quartet A)(2008) depicts in four unique drawings an intricately
abstracted cityscape formed
by a layered web of drawn lines in
black and white and color.
It also came just as the organizer of Radical Presence, Contemporary Arts Museum Houston senior curator Valerie Cassel Oliver, was preparing to open the first installment of
Black in the Abstract, a two - part exploration of abstract painting by black artists, as part of CAMH's six - exhibition, two - installment abstraction extravaganza, Outside the L
Black in the
Abstract, a two - part exploration of
abstract painting
by black artists, as part of CAMH's six - exhibition, two - installment abstraction extravaganza, Outside the L
black artists, as part of CAMH's six - exhibition, two - installment abstraction extravaganza, Outside the Lines.
Black And White Xxl 1 is an original, large one - of - a-kind
abstract painting signed
by artist Peter Nottrott.
Organized
by the Kemper Museum of Contemporary Art in Kansas City, Missouri, Magnetic Fields is the first U.S. exhibition to place
abstract works
by multiple generations of
black women
artists in context with one another.
On the other hand, both parts of
Black in the Abstract make it perfectly clear that, on the whole, the quality of the work being produced by black artists whose practices include abstraction — as the inclusion of Hammons, McMillian and Donnett indicate, not everyone here is an «abstract painter» — does not suffer in comparison with that of their colleagues of other backgrounds, including major figures like Amy Sillman and Charline von Heyl, both of whom have work in Arning's Painting: A Love S
Black in the
Abstract make it perfectly clear that, on the whole, the quality of the work being produced
by black artists whose practices include abstraction — as the inclusion of Hammons, McMillian and Donnett indicate, not everyone here is an «abstract painter» — does not suffer in comparison with that of their colleagues of other backgrounds, including major figures like Amy Sillman and Charline von Heyl, both of whom have work in Arning's Painting: A Love S
black artists whose practices include abstraction — as the inclusion of Hammons, McMillian and Donnett indicate, not everyone here is an «
abstract painter» — does not suffer in comparison with that of their colleagues of other backgrounds, including major figures like Amy Sillman and Charline von Heyl, both of whom have work in Arning's Painting: A Love Story.
Black Wall is an original, one - of - a-kind
abstract painting signed
by artist Pol Ledent.
Slim:
Black And White 1 is an original, large one - of - a-kind
abstract painting signed
by artist Peter Nottrott.
Black White Experiment M 3 is an original, large one - of - a-kind
abstract painting signed
by artist Peter Nottrott.
Black And White Inspirations xl1 is an original, large one - of - a-kind
abstract painting signed
by artist Peter Nottrott.
Here the focus is on figurative works
by Smith, Chingerey, Haynes, and Barney, as well as a startling series of photographs
by Jackie
Black and
abstract sculpture
by Marianne Weil — both
artists selected
by Tony Oursler who was unavailable for an interview.
A minimalist
abstract resin and acrylic on wood panel executed in dark gray and
black by contemporary
artist Susan Hutchinson.
Phillips London Contemp Sale Pulls in $ 15 Million — The top lots were a 1982 untitled Basquiat for $ 2.5 million and a 1997
black - and - white pattern painting
by Christopher Wool for $ 2.6 million, while
artist records were set for Nate Lowman ($ 522,728 for a 2005 bullet - hole painting) and Ryan Sullivan ($ 141,438 for a 2011
abstract painting) in a sale presided over
by Alexander Gilkes, filing in for the now - gone Simon de Pury.
Black And White Wings Xxl 1 is an original, large one - of - a-kind
abstract painting signed
by artist Peter Nottrott.
Black And White Nature Wings Xxl 1 is an original, large one - of - a-kind
abstract painting signed
by artist Peter Nottrott.
Among the works that did well were Lot 16, a charming small sculpture, one of three examples down in 1945 - 6,
by David Smith, shown above, that sold for $ 220,000 (not including the buyer's premium) and had had a high estimate of $ 150,000; Lot 5, «Atantolone,» a gloss household paint on canvas of colored dots on a white field that sold for $ 170,000 (not including the buyer's premium), well over its high estimate of $ 120,000; Lot 14, a large 1943 painted wood and wire sculpture, «Constellation,»
by Alexander Calder (1898 - 1976) that sold for $ 1,982,500 (including the buyer's premium), more than double its high estimate, and Lot 24, a larger Calder sculpture, «Trepied,» that sold near its low estimate for $ 1,542,500 (including the buyer's premium); Lot 20, a large and very interesting and
abstract but not very colorful 1953 Francis Bacon (1909 - 1992), «Two Figures at a Window,» that sold above its $ 1.2 million high estimate for $ 1,542,500 (including the buyer's premium); Lot 27, «Tour III»
by Brice Marden (b. 1938) that sold within its estimates for $ 1,487,500 (including the buyer's premium), tying the
artist's record; Lot 41, «Grillo,»
by Jean - Michel Basquiat (1960 - 1988) that sold for $ 1,102,500 (including the buyer's premium), also within its pre-sale estimates; and Lot 31, «Vierwaldstätte See,» a large
black and white 1969 landscape
by Gerhard Richter (b. 1932) that sold for $ 1,047,500 near its low estimate of $ 1 million.
The Swiss
artist Urs Fischer, known mostly for his sculpture, has also made editioned «paintings» — laser prints of untitled landscapes or interiors that achieve a nearly
abstract, cracked - mirror effect with uneven bands of red, white, or
black that the
artist adds
by hand, using a fine paintbrush or felt - tipped marker.
Richard Mayhew, Melvin Edwards, Richard Hunt and William T. Williams attend
Abstracted Black Tie Dinner Hosted
by Pamela Joyner & Fred Giuffrida, and the Ogden Museum of Southern Art, to Celebrate the
Artists and Writers in the... Más
Shinique Smith and Vkara Phifer - Smith attend
Abstracted Black Tie Dinner Hosted
by Pamela Joyner & Fred Giuffrida, and the Ogden Museum of Southern Art, to Celebrate the
Artists and Writers in the Publication «Four Generations, The... Más
Invisible Man, the inaugural exhibition in the new downtown Manhattan gallery, mounts painting, installation, and sculpture
by Torkwase Dyson, Kayode Ojo, Pope.L, and Jessica Vaughn, four
black artists who address aspects of blackness in
abstract and conceptual forms that imply bodies unseen.
Catalogue produced to accompany this major touring exhibition which sought to examine the links between «
abstract» art and a younger generation of
Black artists in England,
by looking at the work of Sylbert Bolton, Anthony Daley and David Somerville.
Golnaz Esmaili and Kevin Beasley attend
Abstracted Black Tie Dinner Hosted
by Pamela Joyner & Fred Giuffrida, and the Ogden Museum of Southern Art, to Celebrate the
Artists and Writers in the Publication «Four Generations, The... Más
[12] Fragmento Brasil (1977 - 2005), a synchronized multi-projection piece without sound, is made up of paired sequences of 648 images [13] from three sources: details from Albert Eckhout's mid-17th-century paintings of Brazilian birds set in idealized landscapes of European provenance; the
abstract drawings of Yãnomãmi people from Venezuela and Brazil, 1978 — 80; and in conjunction,
black & white landscape photographs of the Rio Caroni, Rio Uraricoera and Rio Branco regions in Venezuela and Brazil taken
by the
artist on a five - month walk in 1977.
By resisting being labeled as a
black woman artist, Thomas received criticism for «her abstract style as opposed to other Black Americans who worked with figuration and symbolism to fight oppression.&r
black woman
artist, Thomas received criticism for «her
abstract style as opposed to other
Black Americans who worked with figuration and symbolism to fight oppression.&r
Black Americans who worked with figuration and symbolism to fight oppression.»
Recent Paintings
by Wini Brewer will feature new works
by the Los Angeles based
artist whose vibrant works infuse
abstract and representational elements through a unique process of layering colorful acrylics against
black and white graphics.
Elsewhere in the exhibition, next to a
black - and - white
abstract calligraphy ink painting
by Hasegawa and an untitled piece
by Robert Motherwell featuring an oil paint — splash «wave» cresting through the air, Asian - American AbEx
artist Satoru Abe presents The Idol (1958), an equally delicate copper and bronze skeletal monument.
Black Journey is an original, one - of - a-kind
abstract painting signed
by artist Pol Ledent.
In the June 2014 ARTnews article «
Black Abstraction: Not a Contradiction,» Hilarie M. Sheets aptly notes, «The contributions of African American
artists to the inventions of
abstract [art] have historically been overlooked...» Magnetic Fields focuses on non-representational art making
by women
artists of color, reframing the art historical narrative to convey a more complete presentation of American abstraction than has ever previously been examined.
ATLANTA —
Black rubber fragments from recycled tires have been painstakingly twisted, knotted and folded to create the complex and expressive
abstract sculpture «Mixed Messages,»
by artist Chakaia Booker.
Their foundation worked with local
black businesses to renovate the former movie house in 13 days before mounting work
by an integrated roster of contemporary
abstract artists that included Bradley, Anthony Caro, Sam Gilliam, Robert Gordon, Daniel Johnson, Kenneth Noland, Larry Poons and William T. Williams.
A new paperback book
by artist John Sparagana is filled with his
abstract artwork; a painting unfolds across 170 pages, progressing from color to
black - and - white.
This late 20th century ink on paper
black and white
abstract is
by Santa Fe
artist Seymour Tubis (1919 - 1993).
«Whirlwind» is an
abstract oil and graphite on canvas painting executed in subtle shades of
black, cream, burnt umber and rusty peach
by Post War
artist William Baziotes.
Black, White, and Gray
by Anni Albers (1899 - 1994) 1950, pictorial weaving adapted as a wool rug Gifts of The Josef and Anni Albers Foundation, in honor of Barack and Michelle Obama A pioneering
abstract artist, Anni Albers was best known for her work in textiles.