Sentences with phrase «by black artists over»

Works from the collection are now on display in an exhibition at the Ogden Museum of Southern Art in New Orleans, which similarly draws attention to the important developments made by black artists over the past 70 years or so, specifically relating to abstraction.

Not exact matches

These produced stories including wartime black humor in Iraq, musical diplomacy by the New York Philharmonic in Pyongyang, North Korea, a kerfuffle over the plumbing in Jerusalem's Church of the Holy Sepulcher, Pakistani artists» struggle with religious extremism in Lahore, and the Syrian civil war's spillover into neighboring Lebanon.

At the Contemporary Art Museum St. Louis, an exhibition of works by Kelley Walker, a white, Georgia - born artist, sparked a boycott over his use of racially and sexually charged images of black people.

Other features include a lengthy, amazing conversation between Marshall and Los Angeles artist Charles Gaines; an essay by Greg Tate on the artist's figures, which he calls «Marvellously Black Familiars»; and a chronology illustrated by the catalogs and brochures that have documented Marshall's exhibitions over the years.

UNBRANDED: REFLECTIONS IN BLACK AND A CENTURY OF WHITE WOMEN Selected by Stephanie Cristello Foreword by Janet Dees and Tamar Kharatishvili > click here to download PDF For over fifteen years, conceptual artist Hank Willis Thomas has consistently explored the representation of stereotypes within mass media and American consumer culture, particularly as it relates to African --LSB-...]

NEWS At the Contemporary Art Museum St. Louis, an exhibition of works by Kelley Walker, a white, Georgia - born artist, spark a boycott over his use of racially and sexually charged images of black people.

... «A beautiful suite of paintings by McArthur Binion, their surfaces pasted with shredded official documents — the artist's birth certificate and car registration, for example — painted over with a crosshatch of black and...

Combined, both projects comprise over 50 performance art scores by an intergenerational, international, and multi-ethnic group of brown and black artists.

The exhibition (22 June - 10 September 2017) presents work by over twenty black artists and collectives working in 1980s Britain.

The Place is Here presents work by over twenty black artists and collectives working in 1980s Britain.

The Brazilian - born artist works with photography and painting to make mixed - media artworks that take cues from John Baldessari's renowned dot works by painting circles and geometric lines over black - and - white photographs of landscapes.

Inspired by the graffiti artists whose marks covered the city's subway cars, Haring began to draw in white chalk over the black paper used to cover vacant advertising panels.

He and longtime friend and coauthor Henderson were motivated by frustration over the lack of literature on black artists.

22 June - 10 September 2017 The Place is Here presents work by over twenty black artists and collectives working in 1980s Britain.

Their endeavors have the potential to reshape the art market for black artists and help generate critical scholarship, institutional attention, documentation and sales, both for past generations of black artists who were passed over by white curators, and today's contemporary black artists.

It also means that the few quotes that have been gleaned over a career spanning five decades — first as a young artist making his way in LA, where he was influenced by West Coast conceptualists Bruce Nauman and Chris Burden, then in New York, where he became involved in the avant - garde black art scene centered around the pioneering gallery Just Above Midtown — tend to get quite a bit of recycling.

His works, such as his 1975 self - portraits, evoke the power of individual expressive acts in a photo - saturated culture by reaffirming painterly control over technical images and archetypal symbols, in this instance photographs of the artist in a crucifixion pose, drawn over with manic black marks.

MIDTOWN & UPTOWN & HARLEM Freak Flag curated by Kim Uchiyama / Morris / 29 E 32 (new, second location) / thru 12/13 Marina Abramovic; Jose Davila / Kelly / 475 Tenth Avenue @ 36 / thru 12/6 Emily Noelle Lambert; Lael Marshall / Dieu Donne / 315 W 36 / thru 1/10 Opening 11/20 Spencer Finch thru 1/11; CyTwombly thru 1/25; Etc. / Morgan Library / 225 Madison @ 36 Margaret Lanzetta / Heskin / 443 W 37 / thru 12/13 A Wicked Problem / EFA Project Space / 323 W 39 / thru 12/20 Inseparable Borders: Elisa Lendvay; Valentina Loseva curated by Nechama Winston / The 125 / 125 E 47 / thru 11/29 Opening 11/18 (6 - 9 PM) Anna Schuleit Haber / German Consulate / 871 United Nations Plaza @ 49 / thru 1/2 Opening 12/2 (6:30 - 8:30) Big Picture Show organized by the International Print Center / 1285 6th Avenue @ 52 / thru 12/5 R.Gober thru 1/18, H.Matisse thru 2/8, Sturtevant thru 2/22; J.Dubuffet thru 4/5; Etc. / MoMA / 11 W 53 Nina Tryggvadottir / Findlay / 724 Fifth Ave. @ 57 — floor 8 / thru 12/6 Sarah McEneaney; Hannah Wilke / de Nagy / 724 Fifth Ave. @ 57 — floor 12 / thru 11/22 Andy Warhol / Hirschl & Adler / 730 Fifth Ave. @ 57 / thru 12/6 Pablo Picasso / Pace / 32 E 57 / thru 1/10 Black & White: Vince Contarino; David Rhodes; Joan Witek; Adolph Gottlieb / McCoy / 41 E 57 / thru 12/12 Will Barnet / Alexandre / 41 E 57 / thru 1/10 Opening 11/20 (5 - 7 PM) Joseph Montgomery / Blum / 20 W 57 — floor 2 / thru 12/6 Nicolas Carone / Washburn / 20 W 57 — floor 8 / thru 1/17 John Baldessari / Goodman / 24 W 57 — floor 4 / thru 11/22 Dorata Jurczak / Jancou / 24 W 57 — floor 6 / thru 12/6 Ruud van Empel / Stux + Haller / 24 W 57 — floor 6 (new location) / thru 12/20 Bernardo Torrens; Anthony Brunelli; Antonio Caroria / Bernarducci - Meisel / 37 W 57 / thru 11/26 Richard Estes; Tom Otterness / Marlborough / 40 W 57 / thru 11/25 Kiln: A.Angell; R.Kneebone; W.O» Brien; A.Shechet; J.Smith; J.Wine curated by T.Zabludowicz / Heller / 43 W 57 (new, second location) / thru 12/20 An Albers Legacy: Artists at Yale in the 1950's curated by Francis Frost / 57W57ARTS / 57 W 57 -1206 / thru 12/20 Marcel Eichner / McKee / 745 Fifth / thru 12/20 Alexander Kaletski / Boone / 745 Fifth / thru 12/20 Assenting Voices: Agitprop Art from North Korea / John Jay CUNY / 860 Eleventh Ave. @ 58 / thru 1/23 New Territories thru 4/6, Etc. / Museum of Art and Design / 2 Columbus Circle @ 59 Joel Carreiro / St. Paul / Columbus @ 60 / 9/30 thru 11/29 Leo Villareal / Gering / 14 E 63 (new location) / thru 1/10 ZERO in vibration — vibration in ZERO / Moeller / 35 E 64 / thru 1/9 Please Enter curated by Beth Rudin Dewoody / Franklin Parrasch / 53 E 64 / thru 12/20 Something Beautiful curated by Khary Simon & Nicolas Wagner / Boesky / 118 E 64 / thru 12/20 Five From Fourteen: James Case - Leal, Anna Glantz, Ali Harrington, Heidi Howard, and Alyssa Piro / Bernstein / 21 E 65 / thru 12/12 Ha Chonghyun / Blum & Poe / 19 E 66 / thru 12/20 Jasper Johns / Dickinson / 19 E 66 / thru 12/12 Miyoko Ito / Baumgold / 60 E 66 / thru 12/20 Douglas Gordon / Park Avenue Armory / 643 Park @ 66 / $ / thru 1/4 Opening 12/10 Terence Gower / Faria / 35 E 67 / thru 1/10 Opening 11/20 Gego; Gerd Leufert / Hunter / West Building, 68 & Lexington (SW corner) / thru 11/22 Freezer Burn organized by Rita Ackermann / Hauser & Wirth / 32 E 69 / thru 12/20 Ray Johnson / Feigen / 34 E 69 / thru 1/16 Ishiuchi Miyako / Roth / 160A E 70 / thru 11/21 Nam June Paik / Asia Society / 725 Park @ 70 / thru 1/4 Food for Thought curated by H.Cohen & M.Falcaro / Marymount / 221 E 71 / thru 12/4 Maurizio Cattelan curated by Adam Lindemann / S - 2 / 1334 York @ 71 / thru 11/26 Local History: Castellani; Judd; Stella curated by Linda Norden / Levy / 909 Madison @ 73 / thru 1/3 Claude Rutault / Perrotin / 909 Madison @ 73 / thru 1/3 Opening 11/20 Jasper Johns / Starr / 5 E 73 / thru 1/23 Richard Diebenkorn / Van Doren Waxter / 23 E 73 / thru 1/16 Art in the Making / Freedman / 25 E 73 / thru 1/31 Duane Hanson / Gagosian / Park & 75 / thru 12/3 Jan Maarten Voskuil / Geranmayeh / 956 Madision @ 76 — floor 3 / thru 12/10 Berend Strik; Henk Peeters / Tilton / 8 E 76 / thru 12/19 Robert Raushenberg / Castelli / 18 E 77 / thru 12/20 Mario Schifano / Luxembourg & Dayan / 64 E 77 / thru 1/10 Carlo Mollino / Gagosian / 976 Madison @ 77th (new location) / thru 12/20 Blair Thurman; Walter De Maria / Gagosian / 980 Madison @ 77th / thru 12/20 Letha Wilson / Higher Pictures / 980 Madison @ 77 / thru 12/20 Opening 11/20 Sigmar Polke / Nahmad / 980 Madison — floor 3 / thru 1/15 Maurizio Cattelan curated by Adam Lindemann / Venus Over Manhattan / 980 Madison @ 77 / thru 1/10 Enrico David / Werner / 4 E 77 / thru 1/24 Chris Martin / Half / 43 East 78 / thru 12/13 El Anatsui / Mnuchin / 45 E 78 / thru 12/13 Roy Lichtenstein / Mitchell - Innes & Nash / 1018 Madison @ 78 / thru 12/19 Wayne Thiebaud / Acquavella / 18 E 79 / thru 11/21

There was no discussion of this spring's Whitney Biennial, in New York, that didn't include the controversy over a painting by Dana Schutz, who is white, of the mutilated body of Emmett Till, a 15 - year - old African American boy who was lynched in Mississippi in 1955, and the protests by a group of black artists over its presence in the biennial.

At Cuchifritos, the collective will host Edición Especial, a special iteration of Sweety's Radio that focuses on Spanish - speaking cultural producers, as a means to bridge the conversations taking place amongst black and brown (Spanish - speaking) communities in and outside of the U.S.. From June 27th through July 30th Sweety's programming will consist of weekly interviews featuring four invited artists whose work will take over the Cuchifritos space for each week, culminating in a collaborative installation by the four members of Sweety's.

The contrast between this bleak vision of urban life and the confection of pastel plastic sheeting by Karla Black over the stairwell underlines the diversity of the work produced by artists living and working in Scotland, leaving very different pieces to exist in the same space without forcing connections.

Webb, Todd A collection of over 300 black and white photographs by an artist Alfred Stieglitz compared to Ansel Adams.

His Orgena, a glittery portrait of a black woman created by the artist for his Turner Prize - winning exhibit at the Tate in 1998 was sold to an American collector for a record GBP 1.8 million, over its GBP 1 million high estimate, at Christie's London in 2010.

It was in these volumes that Williams» prescient eye sought to bring thoughtful, daring and experimental photography to the discerning public's eye — by combining and juxtaposing photographs by artists such as Harry Callahan, Aaron Siskind (whom he considered a personal mentor), Frederick Sommer and Clarence John Laughlin — with equally provocative and original literature and poetry, drawing heavily from all over the country, including the nexus of creative energies at the famous Black Mountain College (N.C.).

That modernism has always both mined and marginalized the cultural practice of black artists is not a new revelation; but the ways in which such appropriations and revisions are glossed over by formalist discourse is brought into jarring focus by the works on display.

Gallery artists living and dead confront power structures and their impact on migration, censorship, struggles for democracy and equality across the globe: Ian Hamilton Finlay's wooden block / guillotine «La Révolution est un bloc», Yayoi Kusama's enveloping sculpture «Prisoner's Door», Chris Ofili's «Union Black» flying over the gallery entrance, Wangechi Mutu's action painting «Throw» and work by Elmgreen & Dragset, Wolfgang Tillmans, Kara Walker and others.

Phillips London Contemp Sale Pulls in $ 15 Million — The top lots were a 1982 untitled Basquiat for $ 2.5 million and a 1997 black - and - white pattern painting by Christopher Wool for $ 2.6 million, while artist records were set for Nate Lowman ($ 522,728 for a 2005 bullet - hole painting) and Ryan Sullivan ($ 141,438 for a 2011 abstract painting) in a sale presided over by Alexander Gilkes, filing in for the now - gone Simon de Pury.

Among the works that did well were Lot 16, a charming small sculpture, one of three examples down in 1945 - 6, by David Smith, shown above, that sold for $ 220,000 (not including the buyer's premium) and had had a high estimate of $ 150,000; Lot 5, «Atantolone,» a gloss household paint on canvas of colored dots on a white field that sold for $ 170,000 (not including the buyer's premium), well over its high estimate of $ 120,000; Lot 14, a large 1943 painted wood and wire sculpture, «Constellation,» by Alexander Calder (1898 - 1976) that sold for $ 1,982,500 (including the buyer's premium), more than double its high estimate, and Lot 24, a larger Calder sculpture, «Trepied,» that sold near its low estimate for $ 1,542,500 (including the buyer's premium); Lot 20, a large and very interesting and abstract but not very colorful 1953 Francis Bacon (1909 - 1992), «Two Figures at a Window,» that sold above its $ 1.2 million high estimate for $ 1,542,500 (including the buyer's premium); Lot 27, «Tour III» by Brice Marden (b. 1938) that sold within its estimates for $ 1,487,500 (including the buyer's premium), tying the artist's record; Lot 41, «Grillo,» by Jean - Michel Basquiat (1960 - 1988) that sold for $ 1,102,500 (including the buyer's premium), also within its pre-sale estimates; and Lot 31, «Vierwaldstätte See,» a large black and white 1969 landscape by Gerhard Richter (b. 1932) that sold for $ 1,047,500 near its low estimate of $ 1 million.

The looseness afforded by the materials and techniques of the black and white abstractions encourages the artist to expand his strokes to the outer edges of the paper in «all - over «compositions.

Alongside his celebrated abstractions, early black - and - white paintings and the photorealist depictions of candles, skulls and clouds that have become indisputable icons of modern painting, Panorama includes nearly 30 new paintings made over the past ten years, extensive comparative works, studio photographs, archival images and a substantial interview with the artist conducted by Nicholas Serota.

Over dinner at Red Rooster in Harlem, Beasley and Jones joined ARTnews to discuss Jones's new book, South of Pico: African American Artists in Los Angeles in the 1960s and 1970s (Duke University Press), and Beasley's recent project at the Hammer Museum in Los Angeles, an installation inspired by a historic image of black activist Huey P. Newton and an altarpiece by Gian Lorenzo Bernini in Rome.

Black Over White by Brazilian artist Maria Lynch is part of Pacific Standard Time LA / LA, the vast project supported by the Getty Foundation to produce exhibitions and education events related to Latin American and Latino art, in numerous venues across Southern California.

Over the course of the symposium, the invited participants, ranging from artists to literary scholars, cultural theorists, and art historians, will bring into sharp focus the ways in which the «Black Atlantic» continues to inform the production of art today by a new generation of artists, in connection with Frank Bowling: Mappa Mundi.

The first was the establishment of the Black Women Artists for Black Lives Matter (BWA for BLM), a collective of over one hundred women of color spearheaded by Simone Leigh, which «focuses on the interdependence of care and action... in order to highlight and renounce pervasive conditions of racism.»

Its highly ambitious first show was curated by Paul Schimmel and scholar Jenni Sorkin, and explores the way in which 34 female artists (such as Louise Nevelson, Louis Bourgeois, Lee Bontecou, Ruth Asawa, Lynda Benglis, Eva Hesse, Jessica Stockholder, Karla Black, and Liz Larner) over the past 70 years have radically shaped and changed the conversation around sculpture in modern and contemporary art.

1995 25 Americans: Painting in the 90s, Milwaukee Art Museum, USA Selected Works from the Collection The Irish Museum of Modern Art, Dublin, Ireland Black & White & Read All Over, La Salle Lobby Gallery, Nationsbank Plaza, Charlotte, USA American Art Today: Night Paintings, The Art Museum, FL InternationalUniversity, Miami, USA The Artist's Camera, Photographs by Contemporary Artists, Thread Waxing Space, New York, USA From Impulse to Image, Virginia Museum of Fine Arts, Richmond, USA Fiftieth Anniversary Celebration for Human Rights, United Nations, Geneva, Switzerland Louvre, Paris, France, Commissioned for a special print edition Print Cabinet, Musee d'art Moderne, Geneva, Switzerland Philadelphia Museum of Art, PA Commissioned for a special print edition From Picasso to Woodrow: Suite of prints Long Vertical Falls, Tate Gallery, London, England

Fade to Black is the series title for a group of projects organized or «triggered» by conceptual artist Philippe Parreno over the last 10 years.

Radical Presence: Black Performance in Contemporary Art is the first exhibition to survey over fifty years of performance art by visual artists of African descent from the United States and the Caribbean.

Presenting a broad selection of paintings, sculpture, textiles and photography, and including over 250 objects by nearly 100 artists, Leap Before You Look: Black Mountain College 1933 - 1957 at The Hammer Museum is the first comprehensive museum exhibition about the school.

Over 90 black and white photographs taken by Ute Klophaus, documenting eleven of the artist's «Aktion» works, will be shown alongside four of these iconic happenings on film.

It was partly caused by going to a number of performance - art seminars at MoMA over two years and hearing barely any conversation about black performance artists in the US.

♦ Mitchell - Innes & Nash: Alexander Liberman's target - like «Black and Red Circle» from 1960, a 24 by 30 oil on canvas, sold in the $ 50,000 range; Anthony Caro's glass, bronze, and steel «Display,» from 2011 - 12, went for a bit over $ 100,000; and among the living artists, Virginia Overton's Arte Povera - like «Untitled» wall piece sold for around $ 25,000.

The Center - funded exhibition Pati Hill: Photocopier presented by Arcadia University Art Gallery opens this week, with over 100 of the writer - turned - artist's black and white prints on view from February 25 through April 24.

And I realized I had to do something 1983 Rammelzee vs K Rob «Beat Bop» 1984 First shows at Clarissa Dalrymple and Nicole Klagsbrun's Cable Gallery (artists of Wool's generation who begin showing same period include Philip Taaffe Jeff Koons Mike Kelley Cady Noland and James Nares 1984 produces first book photocopied edition of four: 93 Drawings of Beer on the Wall 1984 Warhol Rorschach paintings 1986 First pattern paintings 1987 Joins Luhring Augustine Gallery 1987 First word paintings 1988 Collaborative installation with Robert Gober one painting by Wool (Apocalypse Now) one sculpture by Gober (Three Urinals) one collaborative photograph (Untitled) and a mirror Gary Indiana contributes a short piece of fiction to the accompanying publication 1988 In Cologne sees show of Albert Oehlen's work meets Martin Kippenberger 1988 First European shows Cologne and Athens 1988 Collaborates with Richard Prince on two paintings: My Name and My Act 1989 Museum Group shows in Amsterdam Frankfurt am Main and Munich Whitney Biennial 1989 One year fellowship at the American Academy in Rome 1989 Starts taking photographs 1989 Publishes Black Book an oversized collection of 9 - letter images 1989 Fall of the Berlin Wall 1990 Meets Larry Clark 1991 First survey mounted at Boymans - Van Beuningen Museum Rotterdam publishes accompanying artist's book Cats in Bag Bags in River color photocopies of photographs of black and white paintings 1991 Creates edition of small paintings for ACT - UP New York Needle Exchange 1991 Participates in Carnegie International includes painting and billboard with truncated text announcing «THE SHOW IS OVER» 1991 Meets Jim Lewis 1991 Relocates studio to East 9th Street in New York 1992 LA riots 1992 DAAD residency in Berlin 1993 Publishes Absent Without Leave 160 black - and - white images from travel photographs taken over previous 4 years 1993 Begins silkscreened flower paintings 1993 Meets Michel Majerus 1994 Makes road - signs for Martin Kippenberger's Museum of Modern Art Syros 1994 New York Knicks lose to Houston Rockets in Game 7 NBA Finals 1995 Organizes retrospective of the New Cinema late 70's New York underground Super-8 films 1995 First spray - paintings 1995 Kids 1996 East Village studio severely damaged in building fire leaving Wool without a working space for 8 months artist's insurance photos become portfolio Incident on 9th Street 1997 Marries painter Charline von Heyl 1998 Museum of Contemporary Art Los Angeles mounts mid-career retrospective travels to Carnegie Museum of Art Pittsburgh and Kunsthalle Basel 1998 Begins silkscreen re-imaging of own work 2001 Solo exhibition at Secession Vienna 2002 «Grey» paintings 2003 East Broadway Breakdown photos of New York City 2005 First digital drawings 2006 Contributes art to Sonic Youth Rather Ripped 2007 Collaborates with Josh Smith on Can Your Monkey Do the Dog 2008 Collaborates with Richard Hell on Psychopts 2008 Christopher Wool lives and works in New York and Marfa Black Book an oversized collection of 9 - letter images 1989 Fall of the Berlin Wall 1990 Meets Larry Clark 1991 First survey mounted at Boymans - Van Beuningen Museum Rotterdam publishes accompanying artist's book Cats in Bag Bags in River color photocopies of photographs of black and white paintings 1991 Creates edition of small paintings for ACT - UP New York Needle Exchange 1991 Participates in Carnegie International includes painting and billboard with truncated text announcing «THE SHOW IS OVER» 1991 Meets Jim Lewis 1991 Relocates studio to East 9th Street in New York 1992 LA riots 1992 DAAD residency in Berlin 1993 Publishes Absent Without Leave 160 black - and - white images from travel photographs taken over previous 4 years 1993 Begins silkscreened flower paintings 1993 Meets Michel Majerus 1994 Makes road - signs for Martin Kippenberger's Museum of Modern Art Syros 1994 New York Knicks lose to Houston Rockets in Game 7 NBA Finals 1995 Organizes retrospective of the New Cinema late 70's New York underground Super-8 films 1995 First spray - paintings 1995 Kids 1996 East Village studio severely damaged in building fire leaving Wool without a working space for 8 months artist's insurance photos become portfolio Incident on 9th Street 1997 Marries painter Charline von Heyl 1998 Museum of Contemporary Art Los Angeles mounts mid-career retrospective travels to Carnegie Museum of Art Pittsburgh and Kunsthalle Basel 1998 Begins silkscreen re-imaging of own work 2001 Solo exhibition at Secession Vienna 2002 «Grey» paintings 2003 East Broadway Breakdown photos of New York City 2005 First digital drawings 2006 Contributes art to Sonic Youth Rather Ripped 2007 Collaborates with Josh Smith on Can Your Monkey Do the Dog 2008 Collaborates with Richard Hell on Psychopts 2008 Christopher Wool lives and works in New York and Marfa black and white paintings 1991 Creates edition of small paintings for ACT - UP New York Needle Exchange 1991 Participates in Carnegie International includes painting and billboard with truncated text announcing «THE SHOW IS OVER» 1991 Meets Jim Lewis 1991 Relocates studio to East 9th Street in New York 1992 LA riots 1992 DAAD residency in Berlin 1993 Publishes Absent Without Leave 160 black - and - white images from travel photographs taken over previous 4 years 1993 Begins silkscreened flower paintings 1993 Meets Michel Majerus 1994 Makes road - signs for Martin Kippenberger's Museum of Modern Art Syros 1994 New York Knicks lose to Houston Rockets in Game 7 NBA Finals 1995 Organizes retrospective of the New Cinema late 70's New York underground Super-8 films 1995 First spray - paintings 1995 Kids 1996 East Village studio severely damaged in building fire leaving Wool without a working space for 8 months artist's insurance photos become portfolio Incident on 9th Street 1997 Marries painter Charline von Heyl 1998 Museum of Contemporary Art Los Angeles mounts mid-career retrospective travels to Carnegie Museum of Art Pittsburgh and Kunsthalle Basel 1998 Begins silkscreen re-imaging of own work 2001 Solo exhibition at Secession Vienna 2002 «Grey» paintings 2003 East Broadway Breakdown photos of New York City 2005 First digital drawings 2006 Contributes art to Sonic Youth Rather Ripped 2007 Collaborates with Josh Smith on Can Your Monkey Do the Dog 2008 Collaborates with Richard Hell on Psychopts 2008 Christopher Wool lives and works in New York and Marfa TOVER» 1991 Meets Jim Lewis 1991 Relocates studio to East 9th Street in New York 1992 LA riots 1992 DAAD residency in Berlin 1993 Publishes Absent Without Leave 160 black - and - white images from travel photographs taken over previous 4 years 1993 Begins silkscreened flower paintings 1993 Meets Michel Majerus 1994 Makes road - signs for Martin Kippenberger's Museum of Modern Art Syros 1994 New York Knicks lose to Houston Rockets in Game 7 NBA Finals 1995 Organizes retrospective of the New Cinema late 70's New York underground Super-8 films 1995 First spray - paintings 1995 Kids 1996 East Village studio severely damaged in building fire leaving Wool without a working space for 8 months artist's insurance photos become portfolio Incident on 9th Street 1997 Marries painter Charline von Heyl 1998 Museum of Contemporary Art Los Angeles mounts mid-career retrospective travels to Carnegie Museum of Art Pittsburgh and Kunsthalle Basel 1998 Begins silkscreen re-imaging of own work 2001 Solo exhibition at Secession Vienna 2002 «Grey» paintings 2003 East Broadway Breakdown photos of New York City 2005 First digital drawings 2006 Contributes art to Sonic Youth Rather Ripped 2007 Collaborates with Josh Smith on Can Your Monkey Do the Dog 2008 Collaborates with Richard Hell on Psychopts 2008 Christopher Wool lives and works in New York and Marfa black - and - white images from travel photographs taken over previous 4 years 1993 Begins silkscreened flower paintings 1993 Meets Michel Majerus 1994 Makes road - signs for Martin Kippenberger's Museum of Modern Art Syros 1994 New York Knicks lose to Houston Rockets in Game 7 NBA Finals 1995 Organizes retrospective of the New Cinema late 70's New York underground Super-8 films 1995 First spray - paintings 1995 Kids 1996 East Village studio severely damaged in building fire leaving Wool without a working space for 8 months artist's insurance photos become portfolio Incident on 9th Street 1997 Marries painter Charline von Heyl 1998 Museum of Contemporary Art Los Angeles mounts mid-career retrospective travels to Carnegie Museum of Art Pittsburgh and Kunsthalle Basel 1998 Begins silkscreen re-imaging of own work 2001 Solo exhibition at Secession Vienna 2002 «Grey» paintings 2003 East Broadway Breakdown photos of New York City 2005 First digital drawings 2006 Contributes art to Sonic Youth Rather Ripped 2007 Collaborates with Josh Smith on Can Your Monkey Do the Dog 2008 Collaborates with Richard Hell on Psychopts 2008 Christopher Wool lives and works in New York and Marfa Tover previous 4 years 1993 Begins silkscreened flower paintings 1993 Meets Michel Majerus 1994 Makes road - signs for Martin Kippenberger's Museum of Modern Art Syros 1994 New York Knicks lose to Houston Rockets in Game 7 NBA Finals 1995 Organizes retrospective of the New Cinema late 70's New York underground Super-8 films 1995 First spray - paintings 1995 Kids 1996 East Village studio severely damaged in building fire leaving Wool without a working space for 8 months artist's insurance photos become portfolio Incident on 9th Street 1997 Marries painter Charline von Heyl 1998 Museum of Contemporary Art Los Angeles mounts mid-career retrospective travels to Carnegie Museum of Art Pittsburgh and Kunsthalle Basel 1998 Begins silkscreen re-imaging of own work 2001 Solo exhibition at Secession Vienna 2002 «Grey» paintings 2003 East Broadway Breakdown photos of New York City 2005 First digital drawings 2006 Contributes art to Sonic Youth Rather Ripped 2007 Collaborates with Josh Smith on Can Your Monkey Do the Dog 2008 Collaborates with Richard Hell on Psychopts 2008 Christopher Wool lives and works in New York and Marfa Texas

Acquired by Frieder Burda over thirty years ago, No. 36 (Black Stripe) has never appeared at auction and has been featured prominently in every major museum exhibitions devoted to the artist, including the Tate Gallery in London, the National Museum of Modern Art in Tokyo, The National Gallery of Victoria in Melbourne, the Art Gallery of New South Wales in Sidney and was part of the seminal artist's retrospective at the Fondation Beyeler, in 2001.

From September 11 through December 23, 2016, the Museum will display over forty paintings and drawings by the artist, dating from his Black Mountain College days to the late 1960s in Ray Spillenger: Rediscovery of a Black Mountain Painter, an exhibition which reveals Spillenger's deep commitment to abstraction and passionate love of color.

Over the mantle is Andy Warhol's diamond - dusted, black - and - white portrait of the German artist Joseph Beuys, and abstract canvases by two other blue - chip artists, Gerhard Richter and Sigmar Polke, hang on the end walls.

Spanning the emergence of Black feminism, debates over the possibility of a unique Black aesthetic in photography, and including activist posters as well as purely abstract works, the exhibition asks how the concept of Black Art was promoted, contested and sometimes flatly rejected by artists across the United States.

The exhibition features work by over twenty black artists and collectives working in 1980s Britain.

Over the years, a variety of writers and artists (the comic was relaunched in 2016 by Ta Nehisi - Coates and Brian Stelfreeze) have built up a rich mythology around Wakanda, the country that Black Panther defends and rules as king.