Sentences with phrase «by black characters»

Black Panther (1966)-- While Black Panther is predated by the black characters of All Negro Comics (1947), Waku, Prince of the Bantu (Jungle Tales, 1954), Lobo (Dell Comics, 1965), and even Gabriel Jones of Sgt. Fury and His Howling Commandos (1963), he is the first black superhero in comic books.

February's Black Panther is more than just the first MCU film to be headlined by a Black character (though that is a pretty big deal)- it's a chance to see a classic Marvel property with connections to the deepest parts of the publisher's lore brought to life in stunning detail.

Not exact matches

The second spot, created by Los Angeles agency The Ant Farm, is more conventional and features a past Black Ops character essentially echoing North's fears.

(The series is based on a character who first appeared in July 1966, predating the formation of the Black Panther party by a few months.)

Black Panther is the first standalone film to focus on the titular character, the superhero alias of King T'Challa of the fictional country Wakanda, portrayed by actor Chadwick Boseman.

But like many superheroes of color in the Marvel (and DC) universes, Black Panther was relegated to the periphery of the pantheon of superheroes — most of whom were white male characters created by white men.

The sole black character survives the zombies, but he is fatally shot by rescuers.

Much like the success of last year's Warner Bros. film Wonder Woman helped change the conversation around a female superhero movie helmed by a woman director, a box - office smashing debut for Black Panther could pave the way for a similar paradigm shift in Hollywood with regard to how studios approach big - budget stories about characters of color.

Directed by Ryan Coogler (Creed) and starring Chadwick Boseman (Get On Up) as the Black Panther, the movie is the first standalone film for the classic Marvel Comics character after Boseman previously appeared as the Black Panther in 2016's Marvel film, Captain America: Civil War.

Most of the programming featured white men as protagonists; women and black men were, by and large, secondary characters.

This week, Marvel announced plans to release a film centered on its Black Panther character in 2017, to be played by Chadwick Boseman.

In Selma, white characters are played by white actors and black characters are played by black actors.

When, in 1963, Martin Luther King, Jr., declared his «dream» — that we Americans should one day become a society where a citizen's race would be an irrelevancy, where black and white children would walk hand - in - hand, where persons would be judged not by the color of their skin but by the content of their character — this seemed to many Americans both a noble and attainable goal.

Jackson faces the elephants in the room of whites and blacks having deep, meaningful relationships very quickly, especially in book two when one of the White main character's husband, Denny, is mistaken by, MaDea, an aging African American woman who is suffering from dementia, as one of the men who brutally lynched her brother nearly 70 years ago.

We might add that the meaning of liberation and the character of the struggle were yet and again different for young Huey Newton (co-founder of the Black Panther Party) as be lay hand - cuffed and under armed guard even while in surgery as the result of being shot by two policemen in 1967.

~ J.K. Rowling, «Padfoot Returns,» Harry Potter and the Goblet of Fire, 2000, spoken by the character Sirius Black

«The attack on the character of Associate U.S. Supreme Court Justice Clarence Thomas by militant white feminists, in books and newspaper articles, should not be ignored by anyone concerned with the misuse of the Black American Civil Rights Movement.

By taking this approach to understanding social forces, a way may be open for developing a social ethic and pastoral praxis that recognizes the complex character of collective power in black people's experience of oppression.2 As McClendon has made clear, the idea of a «social ethic» must not stand alone.

It's hard to find a film or television character portrayed by a Black actress that does not personify the StrongBlackWoman in some way.

As a teenager, I loved the Saturday afternoon black and white films on TV, with strong women characters played by Bette Davis or Joan Crawford.

At the premiere of the play titled «One Million Pounds» one of the interesting character was the role played By Lionel Lawson as Cliff in the play, a Black Ghanaian who was make - up to look British.

But when the black spaces are replaced by a green shade with the same luminance as the blue (previously white) spaces, the 3 - D character of the image falls apart (right).

12 R2 - D2 is the only character that appears unchanged (by aging, say, or a funky black outfit) in all six Star Wars movies.

Photographed by Miguel Reveriego at the Catalina Beach Club in Atlantic Beach, New York, Margot steps into a mixture of nautical - inspired black, white, navy and red outfits styled by Jessica Diehl, truly getting into her 50s character.

The Black Lightning character was created by Tony Isabella with Trevor Von Eeden.

With the vast amount of black online daters, a favorite fictitious character's name may be taken, so make it your own by tacking on a few numbers.

NEW YORK (AP)-- The title character of Jason Reitman's «Tully» descends not from the clouds, carried by an umbrella in the wind, but glides cheerfully through the front door on a black night.

And the most compelling character of all, a sci - fi nerd named Lionel (played, wonderfully, by Tyler James Williams), becomes a pawn of three distinct parties: The (white) editor of the student newspaper, the (white) housemates he's been unhappily thrown in with, and the (black) students who don't know what to make of him.

And then perhaps my favorite character, T'Challa's sister and tech expert Shuri (think Q in the James Bond movies), is played by the little - known British actor Letitia Wright, who's probably best known for a Black Mirror episode in the States.

And although their only black character, the Cairo - born Storm, was not American, the politics of race are vivid in the mutants» struggle for acceptance by humans.

Voiced by Chiara Mastroianni in French — Satrapi herself lives in Paris now — she's the most fully drawn female character in movies this year, only black and white and flat all over.

Created in 1966 by Marvel's Stan Lee and Jack Kirby, the character of Black Panther is actually King T'Challa, ruler of the fictional African country of Wakanda.

The main storyline involves a nefarious crime lord, played by Marvin «Krondon» Jones III, whose gang, The 100, is terrifying the city, but it's Black Lightning's journey into social issues — the character quotes Martin Luther King Jr. at one point in the premiere — that separates him from the rest of the superhero pack.

The latest film is Black Panther (directed by Ryan Coogler and starring Chadwick Boseman, Michael B. Jordan and Lupita Nyong» o), based on Stan Lee and Jack Kirby's 1966 comic book character of the same name.

Ironically, Black Panther is most successful in its treatment of the main villain, Erik «Killmonger» Stevens, played by Michael B. Jordan (Fruitvale Station and Creed), a character who ends up being more sympathetic in his cause than the titular hero.

The character was introduced into the cinematic universe in 2016's Captain America: Civil War, where his portrayal by Chadwick Boseman was widely praised, but the reviews for Black Panther have been even more rapturous.

Jordan explained his motivation for the Killmonger character in an interview with Rolling Stone: «This young black man from Oakland, growing up in systemic oppression, not having his mom and dad around, going to foster care, being a part of this system... I understood his rage, and how he could get to the point where he had to do what he had to do, by any means necessary.»

When Ryan Coogler's Black Panther opens, a superhero (played by Chadwick Boseman) with unapologetic black swagger will finally have the cultural spotlight, 50 years after the character debuted in a Marvel cBlack Panther opens, a superhero (played by Chadwick Boseman) with unapologetic black swagger will finally have the cultural spotlight, 50 years after the character debuted in a Marvel cblack swagger will finally have the cultural spotlight, 50 years after the character debuted in a Marvel comic.

The new Black Panther comic book series at Marvel, featuring Ta - Nehisi Coates as the writer and Brian Stelfreeze as the illustrator, will be the first time in a little while that a high - profile character will be penned by two creators of color — and it's Black Panther, one of the first black superhero characters Black Panther comic book series at Marvel, featuring Ta - Nehisi Coates as the writer and Brian Stelfreeze as the illustrator, will be the first time in a little while that a high - profile character will be penned by two creators of color — and it's Black Panther, one of the first black superhero characters Black Panther, one of the first black superhero characters black superhero characters ever.

The titular character, Bernie Tiede, played by a wonderfully in character Jack Black, is an assistant funeral director with a healthy appetite of generosity.

For all the talk of existential ennui and economic security among this cast of characters, the motivations of Icelandic director Baltasar Kormákur ultimately ring clearest: He's shifting his Hollywood aspirations from the grime - crime of Tony Scott («Contraband» and «2 Guns») to the marriage of grandeur and intimacy preferred by Tony's brother, Ridley, in «White Squall,» «Black Hawk Down» or «Gladiator» (which also boasted «Everest» co-writer William Nicholson in its credits).

His whole character might be defined by a sound that plays over a black screen to open Damien Chazelle's Whiplash: a few taps on an open snare, the sticks held in a tensile grip, taut Mylar and coiled steel escalating to a steady, sizzling roll.

Sentenced to three years in jail upon getting into a scuffle with a couple of fuzz trying to stop him from busking in the park, Otis, for starters, would be a far more resonant character if he were portrayed by a black actor (it doesn't count that the icky Matthews suffers from delusions of soul), since there's nothing to justify his martyr complex.

by Brian M. Puaca The recent success of the Black Panther movie has prompted many viewers to delve into the history of the character and explore his origins in the Marvel Universe of the 1960s.

In the comics, the character is a native of Wakanda whose family was exiled after his father was caught working against the monarchy by helping Ulysses Klaue (played by Andy Serkis in Black Panther) attack the nation.

Mixing interviews with real life locals with a sardonic narrative that would do the Coens proud (comparisons to «Fargo» are apt), the movie is a concise, quick - moving breeze, anchored by the impressive, dialed down, yet distinctly fey, mannered and oddball pitch Black brings to the title character.

For the most part all the characters are one dimensional at best (for instance, Anthony Mackie's character is defined by these facts: 1) He's a cop, 2) he's black 3) he's good with a knife.

Films that might have fit this putative strand included the charming but overlong Timeless Stories, co-written and directed by Vasilis Raisis (and winner of the Michael Cacoyannis Award for Best Greek Film), a story that follows a couple (played by different actors at different stages of the characters» lives) across the temporal loop of their will - they, won't - they relationship from childhood to middle age and back again — essentially Julio Medem - lite, or Looper rewritten by Richard Curtis; Michalis Giagkounidis's 4 Days, where the young antiheroine watches reruns of Friends, works in an underpatronized café, freaks out her hairy stalker by coming on to him, takes photographs and molests invalids as a means of staving off millennial ennui, and causes ripples in the temporal fold, but the film is as dead as she is, so you hardly notice; Bob Byington's Infinity Baby, which may be a «science - fiction comedy» about a company providing foster parents with infants who never grow up, but is essentially the same kind of lame, unambitious, conformist indie comedy that has characterized U.S. independent cinema for way too long — static, meticulously framed shots in pretentious black and white, amoral yet supposedly lovable characters played deadpan by the usual suspects (Kieran Culkin, Nick Offerman, Megan Mullally, Kevin Corrigan), reciting apparently nihilistic but essentially soft - center dialogue, jangly indie music at the end, and a pretty good, if belated, Dick Cheney joke; and Petter Lennstrand's loveably lo - fi Up in the Sky, shown in the Youth Screen section, about a young girl abandoned by overworked parents at a sinister recycling plant, who is reluctantly adopted by a reconstituted family of misfits and marginalized (mostly puppets) who are secretly building a rocket — it's for anyone who has ever loved the Tintin moon adventures, books with resourceful heroines, narratives with oddball gangs, and the legendary episode of Angel where David Boreanaz turned into a Muppet.

Kane, who perhaps not coincidentally bears the same name as John Hurt's character in «Alien,» then coughs up blood, and is taken away in an ambulance, which is forced off the road by black SUVs, full of men who snatch him, drug Lena and whisk them off to a secret locale deep in the heart of a conspiracy.

The 25 - year - old triggered controversy after she showed up at the Beverly Hills bash as «Crazy Eyes,» a character played by Uzo Aduba in the hit Netflix drama Orange Is the New Black.