Striking bathroom with ivory double sink vanity with open shelving paired with a white counter which highlights dual porcelain sinks with modern faucets below wood mirrors illuminated
by black enamel wall sconces framed by white and beige horizontal striped walls over light tiled floors layered with jute herringbone rugs.
Isabel Marant sets the style agenda, with the cool glint of stainless steel tempered
by black enamel, in a second watch from the Paris label.
Not exact matches
Vintage
black leather belt with goldtone and
enamel hearts
by Escada.
The traditional compass and square symbols are set on
black enamel, surrounded
by captivating cubic zirconia stones.
Painted over an 8 week process in the exclusive «Fly
By Night» exterior finish with «
Black Night» fading racing stripe, Speedback Silverstone Edition is finished with monotone
enamelled badging and unique exterior brightware finished in an aircraft - inspired brushed chrome.
2015 raised the benchmark for the Sport modified
by Overfinch, with the introduction of the Carbon Fibre Front Grille, Jewelled
Black Chrome Lettering &
Enamel «Blade».
This Vanquish is loaded with: Navigation, Neiman Marcus Christmas Book exclusive edition (Seychelles Blue Exterior Paint, 20 - spoke lightweight alloy wheels with Liquid Silver finish, bright finish front grille, Magnum Silver meshes, bright finish tailpipes, Blue brake calipers, Multi-layer fabric convertible hood in Atlantic Blue, Sterling Silver and Flux
Enamel wing badges,
Black and White Onyx «Q
by Aston Martin» badges, handcrafted interior, Obsidian
Black deep soft semi-aniline leather, soft semi-aniline leather seats with Aurora Blue welt, Aurora Blue contrast stitching, hourglass quilted seat accent matched to leather thread, quilted door insert with Aurora Blue welt, Obsidian
Black carpet with Aurora Blue binding, Ivory Roekona headlining with Ivory Alcantara, Obsidian
Black One - 77 style steering wheel with Aurora Blue contrast stitch,
Black gearshift paddles with Aurora Blue leather tips, «Vanquish» embroidered on headrests, Satin Chrome instrument dials and controls, Walnut veneer fascia trim, more), umbrella in trunk, first aid kit and more.
At the start is the deathly glamour of Stella's
Black Paintings — bands in matte
enamel, separated
by fuzzy pinstripes of nearly bare canvas — which shocked everyone with their dour simplicity when they appeared in a show at the Museum of Modern Art, in 1959.
Pensato: I'm probably brain dead
by now from using
black and white
enamel.
It may mean something that almost all the abstract painting in the show is
by women, from Ulrike Müller's small geometric
enamel - on - steel pictures, as precious as antique cameos, to Nancy Brooks Brody's
black - and - white grids radiant with half - hidden color.
Some of those I'd been most drawn to appeared reduced, hardened and flattened, a little too obvious: the 1973 expanse of white Enamelac on an aluminium base that shows in a thin line down the left - hand side and along the bottom; a row of square pieces from the same year, their fat L - shapes of
black (oxidised copper, apparently) set off
by smaller white baked -
enamel squares; and 1985's Catalyst III, with its steel bolts and thin, intermittent lines of
black enamel seeming to divide the aluminium base and contain it in a pointedly incomplete frame.
I used
black enamel on raw canvas because I liked the way the paint was absorbed
by the cotton duck — and it was cheap!
The exhibition will explore Pollock's practice via a selection of paintings made between 1947 and 1949; these works will serve to contextualize the radical departure represented
by the
black paintings, a series of
black enamel and oil paintings that Pollock created between 1951 and 1953.
This new series of
black and white,
enamel paintings is inspired
by the artist's interest in the pictographs of the San Diego tribe of San Luiseño Indians and his study of the brightly painted family compounds found in Cameroon, Africa.
Temporary Construction To Hidden Obligations is a structure of
black -
enamelled sheet steel that makes a witty yet respectful reference to the work Twenty Four Hours (1960)
by Anthony Caro.
The
black pourings were first exhibited at Betty Parsons Gallery, New York, in 1951; a series of
black enamel and oils, they have been described
by art historian Michael Fried as bringing the artist to «the verge of an entirely new and different kind of painting... of virtually limitless potential.»
Painting in 1950, this 18 -
by -24-inch Sapolin
enamel on paper reflects the artist's decision in the late 1940s to eliminate «color from his palette in order to focus on line, form and imagery» resulting in «the birth of a confident and energetic synthesis of abstraction, biomorphic forms and gestural «action painting»... The
black and white abstractions also demonstrate the crucial relationship between drawing and painting in de Kooning's oeuvre.
Lot 48, «Inverted Q A.P. I / II,» is a marvelous six - foot - high sculpture in cast resin painted with glossy
black urethane
enamel by Claes Oldenburg (b. 1929) that is very beautiful and impressive and has a conservative high estimate of $ 300,000.
Wool's 8 - foot - high
enamel - on - aluminum painting, offered
by an unnamed European collection, reads «If you can't take a joke you can get the fuck out of my house» in the artist's trademark
black block letters.
Then, the exhibit moves into the
black paintings, a series of
black enamel paintings created
by Pollock between 1951 and 1953.
Rudolf Stingel, Untitled (# 4), 1989 Oil and
enamel on
black and white photograph Image size: 7 5/8 x 9 5/8 inches Frame size: 18 1/2 x 14 1/4 inches February 20 — March 21, 2009 Paula Cooper Gallery presents an exhibition of new work
by internationally acclaimed artist Rudolf Stingel.
It was after this, that Wool took up painting professionally, achieving a breakthrough around 1986 - 7 with his «Pattern Paintings», made
by using paint rollers incised with abstract designs so as to transfer patterns in
black enamel to a white canvas.
Enamel on chrome coat paper works
by Izhar Patkin — Virtue and Village from The
Black Paintings and Night at the Balagany.
A circular
black enamel canvas from the tragically deceased artist Steven Parrino counters the
black window display cases of perfume bottles, toilet cleaners, and a Joseph Beuys type white hare holding a twirling protest sign, «Oui or No,»
by Josephine Meckseper.
They saw her recent painting «Mountains and Sea,» which expanded on the implications suggested
by Pollock's 1951
black enamel works.
Each station will have its own unique Labyrinth design, emblazoned in
black and white on a single 600 mm ² vitreous
enamel panel, located in a prominent position, representing the journey through the network taken
by millions of individuals each year from that place.
By using a little
black enamel paint laying around and some espresso metallic paint I already had I was able to get some great variations in the paint color
This pair of adjustable floor lamps
by the noted designer Robert Sonneman feature a base in textured
black enamel steel with an adjustable chrome stem with a chrome ball fitted for a...